Catania

The Benedictine Monastery, one of the largest in Europe

Located on the hill of Montevergine is one of the city’s largest complexes and the second largest monastic complex in Europe.
Benedictine monastery of Catania has a very long history marked by the passage of time (one testimony includes the remains of a Roman domus, or house), civilisations and natural disasters which have made it one of the most resistant and richest cultural sites on the entire island.
Founded by the monks of Cassino in the 16th century, when the west cloister was constructed, with the large Carrara marble fountain completed in 1608, most of the rooms were used for monastery life: the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour. foto d'insiemeDuring the eruption of 1669 the monastery was hit by magma that surrounded the building: it burst through the walls and reached the first-storey windows.
Traces of the exceptional lava flow are still visible along the retaining walls, which were built specially to divert it. In 1693 the monastery was hit by the great earthquake and suffered serious damage.
The new design involved the construction of four large courtyards that would make it the largest in the world, but only two were completed: the cloister with the fountain and one in the east where the caffeaos (coffee house) was placed.

foto caffeaos foto Coffeaos da dentro la struttura
The structure was reminiscent of a gazebo, made with white stone featuring an interesting decoration in colourful maiolica with an abstract design.

One city, three sites

The character of Badia Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

St. Agatha and the giant candelabras

The Burgos crucifix

The senses tell the story of the Church of Santa Chiara

Prominent façade

A new entrance for Santa Chiara (St. Claire)

Many owners, one palace

Discovering the mother church

The Supernatural dimension of the chapel of the Santissimo Sacramento

The senses tell the story of the staircase of Santa Maria del Monte

The façade used as a puppet theatre

Limestone, the colour of harmony

New roads for Catania

The senses tell about Palazzo Napolino Tommasi Rosso

The senses tell the story of the church of San Giovanni Battista

From International Gothic to present day

The senses tell the Mother Church of San Nicolò and of the Santissimo Salvatore

A small room with a golden entrance

The senses tell the story of the Church of the Annunciation

The senses tell the Cathedral of Sant’Agata

Fontana della Ninfa Zizza, public water in the town

The role of the religious orders in rebuilding the Val di Noto

Rosario Gagliardi, the maestro of the Val di Noto

The senses tell the story of the Church of Santa Chiara

A feast only for Scicli

The senses tell about Palazzo La Rocca

From the contrast of the exterior to the internal jubilation of colours

Modica, a city with ancient origins

Norman apses

The Infiorata, a feast of colours and flowers

The church of Carmine

A design by Vincenzo Sinatra

The senses tell the story of the church of San Giuseppe

Wonderful quick decorations

The senses tell the story of the Church of San Sebastiano

A talking palace

The senses tell the story of the church of Santa Maria del Carmelo

Corbels: a celebration of the Nicolaci family

A city in colour

Some prestigious works

Palazzo Nicolaci di Villadorata, who is the architect?

An eagle-shaped city

A miniature city

Church of San Giuliano (St. Julian) on Via dei Crociferi: reconstruction

One city, two sites

A new site for a new city

A new site for a new church

San Benedetto: a treasure reopened to the public

A square as the heart of the city

The senses tell the story of the Church of San Giovanni Evangelista

Baroque and the loss of equilibrium in the 16th century

The wall comes to life

A hall for the feasts

The kitchen, a treasure chest of colours

The senses tell the story of the Church of San Benedetto

The Staircase of Angels

A symbol for the town

Places of knowledge: the Benedictines’ library

The Benedictine Monastery, one of the largest in Europe

The internal colours

St. Sebastian, so much work!

Connections with other UNESCO sites

A colourful floor

The Baroque town by the sea

A half-Baroque church

The senses tell the story of the Church of San Giuliano ai Crociferi

Some masterpieces

Two illustrious patron saints

The cathedral of Sant’Agata: a lengthy reconstruction

The Maiolica of the staircase

The two churches

A Nobel Prize in Modica

A new palace for the La Rocca lords

A museum to save a tradition

The colours of the cathedral

The city of museums

The theatre of taste

A prominent church

Searching for colour

A triumph of colour

A long reconstruction

The Barresi-Branciforte lords

The disastrous earthquake

The senses tell the story of the Badia di Sant’Agata

The senses tell about Palazzo Nicolaci

From St. Thomas to St. Joseph

Freedom of worship and the role of the Catholic Church in the diffusion of Baroque

San Nicolò l’Arena: an unfinished church

Between white and black

The Feast of San Giacomo (St. James)

The chocolate of Modica

Feasting in Palazzolo

The senses tell the Benedictine Monastery and San NicoIò l’Arena

The interior and its masterpieces

Feast days

Militello, the story of an enlightened fiefdom

A majestic and luminous church