Caltagirone

The Church of St. Francis

Across the bridge of San Francesco, on the square of the same name, stands the majestic church of San Francesco D’Assisi all’Immacolata. The original building was built in 1236 by Beato Riccardo, one of the most devout followers of St. Francis, then enlarged a few centuries later under the supervision of Father Gerardo Arcolaci.
The church was destroyed by the earthquake of 1693, after which it was rebuilt in 1724 in Baroque style, and is preceded by a winding staircase. Some Gothic-style remains of the original structure, characterised by the finish of the local sandstone used in that period, are located in the rooms adjacent to the sacristy and the portal in the cloister.
In 1727, the works were revised by the architects Tommaso Amato and Francesco Battaglia , who changed the majestic Baroque stone façade, taking inspiration from examples from Palermo , making it one of the most interesting façades in Caltagirone.
chiesa san francesco facciata
Divided into two levels and marked by staggered columns that accentuate the contrasts of light and shadow, it had four niches with Franciscan saints placed in the lateral sections.
These were replaced with four Marian symbols distributed on “ large boards “, as if to frame the central niche with the statue of the Immaculate Conception. In 1807, a small apse with a small dome was built on the right side of the façade.
tabelloni in ordine di descrizione e zoo tabelloni in ordine di descrizione

Scicli, the city of Baroque scenery

The Madonna dei Conadomini and the art of devotion

The Staircase of Angels

Scenography and devotion for St. Agatha

The senses tell the story of the Church of San Benedetto

Militello: The story of an enlightened fiefdom

Palazzo Trigona: a building with a complex shape

Verticality and dynamism of the façade of the Church of San Carlo

The church and the college

The senses tell about Palazzo Beneventano

The Franciscan convent

The triumph of Baroque: expansion of spaces

The senses tell the Cathedral of San Giorgio

The Benedictines’ library

The senses tell the Church of San Michele

The church and the monastery

One city, three sites

From the end of the world to rebirth from the rubble

Religious architecture

A heritage of votive works

A Nobel Prize in Modica

The interior and works of art

The illusion of light and the decorative splendour

The beginning of an authentic Baroque conception

The new roads of the city

A unifying project for the city of Catania

A casket of precious works

The Antonino Uccello Birthplace Museum

The city palace

The Church of St. John the Evangelist

The senses tell the story of the Church of Santa Maria del Monte

San Domenico and Gagliardi’s work

Madonna of the Militia: a singular warrior virgin

The art of maiolica

The senses tell the Church of San Domenico

Majestic exteriors, grandiose interiors

The city of Modica, a balance between nature and urbanism

The works in the church

Reconstruction after the earthquake

The Palazzo dei due mori

Palazzo della Cancelleria: from former stable to the Nicastro family

The Church of St. Benedict

The Church of St. Mary of the Mountain

The senses tell the Cathedral of Sant’Agata

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell of the Cathedral of San Pietro

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The eagle-shaped city

The Church of St. Francis

The senses tell of Palazzo della Cancelleria

The Monte delle Prestanze in the new city layout

Scenography, lights and colours of the cathedral

The interior of the church: space and colour

The senses tell the story of the Church of San Giovanni Evangelista

Palazzo Trigona di Canicarao

City and nature

Garden of Novices and the restorations by Giancarlo De Carlo

Expanded spaces, stucco and colourful lights

The smallest Greek theatre in the world

The senses tell the Cathedral of San Giorgio

Luminous sacred spaces

Baroque creativity: recurring themes

The articulated interior spaces

Palazzo Zacco, a balance between sobriety and decoration

The senses tell the story of the Church of San Paolo

The Church of St. Julian on Via dei Crociferi

A compromise between Neoclassicism and Baroque

Akrai and Syracuse: an unbreakable bond

Altars, saints and sculptural works

The Duomo di San Giorgio (Cathedral of St. George)

The senses tell about Palazzo Trigona

A new site for the church of San Giorgio

Rebirth and urban planning of the city of Noto

The senses tell about Palazzo Ducezio

The interiors: diffused light and Byzantine relics

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The expansion of space and changing reality

The senses tell about Palazzo Zacco

Unusual iconographies: the Burgos crucifix

The palace, the town, the church

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

St. Agatha and the candelore

A stone garden

The Church of Madonna della Stella

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Expansion, spatiality and light in the church of San Domenico

The city within the city

The two churches

The Monastery of the Benedictine nuns

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The senses tell the story of the Church of San Giuliano ai Crociferi

Fountain of the Nymph Zizza: public water in the town

Virtuosity, decorations and altars

A story of rebirth

The dynamics of the Church of San Michele

Art in the cathedral

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Church of St. Paul

Views denied, views conquered: the power of the devout Benedictines

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Piazza Duomo, the elephant fountain, the heart of the city

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Infiorata of Noto, a modern tradition

Baroque and the loss of balance in the 16th century

The casket of austerity under the great dome

The neo-Gothic seminary chapel: symbols, light and space