Caltagirone

The eagle-shaped city

The city of Caltagirone has very ancient origins; the first traces of settlements date back to the Neolithic age. Thanks to its strategic position on the fertile plain of the Hyblaean mountains, it became a destination for the Normans and the Greeks and Romans before them.
The city, which has always been very active, began its urban renewal even before the catastrophic earthquake of 1693. At the end of the 16th century the city was expanding.
The mother church and the castle were the focal point of the city, but with the construction of new districts it was necessary to build specific connecting roads.
In this way, roads were inserted to connect the area of San Giorgio with that of San Giacomo from east to west, and from north to south between the mother church and the southern quarter.
It was during this time that the extraordinary Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain) and the bridge of San Francesco were built, both highly coveted by the Franciscans. Seen from above, the town’s new configuration was shaped like an eagle: the head was the former castle, the wings the quarters of San Giacomo and San Giorgio, and the tail the quarter of San Francesco.
aerea con drone

The city within the city

Scenography, lights and colours of the cathedral

One city, three sites

The Infiorata of Noto, a modern tradition

The new roads of the city

The palace, the town, the church

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Church of San Michele

Fountain of the Nymph Zizza: public water in the town

A heritage of votive works

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Antonino Uccello Birthplace Museum

Virtuosity, decorations and altars

The interior and works of art

A casket of precious works

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Expanded spaces, stucco and colourful lights

The senses tell the story of the Church of San Carlo and the former Jesuit college

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Staircase of Angels

Verticality and dynamism of the façade of the Church of San Carlo

The Church of St. Francis

From the end of the world to rebirth from the rubble

The articulated interior spaces

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The interior of the church: space and colour

A unifying project for the city of Catania

The dynamics of the Church of San Michele

The church and the monastery

The eagle-shaped city

The Church of St. Benedict

The senses tell of Palazzo della Cancelleria

The Church of St. Paul

Madonna of the Militia: a singular warrior virgin

Akrai and Syracuse: an unbreakable bond

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Giovanni Evangelista

The beginning of an authentic Baroque conception

The senses tell the Cathedral of San Giorgio

City and nature

Palazzo Trigona di Canicarao

Rebirth and urban planning of the city of Noto

The senses tell about Palazzo Trigona

The senses tell about Palazzo Beneventano

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Unusual iconographies: the Burgos crucifix

Reconstruction after the earthquake

A Nobel Prize in Modica

The Church of Madonna della Stella

The senses tell about Palazzo Zacco

Expansion, spatiality and light in the church of San Domenico

San Domenico and Gagliardi’s work

The senses tell of the Cathedral of San Pietro

The Monte delle Prestanze in the new city layout

Baroque and the loss of balance in the 16th century

The city of Modica, a balance between nature and urbanism

Luminous sacred spaces

The Church of St. Mary of the Mountain

The casket of austerity under the great dome

The senses tell the story of the Church of the Badia di Sant’Agata

The Duomo di San Giorgio (Cathedral of St. George)

The Badia di Sant’Agata (St. Agatha’s Abbey)

Altars, saints and sculptural works

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Church of San Domenico

The expansion of space and changing reality

The illusion of light and the decorative splendour

The senses tell the Cathedral of Sant’Agata

The Church of St. Julian on Via dei Crociferi

Piazza Duomo, the elephant fountain, the heart of the city

A new site for the church of San Giorgio

The interiors: diffused light and Byzantine relics

The two churches

Garden of Novices and the restorations by Giancarlo De Carlo

The Palazzo dei due mori

The art of maiolica

Scicli, the city of Baroque scenery

A story of rebirth

The Church of St. John the Evangelist

The works in the church

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Monastery of the Benedictine nuns

A compromise between Neoclassicism and Baroque

The city palace

Majestic exteriors, grandiose interiors

Views denied, views conquered: the power of the devout Benedictines

The neo-Gothic seminary chapel: symbols, light and space

A stone garden

Militello: The story of an enlightened fiefdom

Religious architecture

St. Agatha and the candelore

The Madonna dei Conadomini and the art of devotion

The smallest Greek theatre in the world

Baroque creativity: recurring themes

Palazzo Trigona: a building with a complex shape

The Franciscan convent

The church and the college

Art in the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

The Benedictines’ library

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of San Benedetto

Scenography and devotion for St. Agatha

The senses tell about Palazzo Ducezio

The triumph of Baroque: expansion of spaces