Noto

The articulated interior spaces

The palace is accessed through the large monumental portal, large enough for carriages to pass through. The portal leads into the inner garden, or up two staircases you can reach the first floor.
The internal elevation on the south courtyard is reminiscent of the main one but is more articulated.
It has two levels marked by windows and two large round arcades in the centre.
On the piano nobile (main floor), the first floor, the reception rooms are distributed one after the other along the corridor in an “enfilade”, and all overlook the internal garden lit with natural light thanks to the large windows dotted on the internal elevation.
Foto dal giardino interno frontale
foto sala e volte a padiglioneIn the rooms there are frescoed and richly decorated cloister vaults, the walls are covered with fabric wallpaper and the windows concealed by precious curtains.
The floors are typically tiled and decorated with geometric and curvilinear motifs.
It was also customary for the Baron’s bedroom to be adjacent to the reception rooms.
On the mezzanine floor, the one at a smaller height than the others, there were the children’s and staff rooms with their respective service rooms.
The other mezzanine floor located in the north-east corner, which now houses the municipal library and other spaces owned by the Municipality of Noto, was intended for the extended family.
Lastly, the attics housed the servants’ apartments, pantries and kitchens.

 

Baroque creativity: recurring themes

The senses tell of the Cathedral of San Pietro

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Religious architecture

One city, three sites

Luminous sacred spaces

The smallest Greek theatre in the world

Palazzo Trigona: a building with a complex shape

Verticality and dynamism of the façade of the Church of San Carlo

Expansion, spatiality and light in the church of San Domenico

The senses tell the Cathedral of Sant’Agata

The expansion of space and changing reality

Virtuosity, decorations and altars

St. Agatha and the candelore

The dynamics of the Church of San Michele

Reconstruction after the earthquake

A story of rebirth

A compromise between Neoclassicism and Baroque

Militello: The story of an enlightened fiefdom

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Monte delle Prestanze in the new city layout

The Church of Madonna della Stella

The senses tell the story of the Church of San Giuliano ai Crociferi

The works in the church

San Domenico and Gagliardi’s work

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the Church of San Domenico

Piazza Duomo, the elephant fountain, the heart of the city

Palazzo Trigona di Canicarao

The Benedictines’ library

The triumph of Baroque: expansion of spaces

The Church of St. Paul

The senses tell the story of the Church of the Badia di Sant’Agata

Fountain of the Nymph Zizza: public water in the town

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

The articulated interior spaces

The city palace

Garden of Novices and the restorations by Giancarlo De Carlo

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Church of San Michele

Unusual iconographies: the Burgos crucifix

The senses tell of Palazzo della Cancelleria

Majestic exteriors, grandiose interiors

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the story of the Church of San Paolo

A unifying project for the city of Catania

The Madonna dei Conadomini and the art of devotion

The interior of the church: space and colour

Expanded spaces, stucco and colourful lights

The senses tell about Palazzo Zacco

Madonna of the Militia: a singular warrior virgin

The eagle-shaped city

The senses tell about Palazzo Trigona

Altars, saints and sculptural works

The senses tell the story of the Church of San Carlo and the former Jesuit college

The palace, the town, the church

The Franciscan convent

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

From the end of the world to rebirth from the rubble

The art of maiolica

The Infiorata of Noto, a modern tradition

A heritage of votive works

The city within the city

Views denied, views conquered: the power of the devout Benedictines

A new site for the church of San Giorgio

Rebirth and urban planning of the city of Noto

The Duomo di San Giorgio (Cathedral of St. George)

Akrai and Syracuse: an unbreakable bond

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Church of St. John the Evangelist

Baroque and the loss of balance in the 16th century

The neo-Gothic seminary chapel: symbols, light and space

A Nobel Prize in Modica

The interior and works of art

The two churches

The senses tell about Palazzo Beneventano

The new roads of the city

The beginning of an authentic Baroque conception

Art in the cathedral

The senses tell the Cathedral of San Giorgio

The Church of St. Francis

Scenography and devotion for St. Agatha

The Church of St. Benedict

The Monastery of the Benedictine nuns

The interiors: diffused light and Byzantine relics

The Badia di Sant’Agata (St. Agatha’s Abbey)

City and nature

The church and the college

The Antonino Uccello Birthplace Museum

The Palazzo dei due mori

The Church of St. Julian on Via dei Crociferi

Scenography, lights and colours of the cathedral

A casket of precious works

The Church of St. Mary of the Mountain

A stone garden

The senses tell the story of the Church of San Benedetto

The illusion of light and the decorative splendour

The city of Modica, a balance between nature and urbanism

The Staircase of Angels

The church and the monastery

Scicli, the city of Baroque scenery

The senses tell the story of the Church of Santa Maria del Monte

The casket of austerity under the great dome

The senses tell about Palazzo Ducezio