Catania

The church and the monastery

The church of San Benedetto (St. Benedict), considered one of the best examples of late Baroque in Catania, is located inside the historic monastery at the beginning of Via dei Crociferi.
monastero da via crociferi inquadrando l'arco d'unioneIt is the other largest convent complex of the Benedictine nuns and their current residence.
It is said that the superb arch that opens onto the street was built in one night to unite the two monasteries and connect the abbeys, following the earthquake in 1704.
arco d'unioneThe grandeur that emanates from this place inspired Giovanni Verga ‘s “Storia di una Capinera” (Story of a Blackcap) and Franco Zeffirelli’s film adaptation (Sparrow) set in Via dei Crociferi.
The monastery of San Benedetto originated from the remains of a Roman domus dating back to imperial times, the remains of which were discovered during restoration work.
One of the most fascinating elements of the cloistered monastery, where the Benedictine nuns practised a characteristic form of devotion , is the parlour, the only place where the nuns could have contact with the outside world.
In this room, concealed by thick black grating, they were allowed to talk to their relatives.
The room’s floor, preserved in its original state, dates back to the 14th century and is made of terracotta and limestone. It also has geometrically shaped decorations typical of the Arab-Norman period, created by the intersection of several depictions joined together. The main element is the symbolic eight-pointed star repeated in the geometric flooring and which represents the sacred centre par excellence.

A heritage of votive works

Militello: The story of an enlightened fiefdom

The Palazzo dei due mori

The senses tell about Palazzo Trigona

The beginning of an authentic Baroque conception

A stone garden

The senses tell the Cathedral of Sant’Agata

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

San Domenico and Gagliardi’s work

The senses tell the Cathedral of San Giorgio

The Church of St. John the Evangelist

The interior and works of art

A Nobel Prize in Modica

The Antonino Uccello Birthplace Museum

The senses tell the Church of San Michele

The Church of St. Mary of the Mountain

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of San Paolo

A compromise between Neoclassicism and Baroque

The senses tell about Palazzo Beneventano

Palazzo Trigona di Canicarao

A casket of precious works

The church and the college

The Church of St. Julian on Via dei Crociferi

The triumph of Baroque: expansion of spaces

The articulated interior spaces

The city palace

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Baroque creativity: recurring themes

The senses tell the story of the Church of San Giovanni Evangelista

The Infiorata of Noto, a modern tradition

Art in the cathedral

The casket of austerity under the great dome

The city within the city

The church and the monastery

The dynamics of the Church of San Michele

Scicli, the city of Baroque scenery

The illusion of light and the decorative splendour

Fountain of the Nymph Zizza: public water in the town

Majestic exteriors, grandiose interiors

Scenography and devotion for St. Agatha

Views denied, views conquered: the power of the devout Benedictines

The Benedictines’ library

The eagle-shaped city

A new site for the church of San Giorgio

The Church of Madonna della Stella

A story of rebirth

The senses tell the Cathedral of San Giorgio

The Church of St. Paul

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Baroque and the loss of balance in the 16th century

The senses tell about Palazzo Zacco

The senses tell the Church of San Domenico

The senses tell the story of the Church of San Benedetto

The smallest Greek theatre in the world

St. Agatha and the candelore

The city of Modica, a balance between nature and urbanism

The expansion of space and changing reality

Piazza Duomo, the elephant fountain, the heart of the city

One city, three sites

The Monastery of the Benedictine nuns

Expanded spaces, stucco and colourful lights

The Church of St. Francis

The Badia di Sant’Agata (St. Agatha’s Abbey)

The senses tell of Palazzo della Cancelleria

The neo-Gothic seminary chapel: symbols, light and space

The art of maiolica

A unifying project for the city of Catania

The senses tell about Palazzo Ducezio

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of the Badia di Sant’Agata

Religious architecture

The senses tell the story of the Church of San Carlo and the former Jesuit college

Akrai and Syracuse: an unbreakable bond

The new roads of the city

The senses tell the story of the Church of San Giuliano ai Crociferi

Virtuosity, decorations and altars

Scenography, lights and colours of the cathedral

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell of the Cathedral of San Pietro

Reconstruction after the earthquake

The Madonna dei Conadomini and the art of devotion

Expansion, spatiality and light in the church of San Domenico

City and nature

The palace, the town, the church

From the end of the world to rebirth from the rubble

The senses tell the story of the Church of Santa Maria del Monte

The two churches

Altars, saints and sculptural works

The works in the church

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Staircase of Angels

The Monte delle Prestanze in the new city layout

The Church of St. Benedict

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Luminous sacred spaces

The interiors: diffused light and Byzantine relics

Verticality and dynamism of the façade of the Church of San Carlo

Madonna of the Militia: a singular warrior virgin

The Franciscan convent

The interior of the church: space and colour

Palazzo Trigona: a building with a complex shape

Rebirth and urban planning of the city of Noto

Palazzo della Cancelleria: from former stable to the Nicastro family

The Duomo di San Giorgio (Cathedral of St. George)

Garden of Novices and the restorations by Giancarlo De Carlo