Noto

The senses tell the Church of San Domenico

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White limestone

The church of San Domenico, like most of the late Baroque architecture of Noto built after the earthquake of 1693, is made of limestone, which gives it great chromatic homogeneity. The white stone is tinged with warm hues at sunset, offering a spectacle of unique beauty.

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A place of silence: the crypt of the Dominican friars

The crypt of the church of San Domenico is where the Dominican friars were taken when they died.
This is one of the main places of silence in the church, a small space characterised by few elements such as an altar and closed arcades.
It is interesting to note the stark contrast between the bare and essential architectural structure of the crypt and the grandeur of the church’s spaces.

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The colourful scenographic elements

The interior of the church of San Domenico is characterised by an entirely white environment, with very high walls decorated with bright stuccoes that give the setting a solemn and scenic appearance.
However, there are some elements that stand out from all the whiteness, including the majestic main altar and the gilded wooden ciborium made by Antonio Basile.
The former is embellished with red and white marble and the latter, made with a wonderful curvilinear structure, encloses the Virgin and Child.

St. Agatha and the candelore

The Staircase of Angels

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The art of maiolica

Unusual iconographies: the Burgos crucifix

Rebirth and urban planning of the city of Noto

Militello: The story of an enlightened fiefdom

The palace, the town, the church

A Nobel Prize in Modica

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Expanded spaces, stucco and colourful lights

Scicli, the city of Baroque scenery

The Monastery of the Benedictine nuns

Views denied, views conquered: the power of the devout Benedictines

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

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The neo-Gothic seminary chapel: symbols, light and space

Religious architecture

The Franciscan convent

The Church of St. Francis

Palazzo Zacco, a balance between sobriety and decoration

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The Madonna dei Conadomini and the art of devotion

A heritage of votive works

The Church of St. Julian on Via dei Crociferi

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Baroque and the loss of balance in the 16th century

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The Antonino Uccello Birthplace Museum

Altars, saints and sculptural works

Madonna of the Militia: a singular warrior virgin

San Domenico and Gagliardi’s work

A new site for the church of San Giorgio

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Art in the cathedral

The expansion of space and changing reality

The Monte delle Prestanze in the new city layout

City and nature

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The eagle-shaped city

A casket of precious works

Reconstruction after the earthquake

The dynamics of the Church of San Michele

The Church of St. Paul

Expansion, spatiality and light in the church of San Domenico

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The smallest Greek theatre in the world

The articulated interior spaces

Palazzo della Cancelleria: from former stable to the Nicastro family

Fountain of the Nymph Zizza: public water in the town

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Garden of Novices and the restorations by Giancarlo De Carlo

The Duomo di San Giorgio (Cathedral of St. George)

Scenography and devotion for St. Agatha

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A story of rebirth

A stone garden

The new roads of the city

The city palace

The city within the city

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The church of San Nicolò l’Arena: the majesty of an unfinished beauty

The senses tell the Church of San Domenico

The interior of the church: space and colour

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Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

The two churches

From the end of the world to rebirth from the rubble

The city of Modica, a balance between nature and urbanism

Scenography, lights and colours of the cathedral

The Badia di Sant’Agata (St. Agatha’s Abbey)

Majestic exteriors, grandiose interiors

One city, three sites

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The Infiorata of Noto, a modern tradition

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A compromise between Neoclassicism and Baroque

A unifying project for the city of Catania

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Palazzo Trigona: a building with a complex shape

The casket of austerity under the great dome

The Benedictines’ library

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The beginning of an authentic Baroque conception

Virtuosity, decorations and altars

Baroque creativity: recurring themes

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The illusion of light and the decorative splendour

The triumph of Baroque: expansion of spaces

Palazzo Trigona di Canicarao

Luminous sacred spaces

The church and the monastery

The senses tell about Palazzo Zacco

The Palazzo dei due mori