Palazzolo Acreide

Virtuosity, decorations and altars

As you climb the scenic staircase that meanders up to the inside of the portico, you are led inside the church where the space with three naves is marked by five powerful arcades and enhanced by the precious vault.

The room expands into the side naves where the precious altars are located, two of which are placed in the side chapels. At the back, almost compressed in its majesty, is the main altar with the powerful Solomonic columns in polychrome marble that emerge from the apse.Your gaze is carried upwards above the entrance, where you can see the organ. One of the largest in the town, the organ is located on the upper balcony painted with angels, like an integral part of the heavenly vault of the ceiling.
 
The highly rich artistic repertoire of excellent workmanship contained in this casket includes works by Giuseppe Crestadoro arranged on various altars. Specifically, the painting of the Conversion of St. Paul , concludes the niche of the main altar where the statue of the patron saint is placed, shown to the public only during festive periods.
Sculpted in 1567 by Vincenzo Lorefice from Ragusa, the statue has a long and tormented history.
With the earthquake of 1693 it suffered so much serious damage to the face that its head was completely rebuilt. In the following centuries, it underwent preservation and embellishments that may have altered its original appearance.
 

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The Church of St. Francis

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A heritage of votive works

Art in the cathedral

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Palazzo della Cancelleria: from former stable to the Nicastro family

The Monastery of the Benedictine nuns

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The Duomo di San Giorgio (Cathedral of St. George)

A casket of precious works

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Altars, saints and sculptural works

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The city within the city

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The Church of Madonna della Stella

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Militello: The story of an enlightened fiefdom

The Monte delle Prestanze in the new city layout

Scenography and devotion for St. Agatha

Rebirth and urban planning of the city of Noto

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The Madonna dei Conadomini and the art of devotion

Unusual iconographies: the Burgos crucifix

The Benedictines’ library

The senses tell the Church of San Domenico

Luminous sacred spaces

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The city palace

St. Agatha and the candelore

The dynamics of the Church of San Michele

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The senses tell the story of the Church of Santa Maria del Monte

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Palazzo dei due mori

One city, three sites

Scenography, lights and colours of the cathedral

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Ducezio

The articulated interior spaces

The senses tell the story of the Church of San Benedetto

The Church of St. Benedict

Expanded spaces, stucco and colourful lights

A Nobel Prize in Modica

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The senses tell the Church of San Michele

Madonna of the Militia: a singular warrior virgin

The palace, the town, the church

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Palazzo Trigona di Canicarao

Reconstruction after the earthquake

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the Cathedral of Sant’Agata

From the end of the world to rebirth from the rubble

The works in the church

Virtuosity, decorations and altars

The art of maiolica