Catania

The new roads of the city

The reconstruction and reorganisation of the streets of Catania was based on some rules including the standard width of around 16, 12 or 8 metres, depending on whether they were main or secondary roads, and a geometric model set on a grid that was not rigidly orthogonal ), but conducted by four main road axes.
These axes were Via Etnea, Via San Giuliano, Via Vittorio Emanuele and Via Giuseppe Garibaldi.
Via Etnea was designed to create a long, straight road starting from Piazza Duomo and crossing with Via San Giuliano. To date, it still connects the Montevergine district to the sea, intersecting with it to form the scenic crossroads of the “ Quattro Canti ” square.
San Giuliano
The other two road axes built, Via Vittorio Emanuele and Via Giuseppe Garibaldi, today link Piazza Duomo, the heart of the city, to the old city.
via Vittorio Emanuele via Garibaldi piazza Duomo
Another fundamental axis, though smaller in size, is Via dei Crociferi, a road just over one hundred metres long where Catania’s most representative Baroque examples of churches and convents were built. Work to reorganise the roads was led by labourers from Calabria and around Etna, who were experts in the removal of lava stone blocks.
The new road layout brought great advantages to the city of Catania, not only for the beauty of the new architecture, but also because it facilitated connections and allowed for large, scenic and dynamic spaces to be created where citizens could find safe refuge in the event of an earthquake.

The senses tell the story of the Church of the Badia di Sant’Agata

The expansion of space and changing reality

Baroque and the loss of balance in the 16th century

The senses tell the Cathedral of San Giorgio

One city, three sites

The smallest Greek theatre in the world

The Church of St. Benedict

The dynamics of the Church of San Michele

Militello: The story of an enlightened fiefdom

The senses tell about Palazzo Zacco

The Staircase of Angels

The works in the church

Views denied, views conquered: the power of the devout Benedictines

The church and the college

Altars, saints and sculptural works

From the end of the world to rebirth from the rubble

The Church of Madonna della Stella

The illusion of light and the decorative splendour

Palazzo Zacco, a balance between sobriety and decoration

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Rebirth and urban planning of the city of Noto

Madonna of the Militia: a singular warrior virgin

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Beneventano

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of San Carlo and the former Jesuit college

A unifying project for the city of Catania

The senses tell about Palazzo Ducezio

The Badia di Sant’Agata (St. Agatha’s Abbey)

A casket of precious works

The Church of St. Mary of the Mountain

A story of rebirth

The Church of St. Julian on Via dei Crociferi

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The church and the monastery

The eagle-shaped city

The city of Modica, a balance between nature and urbanism

Virtuosity, decorations and altars

The Monte delle Prestanze in the new city layout

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Expanded spaces, stucco and colourful lights

The senses tell the Church of San Michele

The neo-Gothic seminary chapel: symbols, light and space

The new roads of the city

The Antonino Uccello Birthplace Museum

Majestic exteriors, grandiose interiors

The Benedictines’ library

The triumph of Baroque: expansion of spaces

The Duomo di San Giorgio (Cathedral of St. George)

The city palace

Palazzo Trigona: a building with a complex shape

The Church of St. Paul

Unusual iconographies: the Burgos crucifix

The Monastery of the Benedictine nuns

Reconstruction after the earthquake

The Church of St. Francis

San Domenico and Gagliardi’s work

A heritage of votive works

Akrai and Syracuse: an unbreakable bond

The Franciscan convent

The city within the city

The Infiorata of Noto, a modern tradition

City and nature

St. Agatha and the candelore

The senses tell about Palazzo Trigona

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Verticality and dynamism of the façade of the Church of San Carlo

The palace, the town, the church

The Palazzo dei due mori

Scenography, lights and colours of the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Palazzo Trigona di Canicarao

The art of maiolica

The senses tell the story of the Church of San Benedetto

The casket of austerity under the great dome

Luminous sacred spaces

The beginning of an authentic Baroque conception

The Church of St. John the Evangelist

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

Scenography and devotion for St. Agatha

Scicli, the city of Baroque scenery

A stone garden

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Cathedral of San Giorgio

The senses tell of Palazzo della Cancelleria

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A new site for the church of San Giorgio

The interiors: diffused light and Byzantine relics

Garden of Novices and the restorations by Giancarlo De Carlo

The interior and works of art

The interior of the church: space and colour

The Madonna dei Conadomini and the art of devotion

Religious architecture

The senses tell of the Cathedral of San Pietro

The two churches

Art in the cathedral

Expansion, spatiality and light in the church of San Domenico

A Nobel Prize in Modica

Baroque creativity: recurring themes

The senses tell the Church of San Domenico

The articulated interior spaces