Noto

The articulated interior spaces

The palace is accessed through the large monumental portal, large enough for carriages to pass through. The portal leads into the inner garden, or up two staircases you can reach the first floor.
The internal elevation on the south courtyard is reminiscent of the main one but is more articulated.
It has two levels marked by windows and two large round arcades in the centre.
On the piano nobile (main floor), the first floor, the reception rooms are distributed one after the other along the corridor in an “enfilade”, and all overlook the internal garden lit with natural light thanks to the large windows dotted on the internal elevation.
Foto dal giardino interno frontale
foto sala e volte a padiglioneIn the rooms there are frescoed and richly decorated cloister vaults, the walls are covered with fabric wallpaper and the windows concealed by precious curtains.
The floors are typically tiled and decorated with geometric and curvilinear motifs.
It was also customary for the Baron’s bedroom to be adjacent to the reception rooms.
On the mezzanine floor, the one at a smaller height than the others, there were the children’s and staff rooms with their respective service rooms.
The other mezzanine floor located in the north-east corner, which now houses the municipal library and other spaces owned by the Municipality of Noto, was intended for the extended family.
Lastly, the attics housed the servants’ apartments, pantries and kitchens.

 

The senses tell about Palazzo Beneventano

The interiors: diffused light and Byzantine relics

Unusual iconographies: the Burgos crucifix

The city of Modica, a balance between nature and urbanism

The eagle-shaped city

The smallest Greek theatre in the world

The Infiorata of Noto, a modern tradition

Art in the cathedral

The senses tell the Church of San Michele

Palazzo Trigona di Canicarao

The church and the college

The city palace

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Rebirth and urban planning of the city of Noto

The triumph of Baroque: expansion of spaces

The city within the city

Baroque creativity: recurring themes

The palace, the town, the church

The Benedictines’ library

Reconstruction after the earthquake

The Church of St. Paul

San Domenico and Gagliardi’s work

The senses tell about Palazzo Trigona

The Church of St. Benedict

A story of rebirth

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Majestic exteriors, grandiose interiors

The senses tell the story of the Church of the Badia di Sant’Agata

One city, three sites

The Palazzo dei due mori

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of Santa Maria del Monte

The senses tell of the Cathedral of San Pietro

The Church of Madonna della Stella

The senses tell the story of the Church of San Paolo

The Church of St. Francis

The casket of austerity under the great dome

The Badia di Sant’Agata (St. Agatha’s Abbey)

Scenography and devotion for St. Agatha

The art of maiolica

The Monte delle Prestanze in the new city layout

A compromise between Neoclassicism and Baroque

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The neo-Gothic seminary chapel: symbols, light and space

Scenography, lights and colours of the cathedral

The senses tell the story of the Church of San Giuliano ai Crociferi

A casket of precious works

The articulated interior spaces

City and nature

The Madonna dei Conadomini and the art of devotion

A unifying project for the city of Catania

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The senses tell the Church of San Domenico

Verticality and dynamism of the façade of the Church of San Carlo

The interior and works of art

Luminous sacred spaces

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of San Benedetto

Militello: The story of an enlightened fiefdom

The illusion of light and the decorative splendour

Expanded spaces, stucco and colourful lights

Garden of Novices and the restorations by Giancarlo De Carlo

The Monastery of the Benedictine nuns

Madonna of the Militia: a singular warrior virgin

Fountain of the Nymph Zizza: public water in the town

A stone garden

The dynamics of the Church of San Michele

The Church of St. John the Evangelist

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the Cathedral of San Giorgio

The Franciscan convent

The beginning of an authentic Baroque conception

The church and the monastery

The Staircase of Angels

Views denied, views conquered: the power of the devout Benedictines

From the end of the world to rebirth from the rubble

The interior of the church: space and colour

The senses tell about Palazzo Zacco

A Nobel Prize in Modica

The senses tell of Palazzo della Cancelleria

A heritage of votive works

The expansion of space and changing reality

Scicli, the city of Baroque scenery

St. Agatha and the candelore

A new site for the church of San Giorgio

The works in the church

The senses tell about Palazzo Ducezio

Religious architecture

The Church of St. Julian on Via dei Crociferi

The new roads of the city

Piazza Duomo, the elephant fountain, the heart of the city

Altars, saints and sculptural works

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Duomo di San Giorgio (Cathedral of St. George)

Expansion, spatiality and light in the church of San Domenico

Virtuosity, decorations and altars

Palazzo Trigona: a building with a complex shape

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The two churches

The Church of St. Mary of the Mountain

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

Akrai and Syracuse: an unbreakable bond