photo gallery

photo gallery

The southern portico

The interior of the church

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II of hauteville: a sovereign protected by God

From the main gate to the aisles: an invitation to a journey of faith

A new Cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Bible carved in stone

Artistic elements in Peter’s ship

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell restorations

The mosaics of the apses

Intertwining of knowledge in Norman Palermo

A palimpsest of history

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Admiral’s dedication

The decorations on the bell tower

The Norman conquest of Sicily and the birth of a new Latin kingdom

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The columns of the nave: the meticulous study of the overall order

The chapel of san Castrense: an important renaissance work

The towers and the western facade

Shapes and colours of the wooden ceiling

A mixture of styles pervades the floor decorations

The senses tell the architecture

The Cassaro

The liturgical spaces of the protesis and the diaconicon

The cemetery of kings

Two initially similar towers, varied over time

Roger II’s strategic design

the roof of Paradise: one of the most representative works of medieval art

The transformations of the hall through the centuries

The ancient convent of the Martorana, a history of devotion and tradition

The loca solatiorum: dwellings for recreation, well-being and hunting

Squaring the circle

The senses tell the historical context

A compositional design that combines nordic examples with new artistic languages, over the centuries

the Baroque exterior

The senses tell the external architecture and the original layout

Under the crosses of the Bema

The side aisles

An architectural crescendo

The beginning of the construction site

The chapel of St. Benedict

The senses tell the historical context

The decorated facade

Layers of different cultures decorate the external apses

A remarkable ceiling

The chorus: beating heart of the cathedral

Saint Peter’s Chapel in the Royal Palace

The architectural appearance and transformations over time

The senses tell the mosaic cycle

Palermo: the happiest city

The cultural substrate through time

Tempus fugit: a strategic project implemented in a short period of time

Restorations

From earthquake to collapse

Beyond the harmony of proportions

The Palace of Kings

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

The original design

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The mosaics of the transept and the apses

the Baroque interior

The medieval city amidst monasticism and feudal aristocracy

The lost chapel

The senses tell the Zisa over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

A polysemy of high-level artistic forms and content

The Great Presbytery: a unique space for the cathedral

The senses tell Context 1

The links between the hauteville family and the monastic orders in Sicily

A cloister of accentuated stylistic variety

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the ceiling

The opus sectile floor of the Palatine Chapel

Porphyry sarcophagi: royalty and power

The Chapel of the Kings

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Chapel of St. Mary Magdalene

Worship services

The balance between architecture and light

A space between the visible and the invisible

Decorations

The Cathedral over the centuries

The rediscovered chapel

The Genoard Park, the garden of pleasures and wonders

Different styles and transformations of “one of the most beautiful monuments in the world”

The area of the Sanctuary

Norman religious architecture with islamic influences in Sicily

A chapel by an unknown designer based on repeated symmetries

The mosaics of the presbytery

A controversial interpretation

The construction of Monreale Cathedral: between myth and history

The stone bible

From the Mosque to the Cathedral

The architectural space

Transformations over the centuries

The towers facing the facade used as bell towers

A Northern population

The flooring: shapes, motifs and iconography

The mosaic cycle, an ascending path towards the light

The senses tell the flooring

The birth of the Norman kingdom

A tree full of life

Cefalù: settlement evidence through time

The senses tell baroque decoration

The senses tell the historical context

Interior decorations

The rediscovered palace

The architectural envelope: the Greek cross layout oriented towards the light

The side Portico: a combination of elegance and lightness of form

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The king’s mark

Characteristics of religious architecture in the romanesque period

The senses tell the architecture and decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The chystro: a place between earth and sky

The return of water

The dialogue between the architectures of the monumental complex

Mosaic decoration

The Virgin Hodegetria

From oblivion to the recovery of memory

Ecclesia munita

The senses tell the interior

The longest aisle

A building constructed in a short space of time

The Kings’ Cathedrals

The Royal Throne

The mosaics of the naves

Survey of the royal tombs

The Great Restoration