Catania

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church of St. Agatha ‘s Abbey is located a few metres away from the Cathedral.
facciata badia di sant'AgataThe abbey was rebuilt in 1735 following the catastrophic earthquake of 1693, under the supervision of architect Giovanni Battista Vaccarini .
Recently returned from Rome, he was inspired by models from Roman Baroque.
Located in the street that runs alongside the cathedral of St. Agatha, the building can be seen from Piazza Duomo in a scenic game of perspective through the cathedral’s garden.
The façade rests on a large lava stone base and has giant order limestone pilasters with a palm-shaped capital and an alternating pattern of convex-concave-convex surfaces. The convex parts have openings surmounted by tympanums with relief decorations depicting the breasts of the Virgin Martyr.
dattaglio timpano con mammelle dettaglio portale con colonne binate
In the concave part, on the other hand, there is the entrance portal, framed between two groups of marble coupled columns arranged on a pedestal.
dettaglio timpano facciataAn elegant pediment completes the entire composition.
The curved trabeation above the openings on the first level creates a play of light and shadow that projects over the characteristic Louvre windows, which rest on a stone arabesque decoration.

Sinuous and protruding at the end, and made of perforated metal, the Louvre windows allowed the nuns to take part in processions without being seen, thanks to two specially designed compartments. The second level, on the other hand, is three times concave and ends with a continuous balustrade in perforated stone with interlaced links.

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The church and the monastery

Virtuosity, decorations and altars

Luminous sacred spaces

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The smallest Greek theatre in the world

Majestic exteriors, grandiose interiors

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The senses tell the story of the Church of the Badia di Sant’Agata

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Baroque and the loss of balance in the 16th century

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The interior and works of art

The senses tell the Cathedral of Sant’Agata

Unusual iconographies: the Burgos crucifix

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The illusion of light and the decorative splendour

Scenography and devotion for St. Agatha

The two churches

The palace, the town, the church

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The Monastery of the Benedictine nuns

The Church of St. Paul

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The works in the church

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Scicli, the city of Baroque scenery

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The Franciscan convent

City and nature

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Reconstruction after the earthquake

The new roads of the city

The Badia di Sant’Agata (St. Agatha’s Abbey)

Palazzo Zacco, a balance between sobriety and decoration

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One city, three sites

A compromise between Neoclassicism and Baroque

The city palace

Religious architecture

The senses tell the story of the Church of San Carlo and the former Jesuit college

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The Palazzo dei due mori

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The Benedictines’ library

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The Antonino Uccello Birthplace Museum

Palazzo Trigona di Canicarao

A stone garden

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Palazzo della Cancelleria: from former stable to the Nicastro family

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A unifying project for the city of Catania

Fountain of the Nymph Zizza: public water in the town

The Church of St. Mary of the Mountain

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The city within the city

San Domenico and Gagliardi’s work

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Baroque creativity: recurring themes