Militello in Val di Catania

A heritage of votive works

The worship of the Madonna della Stella is deeply celebrated by the population in Militello. Worship sky-rocketed in the 18th century and the rich lords of Militello, among others, began to commission votive works for the Madonna. In fact, the parish church of the Madonna della Stella is home to the stanza degli argenti (room of silverware).
foto tessuti e parametri
altare portatileIt is a place where sacred vases, chalices, pyxes and monstrances belonging to the parish of Santa Maria and the rectoral churches of San Giovanni and San Sebastiano are kept and arranged.
It also contains the gold crowns and the star of the simulacrum of the Madonna della Stella, alongside three silver keys needed for the unveiling.
On the day of the feast, the keys are used to open the doors of the niche that houses the simulacrum and are intended for the parish priest, the mayor and the marshal of the Carabinieri.
Another room holds a precious “portable altar”, an object that resembles a wooden wardrobe but inside it houses an altar with simulacra and reliquaries.
This particular object was used as a private chapel in the houses of the nobility.
Finally, the many works of art include the colourful Madonna by Giandomenico Gagini .

City and nature

A compromise between Neoclassicism and Baroque

Palazzo Trigona: a building with a complex shape

The city within the city

The Monte delle Prestanze in the new city layout

The Antonino Uccello Birthplace Museum

The casket of austerity under the great dome

The triumph of Baroque: expansion of spaces

Fountain of the Nymph Zizza: public water in the town

Art in the cathedral

Madonna of the Militia: a singular warrior virgin

The Duomo di San Giorgio (Cathedral of St. George)

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Verticality and dynamism of the façade of the Church of San Carlo

A unifying project for the city of Catania

The Church of St. Benedict

Scicli, the city of Baroque scenery

The senses tell the story of the Church of San Benedetto

The city palace

The Monastery of the Benedictine nuns

The illusion of light and the decorative splendour

Militello: The story of an enlightened fiefdom

The interior and works of art

The Church of Madonna della Stella

The Infiorata of Noto, a modern tradition

A heritage of votive works

The Church of St. John the Evangelist

The interiors: diffused light and Byzantine relics

The beginning of an authentic Baroque conception

Views denied, views conquered: the power of the devout Benedictines

Garden of Novices and the restorations by Giancarlo De Carlo

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell about Palazzo Ducezio

The Staircase of Angels

The Benedictines’ library

San Domenico and Gagliardi’s work

A casket of precious works

The senses tell the story of the Church of Santa Maria del Monte

A story of rebirth

The senses tell of Palazzo della Cancelleria

The senses tell about Palazzo Beneventano

The Church of St. Julian on Via dei Crociferi

Altars, saints and sculptural works

The senses tell the Church of San Michele

St. Agatha and the candelore

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Giovanni Evangelista

The senses tell the story of the Church of San Carlo and the former Jesuit college

Reconstruction after the earthquake

The senses tell the Cathedral of Sant’Agata

Rebirth and urban planning of the city of Noto

The Franciscan convent

Luminous sacred spaces

Religious architecture

A stone garden

The palace, the town, the church

Scenography and devotion for St. Agatha

From the end of the world to rebirth from the rubble

The church and the monastery

The smallest Greek theatre in the world

Baroque and the loss of balance in the 16th century

The interior of the church: space and colour

Palazzo della Cancelleria: from former stable to the Nicastro family

Scenography, lights and colours of the cathedral

Majestic exteriors, grandiose interiors

Virtuosity, decorations and altars

The new roads of the city

Expanded spaces, stucco and colourful lights

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The Church of St. Mary of the Mountain

The city of Modica, a balance between nature and urbanism

Akrai and Syracuse: an unbreakable bond

The works in the church

The articulated interior spaces

A new site for the church of San Giorgio

Baroque creativity: recurring themes

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of San Giuliano ai Crociferi

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the Cathedral of San Giorgio

The Madonna dei Conadomini and the art of devotion

The neo-Gothic seminary chapel: symbols, light and space

The expansion of space and changing reality

The church and the college

The eagle-shaped city

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Paolo

The dynamics of the Church of San Michele

A Nobel Prize in Modica

The senses tell the story of the Church of the Badia di Sant’Agata

The Church of St. Francis

The Church of St. Paul

The senses tell the Cathedral of San Giorgio

Palazzo Trigona di Canicarao

Expansion, spatiality and light in the church of San Domenico

The two churches

The Palazzo dei due mori

The senses tell of the Cathedral of San Pietro

The senses tell about Palazzo Zacco

The art of maiolica

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the Church of San Domenico

The senses tell about Palazzo Trigona

One city, three sites