Caltagirone

The Church of St. Mary of the Mountain

The church stands with its austere size on the hill in the historic centre of Caltagirone.
To reach it from below you need to take the 142 maiolica steps of the monumental staircase of the same name, built in 1606 to unite the Church with the Town Hall.
The view from below of the long and majestic staircase, where there are small side openings similar to theatre flats, reveals the church elevation, which can be seen from the final steps, opening onto the square. The building’s foundation dates back to the 12th century and like most ecclesiastical buildings in the Val di Noto, it suffered from damage caused by the earthquake of 1693.
The long reconstruction was distinguished by some projects.
In 1739 the church was already well under way but, a few years after its completion, the bell tower collapsed, damaging other parts of the building.
chiesa santa Maria del Monte facciata frontalezoom sul portaleThis was when the architect Francesco Battaglia from Catania intervened and designed the new project.
The façade, entirely made of carved stone, is austere and sober, divided into two superimposed levels, with no dynamic ornaments apart from the two volutes and curved top that soften its severe lines.
In the more articulated central part, there is a portal with a large Venetian window above, with two small free-standing columns and the two side entrances framed by an elegant curved design and embellished by an oval opening.

A stone garden

The expansion of space and changing reality

The Staircase of Angels

The senses tell the story of the Church of the Badia di Sant’Agata

The neo-Gothic seminary chapel: symbols, light and space

The church and the college

The Antonino Uccello Birthplace Museum

Art in the cathedral

The new roads of the city

The senses tell the Cathedral of San Giorgio

A story of rebirth

The articulated interior spaces

The city of Modica, a balance between nature and urbanism

City and nature

St. Agatha and the candelore

Religious architecture

The Monastery of the Benedictine nuns

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Palazzo dei due mori

The Church of St. John the Evangelist

A Nobel Prize in Modica

The art of maiolica

Expanded spaces, stucco and colourful lights

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Beneventano

The city palace

Virtuosity, decorations and altars

The senses tell the Cathedral of San Giorgio

Verticality and dynamism of the façade of the Church of San Carlo

Militello: The story of an enlightened fiefdom

The interior and works of art

Baroque creativity: recurring themes

The beginning of an authentic Baroque conception

The senses tell the story of the Church of San Paolo

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Rebirth and urban planning of the city of Noto

Baroque and the loss of balance in the 16th century

Palazzo Trigona: a building with a complex shape

Altars, saints and sculptural works

The senses tell the story of the Church of San Giuliano ai Crociferi

The Church of St. Benedict

A new site for the church of San Giorgio

The two churches

A unifying project for the city of Catania

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The works in the church

The senses tell of the Cathedral of San Pietro

Unusual iconographies: the Burgos crucifix

Garden of Novices and the restorations by Giancarlo De Carlo

The casket of austerity under the great dome

Palazzo della Cancelleria: from former stable to the Nicastro family

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Carlo and the former Jesuit college

The city within the city

The senses tell the Church of San Michele

Expansion, spatiality and light in the church of San Domenico

The Duomo di San Giorgio (Cathedral of St. George)

The palace, the town, the church

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Franciscan convent

The senses tell about Palazzo Ducezio

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell about Palazzo Trigona

San Domenico and Gagliardi’s work

The senses tell the Church of San Domenico

Luminous sacred spaces

The interior of the church: space and colour

The triumph of Baroque: expansion of spaces

The Benedictines’ library

The Monte delle Prestanze in the new city layout

Scicli, the city of Baroque scenery

Majestic exteriors, grandiose interiors

Scenography and devotion for St. Agatha

One city, three sites

The Badia di Sant’Agata (St. Agatha’s Abbey)

Palazzo Trigona di Canicarao

Fountain of the Nymph Zizza: public water in the town

The Church of St. Julian on Via dei Crociferi

A casket of precious works

The Church of St. Francis

A heritage of votive works

The illusion of light and the decorative splendour

Akrai and Syracuse: an unbreakable bond

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of St. Mary of the Mountain

The senses tell of Palazzo della Cancelleria

Reconstruction after the earthquake

The dynamics of the Church of San Michele

Scenography, lights and colours of the cathedral

The smallest Greek theatre in the world

The church and the monastery

The senses tell the Cathedral of Sant’Agata

The interiors: diffused light and Byzantine relics

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Church of Madonna della Stella

From the end of the world to rebirth from the rubble

The Infiorata of Noto, a modern tradition

The senses tell about Palazzo Zacco

Madonna of the Militia: a singular warrior virgin

The eagle-shaped city

The senses tell the story of the Church of San Benedetto

Palazzo Zacco, a balance between sobriety and decoration

The Madonna dei Conadomini and the art of devotion

The Church of St. Paul