Introduction to Val di Noto

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The stylistic features of Baroque civic architecture are distinguished from religious architecture by the sobriety of the layout and the rigid compositional lines of the façades.
In most recurring typologies, the sculptural form of the façade composition is abandoned, with the elevation framing following the classic canons of the Renaissance period: base, facing and crowning.
The Baroque genius developed within this composition; the façade was embellished and enriched with figurative elements in high relief that created a play of shadows and chiaroscuro intended to exalt its sometimes grotesque forms.
The base of the buildings, simple in its division compared to Renaissance buildings, has arches that accommodate workshops and shops.

The Infiorata of Noto, a modern tradition

Unusual iconographies: the Burgos crucifix

The articulated interior spaces

A casket of precious works

St. Agatha and the candelore

A new site for the church of San Giorgio

The illusion of light and the decorative splendour

The Monte delle Prestanze in the new city layout

Expansion, spatiality and light in the church of San Domenico

The Church of St. Paul

Palazzo Zacco, a balance between sobriety and decoration

The interior and works of art

The senses tell about Palazzo Beneventano

The Monastery of the Benedictine nuns

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Palazzo Trigona di Canicarao

The Staircase of Angels

The Franciscan convent

Palazzo Trigona: a building with a complex shape

The Benedictines’ library

A unifying project for the city of Catania

The Church of St. John the Evangelist

The senses tell about Palazzo Trigona

City and nature

Militello: The story of an enlightened fiefdom

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Church of San Giuliano ai Crociferi

The two churches

The eagle-shaped city

The Antonino Uccello Birthplace Museum

A heritage of votive works

A compromise between Neoclassicism and Baroque

The Church of St. Francis

Madonna of the Militia: a singular warrior virgin

The Madonna dei Conadomini and the art of devotion

The senses tell the Cathedral of Sant’Agata

Baroque and the loss of balance in the 16th century

The senses tell the Church of San Domenico

The dynamics of the Church of San Michele

The new roads of the city

The art of maiolica

The triumph of Baroque: expansion of spaces

The Duomo di San Giorgio (Cathedral of St. George)

Religious architecture

The Church of St. Mary of the Mountain

The senses tell of the Cathedral of San Pietro

The senses tell the story of the Church of San Benedetto

Rebirth and urban planning of the city of Noto

A stone garden

The senses tell about Palazzo Zacco

The interiors: diffused light and Byzantine relics

Art in the cathedral

The senses tell the story of the Church of Santa Maria del Monte

Verticality and dynamism of the façade of the Church of San Carlo

The church and the college

The senses tell about Palazzo Ducezio

The casket of austerity under the great dome

The works in the church

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Church of St. Benedict

San Domenico and Gagliardi’s work

Scicli, the city of Baroque scenery

A Nobel Prize in Modica

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Scenography, lights and colours of the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Church of St. Julian on Via dei Crociferi

Akrai and Syracuse: an unbreakable bond

A story of rebirth

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Expanded spaces, stucco and colourful lights

Piazza Duomo, the elephant fountain, the heart of the city

Views denied, views conquered: the power of the devout Benedictines

Garden of Novices and the restorations by Giancarlo De Carlo

The church and the monastery

Luminous sacred spaces

The senses tell the Cathedral of San Giorgio

One city, three sites

The Badia di Sant’Agata (St. Agatha’s Abbey)

The smallest Greek theatre in the world

The palace, the town, the church

The Palazzo dei due mori

The interior of the church: space and colour

The senses tell the Cathedral of San Giorgio

Scenography and devotion for St. Agatha

From the end of the world to rebirth from the rubble

The city of Modica, a balance between nature and urbanism

The beginning of an authentic Baroque conception

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Church of San Giovanni Evangelista

The expansion of space and changing reality

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Church of Madonna della Stella

Baroque creativity: recurring themes

The city within the city

The senses tell the Church of San Michele

Fountain of the Nymph Zizza: public water in the town

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Altars, saints and sculptural works

The city palace

Virtuosity, decorations and altars

Reconstruction after the earthquake

The neo-Gothic seminary chapel: symbols, light and space

Majestic exteriors, grandiose interiors