Militello in Val di Catania

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

During the feudal dominion of the Barresi-Branciforti family, the town of Militello in Val di Catania featured prominently in the town’s commendable reconfiguration.
The prince Francesco Branciforte, once he had married Lady Joanna of Austria, the granddaughter of Charles V and cousin of the King of Spain, launched an urbanisation plan to redesign the small town to make it suitable for new cultural and delegation needs that a modern and such high-ranking court would require. The town’s transformations included one that involved the fortified castle, transformed into a palace and equipped in 1612 with a well-stocked library , a printing house and a sort of “alchemist’s” laboratory.
castello Barresi-Branciforte
A fountain was later built in the castle’s courtyard and was accessible to the population. This action aimed to underline the prince’s great focus on public works.
The square of the mother church was modernised in 1617 alongside the two main roads of the centre of Militello, which were widened and straightened. Connecting roads were also built outside the former perimeter walls, which encouraged the creation of new districts.
The powerful family was also a promoter of patronage that benefited civic religious life, thanks to funding for the reconstruction of the bell tower of the Mother Church of St. Nicholas and the extension of the Church of St. Mary, which was the burial place of the Barresi family as of the 16th century. In the 18th century the Branciforte family moved to Palermo but continued to own the fiefdom of Militello until the abolition of feudalism in 1812.

Reconstruction after the earthquake

Verticality and dynamism of the façade of the Church of San Carlo

Art in the cathedral

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Church of San Giuliano ai Crociferi

The Church of St. Paul

The senses tell the story of the Church of San Giovanni Evangelista

A compromise between Neoclassicism and Baroque

Expanded spaces, stucco and colourful lights

The art of maiolica

The Church of St. Benedict

A unifying project for the city of Catania

St. Agatha and the candelore

The senses tell the Cathedral of San Giorgio

Luminous sacred spaces

Palazzo Trigona: a building with a complex shape

Baroque creativity: recurring themes

The Church of St. Mary of the Mountain

The senses tell about Palazzo Beneventano

From the end of the world to rebirth from the rubble

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Julian on Via dei Crociferi

Majestic exteriors, grandiose interiors

The interior and works of art

Scicli, the city of Baroque scenery

The senses tell the story of the Church of San Paolo

Altars, saints and sculptural works

The Staircase of Angels

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the Cathedral of San Giorgio

The Palazzo dei due mori

The articulated interior spaces

The church and the monastery

San Domenico and Gagliardi’s work

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Zacco

The senses tell the story of the Church of the Badia di Sant’Agata

The church and the college

The casket of austerity under the great dome

The senses tell about Palazzo Ducezio

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The new roads of the city

The senses tell of the Cathedral of San Pietro

Religious architecture

The illusion of light and the decorative splendour

The neo-Gothic seminary chapel: symbols, light and space

One city, three sites

The eagle-shaped city

The smallest Greek theatre in the world

Scenography, lights and colours of the cathedral

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Church of San Domenico

A heritage of votive works

Madonna of the Militia: a singular warrior virgin

The senses tell the Cathedral of Sant’Agata

The Benedictines’ library

The beginning of an authentic Baroque conception

A Nobel Prize in Modica

The Infiorata of Noto, a modern tradition

The Madonna dei Conadomini and the art of devotion

Fountain of the Nymph Zizza: public water in the town

The senses tell the Church of San Michele

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Church of Madonna della Stella

The city within the city

The expansion of space and changing reality

A casket of precious works

The Duomo di San Giorgio (Cathedral of St. George)

The Badia di Sant’Agata (St. Agatha’s Abbey)

The dynamics of the Church of San Michele

City and nature

The interiors: diffused light and Byzantine relics

The works in the church

The senses tell of Palazzo della Cancelleria

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Palazzo Trigona di Canicarao

Rebirth and urban planning of the city of Noto

The city palace

The Franciscan convent

A stone garden

Palazzo della Cancelleria: from former stable to the Nicastro family

The city of Modica, a balance between nature and urbanism

The Church of St. John the Evangelist

The Church of St. Francis

The Monastery of the Benedictine nuns

Piazza Duomo, the elephant fountain, the heart of the city

Expansion, spatiality and light in the church of San Domenico

The two churches

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The triumph of Baroque: expansion of spaces

The palace, the town, the church

Unusual iconographies: the Burgos crucifix

A story of rebirth

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Garden of Novices and the restorations by Giancarlo De Carlo

Militello: The story of an enlightened fiefdom

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of Santa Maria del Monte

Scenography and devotion for St. Agatha

The interior of the church: space and colour

Virtuosity, decorations and altars

Akrai and Syracuse: an unbreakable bond

Baroque and the loss of balance in the 16th century

The Monte delle Prestanze in the new city layout

The senses tell about Palazzo Trigona

A new site for the church of San Giorgio