Catania

The Monastery of the Benedictine nuns

The Benedictine Monastery is located on the hill of Montevergine and is one of the city’s largest complexes. Today it is still considered the second largest monastic complex in Europe.
A very long history marked by the passage of time (a testimony of which are the remains of the Roman domus, or house, with the remains of a mosaic floor), civilisations and natural disasters that have made it one of the most resilient and richest cultural sites on the entire island.
It was founded by the monks of Cassino in the 16th century, when the western cloister was constructed, with the large Carrara marble quatrefoil fountain completed in 1608, as well as most of the rooms used for monastery life including the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour.
With the eruption of 1669, the monastery was hit by magma that surrounded the building’s walls and reached the first-storey windows. Traces of the lava flow are still visible along the retaining walls, which were built especially to divert it. In 1693 it was hit by the great earthquake and suffered serious damage.
The new monastery design included the construction of four large courtyards that would make it the largest in the world, but only two were completed, extending it by around 1450 square metres.
portale ingresso
The decision to increase the spaces allowed for the construction of the cloister of Levante where the eclectic and elegant Caffeaos was inserted.
The two external elevations, south and east, are late Baroque, marked by giant pilasters with diamond rustication and crowned with Corinthian capitals . There are windows and balconies adorned with a series of volutes, flowers, masks and nymphs.
Among these is the austere neoclassical portal of the main entrance, a late 18th-century modification.

 

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The city within the city

The Church of St. Benedict

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The Church of St. Francis

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A Nobel Prize in Modica

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The triumph of Baroque: expansion of spaces

The Monte delle Prestanze in the new city layout

Piazza Duomo, the elephant fountain, the heart of the city

The articulated interior spaces

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The dynamics of the Church of San Michele

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One city, three sites

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The beginning of an authentic Baroque conception

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Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

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Garden of Novices and the restorations by Giancarlo De Carlo

The interior of the church: space and colour

The art of maiolica

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Akrai and Syracuse: an unbreakable bond

Religious architecture

From the end of the world to rebirth from the rubble

The church and the monastery

Art in the cathedral

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The two churches

City and nature

The senses tell about Palazzo Ducezio

The Palazzo dei due mori

The new roads of the city

A unifying project for the city of Catania

The senses tell the story of the Church of Santa Maria del Monte

The illusion of light and the decorative splendour

Militello: The story of an enlightened fiefdom

A heritage of votive works

The expansion of space and changing reality

The Church of St. Mary of the Mountain

The Monastery of the Benedictine nuns

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Reconstruction after the earthquake

Luminous sacred spaces

The Franciscan convent

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The senses tell the Cathedral of San Giorgio

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The Church of St. Julian on Via dei Crociferi

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Expanded spaces, stucco and colourful lights

St. Agatha and the candelore

The city palace

The smallest Greek theatre in the world

Scenography and devotion for St. Agatha

Madonna of the Militia: a singular warrior virgin

The palace, the town, the church

Views denied, views conquered: the power of the devout Benedictines

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A casket of precious works

The Benedictines’ library

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The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Scicli, the city of Baroque scenery

The senses tell the Cathedral of Sant’Agata

Expansion, spatiality and light in the church of San Domenico

Verticality and dynamism of the façade of the Church of San Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

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A stone garden

The church and the college

The eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Paolo

The works in the church

Scenography, lights and colours of the cathedral

The senses tell about Palazzo Trigona

The Infiorata of Noto, a modern tradition

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Staircase of Angels