Caltagirone

The cloister of St. Francis

The convent’s cloister is the place around which the life of the friars was organised.
frontale arcate, finestre e pozzoSpecifically, the cloister of St. Francis reflects the spirit of poverty of the family of mendicant friars in its sober and rigorous appearance.
After suffering the disastrous earthquake of 1693 and the bombardments of 1943, it was rebuilt according to the Late Renaissance style of the time, recognisable in the essential lines of the interior elevations, outlined by sixteen windows and four balconies, framed by Ionic pilasters , which overlook the square space.
The area is marked by twenty-four monolithic columns whose purity of lines is interrupted only at the arcades, decorated with grotesque masks in the centre of the arch. The arcades are one of the few elements that create a pattern inside the cloister, giving multiple perspectives.
colonne Del chiostro balcone centrale
paraste nel chiostro
The essential nature is also found in the sober use of materials such as stone for the arcades and columns, and in the decorative details arranged on the wall made with a neutral coloured plaster.
Inside, there is a stone well and a lush green lawn with four palm trees, planted during the 1937 restoration.
This space steeped in history has two entrances: a more modern one, in a floral style, which dates back to the 20th century, with the commissioner’s coat of arms. The other, older one is located near the chapel and has the Franciscan emblem in the lunette.
stemma francescano emblema committenza
The cloister reveals the few traces of the medieval convent with its ogival stone portal, which, unfortunately was remodelled at the top with the insertion of an elliptical window in Late Renaissance style.
portale antico di destra

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Garden of Novices and the restorations by Giancarlo De Carlo

Majestic exteriors, grandiose interiors

Palazzo Trigona di Canicarao

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The Franciscan convent

City and nature

The Church of St. Francis

The Church of St. Julian on Via dei Crociferi

The Badia di Sant’Agata (St. Agatha’s Abbey)

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San Domenico and Gagliardi’s work

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Expanded spaces, stucco and colourful lights

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The works in the church

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The Church of St. Benedict

The Staircase of Angels

The illusion of light and the decorative splendour

The senses tell about Palazzo Trigona

The Madonna dei Conadomini and the art of devotion

The beginning of an authentic Baroque conception

The city within the city

Palazzo Trigona: a building with a complex shape

Baroque and the loss of balance in the 16th century

The art of maiolica

The senses tell the Cathedral of San Giorgio

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Art in the cathedral

A casket of precious works

Luminous sacred spaces

Madonna of the Militia: a singular warrior virgin

Fountain of the Nymph Zizza: public water in the town

The Duomo di San Giorgio (Cathedral of St. George)

The triumph of Baroque: expansion of spaces

Religious architecture

Piazza Duomo, the elephant fountain, the heart of the city

The smallest Greek theatre in the world

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

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A new site for the church of San Giorgio

The interiors: diffused light and Byzantine relics

The dynamics of the Church of San Michele

The Infiorata of Noto, a modern tradition

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell about Palazzo Ducezio

The eagle-shaped city

Rebirth and urban planning of the city of Noto

The Benedictines’ library

The expansion of space and changing reality

The Antonino Uccello Birthplace Museum

St. Agatha and the candelore

Scenography and devotion for St. Agatha