Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

Roger II of hauteville: a sovereign protected by God

The stone bible

A cloister of accentuated stylistic variety

Beyond the harmony of proportions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the presbytery

Tempus fugit: a strategic project implemented in a short period of time

The side aisles

The decorated facade

The rediscovered chapel

The Cathedral over the centuries

The Great Restoration

The lost chapel

The southern portico

The chorus: beating heart of the cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

A controversial interpretation

Artistic elements in Peter’s ship

A Northern population

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Palermo: the happiest city

Two initially similar towers, varied over time

The senses tell Context 1

A new Cathedral

Layers of different cultures decorate the external apses

A mixture of styles pervades the floor decorations

A palimpsest of history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers facing the facade used as bell towers

The construction of Monreale Cathedral: between myth and history

The Great Presbytery: a unique space for the cathedral

The king’s mark

Mosaic decoration

Porphyry sarcophagi: royalty and power

The balance between architecture and light

The dialogue between the architectures of the monumental complex

From the main gate to the aisles: an invitation to a journey of faith

The Kings’ Cathedrals

A polysemy of high-level artistic forms and content

The Bible carved in stone

The Chapel of the Kings

The medieval city amidst monasticism and feudal aristocracy

From the Mosque to the Cathedral

Roger II’s strategic design

The cultural substrate through time

The mosaics of the apses

The area of the Sanctuary

Transformations over the centuries

The side Portico: a combination of elegance and lightness of form

Worship services

The transformations of the hall through the centuries

The Virgin Hodegetria

The columns of the nave: the meticulous study of the overall order

Under the crosses of the Bema

The beginning of the construction site

Ecclesia munita

Characteristics of religious architecture in the romanesque period

The chapel of St. Benedict

The chapel of the crucifix: an artistic casket based on a previous model

Survey of the royal tombs

The Gualtiero Cathedral

The cemetery of kings

A remarkable ceiling

The original design

Norman religious architecture with islamic influences in Sicily

The links between the hauteville family and the monastic orders in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The towers and the western facade

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A tree full of life

The chystro: a place between earth and sky

Interior decorations

Gardens and architecture as a backdrop to the city of Palermo

Cefalù: settlement evidence through time

The liturgical spaces of the protesis and the diaconicon

The chapel of san Castrense: an important renaissance work

The longest aisle

A space between the visible and the invisible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Squaring the circle