Architecture and decorations
the Zisa

Decorations

The theme of the Garden of Paradise lives on in the decorations of the mosaic ornaments ,

2.Mosaic ornamentation in the Fountain Room
The mosaic ornaments on the western side of the fountain room are an original example of secular mosaics, which do not deal with themes related to ecclesiastical life but to secular life. The mosaic panels are Byzantine in style and Islamic in iconography. They have a gold background and depict three tondos, linked together by banded motifs with images of extreme naturalism. In the central tondo, there are two facing archers shooting at birds perched in trees; in the two side tondos, there are pairs of facing peacocks pecking at dates hanging from palm trees. Each tondo is decorated and surrounded by intertwining plant motifs.

as well as in the plastic representations of the capitals , which adorn the fountain room:an Islamic iwan, it is the Norman sovereigns’ reception room and the hub of the entire palace; open and projecting outwards, in an ideal connection with the surrounding park, it is located on axis with the main doorway in a predominant position compared to the other rooms.
The themes replicate that external reality present in the 12th century, through the depiction of pecking birds and modelled palms in sculptures and archers with birds in mosaic vestments.

Muqarnas in the Fountain Room
The ceiling of the Fountain Room, the main room of the Zisa Palace, has an ornamental decoration, typical of Islamic architecture, in the form of muqarnas. Also known as the alveoli or stalactite decoration, it was used in vaults, domes, niches and doorways. Made of stucco stone, ceramic or brick, it became more widespread from the 12th century onwards. In Sicily, muqarnas are found in many Norman buildings such as the Palatine Chapel and the Zisa.

The dominant and characteristic motif present in all the rooms is the muqarnas , a peculiar expression of Islamic art and a construction system that allows, with a refined stylistic elegance, the connection between the square surface of the rooms and the curved shape of the vaults.
The construction system of the muqarnas consists of carved tuff ashlars interlocked according to geometric rules to form the classic alveolus shape. The structure was then covered with stucco, which is still preserved in some parts with remnants of plastering.

The senses tell the ceiling

The senses tell the Zisa over the centuries

The return of water

The senses tell the architecture and decorations

The Admiral’s dedication

A building constructed in a short space of time

The senses tell the mosaic cycle

The architectural appearance and transformations over time

From oblivion to the recovery of memory

the Baroque exterior

The flooring: shapes, motifs and iconography

Shapes and colours of the wooden ceiling

The senses tell the architecture

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Saint Peter’s Chapel in the Royal Palace

The senses tell the interior

An architectural crescendo

The Genoard Park, the garden of pleasures and wonders

From earthquake to collapse

The rediscovered palace

The architectural envelope: the Greek cross layout oriented towards the light

the roof of Paradise: one of the most representative works of medieval art

The loca solatiorum: dwellings for recreation, well-being and hunting

the Baroque interior

The Norman conquest of Sicily and the birth of a new Latin kingdom

Different styles and transformations of “one of the most beautiful monuments in the world”

The opus sectile floor of the Palatine Chapel

The senses tell the historical context

The senses tell the flooring

The senses tell baroque decoration

The senses tell the historical context

The Royal Throne

The architectural space

The interior of the church

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

Restorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The birth of the Norman kingdom

The mosaics of the naves

The senses tell the external architecture and the original layout

The mosaics of the transept and the apses

The mosaic cycle, an ascending path towards the light

The decorations on the bell tower

The Cassaro

Decorations

The senses tell restorations

Intertwining of knowledge in Norman Palermo

The Palace of Kings