Catania

San Benedetto: a treasure reopened to the public

The church of San Benedetto (St. Benedict) is part of a larger complex including the monastery and a small church where the MACS (Museo Arte Contemporanea Sicilia, Sicily Contemporary Art Museum) is now located.foto del prospetto
It was also part of the reorganisation after the earthquake in 1693.
In fact, the Benedictine monastery originally had only one church, the second (home to the museum) was part of the old convent of Santa Maddalena (St. Magdalene), which were connected by an arch in 1704. The church was rebuilt in a few years (1704-1713) and dedicated to St. Benedict of Nursia .
foto arco d’unione foto monastero da via crociferi inquadrando l’arco d’unione
The façade of the church on Via dei Crociferi is tall and majestic and separated from the street by a wrought iron gate. The gate is divided horizontally into three levels: in the first there is the access portal; in the second there is a louvre window with a balcony; and the same layout is also repeated on the final level which completes the façade with a triangular structure.
For the decoration some architectural elements were used creatively; one example includes the structures on the first level that divide the façade vertically and are formed by a half column, on which a pilaster strip then another half column are placed.
foto gradinata dal basso verso l'alto foto dettaglio statue angeli
The entrance is up a spectacular staircase; the church has a single nave nave and is illuminated by the six large windows on the vault and the chandeliers resting on the trabeation .
The polychrome marble floor is the only remnant of the 17th-century church and was recovered from the ruins of the earthquake.

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the Church of Santa Chiara

The Barresi-Branciforte lords

The Baroque town by the sea

The wall comes to life

Two illustrious patron saints

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Giuliano ai Crociferi

St. Agatha and the giant candelabras

The Infiorata, a feast of colours and flowers

Wonderful quick decorations

From St. Thomas to St. Joseph

Baroque and the loss of equilibrium in the 16th century

Palazzo Nicolaci di Villadorata, who is the architect?

A small room with a golden entrance

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

The theatre of taste

Some prestigious works

Discovering the mother church

A hall for the feasts

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

San Benedetto: a treasure reopened to the public

The senses tell the story of the church of San Giuseppe

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

Many owners, one palace

Fontana della Ninfa Zizza, public water in the town

The Maiolica of the staircase

A new site for a new city

The city of museums

The senses tell the Cathedral of Sant’Agata

A feast only for Scicli

The internal colours

From International Gothic to present day

The façade used as a puppet theatre

Feasting in Palazzolo

San Nicolò l’Arena: an unfinished church

A new site for a new church

A majestic and luminous church

The senses tell the story of the staircase of Santa Maria del Monte

The interior and its masterpieces

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

Searching for colour

An eagle-shaped city

The Burgos crucifix

One city, two sites

Corbels: a celebration of the Nicolaci family

The role of the religious orders in rebuilding the Val di Noto

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Garden of Novices and the restorations by Giancarlo De Carlo

Rosario Gagliardi, the maestro of the Val di Noto

Modica, a city with ancient origins

The colours of the cathedral

The senses tell the story of the church of San Giovanni Battista

The senses tell the story of the Church of San Giovanni Evangelista

A symbol for the town

The disastrous earthquake

Limestone, the colour of harmony

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The character of Badia Sant’Agata

A design by Vincenzo Sinatra

The Benedictine Monastery, one of the largest in Europe

A half-Baroque church

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Nicolaci

A talking palace

The senses tell the story of the Badia di Sant’Agata

Places of knowledge: the Benedictines’ library

The senses tell the story of the Church of San Sebastiano

A square as the heart of the city

The senses tell the story of the Church of Santa Chiara

A miniature city

Connections with other UNESCO sites

The chocolate of Modica

The senses tell about Palazzo La Rocca

Norman apses

The two churches

Prominent façade

The Staircase of Angels

Some masterpieces

A prominent church

A museum to save a tradition

Feast days

One city, three sites

A triumph of colour

The senses tell the story of the church of Santa Maria del Carmelo

A Nobel Prize in Modica

A city in colour

A long reconstruction

Between white and black

A new entrance for Santa Chiara (St. Claire)

The Feast of San Giacomo (St. James)

New roads for Catania

The Supernatural dimension of the chapel of the Santissimo Sacramento

From the contrast of the exterior to the internal jubilation of colours

A colourful floor

The cathedral of Sant’Agata: a lengthy reconstruction

The church of Carmine

A new palace for the La Rocca lords