Caltagirone

The Madonna dei Conadomini and the art of devotion

This precious work was brought to Caltagirone by the noble Campochiaro family and donated to the Mother Church at the end of the 16th century.
The work consists of two painted sides, i.e. two icons or “cone“. During celebrations the work would be displayed showing the side of Christ, also called Dominus, hence the name Cona Domini. Whenever the city was struck by natural disasters or other evils, the side of the Virgin was shown so that worshippers could pray to her as they waited for a miracle. The masterpiece was so important and adored by the community that on 10 July 1644, she was declared patron saint of the city by public deed and was crowned with a golden crown on 31st May by Monsignor Luigi Bignami, the same day she is still celebrated today.
The Feast of the Madonna di Conadomini is celebrated in a particularly solemn way culminating in the offering of gifts from the earth following a large procession.
The procession is formed of farmers’ wagons and tractors decorated with rusedda, or bundles of cistus plant, accompanied by the sound of brogne, large seashells turned into sombre-sounding wind instruments.
Preceded by a banner called the triunfu with the sacred image of the Madonna di Conadomini, the procession climbs the 142 steps of the monumental and multicoloured Staircase of St. Mary of the Mountain, which is also coloured by the infiorata , as the city’s solemn and devout homage to its co-patron saint.

The senses tell of Palazzo della Cancelleria

A Nobel Prize in Modica

Palazzo della Cancelleria: from former stable to the Nicastro family

A stone garden

The Duomo di San Giorgio (Cathedral of St. George)

The Infiorata of Noto, a modern tradition

The new roads of the city

The Church of St. Mary of the Mountain

Unusual iconographies: the Burgos crucifix

The Monastery of the Benedictine nuns

Altars, saints and sculptural works

The senses tell the Cathedral of San Giorgio

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Madonna dei Conadomini and the art of devotion

The senses tell of the Cathedral of San Pietro

The city within the city

San Domenico and Gagliardi’s work

The senses tell about Palazzo Trigona

The church and the college

From the end of the world to rebirth from the rubble

A story of rebirth

Verticality and dynamism of the façade of the Church of San Carlo

The Antonino Uccello Birthplace Museum

A compromise between Neoclassicism and Baroque

Religious architecture

A new site for the church of San Giorgio

A unifying project for the city of Catania

The Church of St. Francis

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the Church of San Michele

The art of maiolica

The senses tell the story of the Church of Santa Maria del Monte

Views denied, views conquered: the power of the devout Benedictines

The eagle-shaped city

The Church of Madonna della Stella

The interiors: diffused light and Byzantine relics

One city, three sites

City and nature

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The expansion of space and changing reality

A heritage of votive works

The illusion of light and the decorative splendour

The city of Modica, a balance between nature and urbanism

Piazza Duomo, the elephant fountain, the heart of the city

Expansion, spatiality and light in the church of San Domenico

Virtuosity, decorations and altars

The Badia di Sant’Agata (St. Agatha’s Abbey)

The dynamics of the Church of San Michele

The senses tell the Cathedral of Sant’Agata

Scicli, the city of Baroque scenery

A casket of precious works

The city palace

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of San Giovanni Evangelista

Baroque and the loss of balance in the 16th century

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Baroque creativity: recurring themes

The two churches

The Benedictines’ library

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of San Carlo and the former Jesuit college

Art in the cathedral

Militello: The story of an enlightened fiefdom

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Cathedral of San Giorgio

The interior and works of art

Palazzo Trigona: a building with a complex shape

Scenography and devotion for St. Agatha

The Staircase of Angels

The senses tell the story of the Church of San Giuliano ai Crociferi

The Palazzo dei due mori

Garden of Novices and the restorations by Giancarlo De Carlo

The articulated interior spaces

Rebirth and urban planning of the city of Noto

The palace, the town, the church

Reconstruction after the earthquake

The Monte delle Prestanze in the new city layout

The Church of St. Benedict

The senses tell about Palazzo Zacco

The smallest Greek theatre in the world

Madonna of the Militia: a singular warrior virgin

The senses tell the story of the Church of San Paolo

Palazzo Trigona di Canicarao

Scenography, lights and colours of the cathedral

The senses tell the Church of San Domenico

The works in the church

The Church of St. Julian on Via dei Crociferi

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The beginning of an authentic Baroque conception

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Ducezio

Expanded spaces, stucco and colourful lights

The casket of austerity under the great dome

The Franciscan convent

St. Agatha and the candelore

The senses tell the story of the Church of the Badia di Sant’Agata

The interior of the church: space and colour

The senses tell the story of the Church of San Benedetto

Akrai and Syracuse: an unbreakable bond

Luminous sacred spaces

The Church of St. Paul

The church and the monastery

The Church of St. John the Evangelist

Majestic exteriors, grandiose interiors