The scenic search for the illusion of light

Introduction to the route

The proposed educational route reconstructs the main events of the history of the Val di Noto, through the study of some of the most important architectural heritage in the eight Late Baroque Towns: Catania, Militello in Val di Catania, Caltagirone, Ragusa, Modica, Scicli, Palazzolo Acreide and Noto.
A territory that on this occasion can be examined and discovered over the course of its history, between its elements of homogeneity and diversity in terms of history, art and architecture which led its inclusion in the UNESCO World Heritage List.
The common threads of the route will be scenery, light and theatricality, all characteristics belonging to Sicilian Baroque.
Through this study, we will capture aspects of architecture, figurative arts, sculpture and local traditions. For example, the desire to design light structures with articulated openings that favour the infiltration of light and chiaroscuro effects on the walls, but also the preference for traditional materials, the wise and focused use of materials that demonstrated the skill of local workers, such as the use of stucco instead of marble, and painted glass instead of hard stone.
The route will allow us to understand how the territories and populations affected by the earthquake of 1693 reacted to the catastrophic event that triggered a great renovation, which, in the wake of what was happening at the time in every important artistic centre of Italy, uses means of visual communication, illusionary perspective and spectacularity to involve, amaze and communicate.
The route is wound with texts that use the five senses to uncover and relive the atmosphere of the past of the towns of the Val di Noto, recounting the colours, smells and sounds that characterised them, as well as traditional food and the materials used to construct buildings.

The Monte delle Prestanze in the new city layout

The freedom of worship and the Catholic Church’s role in the diffusion of Baroque

Luminous sacred spaces

The Infiorata of Noto, a modern tradition

The Madonna dei Conadomini and the art of devotion

The senses tell the story of the Church of San Giuliano ai Crociferi

The senses tell the Cathedral of San Giorgio

The Benedictines’ library

The city palace

Scicli, the city of Baroque scenery

Palazzo Trigona di Canicarao

One city, three sites

The beginning of an authentic Baroque conception

The Church of St. Paul

The casket of austerity under the great dome

The senses tell the story of the Church of San Carlo and the former Jesuit college

The Church of St. Benedict

The art of maiolica

A stone garden

From the end of the world to rebirth from the rubble

The Church of St. Julian on Via dei Crociferi

The new roads of the city

Fountain of the Nymph Zizza: public water in the town

The illusion of light and the decorative splendour

Art in the cathedral

The articulated interior spaces

The Duomo di San Giorgio (Cathedral of St. George)

The church of San Nicolò l’Arena: the majesty of an unfinished beauty

Madonna of the Militia: a singular warrior virgin

Majestic exteriors, grandiose interiors

The senses tell about Palazzo Trigona

The Staircase of Angels

The senses tell the story of the Church of San Benedetto

St. Agatha and the candelore

The church and the monastery

The works in the church

Palazzo Zacco, a balance between sobriety and decoration

Geometry and wonder in civic architecture in the Baroque of the Val di Noto

The Antonino Uccello Birthplace Museum

The senses tell the story of the Church of Santa Maria del Monte

A story of rebirth

The interior of the church: space and colour

Garden of Novices and the restorations by Giancarlo De Carlo

The two churches

Piazza Duomo, the elephant fountain, the heart of the city

The Church of St. Francis

The neo-Gothic seminary chapel: symbols, light and space

Virtuosity, decorations and altars

The dynamics of the Church of San Michele

The church and the college

The interior and works of art

The palace, the town, the church

City and nature

The Church of Madonna della Stella

The eagle-shaped city

The senses tell the Benedictine Monastery and the Church of San Nicolò l’Arena

The senses tell the story of the Church of San Paolo

The Church of St. John the Evangelist

The senses tell the Church of San Domenico

Baroque creativity: recurring themes

Unusual iconographies: the Burgos crucifix

The senses tell of Palazzo della Cancelleria

The senses tell the Cathedral of San Giorgio

A casket of precious works

The senses tell the story of the Sanctuary Church of Santa Maria della Stella

A compromise between Neoclassicism and Baroque

The city within the city

Altars, saints and sculptural works

The Church of St. Mary of the Mountain

The Monastery of the Benedictine nuns

The senses tell the story of the Church of the Badia di Sant’Agata

The senses tell about Palazzo Zacco

The senses tell about Palazzo Beneventano

Religious architecture

The smallest Greek theatre in the world

A Nobel Prize in Modica

The expansion of space and changing reality

The senses tell the Church of San Michele

A new site for the church of San Giorgio

Views denied, views conquered: the power of the devout Benedictines

The senses tell the Cathedral of Sant’Agata

Expansion, spatiality and light in the church of San Domenico

Scenography and devotion for St. Agatha

San Domenico and Gagliardi’s work

A heritage of votive works

Akrai and Syracuse: an unbreakable bond

The city of Modica, a balance between nature and urbanism

Militello: The story of an enlightened fiefdom

A unifying project for the city of Catania

Expanded spaces, stucco and colourful lights

The Franciscan convent

The Palazzo dei due mori

The senses tell the story of the Church of San Giovanni Evangelista

Rebirth and urban planning of the city of Noto

Palazzo Trigona: a building with a complex shape

The Badia di Sant’Agata (St. Agatha’s Abbey)

Palazzo della Cancelleria: from former stable to the Nicastro family

The senses tell of the Cathedral of San Pietro

The senses tell about Palazzo Ducezio

Scenography, lights and colours of the cathedral

Barresi-Branciforte: the lords of the fiefdom and the modernisation of the town

Verticality and dynamism of the façade of the Church of San Carlo

The interiors: diffused light and Byzantine relics

Reconstruction after the earthquake

Baroque and the loss of balance in the 16th century

The triumph of Baroque: expansion of spaces