Palazzolo Acreide

The two churches

The two main churches of Palazzolo Acreide, the Church of San Paolo (St. Paul) and the Church of San Sebastiano (St. Sebastian),are excellent examples of the particular late Baroque style.
They stand amidst the dense fabric of houses and palaces, taking on particular significance within the town.

Each with their own style, they form a scenic curtain.
Their strong presence not only defines the square, but the entire district that shares the name of the churches.
These sacred buildings have great value for their architectural features and the complexity of their decoration and sculptures.
They also evoke the wealth and power of the local confraternities, who were key players in much of the reconstruction of sacred buildings following the great earthquake of 1693 that struck the entire Val di Noto.
In Palazzolo Acreide, highly popular religious festivals take place from June to October and are dedicated to the city’s patron saints.
The feast of St. Paul the Apostle (29th June) has very ancient origins, is internationally celebrated and attracts thousands of worshippers and tourists every year.

 

The senses tell about Palazzo Zacco

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The beginning of an authentic Baroque conception

Baroque creativity: recurring themes

The neo-Gothic seminary chapel: symbols, light and space

The Church of St. Julian on Via dei Crociferi

Religious architecture

San Domenico and Gagliardi’s work

Rebirth and urban planning of the city of Noto

The works in the church

The Monte delle Prestanze in the new city layout

The articulated interior spaces

Altars, saints and sculptural works

The senses tell the story of the Church of San Carlo and the former Jesuit college

The senses tell the story of the Church of San Benedetto

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the story of the Church of the Badia di Sant’Agata

A Nobel Prize in Modica

A story of rebirth

The Infiorata of Noto, a modern tradition

Palazzo Zacco, a balance between sobriety and decoration

The interior of the church: space and colour

Unusual iconographies: the Burgos crucifix

Expanded spaces, stucco and colourful lights

The smallest Greek theatre in the world

The senses tell about Palazzo Ducezio

The senses tell the Cathedral of San Giorgio

A unifying project for the city of Catania

The senses tell the Cathedral of Sant’Agata

Scenography and devotion for St. Agatha

A stone garden

Madonna of the Militia: a singular warrior virgin

The Church of St. John the Evangelist

A new site for the church of San Giorgio

The Badia di Sant’Agata (St. Agatha’s Abbey)

The art of maiolica

Scicli, the city of Baroque scenery

One city, three sites

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The city palace

The Monastery of the Benedictine nuns

St. Agatha and the candelore

Art in the cathedral

The Benedictines’ library

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A heritage of votive works

The Duomo di San Giorgio (Cathedral of St. George)

The dynamics of the Church of San Michele

Majestic exteriors, grandiose interiors

Palazzo Trigona: a building with a complex shape

The senses tell about Palazzo Beneventano

A compromise between Neoclassicism and Baroque

The Church of St. Paul

The city of Modica, a balance between nature and urbanism

Militello: The story of an enlightened fiefdom

City and nature

The two churches

Piazza Duomo, the elephant fountain, the heart of the city

Garden of Novices and the restorations by Giancarlo De Carlo

The senses tell the story of the Church of San Giovanni Evangelista

The Palazzo dei due mori

A casket of precious works

Akrai and Syracuse: an unbreakable bond

The church and the monastery

The city within the city

The Church of Madonna della Stella

Palazzo Trigona di Canicarao

The Church of St. Benedict

The Madonna dei Conadomini and the art of devotion

Reconstruction after the earthquake

The senses tell the Church of San Michele

Views denied, views conquered: the power of the devout Benedictines

The expansion of space and changing reality

Virtuosity, decorations and altars

The illusion of light and the decorative splendour

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

The senses tell of Palazzo della Cancelleria

The senses tell of the Cathedral of San Pietro

The interiors: diffused light and Byzantine relics

Fountain of the Nymph Zizza: public water in the town

The senses tell about Palazzo Trigona

The senses tell the Church of San Domenico

Expansion, spatiality and light in the church of San Domenico

The palace, the town, the church

The triumph of Baroque: expansion of spaces

From the end of the world to rebirth from the rubble

The Church of St. Mary of the Mountain

The Staircase of Angels

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The Church of St. Francis

The Antonino Uccello Birthplace Museum

The church and the college

Luminous sacred spaces

Verticality and dynamism of the façade of the Church of San Carlo

The interior and works of art

The senses tell the story of the Church of San Giuliano ai Crociferi

Scenography, lights and colours of the cathedral

The casket of austerity under the great dome

The Franciscan convent

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The new roads of the city

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of San Paolo

The senses tell the story of the Church of Santa Maria del Monte

The eagle-shaped city