Catania

The Monastery of the Benedictine nuns

The Benedictine Monastery is located on the hill of Montevergine and is one of the city’s largest complexes. Today it is still considered the second largest monastic complex in Europe.
A very long history marked by the passage of time (a testimony of which are the remains of the Roman domus, or house, with the remains of a mosaic floor), civilisations and natural disasters that have made it one of the most resilient and richest cultural sites on the entire island.
It was founded by the monks of Cassino in the 16th century, when the western cloister was constructed, with the large Carrara marble quatrefoil fountain completed in 1608, as well as most of the rooms used for monastery life including the kitchens, the basement cellars, the monks’ cells over two floors, the refectory and the parlour.
With the eruption of 1669, the monastery was hit by magma that surrounded the building’s walls and reached the first-storey windows. Traces of the lava flow are still visible along the retaining walls, which were built especially to divert it. In 1693 it was hit by the great earthquake and suffered serious damage.
The new monastery design included the construction of four large courtyards that would make it the largest in the world, but only two were completed, extending it by around 1450 square metres.
portale ingresso
The decision to increase the spaces allowed for the construction of the cloister of Levante where the eclectic and elegant Caffeaos was inserted.
The two external elevations, south and east, are late Baroque, marked by giant pilasters with diamond rustication and crowned with Corinthian capitals . There are windows and balconies adorned with a series of volutes, flowers, masks and nymphs.
Among these is the austere neoclassical portal of the main entrance, a late 18th-century modification.

 

The two churches

Virtuosity, decorations and altars

The interior of the church: space and colour

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell about Palazzo Beneventano

A heritage of votive works

The senses tell the Cathedral of Sant’Agata

The triumph of Baroque: expansion of spaces

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church and the monastery

The palace, the town, the church

The Church of Madonna della Stella

The senses tell the story of the Church of San Carlo and the former Jesuit college

A compromise between Neoclassicism and Baroque

Reconstruction after the earthquake

Expanded spaces, stucco and colourful lights

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Staircase of Angels

Scicli, the city of Baroque scenery

The Palazzo dei due mori

Art in the cathedral

The Church of St. Mary of the Mountain

Expansion, spatiality and light in the church of San Domenico

The Antonino Uccello Birthplace Museum

The illusion of light and the decorative splendour

A unifying project for the city of Catania

Piazza Duomo, the elephant fountain, the heart of the city

Verticality and dynamism of the façade of the Church of San Carlo

The dynamics of the Church of San Michele

From the end of the world to rebirth from the rubble

The senses tell the Church of San Michele

The senses tell about Palazzo Zacco

The Infiorata of Noto, a modern tradition

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Monastery of the Benedictine nuns

The Church of St. Paul

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Giuliano ai Crociferi

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Cathedral of San Giorgio

The city within the city

The Church of St. John the Evangelist

The Church of St. Francis

The senses tell about Palazzo Trigona

A Nobel Prize in Modica

Luminous sacred spaces

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of Santa Maria del Monte

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Paolo

Altars, saints and sculptural works

Scenography, lights and colours of the cathedral

The interior and works of art

The church and the college

The senses tell the story of the Church of San Giovanni Evangelista

A stone garden

The Church of St. Benedict

Fountain of the Nymph Zizza: public water in the town

A story of rebirth

Madonna of the Militia: a singular warrior virgin

The Franciscan convent

The senses tell of the Cathedral of San Pietro

The Duomo di San Giorgio (Cathedral of St. George)

The art of maiolica

The senses tell the story of the Church of the Badia di Sant’Agata

A new site for the church of San Giorgio

City and nature

Militello: The story of an enlightened fiefdom

St. Agatha and the candelore

The eagle-shaped city

The city of Modica, a balance between nature and urbanism

Baroque creativity: recurring themes

Garden of Novices and the restorations by Giancarlo De Carlo

One city, three sites

The senses tell the Church of San Domenico

Akrai and Syracuse: an unbreakable bond

A casket of precious works

The senses tell the story of the Church of San Benedetto

Religious architecture

The city palace

San Domenico and Gagliardi’s work

Baroque and the loss of balance in the 16th century

The casket of austerity under the great dome

The Monte delle Prestanze in the new city layout

Palazzo Trigona di Canicarao

Palazzo Trigona: a building with a complex shape

The articulated interior spaces

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The new roads of the city

The works in the church

The senses tell of Palazzo della Cancelleria

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Rebirth and urban planning of the city of Noto

Majestic exteriors, grandiose interiors

The senses tell the Cathedral of San Giorgio

The smallest Greek theatre in the world

Scenography and devotion for St. Agatha

The beginning of an authentic Baroque conception

Palazzo della Cancelleria: from former stable to the Nicastro family

The expansion of space and changing reality

The Benedictines’ library

The Madonna dei Conadomini and the art of devotion

The interiors: diffused light and Byzantine relics

The neo-Gothic seminary chapel: symbols, light and space