Monreale Cathedral
the Great Presbytery

The chapel of the crucifix: an artistic casket based on a previous model

A significant trace, still visible in the architecture of Monreale Cathedral, can be attributed to Archbishop Giovanni Ruano , who built the Chapel of the Crucifix, his main work inside the Temple. It was consecrated in 1692, after a short period of work between the date of its design in 1686 by the Capuchin Friar Giovanni da Monreale , whose work was continued by the Jesuit Angelo Italia , and its completion in 1690.The portal , decorated with sacred and profane themes ,  Is located at the side of the Chapel of the Sacrament, which is accessed from the left wing of the transept. The decoration already suggests the celebratory purpose of this space, which was dedicated to the veneration of the crucifix and at the same time to the burial of the archbishop himself and his successors.
From the architecture of this place, consisting of a lowered barrel vault , it is possible to trace the original connection between the Church and the Royal Palace , destroyed by Cardinal Giovanni Borgia in order to build a road and later restored through the adoption of a covered passageway distinguished by grey marble walls.
Even from this area, the reference to the family of its founder becomes inescapable, as can be seen from the coats of arms that reach the ribs visible on the vault.

The decorated facade

The rediscovered chapel

Gardens and architecture as a backdrop to the city of Palermo

A tree full of life

The chapel of san Castrense: an important renaissance work

A cloister of accentuated stylistic variety

The construction of Monreale Cathedral: between myth and history

The medieval city amidst monasticism and feudal aristocracy

The Chapel of the Kings

A new Cathedral

Tempus fugit: a strategic project implemented in a short period of time

Two initially similar towers, varied over time

Roger II’s strategic design

The balance between architecture and light

The beginning of the construction site

The transformations of the hall through the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Virgin Hodegetria

The cemetery of kings

Layers of different cultures decorate the external apses

A Northern population

The Kings’ Cathedrals

The columns of the nave: the meticulous study of the overall order

The mosaics of the apses

Ecclesia munita

The area of the Sanctuary

Survey of the royal tombs

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The dialogue between the architectures of the monumental complex

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side Portico: a combination of elegance and lightness of form

A chapel by an unknown designer based on repeated symmetries

The chapel of the crucifix: an artistic casket based on a previous model

A controversial interpretation

Characteristics of religious architecture in the romanesque period

The southern portico

A polysemy of high-level artistic forms and content

The stone bible

Squaring the circle

Cefalù: settlement evidence through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cathedral over the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

Palermo: the happiest city

Roger II of hauteville: a sovereign protected by God

Porphyry sarcophagi: royalty and power

The towers and the western facade

Under the crosses of the Bema

A mixture of styles pervades the floor decorations

The senses tell Context 1

The Great Restoration

The lost chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chystro: a place between earth and sky

The original design

A remarkable ceiling

From the Mosque to the Cathedral

The Bible carved in stone

Mosaic decoration

A palimpsest of history

The Gualtiero Cathedral

Transformations over the centuries

The side aisles

The king’s mark

The towers facing the facade used as bell towers

Worship services

A space between the visible and the invisible

The mosaics of the presbytery

The cultural substrate through time

The chapel of St. Benedict

Artistic elements in Peter’s ship

The Great Presbytery: a unique space for the cathedral

From the main gate to the aisles: an invitation to a journey of faith

Interior decorations

Norman religious architecture with islamic influences in Sicily

The Chapel of St. Mary Magdalene

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The liturgical spaces of the protesis and the diaconicon

The chorus: beating heart of the cathedral

Beyond the harmony of proportions

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The longest aisle

The links between the hauteville family and the monastic orders in Sicily