Noto

The articulated interior spaces

The palace is accessed through the large monumental portal, large enough for carriages to pass through. The portal leads into the inner garden, or up two staircases you can reach the first floor.
The internal elevation on the south courtyard is reminiscent of the main one but is more articulated.
It has two levels marked by windows and two large round arcades in the centre.
On the piano nobile (main floor), the first floor, the reception rooms are distributed one after the other along the corridor in an “enfilade”, and all overlook the internal garden lit with natural light thanks to the large windows dotted on the internal elevation.
Foto dal giardino interno frontale
foto sala e volte a padiglioneIn the rooms there are frescoed and richly decorated cloister vaults, the walls are covered with fabric wallpaper and the windows concealed by precious curtains.
The floors are typically tiled and decorated with geometric and curvilinear motifs.
It was also customary for the Baron’s bedroom to be adjacent to the reception rooms.
On the mezzanine floor, the one at a smaller height than the others, there were the children’s and staff rooms with their respective service rooms.
The other mezzanine floor located in the north-east corner, which now houses the municipal library and other spaces owned by the Municipality of Noto, was intended for the extended family.
Lastly, the attics housed the servants’ apartments, pantries and kitchens.

 

The art of maiolica

A compromise between Neoclassicism and Baroque

A stone garden

The two churches

The senses tell the story of the Church of Santa Maria del Monte

The eagle-shaped city

The Church of St. Paul

The senses tell the story of the Church of San Benedetto

The Franciscan convent

Palazzo della Cancelleria: from former stable to the Nicastro family

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

A unifying project for the city of Catania

The Infiorata of Noto, a modern tradition

Baroque creativity: recurring themes

A heritage of votive works

The interior and works of art

Fountain of the Nymph Zizza: public water in the town

The works in the church

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the story of the Church of San Giovanni Evangelista

Garden of Novices and the restorations by Giancarlo De Carlo

The palace, the town, the church

The new roads of the city

The neo-Gothic seminary chapel: symbols, light and space

The church and the monastery

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Madonna dei Conadomini and the art of devotion

The church and the college

Rebirth and urban planning of the city of Noto

The Badia di Sant’Agata (St. Agatha’s Abbey)

The articulated interior spaces

The Church of St. John the Evangelist

Majestic exteriors, grandiose interiors

The Duomo di San Giorgio (Cathedral of St. George)

The Palazzo dei due mori

Religious architecture

The Monte delle Prestanze in the new city layout

Luminous sacred spaces

A Nobel Prize in Modica

The casket of austerity under the great dome

Scenography and devotion for St. Agatha

The senses tell of the Cathedral of San Pietro

From the end of the world to rebirth from the rubble

The illusion of light and the decorative splendour

The senses tell about Palazzo Trigona

The beginning of an authentic Baroque conception

The city within the city

The senses tell the story of the Church of San Paolo

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Church of the Badia di Sant’Agata

Unusual iconographies: the Burgos crucifix

Madonna of the Militia: a singular warrior virgin

The senses tell the Cathedral of Sant’Agata

A story of rebirth

Palazzo Trigona di Canicarao

The Church of St. Benedict

Baroque and the loss of balance in the 16th century

San Domenico and Gagliardi’s work

The senses tell the Church of San Michele

The senses tell the Cathedral of San Giorgio

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Zacco

The senses tell the Church of San Domenico

The triumph of Baroque: expansion of spaces

The senses tell the Cathedral of San Giorgio

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of Madonna della Stella

The Church of St. Mary of the Mountain

Expanded spaces, stucco and colourful lights

The Monastery of the Benedictine nuns

The senses tell about Palazzo Ducezio

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of San Carlo and the former Jesuit college

One city, three sites

Scicli, the city of Baroque scenery

The expansion of space and changing reality

The Church of St. Julian on Via dei Crociferi

The city of Modica, a balance between nature and urbanism

The interiors: diffused light and Byzantine relics

The Church of St. Francis

The smallest Greek theatre in the world

St. Agatha and the candelore

The dynamics of the Church of San Michele

Militello: The story of an enlightened fiefdom

Palazzo Trigona: a building with a complex shape

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Verticality and dynamism of the façade of the Church of San Carlo

Piazza Duomo, the elephant fountain, the heart of the city

Art in the cathedral

The Benedictines’ library

The senses tell about Palazzo Beneventano

Altars, saints and sculptural works

A casket of precious works

The interior of the church: space and colour

Virtuosity, decorations and altars

City and nature

The senses tell the story of the Church of San Giuliano ai Crociferi

The Staircase of Angels

The city palace

A new site for the church of San Giorgio

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Scenography, lights and colours of the cathedral

Views denied, views conquered: the power of the devout Benedictines

Akrai and Syracuse: an unbreakable bond

Reconstruction after the earthquake