Cefalù Cathedral
the church hall

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

In every corner of the Temple, we bear witness to an intimate dialogue between religion and architecture pervaded by alternating colours that blend together, giving only an apparent sense of homogeneity.
The stained-glass windows made in the early 1990s by the Palermo artist Michele Canzoneri , capture our attention, sending us back in time with the narration of biblical themes . Artistically decorated transparent panels were inserted in the splayed single-lancet windows of the naves and in the large window of the façade. Consisting of a combination of various forms of blown glass, in turn enriched with acrylic pigments, they replaced the previous non-valuable fixtures, from ancient lead sheets to more recent ones made of wooden material. Looking up from the aisles is a mystical path, which elevates us towards an intimate link with the Word of God. It begins with the fourteen pointed windows overlooking the central nave, with seven windows on each side, symbolically referring to the days of the Creation. The theme presented in the side aisles is echoed in the rich and vibrant narrative rhythm of the nine representations on each of the single-lancet windows on the walls. The Cathedral, which had remained unfinished over the centuries, was brought back to life with atmospheres typical of medieval construction sites, during the major restoration project opened in the 1980s.

The Great Restoration

The Gualtiero Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Beyond the harmony of proportions

The Great Presbytery: a unique space for the cathedral

The original design

A controversial interpretation

A Northern population

Porphyry sarcophagi: royalty and power

The towers facing the facade used as bell towers

The mosaics of the presbytery

The chapel of the crucifix: an artistic casket based on a previous model

Worship services

The links between the hauteville family and the monastic orders in Sicily

The columns of the nave: the meticulous study of the overall order

A mixture of styles pervades the floor decorations

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Survey of the royal tombs

The construction of Monreale Cathedral: between myth and history

The cultural substrate through time

A polysemy of high-level artistic forms and content

From the main gate to the aisles: an invitation to a journey of faith

Gardens and architecture as a backdrop to the city of Palermo

The towers and the western facade

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Mosaic decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Squaring the circle

The decorated facade

The Chapel of St. Mary Magdalene

Interior decorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of san Castrense: an important renaissance work

Roger II’s strategic design

Ecclesia munita

A chapel by an unknown designer based on repeated symmetries

A tree full of life

The medieval city amidst monasticism and feudal aristocracy

From the Mosque to the Cathedral

Under the crosses of the Bema

Artistic elements in Peter’s ship

The stone bible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Tempus fugit: a strategic project implemented in a short period of time

The beginning of the construction site

Two initially similar towers, varied over time

The chystro: a place between earth and sky

The cemetery of kings

The Cathedral over the centuries

The Bible carved in stone

The side aisles

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of St. Benedict

Roger II of hauteville: a sovereign protected by God

The senses tell Context 1

The liturgical spaces of the protesis and the diaconicon

The Chapel of the Kings

The Virgin Hodegetria

Characteristics of religious architecture in the romanesque period

Layers of different cultures decorate the external apses

Palermo: the happiest city

The area of the Sanctuary

The southern portico

A remarkable ceiling

The Kings’ Cathedrals

A cloister of accentuated stylistic variety

A palimpsest of history

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The dialogue between the architectures of the monumental complex

The lost chapel

The balance between architecture and light

The side Portico: a combination of elegance and lightness of form

The transformations of the hall through the centuries

The rediscovered chapel

The mosaics of the apses

Cefalù: settlement evidence through time

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

The king’s mark

Transformations over the centuries

The longest aisle

A space between the visible and the invisible