Catania

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church of St. Agatha ‘s Abbey is located a few metres away from the Cathedral.
facciata badia di sant'AgataThe abbey was rebuilt in 1735 following the catastrophic earthquake of 1693, under the supervision of architect Giovanni Battista Vaccarini .
Recently returned from Rome, he was inspired by models from Roman Baroque.
Located in the street that runs alongside the cathedral of St. Agatha, the building can be seen from Piazza Duomo in a scenic game of perspective through the cathedral’s garden.
The façade rests on a large lava stone base and has giant order limestone pilasters with a palm-shaped capital and an alternating pattern of convex-concave-convex surfaces. The convex parts have openings surmounted by tympanums with relief decorations depicting the breasts of the Virgin Martyr.
dattaglio timpano con mammelle dettaglio portale con colonne binate
In the concave part, on the other hand, there is the entrance portal, framed between two groups of marble coupled columns arranged on a pedestal.
dettaglio timpano facciataAn elegant pediment completes the entire composition.
The curved trabeation above the openings on the first level creates a play of light and shadow that projects over the characteristic Louvre windows, which rest on a stone arabesque decoration.

Sinuous and protruding at the end, and made of perforated metal, the Louvre windows allowed the nuns to take part in processions without being seen, thanks to two specially designed compartments. The second level, on the other hand, is three times concave and ends with a continuous balustrade in perforated stone with interlaced links.

The two churches

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the Cathedral of San Giorgio

Scenography and devotion for St. Agatha

A stone garden

The expansion of space and changing reality

The Madonna dei Conadomini and the art of devotion

Palazzo Trigona: a building with a complex shape

The church and the monastery

Madonna of the Militia: a singular warrior virgin

Fountain of the Nymph Zizza: public water in the town

The Benedictines’ library

The Church of St. Benedict

The interiors: diffused light and Byzantine relics

The Badia di Sant’Agata (St. Agatha’s Abbey)

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Baroque and the loss of balance in the 16th century

The church and the college

The senses tell the story of the Church of San Benedetto

The city within the city

The palace, the town, the church

The Infiorata of Noto, a modern tradition

Expansion, spatiality and light in the church of San Domenico

Verticality and dynamism of the façade of the Church of San Carlo

A new site for the church of San Giorgio

A compromise between Neoclassicism and Baroque

Religious architecture

The neo-Gothic seminary chapel: symbols, light and space

Unusual iconographies: the Burgos crucifix

Altars, saints and sculptural works

The senses tell of the Cathedral of San Pietro

The articulated interior spaces

Virtuosity, decorations and altars

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of Santa Maria del Monte

The Monastery of the Benedictine nuns

The beginning of an authentic Baroque conception

Baroque creativity: recurring themes

The senses tell the Cathedral of Sant’Agata

The city palace

One city, three sites

The triumph of Baroque: expansion of spaces

The Church of Madonna della Stella

Reconstruction after the earthquake

The senses tell the story of the Church of San Giuliano ai Crociferi

The casket of austerity under the great dome

The senses tell the story of the Church of San Giovanni Evangelista

Scicli, the city of Baroque scenery

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Duomo di San Giorgio (Cathedral of St. George)

The dynamics of the Church of San Michele

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Antonino Uccello Birthplace Museum

Majestic exteriors, grandiose interiors

The art of maiolica

The city of Modica, a balance between nature and urbanism

A casket of precious works

Militello: The story of an enlightened fiefdom

Palazzo Trigona di Canicarao

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell of Palazzo della Cancelleria

The interior and works of art

A Nobel Prize in Modica

The Palazzo dei due mori

The eagle-shaped city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Ducezio

The senses tell the Cathedral of San Giorgio

The Church of St. Francis

A story of rebirth

A unifying project for the city of Catania

Luminous sacred spaces

Scenography, lights and colours of the cathedral

The new roads of the city

The senses tell the Church of San Michele

The Monte delle Prestanze in the new city layout

The illusion of light and the decorative splendour

Art in the cathedral

The senses tell the Church of San Domenico

City and nature

The senses tell the story of the Church of San Paolo

Palazzo Zacco, a balance between sobriety and decoration

The interior of the church: space and colour

The Church of St. Paul

The Staircase of Angels

The Church of St. John the Evangelist

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the story of the Church of the Badia di Sant’Agata

The Church of St. Mary of the Mountain

The senses tell about Palazzo Trigona

The works in the church

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Julian on Via dei Crociferi

The senses tell about Palazzo Zacco

Piazza Duomo, the elephant fountain, the heart of the city

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

St. Agatha and the candelore

The Franciscan convent

The senses tell about Palazzo Beneventano

The smallest Greek theatre in the world

Expanded spaces, stucco and colourful lights

San Domenico and Gagliardi’s work

Rebirth and urban planning of the city of Noto

A heritage of votive works

Akrai and Syracuse: an unbreakable bond