Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

A space between the visible and the invisible

Beyond the harmony of proportions

A chapel by an unknown designer based on repeated symmetries

The southern portico

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Survey of the royal tombs

The chapel of the crucifix: an artistic casket based on a previous model

Worship services

A Northern population

Under the crosses of the Bema

A remarkable ceiling

The area of the Sanctuary

Gardens and architecture as a backdrop to the city of Palermo

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

Transformations over the centuries

Artistic elements in Peter’s ship

The lost chapel

The rediscovered chapel

Roger II of hauteville: a sovereign protected by God

The Virgin Hodegetria

The Kings’ Cathedrals

The Chapel of St. Mary Magdalene

The liturgical spaces of the protesis and the diaconicon

The stone bible

Palermo: the happiest city

The towers facing the facade used as bell towers

The beginning of the construction site

The transformations of the hall through the centuries

The original design

The mosaics of the presbytery

The senses tell Context 1

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Porphyry sarcophagi: royalty and power

The columns of the nave: the meticulous study of the overall order

The chapel of san Castrense: an important renaissance work

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A palimpsest of history

The cultural substrate through time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chorus: beating heart of the cathedral

Mosaic decoration

Ecclesia munita

The cemetery of kings

Layers of different cultures decorate the external apses

The decorated facade

Interior decorations

The longest aisle

From the Mosque to the Cathedral

The king’s mark

Squaring the circle

Cefalù: settlement evidence through time

The Chapel of the Kings

The mosaics of the apses

The chystro: a place between earth and sky

From the main gate to the aisles: an invitation to a journey of faith

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The construction of Monreale Cathedral: between myth and history

The balance between architecture and light

The Great Restoration

A controversial interpretation

The Great Presbytery: a unique space for the cathedral

A tree full of life

A new Cathedral

The medieval city amidst monasticism and feudal aristocracy

Norman religious architecture with islamic influences in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The side aisles

A compositional design that combines nordic examples with new artistic languages, over the centuries

Two initially similar towers, varied over time

A cloister of accentuated stylistic variety

The Bible carved in stone

The dialogue between the architectures of the monumental complex

A polysemy of high-level artistic forms and content

The side Portico: a combination of elegance and lightness of form

The Gualtiero Cathedral

The towers and the western facade

Characteristics of religious architecture in the romanesque period

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cathedral over the centuries

Roger II’s strategic design

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The links between the hauteville family and the monastic orders in Sicily