Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The chapel of St. Benedict

The chorus: beating heart of the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The construction of Monreale Cathedral: between myth and history

A palimpsest of history

The Kings’ Cathedrals

The beginning of the construction site

The Chapel of St. Mary Magdalene

The mosaics of the presbytery

From the main gate to the aisles: an invitation to a journey of faith

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From the Mosque to the Cathedral

A Northern population

Under the crosses of the Bema

Survey of the royal tombs

Cefalù: settlement evidence through time

Characteristics of religious architecture in the romanesque period

Roger II’s strategic design

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Layers of different cultures decorate the external apses

A remarkable ceiling

Interior decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Porphyry sarcophagi: royalty and power

The links between the hauteville family and the monastic orders in Sicily

The stone bible

Worship services

The cemetery of kings

A chapel by an unknown designer based on repeated symmetries

Transformations over the centuries

A space between the visible and the invisible

The towers facing the facade used as bell towers

A cloister of accentuated stylistic variety

The decorated facade

The chystro: a place between earth and sky

The balance between architecture and light

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Gualtiero Cathedral

Mosaic decoration

The Chapel of the Kings

The chapel of the crucifix: an artistic casket based on a previous model

The Virgin Hodegetria

The rediscovered chapel

A tree full of life

The towers and the western facade

The transformations of the hall through the centuries

The Bible carved in stone

Gardens and architecture as a backdrop to the city of Palermo

A new Cathedral

A mixture of styles pervades the floor decorations

The Great Presbytery: a unique space for the cathedral

The mosaics of the apses

The senses tell Context 1

The Great Restoration

The side Portico: a combination of elegance and lightness of form

Norman religious architecture with islamic influences in Sicily

Palermo: the happiest city

Beyond the harmony of proportions

The medieval city amidst monasticism and feudal aristocracy

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of san Castrense: an important renaissance work

The liturgical spaces of the protesis and the diaconicon

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Roger II of hauteville: a sovereign protected by God

The dialogue between the architectures of the monumental complex

The side aisles

Tempus fugit: a strategic project implemented in a short period of time

Artistic elements in Peter’s ship

The columns of the nave: the meticulous study of the overall order

Two initially similar towers, varied over time

A controversial interpretation

Ecclesia munita

Squaring the circle

The cultural substrate through time

The longest aisle

A polysemy of high-level artistic forms and content

The king’s mark

The Cathedral over the centuries

The original design

The area of the Sanctuary

The southern portico

The lost chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries