photo gallery

photo gallery

A building constructed in a short space of time

Shapes and colours of the wooden ceiling

The Admiral’s dedication

From the Mosque to the Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A polysemy of high-level artistic forms and content

The flooring: shapes, motifs and iconography

Layers of different cultures decorate the external apses

The interior of the church

The chystro: a place between earth and sky

The liturgical spaces of the protesis and the diaconicon

From the main gate to the aisles: an invitation to a journey of faith

A remarkable ceiling

Survey of the royal tombs

From oblivion to the recovery of memory

The rediscovered chapel

The senses tell baroque decoration

The birth of the Norman kingdom

The area of the Sanctuary

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Palermo: the happiest city

The chapel of St. Benedict

Under the crosses of the Bema

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Cassaro

The senses tell the historical context

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Porphyry sarcophagi: royalty and power

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

Gold and light: the splendour of the mosaics in the Royal Chapel

The ancient convent of the Martorana, a history of devotion and tradition

The architectural space

A tree full of life

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

Tempus fugit: a strategic project implemented in a short period of time

Different styles and transformations of “one of the most beautiful monuments in the world”

The transformations of the hall through the centuries

The chapel of the crucifix: an artistic casket based on a previous model

Transformations over the centuries

The Great Restoration

A chapel by an unknown designer based on repeated symmetries

The Bible carved in stone

Norman religious architecture with islamic influences in Sicily

Interior decorations

The medieval city amidst monasticism and feudal aristocracy

The cemetery of kings

A new Cathedral

Decorations

Roger II’s strategic design

The balance between architecture and light

The Kings’ Cathedrals

The king’s mark

The senses tell the external architecture and the original layout

An architectural crescendo

The mosaics of the naves

The senses tell the Zisa over the centuries

the roof of Paradise: one of the most representative works of medieval art

The opus sectile floor of the Palatine Chapel

The mosaics of the apses

The senses tell the interior

Ecclesia munita

The Genoard Park, the garden of pleasures and wonders

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The side aisles

The Royal Throne

The Chapel of St. Mary Magdalene

The southern portico

The Palace of Kings

the Baroque exterior

The Gualtiero Cathedral

The construction of Monreale Cathedral: between myth and history

Roger II of hauteville: a sovereign protected by God

The senses tell restorations

The senses tell Context 1

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the architecture and decorations

Mosaic decoration

Cefalù: settlement evidence through time

A Northern population

The beginning of the construction site

The mosaics of the transept and the apses

The return of water

The towers facing the facade used as bell towers

Saint Peter’s Chapel in the Royal Palace

From earthquake to collapse

The longest aisle

The architectural appearance and transformations over time

Intertwining of knowledge in Norman Palermo

The rediscovered palace

The chorus: beating heart of the cathedral

The senses tell the flooring

The Great Presbytery: a unique space for the cathedral

A mixture of styles pervades the floor decorations

The side Portico: a combination of elegance and lightness of form

The Chapel of the Kings

The dialogue between the architectures of the monumental complex

Squaring the circle

Worship services

the Baroque interior

Two initially similar towers, varied over time

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the ceiling

The Virgin Hodegetria

The Cathedral over the centuries

The towers and the western facade

The links between the hauteville family and the monastic orders in Sicily

The original design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A controversial interpretation

The stone bible

A cloister of accentuated stylistic variety

The senses tell the architecture

A palimpsest of history

The mosaic cycle, an ascending path towards the light

The decorations on the bell tower

The cultural substrate through time

Artistic elements in Peter’s ship

Restorations

The columns of the nave: the meticulous study of the overall order

The mosaics of the presbytery

The chapel of san Castrense: an important renaissance work

The senses tell the historical context

The loca solatiorum: dwellings for recreation, well-being and hunting

The lost chapel

The decorated facade

The senses tell the mosaic cycle