photo gallery

photo gallery

The mosaics of the apses

Roger II of hauteville: a sovereign protected by God

The Gualtiero Cathedral

A mixture of styles pervades the floor decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Tempus fugit: a strategic project implemented in a short period of time

The construction of Monreale Cathedral: between myth and history

the roof of Paradise: one of the most representative works of medieval art

The mosaic cycle, an ascending path towards the light

The Chapel of the Kings

The cultural substrate through time

The chapel of san Castrense: an important renaissance work

The Admiral’s dedication

The Cassaro

Beyond the harmony of proportions

The dialogue between the architectures of the monumental complex

The return of water

Layers of different cultures decorate the external apses

The senses tell the historical context

Intertwining of knowledge in Norman Palermo

The balance between architecture and light

The senses tell the ceiling

A polysemy of high-level artistic forms and content

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The interior of the church

A building constructed in a short space of time

A chapel by an unknown designer based on repeated symmetries

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell Context 1

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell baroque decoration

The senses tell the external architecture and the original layout

The Bible carved in stone

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

the Baroque interior

The liturgical spaces of the protesis and the diaconicon

Mosaic decoration

the Baroque exterior

The mosaics of the presbytery

The side Portico: a combination of elegance and lightness of form

The columns of the nave: the meticulous study of the overall order

Roger II’s strategic design

Decorations

A Northern population

The longest aisle

Worship services

A remarkable ceiling

The architectural envelope: the Greek cross layout oriented towards the light

The Palace of Kings

The birth of the Norman kingdom

From the Mosque to the Cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

Survey of the royal tombs

The mosaics of the transept and the apses

Characteristics of religious architecture in the romanesque period

The towers and the western facade

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the flooring

The Great Restoration

The side aisles

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the architecture

Two initially similar towers, varied over time

The southern portico

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the Zisa over the centuries

Artistic elements in Peter’s ship

The rediscovered palace

The cemetery of kings

The Chapel of St. Mary Magdalene

The chapel of the crucifix: an artistic casket based on a previous model

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The area of the Sanctuary

From earthquake to collapse

The beginning of the construction site

The Cathedral over the centuries

An architectural crescendo

Norman religious architecture with islamic influences in Sicily

Under the crosses of the Bema

The architectural space

The senses tell the architecture and decorations

The Royal Throne

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A cloister of accentuated stylistic variety

Squaring the circle

Cefalù: settlement evidence through time

A new Cathedral

The towers facing the facade used as bell towers

The decorations on the bell tower

The senses tell the historical context

From oblivion to the recovery of memory

Shapes and colours of the wooden ceiling

The senses tell restorations

Palermo: the happiest city

The flooring: shapes, motifs and iconography

The transformations of the hall through the centuries

The links between the hauteville family and the monastic orders in Sicily

The Kings’ Cathedrals

The decorated facade

Different styles and transformations of “one of the most beautiful monuments in the world”

A tree full of life

The chorus: beating heart of the cathedral

The senses tell the interior

The ancient convent of the Martorana, a history of devotion and tradition

The medieval city amidst monasticism and feudal aristocracy

The Great Presbytery: a unique space for the cathedral

Interior decorations

From the main gate to the aisles: an invitation to a journey of faith

The Virgin Hodegetria

Gardens and architecture as a backdrop to the city of Palermo

Restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the historical context

The mosaics of the naves

The chapel of St. Benedict

The opus sectile floor of the Palatine Chapel

The Genoard Park, the garden of pleasures and wonders

The stone bible

The lost chapel

A palimpsest of history

The senses tell the mosaic cycle

Transformations over the centuries

The king’s mark

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural appearance and transformations over time

The rediscovered chapel

Porphyry sarcophagi: royalty and power

The original design

Saint Peter’s Chapel in the Royal Palace

The chystro: a place between earth and sky

Ecclesia munita

A controversial interpretation

A space between the visible and the invisible