Scicli

The Palazzo dei due mori

Described as the most beautiful Baroque palace in Sicily, the Palazzo dei Due Mori dates back to the 18th century, after it was rebuilt on the slopes of the San Matteo hill following the earthquake of 1693. The building’s entire external surface is characterised by a soft colour that contrasts with the dark wrought iron railings of the scenic balconies.
These predominant elements give the building a light and elegant appearance.

The base of the building, placed on a slope with respect to the two streets that flank it, is outlined by the stone base. All the decorative elements of the façade such as the pilaster strips, window frames and iconic balconies, are also made of stone.

One element that made this building famous are the corbels that support the swollen balconies with wrought iron railings. In fact, the balconies depict animal and anthropomorphic figures that tell the story of the raids of the Saracens and Mediterranean pirates.

Foto fil di ferro Mensole
Mensole

foto fil di ferro Mensole
Mensole

Their fierce expressions, suffering and alive, convey the experience of those moments to the observer. Another fundamental element in this palace is without a doubt the angle of the building, which features the coat of arms of the Beneventano family.
Decorated with two Moor heads, it has become one of the symbols of Scicli.

The interior and works of art

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The expansion of space and changing reality

The Staircase of Angels

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Palazzo Trigona di Canicarao

The Madonna dei Conadomini and the art of devotion

A casket of precious works

The Church of St. John the Evangelist

St. Agatha and the candelore

Reconstruction after the earthquake

The Church of St. Julian on Via dei Crociferi

The interior of the church: space and colour

The Badia di Sant’Agata (St. Agatha’s Abbey)

Rebirth and urban planning of the city of Noto

The Church of St. Benedict

The Church of St. Paul

The Antonino Uccello Birthplace Museum

A Nobel Prize in Modica

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The senses tell the Church of San Michele

Majestic exteriors, grandiose interiors

Madonna of the Militia: a singular warrior virgin

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Palazzo Zacco, a balance between sobriety and decoration

Akrai and Syracuse: an unbreakable bond

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The Benedictines’ library

The Church of St. Francis

The Monastery of the Benedictine nuns

The senses tell about Palazzo Trigona

The Church of Madonna della Stella

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Palazzo della Cancelleria: from former stable to the Nicastro family

Scenography and devotion for St. Agatha

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A stone garden

The Franciscan convent

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Piazza Duomo, the elephant fountain, the heart of the city

The church and the college

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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The senses tell about Palazzo Zacco

The interiors: diffused light and Byzantine relics

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The two churches

The Palazzo dei due mori

Fountain of the Nymph Zizza: public water in the town

The works in the church

The senses tell about Palazzo Beneventano

The Monte delle Prestanze in the new city layout

The dynamics of the Church of San Michele

City and nature

The beginning of an authentic Baroque conception

The city palace

The palace, the town, the church

The articulated interior spaces

Garden of Novices and the restorations by Giancarlo De Carlo

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Expanded spaces, stucco and colourful lights

Scicli, the city of Baroque scenery

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell the Cathedral of San Giorgio

The senses tell the story of the Church of San Benedetto

The art of maiolica

Unusual iconographies: the Burgos crucifix

The triumph of Baroque: expansion of spaces

The Infiorata of Noto, a modern tradition

The church and the monastery

The Church of St. Mary of the Mountain

Baroque creativity: recurring themes

Altars, saints and sculptural works

A heritage of votive works

A story of rebirth

Views denied, views conquered: the power of the devout Benedictines

Virtuosity, decorations and altars

The senses tell the story of the Church of San Paolo

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Art in the cathedral

Baroque and the loss of balance in the 16th century

The senses tell the story of the Church of the Badia di Sant’Agata

The illusion of light and the decorative splendour

A compromise between Neoclassicism and Baroque

The new roads of the city

Religious architecture

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

San Domenico and Gagliardi’s work

The senses tell of Palazzo della Cancelleria

Verticality and dynamism of the façade of the Church of San Carlo

From the end of the world to rebirth from the rubble

The senses tell the Church of San Domenico

Luminous sacred spaces

The city within the city

Militello: The story of an enlightened fiefdom

Scenography, lights and colours of the cathedral

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The senses tell the story of the Church of Santa Maria del Monte

The casket of austerity under the great dome

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A new site for the church of San Giorgio

One city, three sites

The senses tell the story of the Church of San Giuliano ai Crociferi

The eagle-shaped city

The smallest Greek theatre in the world