Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

Under the crosses of the Bema

The Great Restoration

A polysemy of high-level artistic forms and content

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Characteristics of religious architecture in the romanesque period

The longest aisle

Interior decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Beyond the harmony of proportions

The side Portico: a combination of elegance and lightness of form

Cefalù: settlement evidence through time

The cemetery of kings

The chorus: beating heart of the cathedral

The towers facing the facade used as bell towers

Roger II of hauteville: a sovereign protected by God

The Great Presbytery: a unique space for the cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A tree full of life

The Kings’ Cathedrals

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A mixture of styles pervades the floor decorations

Worship services

A Northern population

The area of the Sanctuary

The liturgical spaces of the protesis and the diaconicon

Gardens and architecture as a backdrop to the city of Palermo

The columns of the nave: the meticulous study of the overall order

From the Mosque to the Cathedral

The towers and the western facade

Artistic elements in Peter’s ship

The medieval city amidst monasticism and feudal aristocracy

A cloister of accentuated stylistic variety

The construction of Monreale Cathedral: between myth and history

The chystro: a place between earth and sky

Tempus fugit: a strategic project implemented in a short period of time

The lost chapel

From the main gate to the aisles: an invitation to a journey of faith

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of St. Benedict

Transformations over the centuries

Layers of different cultures decorate the external apses

The Cathedral over the centuries

A new Cathedral

A palimpsest of history

The cultural substrate through time

Survey of the royal tombs

The king’s mark

A remarkable ceiling

A chapel by an unknown designer based on repeated symmetries

Porphyry sarcophagi: royalty and power

The rediscovered chapel

The chapel of the crucifix: an artistic casket based on a previous model

Palermo: the happiest city

The original design

The Bible carved in stone

A compositional design that combines nordic examples with new artistic languages, over the centuries

Ecclesia munita

Roger II’s strategic design

The links between the hauteville family and the monastic orders in Sicily

A controversial interpretation

A space between the visible and the invisible

The Chapel of the Kings

The mosaics of the apses

Squaring the circle

Two initially similar towers, varied over time

The senses tell Context 1

The decorated facade

The Chapel of St. Mary Magdalene

The mosaics of the presbytery

The Virgin Hodegetria

The transformations of the hall through the centuries

The side aisles

The Gualtiero Cathedral

The chapel of san Castrense: an important renaissance work

The dialogue between the architectures of the monumental complex

The stone bible

The balance between architecture and light

Norman religious architecture with islamic influences in Sicily

The southern portico

Mosaic decoration

The beginning of the construction site