Cefalù Cathedral
context 2

Characteristics of religious architecture in the romanesque period

For the organisation of space in religious architecture, the year 1000 marked a period of revision of the solutions already initiated in the Carolingian era. The need for a renewed use of the liturgy took on not only symbolic but also rational importance, so much so as to modify the design of the sacred area. The increase in the number of clergy, who came to form a social group distinct from the community of the faithful, made it necessary to enlarge and raise the presbytery .This change gave the apse greater depth, reserving additional space for the creation of the choir which was placed in the nave in front of the altar.The reformulation of spaces, together with the introduction of secondary apses, emphasised the importance of the officiating religious over the faithful, who now attended the celebrations separated by fences (plutei in the Roman rite and iconòstasis in the Greek rite) which enclosed the presbytery. The overall impression of the building continues to reflect that of a vibrant arrangement of spaces, in which the dynamism of the projecting structural elements interacts with the recesses which mark the openings, such as windows and portals. In some religious buildings, characterised by thick walls, the is used to compensate for the greater height of the central nave compared to the side aisles. Almost as if to contrast with the elevated position of this gallery, the Romanesque church below its longitudinal plan, often with a transept , conceals crypts beneath the  presbytery, according to a tradition derived from the Carolingian and Ottonian periods.

A compositional design that combines nordic examples with new artistic languages, over the centuries

From the Mosque to the Cathedral

A remarkable ceiling

Transformations over the centuries

The senses tell Context 1

The Kings’ Cathedrals

Palermo: the happiest city

The mosaics of the apses

Survey of the royal tombs

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beginning of the construction site

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A cloister of accentuated stylistic variety

A palimpsest of history

Squaring the circle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Great Restoration

The southern portico

A polysemy of high-level artistic forms and content

Under the crosses of the Bema

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

The medieval city amidst monasticism and feudal aristocracy

The lost chapel

The dialogue between the architectures of the monumental complex

The transformations of the hall through the centuries

The chystro: a place between earth and sky

The Cathedral over the centuries

Artistic elements in Peter’s ship

The chapel of san Castrense: an important renaissance work

Roger II of hauteville: a sovereign protected by God

The liturgical spaces of the protesis and the diaconicon

A Northern population

Norman religious architecture with islamic influences in Sicily

Two initially similar towers, varied over time

The columns of the nave: the meticulous study of the overall order

A tree full of life

Beyond the harmony of proportions

A controversial interpretation

The Great Presbytery: a unique space for the cathedral

The original design

The Chapel of the Kings

Cefalù: settlement evidence through time

The stone bible

A chapel by an unknown designer based on repeated symmetries

The area of the Sanctuary

Gardens and architecture as a backdrop to the city of Palermo

The towers and the western facade

Layers of different cultures decorate the external apses

From the main gate to the aisles: an invitation to a journey of faith

Tempus fugit: a strategic project implemented in a short period of time

The decorated facade

Roger II’s strategic design

The king’s mark

The rediscovered chapel

The balance between architecture and light

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Virgin Hodegetria

The cultural substrate through time

Mosaic decoration

The Bible carved in stone

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A space between the visible and the invisible

The mosaics of the presbytery

The chapel of St. Benedict

The towers facing the facade used as bell towers

The side Portico: a combination of elegance and lightness of form

The chapel of the crucifix: an artistic casket based on a previous model

The Gualtiero Cathedral

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Chapel of St. Mary Magdalene

The longest aisle

The chorus: beating heart of the cathedral

A mixture of styles pervades the floor decorations

The cemetery of kings

Characteristics of religious architecture in the romanesque period

The side aisles

The construction of Monreale Cathedral: between myth and history

Worship services

Ecclesia munita

Porphyry sarcophagi: royalty and power