Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

Two initially similar towers, varied over time

The Chapel of the Kings

Cefalù: settlement evidence through time

Ecclesia munita

A tree full of life

A controversial interpretation

Palermo: the happiest city

The Great Restoration

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Norman religious architecture with islamic influences in Sicily

A palimpsest of history

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chorus: beating heart of the cathedral

The stone bible

The construction of Monreale Cathedral: between myth and history

A Northern population

A space between the visible and the invisible

The cultural substrate through time

The longest aisle

The southern portico

Interior decorations

The mosaics of the apses

The side aisles

The towers and the western facade

The area of the Sanctuary

The Kings’ Cathedrals

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The beginning of the construction site

Gardens and architecture as a backdrop to the city of Palermo

The Chapel of St. Mary Magdalene

Squaring the circle

Tempus fugit: a strategic project implemented in a short period of time

The rediscovered chapel

The towers facing the facade used as bell towers

The Gualtiero Cathedral

Mosaic decoration

A chapel by an unknown designer based on repeated symmetries

The chapel of the crucifix: an artistic casket based on a previous model

The balance between architecture and light

The dialogue between the architectures of the monumental complex

The medieval city amidst monasticism and feudal aristocracy

The Cathedral over the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

From the main gate to the aisles: an invitation to a journey of faith

The chapel of san Castrense: an important renaissance work

The king’s mark

A remarkable ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Beyond the harmony of proportions

A mixture of styles pervades the floor decorations

The senses tell Context 1

Roger II’s strategic design

The Great Presbytery: a unique space for the cathedral

The chystro: a place between earth and sky

From the Mosque to the Cathedral

The lost chapel

The links between the hauteville family and the monastic orders in Sicily

Survey of the royal tombs

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A new Cathedral

The side Portico: a combination of elegance and lightness of form

The columns of the nave: the meticulous study of the overall order

The cemetery of kings

The chapel of St. Benedict

The mosaics of the presbytery

Artistic elements in Peter’s ship

The original design

The decorated facade

The transformations of the hall through the centuries

Worship services

The Bible carved in stone

Characteristics of religious architecture in the romanesque period

Porphyry sarcophagi: royalty and power

Transformations over the centuries

Layers of different cultures decorate the external apses

The Virgin Hodegetria

A polysemy of high-level artistic forms and content

Roger II of hauteville: a sovereign protected by God

Under the crosses of the Bema