Catania

The Monastery of the Benedictine nuns

The Benedictine Monastery is located on the hill of Montevergine and is one of the city’s largest complexes. Today it is still considered the second largest monastic complex in Europe.
A very long history marked by the passage of time (a testimony of which are the remains of the Roman domus, or house, with the remains of a mosaic floor), civilisations and natural disasters that have made it one of the most resilient and richest cultural sites on the entire island.
It was founded by the monks of Cassino in the 16th century, when the western cloister was constructed, with the large Carrara marble quatrefoil fountain completed in 1608, as well as most of the rooms used for monastery life including the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour.
With the eruption of 1669, the monastery was hit by magma that surrounded the building’s walls and reached the first-storey windows. Traces of the lava flow are still visible along the retaining walls, which were built especially to divert it. In 1693 it was hit by the great earthquake and suffered serious damage.
The new monastery design included the construction of four large courtyards that would make it the largest in the world, but only two were completed, extending it by around 1450 square metres.
portale ingresso
The decision to increase the spaces allowed for the construction of the cloister of Levante where the eclectic and elegant Caffeaos was inserted.
The two external elevations, south and east, are late Baroque, marked by giant pilasters with diamond rustication and crowned with Corinthian capitals . There are windows and balconies adorned with a series of volutes, flowers, masks and nymphs.
Among these is the austere neoclassical portal of the main entrance, a late 18th-century modification.

 

The church and the college

The senses tell the Cathedral of San Giorgio

Palazzo Zacco, a balance between sobriety and decoration

Views denied, views conquered: the power of the devout Benedictines

The Palazzo dei due mori

The senses tell the story of the Church of San Benedetto

The works in the church

The Church of St. Francis

Virtuosity, decorations and altars

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The new roads of the city

A Nobel Prize in Modica

Fountain of the Nymph Zizza: public water in the town

The Benedictines’ library

Expanded spaces, stucco and colourful lights

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Palazzo della Cancelleria: from former stable to the Nicastro family

Madonna of the Militia: a singular warrior virgin

The senses tell the story of the Church of San Carlo and the former Jesuit college

A compromise between Neoclassicism and Baroque

Garden of Novices and the restorations by Giancarlo De Carlo

A story of rebirth

The senses tell about Palazzo Ducezio

The Church of St. Julian on Via dei Crociferi

The expansion of space and changing reality

From the end of the world to rebirth from the rubble

Art in the cathedral

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the Church of San Domenico

The Staircase of Angels

Scicli, the city of Baroque scenery

The senses tell the story of the Church of Santa Maria del Monte

A casket of precious works

Verticality and dynamism of the façade of the Church of San Carlo

The Church of St. Paul

The senses tell the story of the Church of San Giovanni Evangelista

The Infiorata of Noto, a modern tradition

The Church of St. Benedict

Scenography, lights and colours of the cathedral

Rebirth and urban planning of the city of Noto

The Madonna dei Conadomini and the art of devotion

Palazzo Trigona: a building with a complex shape

The Antonino Uccello Birthplace Museum

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The interiors: diffused light and Byzantine relics

The Monastery of the Benedictine nuns

The beginning of an authentic Baroque conception

Baroque creativity: recurring themes

The city of Modica, a balance between nature and urbanism

The city within the city

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of Sant’Agata

The dynamics of the Church of San Michele

Luminous sacred spaces

The senses tell about Palazzo Trigona

The triumph of Baroque: expansion of spaces

The articulated interior spaces

Altars, saints and sculptural works

Militello: The story of an enlightened fiefdom

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Monte delle Prestanze in the new city layout

Religious architecture

Reconstruction after the earthquake

The palace, the town, the church

One city, three sites

The senses tell the story of the Church of San Paolo

The senses tell the Church of San Michele

A heritage of votive works

A stone garden

Scenography and devotion for St. Agatha

The interior and works of art

The art of maiolica

Akrai and Syracuse: an unbreakable bond

City and nature

The senses tell about Palazzo Zacco

The Church of Madonna della Stella

The eagle-shaped city

The senses tell the story of the Church of the Badia di Sant’Agata

San Domenico and Gagliardi’s work

The casket of austerity under the great dome

The Church of St. Mary of the Mountain

The city palace

The senses tell the Cathedral of San Giorgio

The Badia di Sant’Agata (St. Agatha’s Abbey)

Unusual iconographies: the Burgos crucifix

Baroque and the loss of balance in the 16th century

Expansion, spatiality and light in the church of San Domenico

The Duomo di San Giorgio (Cathedral of St. George)

Palazzo Trigona di Canicarao

The interior of the church: space and colour

The smallest Greek theatre in the world

The Franciscan convent

The two churches

The illusion of light and the decorative splendour

A unifying project for the city of Catania

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The church and the monastery

Majestic exteriors, grandiose interiors

A new site for the church of San Giorgio

The Church of St. John the Evangelist

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Beneventano

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell of the Cathedral of San Pietro

St. Agatha and the candelore