Palazzolo Acreide

The smallest Greek theatre in the world

Located at the entrance to the archaeological site, beyond a small gateway is the Greek Theatre of Akrai. It is small and can accommodate around 600 spectators.

It is not carved into the rock, but lies on the natural slope that was previously prepared with dry stone. Its càvea is composed of 9 voussoirs and 12 steps, which, according to the rules of classic antiquity, are facing north. The space where the choir moved during theatrical performances, called the orchestra, is semi-circular in shape.
It is a unique element because other Greek theatres have a circular orchestra.
It was modified in the Roman-Imperial age. A new and wider raised scene was built, reducing the space of the orchestra, which is still intact today.
Like other structures of this type, it has excellent natural acoustics and is still used today for classical performances in the summer months.
One of the main activities organised by the Istituto Nazionale del Dramma Antico (National Institute of Ancient Drama) is an international initiative where young people become the festival’s true protagonists by staging works by ancient tragedians and playwrights.

Foto fil di ferro i cunei
I cunei
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A new site for the church of San Giorgio

Garden of Novices and the restorations by Giancarlo De Carlo

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The city within the city

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The Badia di Sant’Agata (St. Agatha’s Abbey)

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Reconstruction after the earthquake

The two churches

Fountain of the Nymph Zizza: public water in the town

The interior and works of art

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Scenography and devotion for St. Agatha

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The articulated interior spaces

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Majestic exteriors, grandiose interiors

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The triumph of Baroque: expansion of spaces

Baroque creativity: recurring themes

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The Palazzo dei due mori

Palazzo della Cancelleria: from former stable to the Nicastro family

The works in the church

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Expansion, spatiality and light in the church of San Domenico

The Duomo di San Giorgio (Cathedral of St. George)

Unusual iconographies: the Burgos crucifix

The interior of the church: space and colour

The neo-Gothic seminary chapel: symbols, light and space

The new roads of the city

The smallest Greek theatre in the world

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

A Nobel Prize in Modica

The expansion of space and changing reality

The church and the college

The Church of St. Francis

The palace, the town, the church

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Baroque and the loss of balance in the 16th century

Expanded spaces, stucco and colourful lights

Piazza Duomo, the elephant fountain, the heart of the city

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The Church of St. Julian on Via dei Crociferi

Scenography, lights and colours of the cathedral

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A stone garden

The Monastery of the Benedictine nuns

The Antonino Uccello Birthplace Museum

A compromise between Neoclassicism and Baroque

The dynamics of the Church of San Michele

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Madonna of the Militia: a singular warrior virgin

A heritage of votive works

Luminous sacred spaces

Palazzo Trigona: a building with a complex shape

The senses tell about Palazzo Ducezio

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Staircase of Angels

The illusion of light and the decorative splendour

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Church of Madonna della Stella

The Franciscan convent

The interiors: diffused light and Byzantine relics

A casket of precious works

One city, three sites

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of Santa Maria del Monte

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St. Agatha and the candelore

The art of maiolica

The Church of St. Paul

From the end of the world to rebirth from the rubble

San Domenico and Gagliardi’s work

Religious architecture

The Church of St. Benedict

Scicli, the city of Baroque scenery

The beginning of an authentic Baroque conception

Altars, saints and sculptural works

The Monte delle Prestanze in the new city layout

The eagle-shaped city

The Madonna dei Conadomini and the art of devotion

The Benedictines’ library

Art in the cathedral

Palazzo Zacco, a balance between sobriety and decoration

Views denied, views conquered: the power of the devout Benedictines

The Church of St. John the Evangelist

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the Cathedral of San Giorgio

The church and the monastery

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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Akrai and Syracuse: an unbreakable bond

The senses tell the story of the Church of the Badia di Sant’Agata

The city of Modica, a balance between nature and urbanism

The senses tell about Palazzo Trigona

The Infiorata of Noto, a modern tradition

The senses tell the Church of San Michele

A story of rebirth

The senses tell the story of the Church of San Giuliano ai Crociferi

Rebirth and urban planning of the city of Noto

City and nature

The senses tell the story of the Church of San Benedetto

The Church of St. Mary of the Mountain

The senses tell the Church of San Domenico