Palermo Cathedral
St. Mary Magdalene

A controversial interpretation

This document, written by Gualtiero, was mistranslated in the past, leading to errors made by later historiographers and scholars who interpreted the chapel as having been demolished, failing to identify its exact location. A careful reading and translation of the above-mentioned petition shows that Gualtiero was not asking the King for permission to demolish the Chapel, but to grant it to the Clerics of the Cathedral and their liturgical services. At the same time, he wanted to be able to move the mortal remains of the nobles of the royal family which were kept there to another place, by building a new chapel dedicated to Mary Magdalene. It should also be noted that the document is dated 1187, the 21st year of William II's reign , when the work of transforming the church had already been completed. It was reopened for worship on 6 April 1185, with a solemn consecration ceremony dedicated to the Blessed Virgin of the Assumption . The thesis that supported the belief in the chapel’s demolition was also based on a presumed rebuilding ab fundamentis of the Gualtierina Cathedral, shifting it a few metres from its former location as a former mosque and Byzantine basilica to the southern front.

Squaring the circle

Gardens and architecture as a backdrop to the city of Palermo

The original design

The medieval city amidst monasticism and feudal aristocracy

The Great Restoration

A controversial interpretation

The longest aisle

A cloister of accentuated stylistic variety

The transformations of the hall through the centuries

The Chapel of St. Mary Magdalene

Characteristics of religious architecture in the romanesque period

The Gualtiero Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Ecclesia munita

Roger II of hauteville: a sovereign protected by God

The dialogue between the architectures of the monumental complex

A tree full of life

The Chapel of the Kings

A polysemy of high-level artistic forms and content

Porphyry sarcophagi: royalty and power

Worship services

The chapel of St. Benedict

Cefalù: settlement evidence through time

Layers of different cultures decorate the external apses

The construction of Monreale Cathedral: between myth and history

The beginning of the construction site

The southern portico

The towers facing the facade used as bell towers

Beyond the harmony of proportions

Norman religious architecture with islamic influences in Sicily

A Northern population

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The balance between architecture and light

The rediscovered chapel

Tempus fugit: a strategic project implemented in a short period of time

A new Cathedral

The decorated facade

Roger II’s strategic design

A remarkable ceiling

The king’s mark

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The links between the hauteville family and the monastic orders in Sicily

The Kings’ Cathedrals

Two initially similar towers, varied over time

A chapel by an unknown designer based on repeated symmetries

Mosaic decoration

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Under the crosses of the Bema

The side Portico: a combination of elegance and lightness of form

From the main gate to the aisles: an invitation to a journey of faith

The cultural substrate through time

Transformations over the centuries

From the Mosque to the Cathedral

The chorus: beating heart of the cathedral

The chapel of san Castrense: an important renaissance work

Interior decorations

The towers and the western facade

The mosaics of the apses

A palimpsest of history

The Bible carved in stone

Survey of the royal tombs

The area of the Sanctuary

Palermo: the happiest city

The Virgin Hodegetria

Artistic elements in Peter’s ship

The cemetery of kings

The chystro: a place between earth and sky

A compositional design that combines nordic examples with new artistic languages, over the centuries

The stone bible

A mixture of styles pervades the floor decorations

The liturgical spaces of the protesis and the diaconicon

The mosaics of the presbytery

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

The Great Presbytery: a unique space for the cathedral

The side aisles

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

The columns of the nave: the meticulous study of the overall order

The lost chapel

The Cathedral over the centuries