Noto

Palazzo Trigona: a building with a complex shape

The palace, built by the architect Bernardo Labisi ,son of the more famous Paolo Labisi, immediately stands out from the sacred complex of the Monastery of the Santissimo Salvatore for its particular shape. It is a massive three-storey building complex that extends in three directions.
The main façade, over 60 metres long, is animated by 3 vertical elements that protrude from the top floor making it slenderer within the narrow perspective of the street. These attics, diagonal to the building, interrupt the balustrade cornice.
The outer sides of the building are occupied by the west wing, which consists of two terraced buildings, and the east wing, which consists of three terraced buildings. The entrance hall and the two access ramps to the floor converge on a small oval exedra in the centre of the vast courtyard, built in the 19th century on a slope. All these rather articulated elements give the internal façade of the palace a scenographic effect similar to a majestic theatrical backdrop.
The eastern wing has a succession of four very asymmetrical volumes with pronounced outlines of pilasters and balustrades, whose lengths are all different: the first unit is 20 m wide; the block with the highest terrace is 6 metres; the unit with the lowest terrace is 8 metres; and the block that houses the palace chapel, animated on the façade by four pairs of pilasters is 10 metres. It is a rather complex architectural composition.
foto dall'alto isolato

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the story of the Church of San Carlo and the former Jesuit college

Palazzo Zacco, a balance between sobriety and decoration

Baroque creativity: recurring themes

The interior of the church: space and colour

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Virtuosity, decorations and altars

The senses tell the Church of San Domenico

The church and the monastery

Religious architecture

Reconstruction after the earthquake

Unusual iconographies: the Burgos crucifix

The Church of St. Francis

The interior and works of art

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Church of San Michele

The Church of St. John the Evangelist

Piazza Duomo, the elephant fountain, the heart of the city

Views denied, views conquered: the power of the devout Benedictines

The Monte delle Prestanze in the new city layout

One city, three sites

The Church of Madonna della Stella

The Monastery of the Benedictine nuns

Scenography and devotion for St. Agatha

The smallest Greek theatre in the world

The senses tell about Palazzo Trigona

St. Agatha and the candelore

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Expanded spaces, stucco and colourful lights

A new site for the church of San Giorgio

San Domenico and Gagliardi’s work

The casket of austerity under the great dome

The senses tell of the Cathedral of San Pietro

A story of rebirth

The art of maiolica

The senses tell the Cathedral of Sant’Agata

The Palazzo dei due mori

A stone garden

A heritage of votive works

The expansion of space and changing reality

The senses tell about Palazzo Zacco

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Benedictines’ library

The beginning of an authentic Baroque conception

Palazzo Trigona di Canicarao

The Duomo di San Giorgio (Cathedral of St. George)

The two churches

The new roads of the city

The senses tell the story of the Church of San Paolo

Scenography, lights and colours of the cathedral

The Church of St. Benedict

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the story of the Church of San Giovanni Evangelista

The neo-Gothic seminary chapel: symbols, light and space

The Church of St. Paul

The articulated interior spaces

Palazzo Trigona: a building with a complex shape

City and nature

The Church of St. Mary of the Mountain

Verticality and dynamism of the façade of the Church of San Carlo

The triumph of Baroque: expansion of spaces

The illusion of light and the decorative splendour

The senses tell the story of the Church of the Badia di Sant’Agata

The church and the college

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Art in the cathedral

The senses tell the story of the Church of Santa Maria del Monte

Rebirth and urban planning of the city of Noto

The senses tell the Cathedral of San Giorgio

The Church of St. Julian on Via dei Crociferi

A Nobel Prize in Modica

The senses tell about Palazzo Beneventano

Majestic exteriors, grandiose interiors

The interiors: diffused light and Byzantine relics

Madonna of the Militia: a singular warrior virgin

Altars, saints and sculptural works

The senses tell the story of the Church of San Benedetto

Fountain of the Nymph Zizza: public water in the town

Scicli, the city of Baroque scenery

The dynamics of the Church of San Michele

The city palace

The works in the church

A compromise between Neoclassicism and Baroque

The palace, the town, the church

The senses tell of Palazzo della Cancelleria

A casket of precious works

Baroque and the loss of balance in the 16th century

The Madonna dei Conadomini and the art of devotion

A unifying project for the city of Catania

The senses tell about Palazzo Ducezio

Militello: The story of an enlightened fiefdom

From the end of the world to rebirth from the rubble

Palazzo della Cancelleria: from former stable to the Nicastro family

The Infiorata of Noto, a modern tradition

The city within the city

The Franciscan convent

Expansion, spatiality and light in the church of San Domenico

The senses tell the Cathedral of San Giorgio

The eagle-shaped city

Luminous sacred spaces

Akrai and Syracuse: an unbreakable bond

The Staircase of Angels

The Antonino Uccello Birthplace Museum