Monreale Cathedral
the Context 1

The senses tell Context 1

sight
The vegetation of the Palermo plain

As Ugo Falcando carefully describes, the flourishing vegetation of the landscape of the Palermo plain in the 12th century showed colours ranging from the pink hues of the lumia flowers to the bright tones of the oranges and pomegranates, similar to the fiery streaks of timeless sunsets.

smell
Scent of spices and colours

New fruit trees such as cedars, lemons and oranges were introduced to the endless green expanses of the flourishing Palermo plain as part of a diverse cultivation system. In addition to the pleasant view enhanced by a rich palette of colours, there was no shortage of the spicy scents of cinnamon, cloves, ginger and jasmine, which permeated the air with a mixture of Middle Eastern aromas.

hearing
Parks, gardens and water features

In the parks and gardens, you can hear the water gushing. The knowledge with which the Arab culture was imbued, starting with the development of science and mathematics, also involved the reorganisation of the layout of Palermo. The city became an area where studies on water channelling systems, including the underground water channels known as quanāt, gave impetus to the construction of parks and suburban gardens enriched by the presence of surface pipelines, saie, fountains and water collection tanks.

The area of the Sanctuary

Beyond the harmony of proportions

The balance between architecture and light

The stone bible

Squaring the circle

A chapel by an unknown designer based on repeated symmetries

The Kings’ Cathedrals

The chapel of san Castrense: an important renaissance work

The original design

The Great Presbytery: a unique space for the cathedral

Ecclesia munita

The medieval city amidst monasticism and feudal aristocracy

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A space between the visible and the invisible

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The transformations of the hall through the centuries

A palimpsest of history

Gardens and architecture as a backdrop to the city of Palermo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A new Cathedral

The Chapel of the Kings

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of the crucifix: an artistic casket based on a previous model

Porphyry sarcophagi: royalty and power

From the main gate to the aisles: an invitation to a journey of faith

The construction of Monreale Cathedral: between myth and history

The senses tell Context 1

The Bible carved in stone

Cefalù: settlement evidence through time

The beginning of the construction site

Layers of different cultures decorate the external apses

The chapel of St. Benedict

The southern portico

The chorus: beating heart of the cathedral

A tree full of life

Artistic elements in Peter’s ship

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The columns of the nave: the meticulous study of the overall order

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The side Portico: a combination of elegance and lightness of form

Characteristics of religious architecture in the romanesque period

Palermo: the happiest city

The mosaics of the apses

The Chapel of St. Mary Magdalene

The Virgin Hodegetria

The cemetery of kings

Tempus fugit: a strategic project implemented in a short period of time

The liturgical spaces of the protesis and the diaconicon

The Great Restoration

The Cathedral over the centuries

A remarkable ceiling

Transformations over the centuries

Interior decorations

From the Mosque to the Cathedral

The links between the hauteville family and the monastic orders in Sicily

The towers and the western facade

Roger II’s strategic design

A mixture of styles pervades the floor decorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

The lost chapel

The mosaics of the presbytery

The king’s mark

Under the crosses of the Bema

The towers facing the facade used as bell towers

The chystro: a place between earth and sky

The longest aisle

Survey of the royal tombs

The Gualtiero Cathedral

Norman religious architecture with islamic influences in Sicily

Worship services

The side aisles

A controversial interpretation

A compositional design that combines nordic examples with new artistic languages, over the centuries

The dialogue between the architectures of the monumental complex

A cloister of accentuated stylistic variety

A Northern population

Roger II of hauteville: a sovereign protected by God

Mosaic decoration

The decorated facade

The rediscovered chapel