Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The mosaics of the apses

Transformations over the centuries

Artistic elements in Peter’s ship

The longest aisle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A tree full of life

The liturgical spaces of the protesis and the diaconicon

Porphyry sarcophagi: royalty and power

Survey of the royal tombs

The chystro: a place between earth and sky

From the Mosque to the Cathedral

The chorus: beating heart of the cathedral

The decorated facade

Cefalù: settlement evidence through time

A Northern population

A mixture of styles pervades the floor decorations

From the main gate to the aisles: an invitation to a journey of faith

The area of the Sanctuary

Norman religious architecture with islamic influences in Sicily

The king’s mark

The side Portico: a combination of elegance and lightness of form

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Cathedral over the centuries

A palimpsest of history

The mosaics of the presbytery

A space between the visible and the invisible

The senses tell Context 1

Beyond the harmony of proportions

A chapel by an unknown designer based on repeated symmetries

The lost chapel

A controversial interpretation

Squaring the circle

Roger II’s strategic design

Characteristics of religious architecture in the romanesque period

The Chapel of St. Mary Magdalene

Tempus fugit: a strategic project implemented in a short period of time

The chapel of san Castrense: an important renaissance work

The construction of Monreale Cathedral: between myth and history

The balance between architecture and light

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Kings’ Cathedrals

Interior decorations

The Bible carved in stone

Mosaic decoration

The columns of the nave: the meticulous study of the overall order

The stone bible

Roger II of hauteville: a sovereign protected by God

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Gardens and architecture as a backdrop to the city of Palermo

The Great Presbytery: a unique space for the cathedral

The towers and the western facade

The rediscovered chapel

Worship services

A remarkable ceiling

A cloister of accentuated stylistic variety

The chapel of St. Benedict

The Great Restoration

Layers of different cultures decorate the external apses

The dialogue between the architectures of the monumental complex

Under the crosses of the Bema

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The medieval city amidst monasticism and feudal aristocracy

The original design

The transformations of the hall through the centuries

Two initially similar towers, varied over time

The southern portico

A new Cathedral

The links between the hauteville family and the monastic orders in Sicily

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beginning of the construction site

The Chapel of the Kings

The cultural substrate through time

The towers facing the facade used as bell towers

The Virgin Hodegetria

The chapel of the crucifix: an artistic casket based on a previous model

The cemetery of kings

Palermo: the happiest city

Ecclesia munita

The Gualtiero Cathedral

The side aisles

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A polysemy of high-level artistic forms and content