Caltagirone

The eagle-shaped city

The city of Caltagirone has very ancient origins; the first traces of settlements date back to the Neolithic age. Thanks to its strategic position on the fertile plain of the Hyblaean mountains, it became a destination for the Normans and the Greeks and Romans before them.
The city, which has always been very active, began its urban renewal even before the catastrophic earthquake of 1693. At the end of the 16th century the city was expanding.
The mother church and the castle were the focal point of the city, but with the construction of new districts it was necessary to build specific connecting roads.
In this way, roads were inserted to connect the area of San Giorgio with that of San Giacomo from east to west, and from north to south between the mother church and the southern quarter.
It was during this time that the extraordinary Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain) and the bridge of San Francesco were built, both highly coveted by the Franciscans. Seen from above, the town’s new configuration was shaped like an eagle: the head was the former castle, the wings the quarters of San Giacomo and San Giorgio, and the tail the quarter of San Francesco.
aerea con drone

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The church and the monastery

The senses tell the story of the Church of San Giovanni Evangelista

The Church of Madonna della Stella

The senses tell about Palazzo Beneventano

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Trigona di Canicarao

The senses tell the story of the Church of San Carlo and the former Jesuit college

The city palace

The Church of St. Francis

The interiors: diffused light and Byzantine relics

Art in the cathedral

The Church of St. John the Evangelist

The Church of St. Julian on Via dei Crociferi

City and nature

The Antonino Uccello Birthplace Museum

The beginning of an authentic Baroque conception

The senses tell the Cathedral of San Giorgio

The senses tell the Church of San Domenico

The eagle-shaped city

The Church of St. Mary of the Mountain

Militello: The story of an enlightened fiefdom

The interior of the church: space and colour

The city within the city

A casket of precious works

The senses tell the story of the Church of San Paolo

The Infiorata of Noto, a modern tradition

Luminous sacred spaces

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Church of San Michele

A compromise between Neoclassicism and Baroque

Rebirth and urban planning of the city of Noto

The Staircase of Angels

The senses tell about Palazzo Zacco

Akrai and Syracuse: an unbreakable bond

Scenography, lights and colours of the cathedral

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Scenography and devotion for St. Agatha

Baroque creativity: recurring themes

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Giuliano ai Crociferi

The casket of austerity under the great dome

A new site for the church of San Giorgio

Virtuosity, decorations and altars

Baroque and the loss of balance in the 16th century

The Monte delle Prestanze in the new city layout

The Badia di Sant’Agata (St. Agatha’s Abbey)

A stone garden

Unusual iconographies: the Burgos crucifix

The art of maiolica

The new roads of the city

The works in the church

The senses tell the story of the Church of San Benedetto

The church and the college

The senses tell the Cathedral of Sant’Agata

A heritage of votive works

Piazza Duomo, the elephant fountain, the heart of the city

The Monastery of the Benedictine nuns

The two churches

Altars, saints and sculptural works

The expansion of space and changing reality

The interior and works of art

Expanded spaces, stucco and colourful lights

A Nobel Prize in Modica

Palazzo Trigona: a building with a complex shape

The articulated interior spaces

The senses tell the story of the Church of Santa Maria del Monte

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Verticality and dynamism of the façade of the Church of San Carlo

Expansion, spatiality and light in the church of San Domenico

The city of Modica, a balance between nature and urbanism

Majestic exteriors, grandiose interiors

Palazzo Zacco, a balance between sobriety and decoration

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell of the Cathedral of San Pietro

The Madonna dei Conadomini and the art of devotion

A story of rebirth

Reconstruction after the earthquake

The Benedictines’ library

A unifying project for the city of Catania

The senses tell about Palazzo Trigona

St. Agatha and the candelore

The Palazzo dei due mori

The senses tell the story of the Church of the Badia di Sant’Agata

One city, three sites

The senses tell of Palazzo della Cancelleria

Fountain of the Nymph Zizza: public water in the town

The Church of St. Benedict

The Church of St. Paul

The triumph of Baroque: expansion of spaces

San Domenico and Gagliardi’s work

The illusion of light and the decorative splendour

From the end of the world to rebirth from the rubble

Palazzo della Cancelleria: from former stable to the Nicastro family

The Franciscan convent

The dynamics of the Church of San Michele

Religious architecture

Scicli, the city of Baroque scenery

The senses tell the Cathedral of San Giorgio

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The palace, the town, the church

Madonna of the Militia: a singular warrior virgin

The smallest Greek theatre in the world

The neo-Gothic seminary chapel: symbols, light and space

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell about Palazzo Ducezio