photo gallery

photo gallery

Mosaic decoration

Cefalù: settlement evidence through time

A cloister of accentuated stylistic variety

A building constructed in a short space of time

An architectural crescendo

The towers facing the facade used as bell towers

From the Mosque to the Cathedral

The longest aisle

A tree full of life

Decorations

The mosaics of the presbytery

The senses tell the architecture

The mosaics of the naves

The Kings’ Cathedrals

The construction of Monreale Cathedral: between myth and history

The transformations of the hall through the centuries

The Genoard Park, the garden of pleasures and wonders

The side aisles

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Transformations over the centuries

The flooring: shapes, motifs and iconography

The decorations on the bell tower

A mixture of styles pervades the floor decorations

The Palace of Kings

Under the crosses of the Bema

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural appearance and transformations over time

The Virgin Hodegetria

The senses tell baroque decoration

The senses tell the flooring

Layers of different cultures decorate the external apses

The towers and the western facade

The links between the hauteville family and the monastic orders in Sicily

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the ceiling

A space between the visible and the invisible

Characteristics of religious architecture in the romanesque period

The senses tell the Zisa over the centuries

Intertwining of knowledge in Norman Palermo

the roof of Paradise: one of the most representative works of medieval art

Saint Peter’s Chapel in the Royal Palace

The medieval city amidst monasticism and feudal aristocracy

The birth of the Norman kingdom

The Gualtiero Cathedral

Shapes and colours of the wooden ceiling

The mosaics of the transept and the apses

The senses tell the historical context

A controversial interpretation

The senses tell Context 1

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chystro: a place between earth and sky

The dialogue between the architectures of the monumental complex

The senses tell the historical context

The mosaic cycle, an ascending path towards the light

The Royal Throne

Worship services

Beyond the harmony of proportions

The chapel of san Castrense: an important renaissance work

The senses tell the architecture and decorations

The lost chapel

The return of water

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chapel of the crucifix: an artistic casket based on a previous model

The chapel of St. Benedict

Restorations

Tempus fugit: a strategic project implemented in a short period of time

The king’s mark

The cemetery of kings

A palimpsest of history

The interior of the church

The Chapel of the Kings

The original design

From earthquake to collapse

The area of the Sanctuary

The senses tell the historical context

A remarkable ceiling

The Great Presbytery: a unique space for the cathedral

The balance between architecture and light

The Cassaro

Roger II of hauteville: a sovereign protected by God

the Baroque interior

Artistic elements in Peter’s ship

Ecclesia munita

The cultural substrate through time

The opus sectile floor of the Palatine Chapel

The mosaics of the apses

Roger II’s strategic design

Two initially similar towers, varied over time

The columns of the nave: the meticulous study of the overall order

The ancient convent of the Martorana, a history of devotion and tradition

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The rediscovered chapel

The architectural envelope: the Greek cross layout oriented towards the light

The southern portico

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Porphyry sarcophagi: royalty and power

The Norman conquest of Sicily and the birth of a new Latin kingdom

Gardens and architecture as a backdrop to the city of Palermo

Norman religious architecture with islamic influences in Sicily

The decorated facade

the Baroque exterior

A polysemy of high-level artistic forms and content

The Admiral’s dedication

The rediscovered palace

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From the main gate to the aisles: an invitation to a journey of faith

The side Portico: a combination of elegance and lightness of form

The senses tell the interior

From oblivion to the recovery of memory

Squaring the circle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Cathedral over the centuries

The chorus: beating heart of the cathedral

Survey of the royal tombs

The beginning of the construction site

Gold and light: the splendour of the mosaics in the Royal Chapel

The Bible carved in stone

A Northern population

The Great Restoration

The stone bible

The loca solatiorum: dwellings for recreation, well-being and hunting

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Interior decorations

The liturgical spaces of the protesis and the diaconicon

Palermo: the happiest city

The architectural space

The senses tell the external architecture and the original layout

A new Cathedral

The senses tell the mosaic cycle