Caltagirone

The eagle-shaped city

The city of Caltagirone has very ancient origins; the first traces of settlements date back to the Neolithic age. Thanks to its strategic position on the fertile plain of the Hyblaean mountains, it became a destination for the Normans and the Greeks and Romans before them.
The city, which has always been very active, began its urban renewal even before the catastrophic earthquake of 1693. At the end of the 16th century the city was expanding.
The mother church and the castle were the focal point of the city, but with the construction of new districts it was necessary to build specific connecting roads.
In this way, roads were inserted to connect the area of San Giorgio with that of San Giacomo from east to west, and from north to south between the mother church and the southern quarter.
It was during this time that the extraordinary Scalinata di Santa Maria del Monte (Staircase of St. Mary of the Mountain) and the bridge of San Francesco were built, both highly coveted by the Franciscans. Seen from above, the town’s new configuration was shaped like an eagle: the head was the former castle, the wings the quarters of San Giacomo and San Giorgio, and the tail the quarter of San Francesco.
aerea con drone

The Church of St. Benedict

A casket of precious works

The Duomo di San Giorgio (Cathedral of St. George)

Piazza Duomo, the elephant fountain, the heart of the city

The Franciscan convent

Rebirth and urban planning of the city of Noto

The Monte delle Prestanze in the new city layout

The senses tell about Palazzo Ducezio

The art of maiolica

San Domenico and Gagliardi’s work

The senses tell the Church of San Domenico

Garden of Novices and the restorations by Giancarlo De Carlo

Madonna of the Militia: a singular warrior virgin

Scicli, the city of Baroque scenery

A story of rebirth

The Church of St. Francis

Art in the cathedral

The Staircase of Angels

The Monastery of the Benedictine nuns

The senses tell the story of the Church of San Benedetto

The senses tell about Palazzo Beneventano

A unifying project for the city of Catania

The senses tell the story of the Church of the Badia di Sant’Agata

A Nobel Prize in Modica

From the end of the world to rebirth from the rubble

Virtuosity, decorations and altars

Palazzo Trigona di Canicarao

Majestic exteriors, grandiose interiors

The Badia di Sant’Agata (St. Agatha’s Abbey)

The city of Modica, a balance between nature and urbanism

A new site for the church of San Giorgio

Baroque and the loss of balance in the 16th century

Altars, saints and sculptural works

The Church of Madonna della Stella

The triumph of Baroque: expansion of spaces

The senses tell the story of the Church of Santa Maria del Monte

Expanded spaces, stucco and colourful lights

The Antonino Uccello Birthplace Museum

One city, three sites

Views denied, views conquered: the power of the devout Benedictines

The two churches

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

The smallest Greek theatre in the world

The senses tell of Palazzo della Cancelleria

The palace, the town, the church

The senses tell the story of the Church of San Giuliano ai Crociferi

The Madonna dei Conadomini and the art of devotion

Expansion, spatiality and light in the church of San Domenico

A heritage of votive works

The city palace

St. Agatha and the candelore

The dynamics of the Church of San Michele

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The works in the church

Militello: The story of an enlightened fiefdom

The interior and works of art

Religious architecture

Fountain of the Nymph Zizza: public water in the town

The Church of St. Mary of the Mountain

The senses tell the story of the Church of San Paolo

The expansion of space and changing reality

The senses tell the Cathedral of Sant’Agata

The church and the college

The senses tell the Cathedral of San Giorgio

The interiors: diffused light and Byzantine relics

The Palazzo dei due mori

Verticality and dynamism of the façade of the Church of San Carlo

The senses tell of the Cathedral of San Pietro

The church and the monastery

A stone garden

The Church of St. Paul

Akrai and Syracuse: an unbreakable bond

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell about Palazzo Trigona

The Church of St. Julian on Via dei Crociferi

The senses tell the Cathedral of San Giorgio

The casket of austerity under the great dome

The eagle-shaped city

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Palazzo Trigona: a building with a complex shape

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

The senses tell the Church of San Michele

The city within the city

Unusual iconographies: the Burgos crucifix

The articulated interior spaces

City and nature

Scenography and devotion for St. Agatha

Palazzo Zacco, a balance between sobriety and decoration

The new roads of the city

The senses tell the story of the Church of San Carlo and the former Jesuit college

The illusion of light and the decorative splendour

The Church of St. John the Evangelist

Baroque creativity: recurring themes

Scenography, lights and colours of the cathedral

The senses tell about Palazzo Zacco

Luminous sacred spaces

Palazzo della Cancelleria: from former stable to the Nicastro family

The interior of the church: space and colour

The neo-Gothic seminary chapel: symbols, light and space

The beginning of an authentic Baroque conception

The Benedictines’ library

The Infiorata of Noto, a modern tradition

A compromise between Neoclassicism and Baroque

The senses tell the story of the Church of San Giovanni Evangelista

Reconstruction after the earthquake