Modica

A compromise between Neoclassicism and Baroque

Located at the top of a majestic staircase along Corso Umberto I, in the historic centre of Modica, the Cathedral of San Pietro seems to welcome the worshippers and invite them, at the same time, to partake in a journey of art and faith.

The Cathedral of San Pietro
The Cathedral of San Pietro is located on the top of an imposing staircase of three flights along Corso Umberto I in the historic center of Modica. The perimeter of the staircase is characterized by the presence of the statues of the twelve apostles raised on high pedestals that give it an even more severe appearance. The facade of the church, of a reddish color, is divided into two bands and has an unusually sober appearance for the baroque canons. The first band is divided by three portals surmounted by broken timpani, of which the central one has the coat of arms of Saint Peter; these portals are interspersed with ashlar pilasters. The second band has two small volutes and houses the statues of Saints Cataldo, Rosalia, Peter and the Madonna.

It is considered the city’s second out-of-scale work of architecture and comes second to the Cathedral of San Giorgio in terms of importance.
The majestic sacred building was built in 1308, though there are no records of the original structure. After being damaged by the earthquake of 1693, it was rebuilt in 1697 according to a design by Mario Spata and Rosario Boscarino, master builders linked to local artisan tradition.
What drove the immediate reconstruction of the cathedral was the desire to reaffirm that the church of San Pietro was the “Mother Church” of Modica.
The scenographic and severe staircase accompanies the visitor inside the church, who is followed by the gaze of statues of the twelve apostles called “I Santoni”. The sculptural decorations rest on pedestals marking the three flights of the staircase which was completed in 1876. The church façade is full and generally sober compared to the exuberant shapes of the cathedral of San Giorgio.
Two overlapping levels, marked by rusticated pilaster strips made more three-dimensional, stand out on the flat surface of the façade. The first level features three portals surmounted by broken tympanums , with the central one surmounted by the coat of arms of St. Peter.
The second level, characterised by two small volutes, houses the four statues representing St. Catald, St. Rosalia, St. Peter and the Virgin Mary. The façade ends with a sunburst in which a triumphant Christ is inserted.
dettaglio portale con stemma san pietro lesene sul prospetto

Verticality and dynamism of the façade of the Church of San Carlo

A stone garden

The Monte delle Prestanze in the new city layout

The senses tell the story of the Church of San Giuliano ai Crociferi

The eagle-shaped city

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The new roads of the city

Palazzo della Cancelleria: from former stable to the Nicastro family

The triumph of Baroque: expansion of spaces

The senses tell about Palazzo Ducezio

Baroque and the loss of balance in the 16th century

A heritage of votive works

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Militello: The story of an enlightened fiefdom

The Church of St. Mary of the Mountain

The senses tell about Palazzo Beneventano

Palazzo Trigona: a building with a complex shape

The senses tell of the Cathedral of San Pietro

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the Church of San Michele

Akrai and Syracuse: an unbreakable bond

The interior and works of art

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Benedetto

The palace, the town, the church

The dynamics of the Church of San Michele

The senses tell the story of the Church of San Carlo and the former Jesuit college

Reconstruction after the earthquake

The senses tell of Palazzo della Cancelleria

A compromise between Neoclassicism and Baroque

The church and the monastery

The articulated interior spaces

The senses tell the story of the Church of the Badia di Sant’Agata

Scenography and devotion for St. Agatha

The neo-Gothic seminary chapel: symbols, light and space

The Duomo di San Giorgio (Cathedral of St. George)

City and nature

The city within the city

From the end of the world to rebirth from the rubble

The casket of austerity under the great dome

Madonna of the Militia: a singular warrior virgin

The senses tell the Church of San Domenico

The Benedictines’ library

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Church of St. Paul

Palazzo Trigona di Canicarao

A unifying project for the city of Catania

Art in the cathedral

The senses tell about Palazzo Zacco

The Church of Madonna della Stella

The Church of St. Julian on Via dei Crociferi

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell the Cathedral of Sant’Agata

The senses tell the Cathedral of San Giorgio

The Monastery of the Benedictine nuns

Scicli, the city of Baroque scenery

The senses tell the story of the Church of San Giovanni Evangelista

The church and the college

The Palazzo dei due mori

The beginning of an authentic Baroque conception

Scenography, lights and colours of the cathedral

A new site for the church of San Giorgio

The city palace

The works in the church

The Church of St. John the Evangelist

Palazzo Zacco, a balance between sobriety and decoration

A casket of precious works

The senses tell the story of the Church of San Paolo

Fountain of the Nymph Zizza: public water in the town

The Antonino Uccello Birthplace Museum

The senses tell the Cathedral of San Giorgio

Rebirth and urban planning of the city of Noto

The illusion of light and the decorative splendour

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The art of maiolica

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The expansion of space and changing reality

San Domenico and Gagliardi’s work

The senses tell about Palazzo Trigona

Religious architecture

Baroque creativity: recurring themes

The Church of St. Benedict

The two churches

Virtuosity, decorations and altars

A Nobel Prize in Modica

The smallest Greek theatre in the world

The city of Modica, a balance between nature and urbanism

The senses tell the story of the Church of Santa Maria del Monte

St. Agatha and the candelore

Majestic exteriors, grandiose interiors

A story of rebirth

The interiors: diffused light and Byzantine relics

The Church of St. Francis

Garden of Novices and the restorations by Giancarlo De Carlo

The Madonna dei Conadomini and the art of devotion

One city, three sites

The interior of the church: space and colour

The Franciscan convent

Unusual iconographies: the Burgos crucifix

The Infiorata of Noto, a modern tradition

Altars, saints and sculptural works

Expanded spaces, stucco and colourful lights

Piazza Duomo, the elephant fountain, the heart of the city

The Staircase of Angels

Expansion, spatiality and light in the church of San Domenico

Luminous sacred spaces