Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

Transformations over the centuries

The medieval city amidst monasticism and feudal aristocracy

A palimpsest of history

The chapel of san Castrense: an important renaissance work

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Cefalù: settlement evidence through time

Norman religious architecture with islamic influences in Sicily

The Great Restoration

The transformations of the hall through the centuries

The links between the hauteville family and the monastic orders in Sicily

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

Characteristics of religious architecture in the romanesque period

Roger II of hauteville: a sovereign protected by God

A mixture of styles pervades the floor decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chystro: a place between earth and sky

A polysemy of high-level artistic forms and content

The dialogue between the architectures of the monumental complex

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell Context 1

Artistic elements in Peter’s ship

Under the crosses of the Bema

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of St. Benedict

A tree full of life

From the Mosque to the Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chorus: beating heart of the cathedral

Tempus fugit: a strategic project implemented in a short period of time

Porphyry sarcophagi: royalty and power

Interior decorations

Two initially similar towers, varied over time

The side Portico: a combination of elegance and lightness of form

A space between the visible and the invisible

The king’s mark

The chapel of the crucifix: an artistic casket based on a previous model

The Kings’ Cathedrals

A new Cathedral

The Bible carved in stone

The Chapel of the Kings

The towers facing the facade used as bell towers

A controversial interpretation

The stone bible

Beyond the harmony of proportions

The columns of the nave: the meticulous study of the overall order

The original design

The mosaics of the apses

The mosaics of the presbytery

The side aisles

A chapel by an unknown designer based on repeated symmetries

The decorated facade

Ecclesia munita

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The beginning of the construction site

A Northern population

Layers of different cultures decorate the external apses

The longest aisle

The rediscovered chapel

The area of the Sanctuary

The Chapel of St. Mary Magdalene

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Gualtiero Cathedral

The construction of Monreale Cathedral: between myth and history

The Great Presbytery: a unique space for the cathedral

A remarkable ceiling

Roger II’s strategic design

Palermo: the happiest city

The southern portico

The cultural substrate through time

Mosaic decoration

The balance between architecture and light

Squaring the circle

Worship services

The Virgin Hodegetria

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Gardens and architecture as a backdrop to the city of Palermo

The towers and the western facade

Survey of the royal tombs

The lost chapel

The Cathedral over the centuries

From the main gate to the aisles: an invitation to a journey of faith

The cemetery of kings