Cefalù Cathedral
context 3

The senses tell the context 3

sight
A majestic rock mass

The Cefalù Cathedral stands out on a terrace perched on the imposing rock mass stretching out towards the sea and embraced by the jagged peaks of the Sicilian Apennines between the Nebrodi and Madonie mountains. If we look at the rest of the landscape, a sequence of silhouettes comes to life, built at different times and hierarchically dependent on the cathedral. These include the cloister, the bishop’s palace, the seminary with its adjoining courtyard and the Turniale, which dates from a later period, and are distributed along the northern side of the church. The latter appears as a large embankment functioning as a churchyard, also used as a burial place.

The towers and the western facade

The dialogue between the architectures of the monumental complex

Under the crosses of the Bema

Tempus fugit: a strategic project implemented in a short period of time

The construction of Monreale Cathedral: between myth and history

A palimpsest of history

The side aisles

Worship services

The Great Presbytery: a unique space for the cathedral

The chystro: a place between earth and sky

The Gualtiero Cathedral

The mosaics of the apses

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Great Restoration

The lost chapel

Two initially similar towers, varied over time

Beyond the harmony of proportions

The medieval city amidst monasticism and feudal aristocracy

Roger II’s strategic design

The transformations of the hall through the centuries

A chapel by an unknown designer based on repeated symmetries

The Kings’ Cathedrals

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The decorated facade

Ecclesia munita

A controversial interpretation

Cefalù: settlement evidence through time

Porphyry sarcophagi: royalty and power

Survey of the royal tombs

The cultural substrate through time

The king’s mark

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A new Cathedral

A remarkable ceiling

The longest aisle

The rediscovered chapel

The cemetery of kings

A compositional design that combines nordic examples with new artistic languages, over the centuries

The liturgical spaces of the protesis and the diaconicon

Palermo: the happiest city

The Chapel of the Kings

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II of hauteville: a sovereign protected by God

The columns of the nave: the meticulous study of the overall order

The Cathedral over the centuries

The Bible carved in stone

Characteristics of religious architecture in the romanesque period

Interior decorations

Norman religious architecture with islamic influences in Sicily

The towers facing the facade used as bell towers

Transformations over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The stone bible

The area of the Sanctuary

The chapel of the crucifix: an artistic casket based on a previous model

The Virgin Hodegetria

The mosaics of the presbytery

Artistic elements in Peter’s ship

A Northern population

The chorus: beating heart of the cathedral

From the main gate to the aisles: an invitation to a journey of faith

The chapel of san Castrense: an important renaissance work

Mosaic decoration

A mixture of styles pervades the floor decorations

Layers of different cultures decorate the external apses

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The original design

A cloister of accentuated stylistic variety

The senses tell Context 1

The southern portico

The links between the hauteville family and the monastic orders in Sicily

Squaring the circle

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A polysemy of high-level artistic forms and content

The beginning of the construction site

A space between the visible and the invisible

From the Mosque to the Cathedral

The Chapel of St. Mary Magdalene

The side Portico: a combination of elegance and lightness of form

The balance between architecture and light

The chapel of St. Benedict

A tree full of life

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door