Catania

San Benedetto: a treasure reopened to the public

The church of San Benedetto (St. Benedict) is part of a larger complex including the monastery and a small church where the MACS (Museo Arte Contemporanea Sicilia, Sicily Contemporary Art Museum) is now located.foto del prospetto
It was also part of the reorganisation after the earthquake in 1693.
In fact, the Benedictine monastery originally had only one church, the second (home to the museum) was part of the old convent of Santa Maddalena (St. Magdalene), which were connected by an arch in 1704. The church was rebuilt in a few years (1704-1713) and dedicated to St. Benedict of Nursia .
foto arco d’unione foto monastero da via crociferi inquadrando l’arco d’unione
The façade of the church on Via dei Crociferi is tall and majestic and separated from the street by a wrought iron gate. The gate is divided horizontally into three levels: in the first there is the access portal; in the second there is a louvre window with a balcony; and the same layout is also repeated on the final level which completes the façade with a triangular structure.
For the decoration some architectural elements were used creatively; one example includes the structures on the first level that divide the façade vertically and are formed by a half column, on which a pilaster strip then another half column are placed.
foto gradinata dal basso verso l'alto foto dettaglio statue angeli
The entrance is up a spectacular staircase; the church has a single nave nave and is illuminated by the six large windows on the vault and the chandeliers resting on the trabeation .
The polychrome marble floor is the only remnant of the 17th-century church and was recovered from the ruins of the earthquake.

Wonderful quick decorations

Places of knowledge: the Benedictines’ library

A small room with a golden entrance

One city, two sites

A city in colour

A colourful floor

The Baroque town by the sea

The façade used as a puppet theatre

The Burgos crucifix

The interior and its masterpieces

A majestic and luminous church

The Barresi-Branciforte lords

The role of the religious orders in rebuilding the Val di Noto

The senses tell the Benedictine Monastery and San NicoIò l’Arena

A design by Vincenzo Sinatra

A new site for a new church

Searching for colour

The senses tell the story of the staircase of Santa Maria del Monte

The senses tell the story of the Church of San Giovanni Evangelista

The chocolate of Modica

The senses tell the story of the church of Santa Maria del Carmelo

An eagle-shaped city

The city of museums

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

The senses tell the story of the Church of Santa Chiara

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

A talking palace

The kitchen, a treasure chest of colours

The character of Badia Sant’Agata

The senses tell the story of the church of San Giovanni Battista

The Benedictine Monastery, one of the largest in Europe

A square as the heart of the city

Some prestigious works

San Nicolò l’Arena: an unfinished church

The colours of the cathedral

The senses tell the story of the Church of San Benedetto

The cathedral of Sant’Agata: a lengthy reconstruction

St. Sebastian, so much work!

Militello, the story of an enlightened fiefdom

Modica, a city with ancient origins

The senses tell the story of the Church of the Annunciation

The theatre of taste

San Benedetto: a treasure reopened to the public

The Maiolica of the staircase

The wall comes to life

Garden of Novices and the restorations by Giancarlo De Carlo

Many owners, one palace

Discovering the mother church

Two illustrious patron saints

The internal colours

The church of Carmine

Between white and black

Some masterpieces

Fontana della Ninfa Zizza, public water in the town

From International Gothic to present day

St. Agatha and the giant candelabras

The senses tell the story of the Church of San Giuliano ai Crociferi

A prominent church

A miniature city

The senses tell the Cathedral of Sant’Agata

A museum to save a tradition

Norman apses

A hall for the feasts

A new entrance for Santa Chiara (St. Claire)

Feasting in Palazzolo

A feast only for Scicli

Limestone, the colour of harmony

Feast days

The senses tell about Palazzo Nicolaci

The senses tell the story of the Church of Santa Chiara

The Feast of San Giacomo (St. James)

Prominent façade

A new palace for the La Rocca lords

The senses tell about Palazzo Napolino Tommasi Rosso

From the contrast of the exterior to the internal jubilation of colours

Corbels: a celebration of the Nicolaci family

A long reconstruction

The senses tell about Palazzo La Rocca

The senses tell the story of the Church of San Sebastiano

A symbol for the town

The Staircase of Angels

The senses tell the story of the Badia di Sant’Agata

One city, three sites

From St. Thomas to St. Joseph

Connections with other UNESCO sites

New roads for Catania

The Supernatural dimension of the chapel of the Santissimo Sacramento

The disastrous earthquake

A Nobel Prize in Modica

A half-Baroque church

A new site for a new city

Rosario Gagliardi, the maestro of the Val di Noto

Palazzo Nicolaci di Villadorata, who is the architect?

The senses tell the story of the church of San Giuseppe

A triumph of colour

The Infiorata, a feast of colours and flowers

Baroque and the loss of equilibrium in the 16th century

The two churches

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque