Caltagirone

The eagle-shaped city

The city of Caltagirone has very ancient origins; the first traces of settlements date back to the Neolithic age. Thanks to its strategic position on the fertile plain of the Hyblaean mountains, it became a destination for the Normans and the Greeks and Romans before them.
The city, which has always been very active, began its urban renewal even before the catastrophic earthquake of 1693. At the end of the 16th century the city was expanding.
The mother church and the castle were the focal point of the city, but with the construction of new districts it was necessary to build specific connecting roads.
In this way, roads were inserted to connect the area of San Giorgio with that of San Giacomo from east to west, and from north to south between the mother church and the southern quarter.
It was during this time that the extraordinary Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain) and the bridge of San Francesco were built, both highly coveted by the Franciscans. Seen from above, the town’s new configuration was shaped like an eagle: the head was the former castle, the wings the quarters of San Giacomo and San Giorgio, and the tail the quarter of San Francesco.
aerea con drone

The Staircase of Angels

Baroque and the loss of balance in the 16th century

The illusion of light and the decorative splendour

The Benedictines’ library

Scenography and devotion for St. Agatha

The senses tell of the Cathedral of San Pietro

Expanded spaces, stucco and colourful lights

The casket of austerity under the great dome

Scenography, lights and colours of the cathedral

The interior and works of art

The senses tell the story of the Church of San Giovanni Evangelista

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Views denied, views conquered: the power of the devout Benedictines

A compromise between Neoclassicism and Baroque

The Church of St. Francis

The senses tell the story of the Church of the Badia di Sant’Agata

The Monastery of the Benedictine nuns

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell about Palazzo Zacco

The city within the city

The senses tell the story of the Church of San Benedetto

Expansion, spatiality and light in the church of San Domenico

The senses tell the Church of San Michele

The church and the monastery

The church and the college

Militello: The story of an enlightened fiefdom

The Franciscan convent

Garden of Novices and the restorations by Giancarlo De Carlo

The smallest Greek theatre in the world

The Church of St. Julian on Via dei Crociferi

Religious architecture

Baroque creativity: recurring themes

The triumph of Baroque: expansion of spaces

The interior of the church: space and colour

A unifying project for the city of Catania

The Monte delle Prestanze in the new city layout

The city of Modica, a balance between nature and urbanism

The Church of St. John the Evangelist

A heritage of votive works

The senses tell about Palazzo Trigona

The senses tell the story of the Church of Santa Maria del Monte

Fountain of the Nymph Zizza: public water in the town

Unusual iconographies: the Burgos crucifix

St. Agatha and the candelore

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Palazzo della Cancelleria: from former stable to the Nicastro family

The Infiorata of Noto, a modern tradition

The senses tell the Cathedral of San Giorgio

Palazzo Trigona: a building with a complex shape

The city palace

The beginning of an authentic Baroque conception

The senses tell the story of the Church of San Paolo

The new roads of the city

The senses tell about Palazzo Beneventano

A new site for the church of San Giorgio

The interiors: diffused light and Byzantine relics

The Church of Madonna della Stella

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The expansion of space and changing reality

Verticality and dynamism of the façade of the Church of San Carlo

A casket of precious works

The Church of St. Mary of the Mountain

The eagle-shaped city

A Nobel Prize in Modica

One city, three sites

The senses tell the Cathedral of Sant’Agata

Luminous sacred spaces

The Palazzo dei due mori

A story of rebirth

The senses tell the story of the Church of San Carlo and the former Jesuit college

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the Cathedral of San Giorgio

The senses tell of Palazzo della Cancelleria

Madonna of the Militia: a singular warrior virgin

The Church of St. Paul

The two churches

The works in the church

Art in the cathedral

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

City and nature

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

From the end of the world to rebirth from the rubble

Majestic exteriors, grandiose interiors

A stone garden

Virtuosity, decorations and altars

The Church of St. Benedict

The senses tell the Church of San Domenico

Rebirth and urban planning of the city of Noto

Reconstruction after the earthquake

The Madonna dei Conadomini and the art of devotion

The Antonino Uccello Birthplace Museum

Palazzo Zacco, a balance between sobriety and decoration

The senses tell about Palazzo Ducezio

Akrai and Syracuse: an unbreakable bond

Scicli, the city of Baroque scenery

The dynamics of the Church of San Michele

The articulated interior spaces

The Duomo di San Giorgio (Cathedral of St. George)

San Domenico and Gagliardi’s work

The art of maiolica

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Trigona di Canicarao

Altars, saints and sculptural works

The palace, the town, the church

Piazza Duomo, the elephant fountain, the heart of the city