photo gallery

photo gallery

From oblivion to the recovery of memory

The columns of the nave: the meticulous study of the overall order

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A Northern population

The chorus: beating heart of the cathedral

Intertwining of knowledge in Norman Palermo

The rediscovered chapel

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

From the Mosque to the Cathedral

The mosaics of the transept and the apses

The Gualtiero Cathedral

the Baroque exterior

The construction of Monreale Cathedral: between myth and history

The Virgin Hodegetria

The senses tell the ceiling

Porphyry sarcophagi: royalty and power

The cultural substrate through time

The Kings’ Cathedrals

Different styles and transformations of “one of the most beautiful monuments in the world”

The mosaic cycle, an ascending path towards the light

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Great Presbytery: a unique space for the cathedral

The Chapel of St. Mary Magdalene

The senses tell restorations

Tempus fugit: a strategic project implemented in a short period of time

Decorations

The birth of the Norman kingdom

A palimpsest of history

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A cloister of accentuated stylistic variety

the Baroque interior

The Admiral’s dedication

A remarkable ceiling

The area of the Sanctuary

From earthquake to collapse

Restorations

The loca solatiorum: dwellings for recreation, well-being and hunting

the roof of Paradise: one of the most representative works of medieval art

Two initially similar towers, varied over time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the historical context

Gold and light: the splendour of the mosaics in the Royal Chapel

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The side Portico: a combination of elegance and lightness of form

Norman religious architecture with islamic influences in Sicily

The Great Restoration

The flooring: shapes, motifs and iconography

The return of water

A tree full of life

Saint Peter’s Chapel in the Royal Palace

The beginning of the construction site

The longest aisle

The Palace of Kings

The Cassaro

A new Cathedral

The balance between architecture and light

The stone bible

The towers and the western facade

Interior decorations

The architectural envelope: the Greek cross layout oriented towards the light

Palermo: the happiest city

The original design

The towers facing the facade used as bell towers

The interior of the church

The Royal Throne

The decorated facade

The mosaics of the naves

The lost chapel

A polysemy of high-level artistic forms and content

The links between the hauteville family and the monastic orders in Sicily

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Genoard Park, the garden of pleasures and wonders

Transformations over the centuries

The chapel of san Castrense: an important renaissance work

The liturgical spaces of the protesis and the diaconicon

The Chapel of the Kings

The dialogue between the architectures of the monumental complex

The rediscovered palace

The mosaics of the presbytery

From the main gate to the aisles: an invitation to a journey of faith

The medieval city amidst monasticism and feudal aristocracy

Squaring the circle

The senses tell the external architecture and the original layout

The king’s mark

The senses tell Context 1

The architectural space

An architectural crescendo

The opus sectile floor of the Palatine Chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Survey of the royal tombs

A controversial interpretation

The cemetery of kings

The decorations on the bell tower

The Cathedral over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

A building constructed in a short space of time

Mosaic decoration

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the Zisa over the centuries

The southern portico

The Norman conquest of Sicily and the birth of a new Latin kingdom

The side aisles

The senses tell the historical context

The senses tell the architecture

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Cefalù: settlement evidence through time

Roger II’s strategic design

The senses tell baroque decoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

The chapel of the crucifix: an artistic casket based on a previous model

A mixture of styles pervades the floor decorations

The senses tell the flooring

A space between the visible and the invisible

Ecclesia munita

Roger II of hauteville: a sovereign protected by God

Under the crosses of the Bema

The transformations of the hall through the centuries

The architectural appearance and transformations over time

Worship services

The chapel of St. Benedict

The senses tell the architecture and decorations

Shapes and colours of the wooden ceiling

A chapel by an unknown designer based on repeated symmetries

The senses tell the mosaic cycle

Layers of different cultures decorate the external apses

Artistic elements in Peter’s ship

The mosaics of the apses

The Bible carved in stone

The chystro: a place between earth and sky

The senses tell the interior