Militello in Val di Catania

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

During the feudal dominion of the Barresi-Branciforti family, the town of Militello in Val di Catania featured prominently in the town’s commendable reconfiguration.
The prince Francesco Branciforte, once he had married Lady Joanna of Austria, the granddaughter of Charles V and cousin of the King of Spain, launched an urbanisation plan to redesign the small town to make it suitable for new cultural and delegation needs that a modern and such high-ranking court would require. The town’s transformations included one that involved the fortified castle, transformed into a palace and equipped in 1612 with a well-stocked library , a printing house and a sort of “alchemist’s” laboratory.
castello Barresi-Branciforte
A fountain was later built in the castle’s courtyard and was accessible to the population. This action aimed to underline the prince’s great focus on public works.
The square of the mother church was modernised in 1617 alongside the two main roads of the centre of Militello, which were widened and straightened. Connecting roads were also built outside the former perimeter walls, which encouraged the creation of new districts.
The powerful family was also a promoter of patronage that benefited civic religious life, thanks to funding for the reconstruction of the bell tower of the Mother Church of St. Nicholas and the extension of the Church of St. Mary, which was the burial place of the Barresi family as of the 16th century. In the 18th century the Branciforte family moved to Palermo but continued to own the fiefdom of Militello until the abolition of feudalism in 1812.

The senses tell the Church of San Domenico

Scicli, the city of Baroque scenery

The Monte delle Prestanze in the new city layout

Luminous sacred spaces

The senses tell about Palazzo Zacco

The Franciscan convent

The beginning of an authentic Baroque conception

One city, three sites

The senses tell about Palazzo Beneventano

The Infiorata of Noto, a modern tradition

Majestic exteriors, grandiose interiors

The Staircase of Angels

The senses tell of Palazzo della Cancelleria

The palace, the town, the church

Scenography and devotion for St. Agatha

The senses tell the story of the Church of San Carlo and the former Jesuit college

From the end of the world to rebirth from the rubble

Rebirth and urban planning of the city of Noto

The city of Modica, a balance between nature and urbanism

City and nature

The smallest Greek theatre in the world

Fountain of the Nymph Zizza: public water in the town

The Church of St. Francis

The senses tell the Cathedral of San Giorgio

Palazzo Trigona di Canicarao

The Church of St. Paul

Madonna of the Militia: a singular warrior virgin

The Church of St. Benedict

Art in the cathedral

Palazzo Zacco, a balance between sobriety and decoration

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of San Giovanni Evangelista

The expansion of space and changing reality

The Benedictines’ library

The new roads of the city

The dynamics of the Church of San Michele

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Palazzo dei due mori

A stone garden

St. Agatha and the candelore

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The two churches

The eagle-shaped city

The senses tell the story of the Church of San Giuliano ai Crociferi

A unifying project for the city of Catania

San Domenico and Gagliardi’s work

Scenography, lights and colours of the cathedral

Verticality and dynamism of the façade of the Church of San Carlo

The city palace

A new site for the church of San Giorgio

A heritage of votive works

The interior of the church: space and colour

The Monastery of the Benedictine nuns

The Church of St. Mary of the Mountain

Unusual iconographies: the Burgos crucifix

Reconstruction after the earthquake

Militello: The story of an enlightened fiefdom

The interior and works of art

Baroque and the loss of balance in the 16th century

The senses tell of the Cathedral of San Pietro

The church and the monastery

The senses tell the Church of San Michele

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The church and the college

The Antonino Uccello Birthplace Museum

The senses tell about Palazzo Trigona

Palazzo Trigona: a building with a complex shape

The casket of austerity under the great dome

A casket of precious works

Baroque creativity: recurring themes

Virtuosity, decorations and altars

The Madonna dei Conadomini and the art of devotion

Palazzo della Cancelleria: from former stable to the Nicastro family

The Badia di Sant’Agata (St. Agatha’s Abbey)

Altars, saints and sculptural works

The articulated interior spaces

The Church of St. Julian on Via dei Crociferi

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the Cathedral of Sant’Agata

Akrai and Syracuse: an unbreakable bond

The senses tell the story of the Church of the Badia di Sant’Agata

Garden of Novices and the restorations by Giancarlo De Carlo

The Church of Madonna della Stella

The senses tell the Cathedral of San Giorgio

Expanded spaces, stucco and colourful lights

The Church of St. John the Evangelist

Expansion, spatiality and light in the church of San Domenico

The neo-Gothic seminary chapel: symbols, light and space

The art of maiolica

Views denied, views conquered: the power of the devout Benedictines

The senses tell about Palazzo Ducezio

The city within the city

Religious architecture

The senses tell the story of the Church of Santa Maria del Monte

A compromise between Neoclassicism and Baroque

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A Nobel Prize in Modica

A story of rebirth

The illusion of light and the decorative splendour

The interiors: diffused light and Byzantine relics

The senses tell the story of the Church of San Benedetto

Piazza Duomo, the elephant fountain, the heart of the city

The triumph of Baroque: expansion of spaces

The works in the church