Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The Chapel of the Kings

A compositional design that combines nordic examples with new artistic languages, over the centuries

The links between the hauteville family and the monastic orders in Sicily

Two initially similar towers, varied over time

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the apses

The towers facing the facade used as bell towers

Mosaic decoration

Roger II’s strategic design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Norman religious architecture with islamic influences in Sicily

Artistic elements in Peter’s ship

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A controversial interpretation

The original design

Palermo: the happiest city

A chapel by an unknown designer based on repeated symmetries

Layers of different cultures decorate the external apses

Interior decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Gualtiero Cathedral

The medieval city amidst monasticism and feudal aristocracy

A mixture of styles pervades the floor decorations

The cemetery of kings

The Kings’ Cathedrals

A cloister of accentuated stylistic variety

The liturgical spaces of the protesis and the diaconicon

Beyond the harmony of proportions

The Virgin Hodegetria

The king’s mark

Ecclesia munita

The chapel of St. Benedict

The Bible carved in stone

The Chapel of St. Mary Magdalene

The side aisles

Porphyry sarcophagi: royalty and power

Roger II of hauteville: a sovereign protected by God

Cefalù: settlement evidence through time

The Great Presbytery: a unique space for the cathedral

A space between the visible and the invisible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Survey of the royal tombs

A polysemy of high-level artistic forms and content

The chapel of san Castrense: an important renaissance work

Squaring the circle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

From the Mosque to the Cathedral

The mosaics of the presbytery

The rediscovered chapel

Under the crosses of the Bema

A new Cathedral

The side Portico: a combination of elegance and lightness of form

The towers and the western facade

The chystro: a place between earth and sky

The transformations of the hall through the centuries

The Cathedral over the centuries

A remarkable ceiling

A palimpsest of history

The chorus: beating heart of the cathedral

The area of the Sanctuary

The construction of Monreale Cathedral: between myth and history

Gardens and architecture as a backdrop to the city of Palermo

The Great Restoration

From the main gate to the aisles: an invitation to a journey of faith

Transformations over the centuries

The longest aisle

The columns of the nave: the meticulous study of the overall order

Worship services

A Northern population

The southern portico

The stone bible

The balance between architecture and light

A tree full of life

Characteristics of religious architecture in the romanesque period

The beginning of the construction site

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

The dialogue between the architectures of the monumental complex

The senses tell Context 1

The lost chapel

The decorated facade