Introduction to Val di Noto

Baroque creativity: recurring themes

Baroque creativity develops in the central part of the elevation.
The long balconies of the piano nobile (main floor) are embellished by elegant wrought iron railings with a classic round-bottomed shape; the cornices of the large windows are enriched by sculptures and allegories that recall abundance and wealth.
The recurring themes taken from Baroque iconography and widely documented in still life paintings include cornucopias, grapes and garlands. The latter differ from their previous depictions due to their dynamics that enhance the creative spirit of the period.
The most emblematic elements are the large corbels that support the protrusions. It is here that the engravers gave free rein to their imagination, drawing from the vast graphic repertoire of Baroque imagery.
In this way, masks and grotesques were created, modelled using local stone to depict animals and anthropomorphic elements with curious expressions that attract the eye of passers-by, rousing “wonder and amazement”.

Scenography and devotion for St. Agatha

The Infiorata of Noto, a modern tradition

The smallest Greek theatre in the world

The Monastery of the Benedictine nuns

A heritage of votive works

The Staircase of Angels

Luminous sacred spaces

Scenography, lights and colours of the cathedral

Baroque and the loss of balance in the 16th century

The Monte delle Prestanze in the new city layout

The Badia di Sant’Agata (St. Agatha’s Abbey)

Religious architecture

Garden of Novices and the restorations by Giancarlo De Carlo

San Domenico and Gagliardi’s work

Akrai and Syracuse: an unbreakable bond

The palace, the town, the church

The triumph of Baroque: expansion of spaces

The art of maiolica

The Duomo di San Giorgio (Cathedral of St. George)

The expansion of space and changing reality

Art in the cathedral

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

Verticality and dynamism of the façade of the Church of San Carlo

The Palazzo dei due mori

The senses tell the story of the Church of San Carlo and the former Jesuit college

The casket of austerity under the great dome

Expanded spaces, stucco and colourful lights

Baroque creativity: recurring themes

The senses tell about Palazzo Ducezio

Majestic exteriors, grandiose interiors

The church and the monastery

The Franciscan convent

A stone garden

The eagle-shaped city

The dynamics of the Church of San Michele

Madonna of the Militia: a singular warrior virgin

The interior and works of art

The city within the city

Militello: The story of an enlightened fiefdom

Reconstruction after the earthquake

A story of rebirth

Unusual iconographies: the Burgos crucifix

The senses tell the story of the Church of San Benedetto

City and nature

The interiors: diffused light and Byzantine relics

A compromise between Neoclassicism and Baroque

The senses tell the Cathedral of San Giorgio

Piazza Duomo, the elephant fountain, the heart of the city

Palazzo Trigona di Canicarao

The new roads of the city

The Church of St. Julian on Via dei Crociferi

Rebirth and urban planning of the city of Noto

The Church of St. Mary of the Mountain

The senses tell the story of the Church of Santa Maria del Monte

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Expansion, spatiality and light in the church of San Domenico

The church and the college

A Nobel Prize in Modica

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell about Palazzo Beneventano

The senses tell the Cathedral of Sant’Agata

The senses tell the Church of San Domenico

The interior of the church: space and colour

The illusion of light and the decorative splendour

The senses tell of Palazzo della Cancelleria

The senses tell the story of the Church of San Paolo

The city palace

The Church of Madonna della Stella

The senses tell of the Cathedral of San Pietro

From the end of the world to rebirth from the rubble

The Benedictines’ library

The senses tell about Palazzo Trigona

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

A unifying project for the city of Catania

One city, three sites

The senses tell the story of the Church of San Giovanni Evangelista

The neo-Gothic seminary chapel: symbols, light and space

The city of Modica, a balance between nature and urbanism

Virtuosity, decorations and altars

The Church of St. Paul

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Fountain of the Nymph Zizza: public water in the town

The Madonna dei Conadomini and the art of devotion

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

Scicli, the city of Baroque scenery

The articulated interior spaces

Palazzo Zacco, a balance between sobriety and decoration

The Church of St. Benedict

The Antonino Uccello Birthplace Museum

The two churches

The beginning of an authentic Baroque conception

A casket of precious works

Altars, saints and sculptural works

St. Agatha and the candelore

A new site for the church of San Giorgio

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell the Church of San Michele

The senses tell the Cathedral of San Giorgio

The works in the church

The Church of St. John the Evangelist

Palazzo Trigona: a building with a complex shape

The Church of St. Francis

Views denied, views conquered: the power of the devout Benedictines

The senses tell about Palazzo Zacco