Palazzolo Acreide

The Antonino Uccello Birthplace Museum

Among the narrow streets of Palazzolo Acreide we find the Antonino Uccello Birthplace Museum, one of the first ethnographic museums in Sicily.
The museum was opened in 1971 thanks to the passion of its founder, Sicilian teacher and poet Antonino Uccello , Driven by his love for his land after spending most of his life in northern Italy, he decided to create this special place. Local tradition is kept alive in the rooms of the noble palace of the Ferla family (18th century), purchased in the 1970s by the new owner.The museum runs through the entire building to the upper floor, where we find the owner’s residence.
Inside there are objects that document rural life: tools used by shepherds, furniture and everyday ceramics, the farmer’s room furnished with the original furniture, figurines from nativity scenes, puppets and typical carts , veritable works of art of Sicilian craftsmanship.


The cart’s make-up included aspects of sculpture and painting. It was more than just a decorative element that portrayed historical, symbolic and sacred subjects; it was, above all else, a functional element. In fact, the layers of paint guaranteed greater protection for the underlying structure.

The Duomo di San Giorgio (Cathedral of St. George)

The articulated interior spaces

Virtuosity, decorations and altars

A story of rebirth

Palazzo Zacco, a balance between sobriety and decoration

The senses tell about Palazzo Ducezio

The senses tell the story of the Church of San Benedetto

Verticality and dynamism of the façade of the Church of San Carlo

Art in the cathedral

St. Agatha and the candelore

The Church of Madonna della Stella

Fountain of the Nymph Zizza: public water in the town

A casket of precious works

A unifying project for the city of Catania

Scicli, the city of Baroque scenery

City and nature

Luminous sacred spaces

The Palazzo dei due mori

Unusual iconographies: the Burgos crucifix

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The city palace

The smallest Greek theatre in the world

The neo-Gothic seminary chapel: symbols, light and space

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the Cathedral of San Giorgio

Scenography and devotion for St. Agatha

The works in the church

The senses tell of Palazzo della Cancelleria

The Monastery of the Benedictine nuns

Rebirth and urban planning of the city of Noto

The city of Modica, a balance between nature and urbanism

One city, three sites

Palazzo della Cancelleria: from former stable to the Nicastro family

The Antonino Uccello Birthplace Museum

A stone garden

Palazzo Trigona: a building with a complex shape

Religious architecture

The Benedictines’ library

The casket of austerity under the great dome

The senses tell about Palazzo Beneventano

The senses tell the Church of San Michele

A Nobel Prize in Modica

A compromise between Neoclassicism and Baroque

The art of maiolica

Baroque creativity: recurring themes

Akrai and Syracuse: an unbreakable bond

The city within the city

The senses tell the Cathedral of Sant’Agata

The church and the monastery

Madonna of the Militia: a singular warrior virgin

Palazzo Trigona di Canicarao

Baroque and the loss of balance in the 16th century

The church and the college

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

San Domenico and Gagliardi’s work

The interiors: diffused light and Byzantine relics

The Franciscan convent

The Church of St. John the Evangelist

The beginning of an authentic Baroque conception

Garden of Novices and the restorations by Giancarlo De Carlo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Scenography, lights and colours of the cathedral

The Church of St. Francis

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The palace, the town, the church

The interior of the church: space and colour

The new roads of the city

The senses tell about Palazzo Trigona

The two churches

From the end of the world to rebirth from the rubble

Reconstruction after the earthquake

A heritage of votive works

Militello: The story of an enlightened fiefdom

The Monte delle Prestanze in the new city layout

The senses tell the Church of San Domenico

Piazza Duomo, the elephant fountain, the heart of the city

The illusion of light and the decorative splendour

The Madonna dei Conadomini and the art of devotion

The expansion of space and changing reality

The Badia di Sant’Agata (St. Agatha’s Abbey)

The triumph of Baroque: expansion of spaces

The dynamics of the Church of San Michele

The senses tell the story of the Church of Santa Maria del Monte

The senses tell the story of the Church of San Paolo

Majestic exteriors, grandiose interiors

Expanded spaces, stucco and colourful lights

Views denied, views conquered: the power of the devout Benedictines

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Zacco

The senses tell the story of the Church of San Giovanni Evangelista

Altars, saints and sculptural works

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

A new site for the church of San Giorgio

The senses tell the Cathedral of San Giorgio

The Staircase of Angels

The Infiorata of Noto, a modern tradition

The senses tell of the Cathedral of San Pietro

The Church of St. Benedict

The eagle-shaped city

The Church of St. Paul

The Church of St. Mary of the Mountain

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Giuliano ai Crociferi

The interior and works of art