Catania

The Badia di Sant’Agata (St. Agatha’s Abbey)

The church of St. Agatha ‘s Abbey is located a few metres away from the Cathedral.
facciata badia di sant'AgataThe abbey was rebuilt in 1735 following the catastrophic earthquake of 1693, under the supervision of architect Giovanni Battista Vaccarini .
Recently returned from Rome, he was inspired by models from Roman Baroque.
Located in the street that runs alongside the cathedral of St. Agatha, the building can be seen from Piazza Duomo in a scenic game of perspective through the cathedral’s garden.
The façade rests on a large lava stone base and has giant order limestone pilasters with a palm-shaped capital and an alternating pattern of convex-concave-convex surfaces. The convex parts have openings surmounted by tympanums with relief decorations depicting the breasts of the Virgin Martyr.
dattaglio timpano con mammelle dettaglio portale con colonne binate
In the concave part, on the other hand, there is the entrance portal, framed between two groups of marble coupled columns arranged on a pedestal.
dettaglio timpano facciataAn elegant pediment completes the entire composition.
The curved trabeation above the openings on the first level creates a play of light and shadow that projects over the characteristic Louvre windows, which rest on a stone arabesque decoration.

Sinuous and protruding at the end, and made of perforated metal, the Louvre windows allowed the nuns to take part in processions without being seen, thanks to two specially designed compartments. The second level, on the other hand, is three times concave and ends with a continuous balustrade in perforated stone with interlaced links.

The beginning of an authentic Baroque conception

The senses tell the story of the Church of the Badia di Sant’Agata

The Duomo di San Giorgio (Cathedral of St. George)

The Church of St. Benedict

The Staircase of Angels

The city palace

Palazzo Trigona di Canicarao

Piazza Duomo, the elephant fountain, the heart of the city

The eagle-shaped city

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The triumph of Baroque: expansion of spaces

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

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Luminous sacred spaces

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The senses tell the Cathedral of San Giorgio

City and nature

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St. Agatha and the candelore

The art of maiolica

Baroque creativity: recurring themes

The senses tell about Palazzo Trigona

The illusion of light and the decorative splendour

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A story of rebirth

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The Church of St. Francis

Virtuosity, decorations and altars

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The city within the city

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The Palazzo dei due mori

Religious architecture

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The senses tell the Cathedral of Sant’Agata

Scicli, the city of Baroque scenery

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The Infiorata of Noto, a modern tradition

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The new roads of the city

The Franciscan convent

A stone garden

Palazzo Trigona: a building with a complex shape

Baroque and the loss of balance in the 16th century

The church and the monastery

Garden of Novices and the restorations by Giancarlo De Carlo

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

A compromise between Neoclassicism and Baroque

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The interior of the church: space and colour

The two churches

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The smallest Greek theatre in the world

Art in the cathedral

The articulated interior spaces

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The works in the church

The interior and works of art

The Church of St. Mary of the Mountain

Rebirth and urban planning of the city of Noto

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One city, three sites

Expanded spaces, stucco and colourful lights

The expansion of space and changing reality

The Church of St. Julian on Via dei Crociferi

The senses tell the story of the Church of San Carlo and the former Jesuit college

A Nobel Prize in Modica

The Badia di Sant’Agata (St. Agatha’s Abbey)

The Antonino Uccello Birthplace Museum

Altars, saints and sculptural works

Reconstruction after the earthquake

Scenography and devotion for St. Agatha

The palace, the town, the church

The casket of austerity under the great dome

Palazzo della Cancelleria: from former stable to the Nicastro family

The Madonna dei Conadomini and the art of devotion

Expansion, spatiality and light in the church of San Domenico

Majestic exteriors, grandiose interiors

San Domenico and Gagliardi’s work

A unifying project for the city of Catania

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Palazzo Zacco, a balance between sobriety and decoration

A casket of precious works

The interiors: diffused light and Byzantine relics

The Monastery of the Benedictine nuns

The Benedictines’ library

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Verticality and dynamism of the façade of the Church of San Carlo

The senses tell the story of the Sanctuary Church of Santa Maria della Stella