Catania

Scenography and devotion for St. Agatha

The minor apse mof the right aisle is home to the highest concentration of votive artwork dedicated to St. Agatha .
The apse walls are completely frescoed and the floor is richly decorated. The wall decorations, gilding and all the decorative elements give the room a sense of triumphant theatricality.
dattaglio retablo della gloria di sant'Agata
Here we find the Retablo della Gloria di Sant’Agata (Retablo of the Glory of St. Agatha), the monument to Ferdinando d’Acuňa and the precious sacellum of St. Agatha.
The concept of scenography is found in these works. In fact, the retablo, a structure placed behind the altar, often focuses on events of the Passion of Christ, and served as a backdrop for the Holy Communion.

reliquiario di sant'Agata
foto alla cappella nel suo insieme
In the lower section some angels are depicted carrying the instruments of the crucifixion; in the centre we find the glorification of St. Agatha, or the same scene offered by Corradini in the fresco in the apsidal vault ; and on the sides there are St. Peter and St. Paul, while the four evangelists are placed in the upper section. The golden portal guards a veritable treasure .
The sacellum is the place where the remains of the Catanese saint are still kept today, in a reliquary bust and various anthropomorphic reliquaries kept in the Casket.

The expansion of space and changing reality

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Paul

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell about Palazzo Ducezio

A stone garden

Verticality and dynamism of the façade of the Church of San Carlo

The Franciscan convent

The neo-Gothic seminary chapel: symbols, light and space

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Fountain of the Nymph Zizza: public water in the town

A new site for the church of San Giorgio

Expansion, spatiality and light in the church of San Domenico

The senses tell about Palazzo Beneventano

The senses tell the story of the Church of the Badia di Sant’Agata

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Staircase of Angels

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. John the Evangelist

Palazzo della Cancelleria: from former stable to the Nicastro family

Religious architecture

The city palace

The senses tell the story of the Church of Santa Maria del Monte

The Antonino Uccello Birthplace Museum

The eagle-shaped city

The two churches

Madonna of the Militia: a singular warrior virgin

Unusual iconographies: the Burgos crucifix

The illusion of light and the decorative splendour

The art of maiolica

City and nature

Scenography and devotion for St. Agatha

Palazzo Trigona: a building with a complex shape

Garden of Novices and the restorations by Giancarlo De Carlo

The Palazzo dei due mori

The Church of St. Mary of the Mountain

The senses tell the Cathedral of Sant’Agata

Reconstruction after the earthquake

The casket of austerity under the great dome

The Madonna dei Conadomini and the art of devotion

The city of Modica, a balance between nature and urbanism

The beginning of an authentic Baroque conception

A story of rebirth

The interior of the church: space and colour

Akrai and Syracuse: an unbreakable bond

The Church of St. Julian on Via dei Crociferi

A heritage of votive works

The new roads of the city

A compromise between Neoclassicism and Baroque

Luminous sacred spaces

The interior and works of art

Baroque creativity: recurring themes

The triumph of Baroque: expansion of spaces

The palace, the town, the church

Expanded spaces, stucco and colourful lights

The city within the city

One city, three sites

Militello: The story of an enlightened fiefdom

The senses tell of the Cathedral of San Pietro

A Nobel Prize in Modica

Majestic exteriors, grandiose interiors

Art in the cathedral

Palazzo Trigona di Canicarao

Views denied, views conquered: the power of the devout Benedictines

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the Cathedral of San Giorgio

The Monte delle Prestanze in the new city layout

The senses tell the Church of San Michele

The senses tell the story of the Church of San Giuliano ai Crociferi

The smallest Greek theatre in the world

Scenography, lights and colours of the cathedral

The dynamics of the Church of San Michele

A casket of precious works

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The interiors: diffused light and Byzantine relics

A unifying project for the city of Catania

The senses tell about Palazzo Trigona

The senses tell the story of the Church of San Carlo and the former Jesuit college

Rebirth and urban planning of the city of Noto

The Duomo di San Giorgio (Cathedral of St. George)

Altars, saints and sculptural works

The Infiorata of Noto, a modern tradition

The Church of Madonna della Stella

Scicli, the city of Baroque scenery

The church and the monastery

From the end of the world to rebirth from the rubble

The Church of St. Benedict

The church and the college

Baroque and the loss of balance in the 16th century

The works in the church

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The Church of St. Francis

San Domenico and Gagliardi’s work

The senses tell about Palazzo Zacco

St. Agatha and the candelore

The articulated interior spaces

The senses tell the Church of San Domenico

The senses tell the story of the Church of San Benedetto

Virtuosity, decorations and altars

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell of Palazzo della Cancelleria

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Giovanni Evangelista

The Benedictines’ library

The senses tell the story of the Church of San Paolo

The Monastery of the Benedictine nuns