Ragusa

Palazzo della Cancelleria: from former stable to the Nicastro family

The exquisite late Baroque building located in Ragusa Ibla overlooks Via del Commendatore in the “degli archi” district and was purchased by the Municipality in the mid-19th century to become the seat of the Municipal Chancellery, hence its name, Palazzo della Cancelleria.
Construction work on the palace, which was owned by the Nicastro family began in the first half of the 18th century, followed by subsequent modifications, seen clearly in the tympanum which is not in line with the façade. There are also clear stylistic differences between its constituent elements.prospetto con timpano fuori asseIt was completed in 1760, as an extension to another building still visible thanks to the presence of the old stable. The main façade overlooks a small square in which two branches of the long staircase, once the only link between the upper and lower districts of the city, are connected.
The façade is embellished by a portal that seems to be guarded by the faces of two cherubs carved to decorate the lateral pilaster strips . cherubino portaleThe articulated entrance to the Baroque complex, perhaps built later, is dominated by an arch supported by carved pillars and a central tribune with a balustrade with curved balusters, which rests on five corbels formed of large 17th-century volutes.
The side elevation has two large windows connected by a mixtilinear cornice, but the most theatrical element is the entrance portal leading to the former stable connected to the upper floor by a natural pietra pece ramp.

The beginning of an authentic Baroque conception

The senses tell of Palazzo della Cancelleria

Rebirth and urban planning of the city of Noto

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The senses tell the Cathedral of San Giorgio

A casket of precious works

The casket of austerity under the great dome

The Church of St. John the Evangelist

The two churches

Baroque creativity: recurring themes

Expansion, spatiality and light in the church of San Domenico

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Garden of Novices and the restorations by Giancarlo De Carlo

The Antonino Uccello Birthplace Museum

St. Agatha and the candelore

Palazzo Trigona di Canicarao

A Nobel Prize in Modica

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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The Church of St. Benedict

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Staircase of Angels

Scenography, lights and colours of the cathedral

San Domenico and Gagliardi’s work

The Church of St. Paul

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

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Art in the cathedral

The city of Modica, a balance between nature and urbanism

Scenography and devotion for St. Agatha

The city palace

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The neo-Gothic seminary chapel: symbols, light and space

Palazzo Zacco, a balance between sobriety and decoration

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the Cathedral of San Giorgio

City and nature

Palazzo Trigona: a building with a complex shape

The senses tell the story of the Church of San Giovanni Evangelista

The Infiorata of Noto, a modern tradition

The Church of St. Julian on Via dei Crociferi

The Monastery of the Benedictine nuns

Religious architecture

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Fountain of the Nymph Zizza: public water in the town

The senses tell the Church of San Domenico

The senses tell about Palazzo Trigona

The Church of St. Francis

The senses tell the story of the Church of the Badia di Sant’Agata

The Palazzo dei due mori

The Franciscan convent

Luminous sacred spaces

The new roads of the city

A stone garden

Reconstruction after the earthquake

The expansion of space and changing reality

The senses tell of the Cathedral of San Pietro

The Church of St. Mary of the Mountain

The Benedictines’ library

The interior and works of art

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The city within the city

Virtuosity, decorations and altars

The Madonna dei Conadomini and the art of devotion

Madonna of the Militia: a singular warrior virgin

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The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The art of maiolica

The eagle-shaped city

The church and the college

A compromise between Neoclassicism and Baroque

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

Altars, saints and sculptural works

A story of rebirth

The church and the monastery

The senses tell the Cathedral of Sant’Agata

The Monte delle Prestanze in the new city layout

Majestic exteriors, grandiose interiors

Unusual iconographies: the Burgos crucifix

The Duomo di San Giorgio (Cathedral of St. George)

Piazza Duomo, the elephant fountain, the heart of the city

The works in the church

The senses tell about Palazzo Ducezio

From the end of the world to rebirth from the rubble

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The articulated interior spaces

The senses tell the Church of San Michele

The triumph of Baroque: expansion of spaces

Views denied, views conquered: the power of the devout Benedictines

The senses tell the story of the Church of San Giuliano ai Crociferi

The smallest Greek theatre in the world

The dynamics of the Church of San Michele

Verticality and dynamism of the façade of the Church of San Carlo

The interior of the church: space and colour

Militello: The story of an enlightened fiefdom

The illusion of light and the decorative splendour

A new site for the church of San Giorgio

The interiors: diffused light and Byzantine relics

The palace, the town, the church

Expanded spaces, stucco and colourful lights

The Church of Madonna della Stella

Scicli, the city of Baroque scenery

Baroque and the loss of balance in the 16th century

Akrai and Syracuse: an unbreakable bond

A heritage of votive works

The Badia di Sant’Agata (St. Agatha’s Abbey)