Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

From the Mosque to the Cathedral

The mosaics of the presbytery

A cloister of accentuated stylistic variety

The liturgical spaces of the protesis and the diaconicon

The Cathedral over the centuries

The mosaics of the apses

Under the crosses of the Bema

The longest aisle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A new Cathedral

Interior decorations

The senses tell Context 1

The Gualtiero Cathedral

Cefalù: settlement evidence through time

The cemetery of kings

A chapel by an unknown designer based on repeated symmetries

The decorated facade

The chorus: beating heart of the cathedral

A remarkable ceiling

From the main gate to the aisles: an invitation to a journey of faith

The original design

The towers facing the facade used as bell towers

The towers and the western facade

The side Portico: a combination of elegance and lightness of form

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The transformations of the hall through the centuries

Tempus fugit: a strategic project implemented in a short period of time

Two initially similar towers, varied over time

The stone bible

A tree full of life

A mixture of styles pervades the floor decorations

The chapel of St. Benedict

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The links between the hauteville family and the monastic orders in Sicily

Roger II of hauteville: a sovereign protected by God

The lost chapel

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

The dialogue between the architectures of the monumental complex

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Survey of the royal tombs

The balance between architecture and light

Mosaic decoration

The area of the Sanctuary

Artistic elements in Peter’s ship

Porphyry sarcophagi: royalty and power

Transformations over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Layers of different cultures decorate the external apses

Ecclesia munita

A Northern population

A space between the visible and the invisible

The rediscovered chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

A polysemy of high-level artistic forms and content

The Virgin Hodegetria

The construction of Monreale Cathedral: between myth and history

The cultural substrate through time

The Bible carved in stone

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Norman religious architecture with islamic influences in Sicily

The chapel of san Castrense: an important renaissance work

Characteristics of religious architecture in the romanesque period

Squaring the circle

The Great Restoration

The chapel of the crucifix: an artistic casket based on a previous model

The Chapel of St. Mary Magdalene

The king’s mark

The southern portico

Roger II’s strategic design

The Chapel of the Kings

Beyond the harmony of proportions

A palimpsest of history

Gardens and architecture as a backdrop to the city of Palermo

The medieval city amidst monasticism and feudal aristocracy

The side aisles

A controversial interpretation

Palermo: the happiest city

The Great Presbytery: a unique space for the cathedral

The chystro: a place between earth and sky

The Kings’ Cathedrals

Worship services

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door