Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Layers of different cultures decorate the external apses

The columns of the nave: the meticulous study of the overall order

The rediscovered chapel

Mosaic decoration

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The southern portico

The towers facing the facade used as bell towers

Two initially similar towers, varied over time

The links between the hauteville family and the monastic orders in Sicily

The Bible carved in stone

Roger II of hauteville: a sovereign protected by God

A tree full of life

A compositional design that combines nordic examples with new artistic languages, over the centuries

Porphyry sarcophagi: royalty and power

The cemetery of kings

Transformations over the centuries

The liturgical spaces of the protesis and the diaconicon

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chorus: beating heart of the cathedral

The Cathedral over the centuries

The beginning of the construction site

The lost chapel

The side Portico: a combination of elegance and lightness of form

Squaring the circle

The Kings’ Cathedrals

The side aisles

A mixture of styles pervades the floor decorations

A remarkable ceiling

Tempus fugit: a strategic project implemented in a short period of time

A polysemy of high-level artistic forms and content

The Gualtiero Cathedral

Cefalù: settlement evidence through time

A cloister of accentuated stylistic variety

The balance between architecture and light

A palimpsest of history

Beyond the harmony of proportions

The towers and the western facade

Norman religious architecture with islamic influences in Sicily

The king’s mark

Gardens and architecture as a backdrop to the city of Palermo

The Great Restoration

Interior decorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The medieval city amidst monasticism and feudal aristocracy

The decorated facade

Under the crosses of the Bema

Roger II’s strategic design

The longest aisle

A controversial interpretation

The chapel of St. Benedict

Palermo: the happiest city

The original design

The transformations of the hall through the centuries

The senses tell Context 1

The Great Presbytery: a unique space for the cathedral

Worship services

From the main gate to the aisles: an invitation to a journey of faith

The cultural substrate through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A Northern population

The chystro: a place between earth and sky

Survey of the royal tombs

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Chapel of the Kings

The Chapel of St. Mary Magdalene

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Artistic elements in Peter’s ship

The Virgin Hodegetria

A new Cathedral

The mosaics of the presbytery

Ecclesia munita

A space between the visible and the invisible

The chapel of the crucifix: an artistic casket based on a previous model

The construction of Monreale Cathedral: between myth and history

The area of the Sanctuary

The dialogue between the architectures of the monumental complex

The mosaics of the apses

A chapel by an unknown designer based on repeated symmetries

Characteristics of religious architecture in the romanesque period

The stone bible

From the Mosque to the Cathedral

The chapel of san Castrense: an important renaissance work