Palazzolo Acreide

The smallest Greek theatre in the world

Located at the entrance to the archaeological site, beyond a small gateway is the Greek Theatre of Akrai. It is small and can accommodate around 600 spectators.

It is not carved into the rock, but lies on the natural slope that was previously prepared with dry stone. Its càvea is composed of 9 voussoirs and 12 steps, which, according to the rules of classic antiquity, are facing north. The space where the choir moved during theatrical performances, called the orchestra, is semi-circular in shape.
It is a unique element because other Greek theatres have a circular orchestra.
It was modified in the Roman-Imperial age. A new and wider raised scene was built, reducing the space of the orchestra, which is still intact today.
Like other structures of this type, it has excellent natural acoustics and is still used today for classical performances in the summer months.
One of the main activities organised by the Istituto Nazionale del Dramma Antico (National Institute of Ancient Drama) is an international initiative where young people become the festival’s true protagonists by staging works by ancient tragedians and playwrights.

Foto fil di ferro i cunei
I cunei
Expansion, spatiality and light in the church of San Domenico

The Franciscan convent

San Domenico and Gagliardi’s work

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Infiorata of Noto, a modern tradition

A casket of precious works

A stone garden

A unifying project for the city of Catania

Rebirth and urban planning of the city of Noto

The smallest Greek theatre in the world

Virtuosity, decorations and altars

The senses tell the story of the Church of Santa Maria del Monte

The palace, the town, the church

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Luminous sacred spaces

The Palazzo dei due mori

The senses tell the Cathedral of San Giorgio

The Madonna dei Conadomini and the art of devotion

The Antonino Uccello Birthplace Museum

A story of rebirth

Palazzo della Cancelleria: from former stable to the Nicastro family

The Benedictines’ library

Palazzo Zacco, a balance between sobriety and decoration

The casket of austerity under the great dome

Expanded spaces, stucco and colourful lights

The eagle-shaped city

Art in the cathedral

Religious architecture

The neo-Gothic seminary chapel: symbols, light and space

Garden of Novices and the restorations by Giancarlo De Carlo

The Monastery of the Benedictine nuns

A compromise between Neoclassicism and Baroque

The dynamics of the Church of San Michele

Unusual iconographies: the Burgos crucifix

The senses tell about Palazzo Ducezio

The senses tell about Palazzo Beneventano

Reconstruction after the earthquake

Scenography and devotion for St. Agatha

The illusion of light and the decorative splendour

The interior and works of art

The Church of St. Benedict

A Nobel Prize in Modica

The senses tell the story of the Church of San Paolo

St. Agatha and the candelore

The senses tell about Palazzo Zacco

Baroque creativity: recurring themes

The articulated interior spaces

The interior of the church: space and colour

The Church of St. Paul

Scenography, lights and colours of the cathedral

Madonna of the Militia: a singular warrior virgin

The new roads of the city

The senses tell the story of the Church of San Benedetto

The senses tell of the Cathedral of San Pietro

The expansion of space and changing reality

The beginning of an authentic Baroque conception

The senses tell the Cathedral of San Giorgio

A heritage of votive works

The city within the city

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The triumph of Baroque: expansion of spaces

Altars, saints and sculptural works

The Church of St. Francis

The Church of Madonna della Stella

The senses tell about Palazzo Trigona

The two churches

The Duomo di San Giorgio (Cathedral of St. George)

The city palace

The Church of St. John the Evangelist

The art of maiolica

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the story of the Church of San Carlo and the former Jesuit college

Palazzo Trigona: a building with a complex shape

The senses tell the Church of San Michele

A new site for the church of San Giorgio

Baroque and the loss of balance in the 16th century

Views denied, views conquered: the power of the devout Benedictines

The interiors: diffused light and Byzantine relics

The Monte delle Prestanze in the new city layout

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Militello: The story of an enlightened fiefdom

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The works in the church

The Badia di Sant’Agata (St. Agatha’s Abbey)

Majestic exteriors, grandiose interiors

Verticality and dynamism of the façade of the Church of San Carlo

Palazzo Trigona di Canicarao

Fountain of the Nymph Zizza: public water in the town

The senses tell the story of the Church of the Badia di Sant’Agata

City and nature

Scicli, the city of Baroque scenery

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of San Giovanni Evangelista

The Church of St. Mary of the Mountain

The Staircase of Angels

The senses tell the Church of San Domenico

Piazza Duomo, the elephant fountain, the heart of the city

Akrai and Syracuse: an unbreakable bond

The church and the monastery

The church and the college

From the end of the world to rebirth from the rubble

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The city of Modica, a balance between nature and urbanism

The senses tell of Palazzo della Cancelleria

The Church of St. Julian on Via dei Crociferi

One city, three sites