Modica

A compromise between Neoclassicism and Baroque

Located at the top of a majestic staircase along Corso Umberto I, in the historic centre of Modica, the Cathedral of San Pietro seems to welcome the worshippers and invite them, at the same time, to partake in a journey of art and faith.

The Cathedral of San Pietro
The Cathedral of San Pietro is located on the top of an imposing staircase of three flights along Corso Umberto I in the historic center of Modica. The perimeter of the staircase is characterized by the presence of the statues of the twelve apostles raised on high pedestals that give it an even more severe appearance. The facade of the church, of a reddish color, is divided into two bands and has an unusually sober appearance for the baroque canons. The first band is divided by three portals surmounted by broken timpani, of which the central one has the coat of arms of Saint Peter; these portals are interspersed with ashlar pilasters. The second band has two small volutes and houses the statues of Saints Cataldo, Rosalia, Peter and the Madonna.

It is considered the city’s second out-of-scale work of architecture and comes second to the Cathedral of San Giorgio in terms of importance.
The majestic sacred building was built in 1308, though there are no records of the original structure. After being damaged by the earthquake of 1693, it was rebuilt in 1697 according to a design by Mario Spata and Rosario Boscarino, master builders linked to local artisan tradition.
What drove the immediate reconstruction of the cathedral was the desire to reaffirm that the church of San Pietro was the “Mother Church” of Modica.
The scenographic and severe staircase accompanies the visitor inside the church, who is followed by the gaze of statues of the twelve apostles called “I Santoni”. The sculptural decorations rest on pedestals marking the three flights of the staircase which was completed in 1876. The church façade is full and generally sober compared to the exuberant shapes of the cathedral of San Giorgio.
Two overlapping levels, marked by rusticated pilaster strips made more three-dimensional, stand out on the flat surface of the façade. The first level features three portals surmounted by broken tympanums , with the central one surmounted by the coat of arms of St. Peter.
The second level, characterised by two small volutes, houses the four statues representing St. Catald, St. Rosalia, St. Peter and the Virgin Mary. The façade ends with a sunburst in which a triumphant Christ is inserted.
dettaglio portale con stemma san pietro lesene sul prospetto

The Duomo di San Giorgio (Cathedral of St. George)

The Church of Madonna della Stella

The works in the church

The city within the city

Expansion, spatiality and light in the church of San Domenico

The senses tell the story of the Church of the Badia di Sant’Agata

The two churches

Rebirth and urban planning of the city of Noto

Majestic exteriors, grandiose interiors

Baroque and the loss of balance in the 16th century

The triumph of Baroque: expansion of spaces

The illusion of light and the decorative splendour

The eagle-shaped city

The senses tell the Cathedral of San Giorgio

Art in the cathedral

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Church of San Paolo

Unusual iconographies: the Burgos crucifix

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of Santa Maria del Monte

The Church of St. Mary of the Mountain

The beginning of an authentic Baroque conception

The neo-Gothic seminary chapel: symbols, light and space

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Beneventano

The articulated interior spaces

St. Agatha and the candelore

Madonna of the Militia: a singular warrior virgin

Palazzo Trigona di Canicarao

A unifying project for the city of Catania

The church and the college

The smallest Greek theatre in the world

The Church of St. Benedict

The Church of St. Paul

The senses tell the story of the Church of San Giuliano ai Crociferi

San Domenico and Gagliardi’s work

Baroque creativity: recurring themes

The senses tell the story of the Church of San Benedetto

The Benedictines’ library

The senses tell about Palazzo Zacco

The dynamics of the Church of San Michele

The casket of austerity under the great dome

Garden of Novices and the restorations by Giancarlo De Carlo

Scenography, lights and colours of the cathedral

Scicli, the city of Baroque scenery

The Church of St. John the Evangelist

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

City and nature

The senses tell about Palazzo Trigona

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The city of Modica, a balance between nature and urbanism

Reconstruction after the earthquake

The interior of the church: space and colour

A stone garden

The Church of St. Julian on Via dei Crociferi

Altars, saints and sculptural works

The senses tell of the Cathedral of San Pietro

The senses tell the story of the Church of San Carlo and the former Jesuit college

A Nobel Prize in Modica

The Franciscan convent

The senses tell the Church of San Michele

Scenography and devotion for St. Agatha

The art of maiolica

Religious architecture

Virtuosity, decorations and altars

The senses tell about Palazzo Ducezio

The Monte delle Prestanze in the new city layout

Views denied, views conquered: the power of the devout Benedictines

Luminous sacred spaces

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A new site for the church of San Giorgio

Akrai and Syracuse: an unbreakable bond

Piazza Duomo, the elephant fountain, the heart of the city

The city palace

The Madonna dei Conadomini and the art of devotion

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The Antonino Uccello Birthplace Museum

The interiors: diffused light and Byzantine relics

Palazzo della Cancelleria: from former stable to the Nicastro family

The Church of St. Francis

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Monastery of the Benedictine nuns

A story of rebirth

Militello: The story of an enlightened fiefdom

A compromise between Neoclassicism and Baroque

One city, three sites

From the end of the world to rebirth from the rubble

The interior and works of art

The palace, the town, the church

The Staircase of Angels

The church and the monastery

Palazzo Trigona: a building with a complex shape

Expanded spaces, stucco and colourful lights

The senses tell of Palazzo della Cancelleria

A heritage of votive works

The Palazzo dei due mori

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The expansion of space and changing reality

The senses tell the Cathedral of Sant’Agata

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Palazzo Zacco, a balance between sobriety and decoration

The new roads of the city

A casket of precious works

The senses tell the Church of San Domenico

The senses tell the Cathedral of San Giorgio