Palazzolo Acreide

The smallest Greek theatre in the world

Located at the entrance to the archaeological site, beyond a small gateway is the Greek Theatre of Akrai. It is small and can accommodate around 600 spectators.

It is not carved into the rock, but lies on the natural slope that was previously prepared with dry stone. Its càvea is composed of 9 voussoirs and 12 steps, which, according to the rules of classic antiquity, are facing north. The space where the choir moved during theatrical performances, called the orchestra, is semi-circular in shape.
It is a unique element because other Greek theatres have a circular orchestra.
It was modified in the Roman-Imperial age. A new and wider raised scene was built, reducing the space of the orchestra, which is still intact today.
Like other structures of this type, it has excellent natural acoustics and is still used today for classical performances in the summer months.
One of the main activities organised by the Istituto Nazionale del Dramma Antico (National Institute of Ancient Drama) is an international initiative where young people become the festival’s true protagonists by staging works by ancient tragedians and playwrights.

Foto fil di ferro i cunei
I cunei
The palace, the town, the church

The works in the church

Expansion, spatiality and light in the church of San Domenico

Fountain of the Nymph Zizza: public water in the town

The Church of St. Julian on Via dei Crociferi

The Benedictines’ library

The Palazzo dei due mori

From the end of the world to rebirth from the rubble

Palazzo Trigona: a building with a complex shape

The interiors: diffused light and Byzantine relics

The Antonino Uccello Birthplace Museum

The city of Modica, a balance between nature and urbanism

Baroque creativity: recurring themes

The senses tell of Palazzo della Cancelleria

Rebirth and urban planning of the city of Noto

The senses tell the Church of San Michele

The senses tell the Cathedral of San Giorgio

The casket of austerity under the great dome

City and nature

The senses tell about Palazzo Zacco

The smallest Greek theatre in the world

San Domenico and Gagliardi’s work

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The illusion of light and the decorative splendour

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of San Paolo

The Church of Madonna della Stella

A heritage of votive works

Luminous sacred spaces

Scicli, the city of Baroque scenery

The new roads of the city

The senses tell the story of the Church of Santa Maria del Monte

The eagle-shaped city

The Infiorata of Noto, a modern tradition

The senses tell the story of the Church of the Badia di Sant’Agata

The Church of St. Benedict

Akrai and Syracuse: an unbreakable bond

St. Agatha and the candelore

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Badia di Sant’Agata (St. Agatha’s Abbey)

The interior of the church: space and colour

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Palazzo della Cancelleria: from former stable to the Nicastro family

A new site for the church of San Giorgio

Piazza Duomo, the elephant fountain, the heart of the city

The Duomo di San Giorgio (Cathedral of St. George)

Madonna of the Militia: a singular warrior virgin

The senses tell about Palazzo Ducezio

The senses tell the Cathedral of San Giorgio

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The senses tell the story of the Church of San Giuliano ai Crociferi

Expanded spaces, stucco and colourful lights

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

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The city within the city

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Majestic exteriors, grandiose interiors

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Geometry and wonder in civic architecture in the Baroque of the Val di Noto

One city, three sites

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the Church of San Domenico

The Madonna dei Conadomini and the art of devotion

Reconstruction after the earthquake

The Monte delle Prestanze in the new city layout

The expansion of space and changing reality

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Views denied, views conquered: the power of the devout Benedictines

Altars, saints and sculptural works

Palazzo Trigona di Canicarao

A stone garden

The Church of St. John the Evangelist

The church and the college

The Monastery of the Benedictine nuns

The interior and works of art

Militello: The story of an enlightened fiefdom

A story of rebirth

The church and the monastery

The senses tell of the Cathedral of San Pietro

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell about Palazzo Beneventano

The two churches

The dynamics of the Church of San Michele

The city palace

The Staircase of Angels

Religious architecture

The senses tell about Palazzo Trigona

The Franciscan convent

The Church of St. Francis

Art in the cathedral

Baroque and the loss of balance in the 16th century

The beginning of an authentic Baroque conception

A casket of precious works

The Church of St. Paul

A Nobel Prize in Modica

Scenography and devotion for St. Agatha

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A unifying project for the city of Catania

Virtuosity, decorations and altars

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Cathedral of Sant’Agata

A compromise between Neoclassicism and Baroque

The articulated interior spaces

The art of maiolica

The Church of St. Mary of the Mountain