Scicli

The dynamics of the Church of San Michele

One of the oldest churches in the town, it was spared in the earthquake of 1693. However, it was completely rebuilt in the mid-18th century by Modica-born architect Alessi, who used most of the square overlooked by the church to create as scenic a façade as possible. The works lasted for a century and were completed by the architect Fama of Palermo in the mid-19th century.
The elevation features three levels marked by half columns in the central part and pilaster strips in the lateral part, culminating in the belfry .

Foto fil di ferro Prospetto chiesa di San Michele
Prospetto chiesa di San Michele

The first level is marked by Corinthian columns surmounted by a cornice that follows the course of the free-standing columns, detached from the surface of the façade.
In the centre of the second level is a large wrought iron Louvre window, a memory from the former adjoining convent where the Augustinian cloistered nuns lived. The third level is defined by smooth pilaster strips with Corinthian capitals that frame the belfry.
 
The interior of the sacred building, which houses countless stuccoes, paintings, frescoes and polychrome decorations, has an elliptical plan that creates a play of perspective, and a semi-cylindrical apse .

The vault is stuccoed with floral and animal motifs reminiscent of Eden. The intense blue and gold coloured frescoes give a lively aura to the architectural space.
The floor of the church dates back to the 18th century. In fact, it is the original one made by the Lupo brothers in Ragusa pietra pece and white Comiso stone with a regular chessboard pattern.

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Luminous sacred spaces

The two churches

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The smallest Greek theatre in the world

From the end of the world to rebirth from the rubble

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The beginning of an authentic Baroque conception

The illusion of light and the decorative splendour

The Staircase of Angels

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Expanded spaces, stucco and colourful lights

The art of maiolica

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The Palazzo dei due mori

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Militello: The story of an enlightened fiefdom

Madonna of the Militia: a singular warrior virgin

Religious architecture

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Altars, saints and sculptural works

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Virtuosity, decorations and altars

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The Monte delle Prestanze in the new city layout

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The Monastery of the Benedictine nuns

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The eagle-shaped city

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Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

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City and nature

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

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The dynamics of the Church of San Michele

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Scenography and devotion for St. Agatha

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Baroque creativity: recurring themes

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A stone garden

Piazza Duomo, the elephant fountain, the heart of the city

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Unusual iconographies: the Burgos crucifix

The Church of Madonna della Stella

Art in the cathedral

The Church of St. Julian on Via dei Crociferi

The expansion of space and changing reality

San Domenico and Gagliardi’s work

The articulated interior spaces

The senses tell the Church of San Michele

Rebirth and urban planning of the city of Noto

Baroque and the loss of balance in the 16th century

A Nobel Prize in Modica

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The church and the college

The city palace

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Palazzo Trigona di Canicarao

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The triumph of Baroque: expansion of spaces

Garden of Novices and the restorations by Giancarlo De Carlo

The palace, the town, the church

Palazzo Zacco, a balance between sobriety and decoration

The neo-Gothic seminary chapel: symbols, light and space

St. Agatha and the candelore

The new roads of the city

A story of rebirth

The senses tell the story of the Church of San Benedetto