Cefalù Cathedral
context 2

Characteristics of religious architecture in the romanesque period

For the organisation of space in religious architecture, the year 1000 marked a period of revision of the solutions already initiated in the Carolingian era. The need for a renewed use of the liturgy took on not only symbolic but also rational importance, so much so as to modify the design of the sacred area. The increase in the number of clergy, who came to form a social group distinct from the community of the faithful, made it necessary to enlarge and raise the presbytery .This change gave the apse greater depth, reserving additional space for the creation of the choir which was placed in the nave in front of the altar.The reformulation of spaces, together with the introduction of secondary apses, emphasised the importance of the officiating religious over the faithful, who now attended the celebrations separated by fences (plutei in the Roman rite and iconòstasis in the Greek rite) which enclosed the presbytery. The overall impression of the building continues to reflect that of a vibrant arrangement of spaces, in which the dynamism of the projecting structural elements interacts with the recesses which mark the openings, such as windows and portals. In some religious buildings, characterised by thick walls, the is used to compensate for the greater height of the central nave compared to the side aisles. Almost as if to contrast with the elevated position of this gallery, the Romanesque church below its longitudinal plan, often with a transept , conceals crypts beneath the  presbytery, according to a tradition derived from the Carolingian and Ottonian periods.

The chystro: a place between earth and sky

The longest aisle

Beyond the harmony of proportions

A remarkable ceiling

Artistic elements in Peter’s ship

The transformations of the hall through the centuries

The side aisles

The Chapel of the Kings

The liturgical spaces of the protesis and the diaconicon

The Kings’ Cathedrals

The chapel of san Castrense: an important renaissance work

The lost chapel

The cultural substrate through time

The towers facing the facade used as bell towers

The beginning of the construction site

The cemetery of kings

The Bible carved in stone

A palimpsest of history

Layers of different cultures decorate the external apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Tempus fugit: a strategic project implemented in a short period of time

Worship services

Ecclesia munita

A new Cathedral

The chapel of St. Benedict

The Chapel of St. Mary Magdalene

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From the Mosque to the Cathedral

Roger II of hauteville: a sovereign protected by God

The links between the hauteville family and the monastic orders in Sicily

Porphyry sarcophagi: royalty and power

Gardens and architecture as a backdrop to the city of Palermo

The Great Restoration

Norman religious architecture with islamic influences in Sicily

Interior decorations

Roger II’s strategic design

The southern portico

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

The dialogue between the architectures of the monumental complex

A controversial interpretation

The construction of Monreale Cathedral: between myth and history

The mosaics of the presbytery

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A polysemy of high-level artistic forms and content

The king’s mark

The Cathedral over the centuries

Squaring the circle

The chorus: beating heart of the cathedral

The mosaics of the apses

A chapel by an unknown designer based on repeated symmetries

Characteristics of religious architecture in the romanesque period

A tree full of life

A Northern population

Cefalù: settlement evidence through time

The towers and the western facade

Mosaic decoration

A space between the visible and the invisible

Transformations over the centuries

The original design

The rediscovered chapel

The stone bible

The Virgin Hodegetria

Under the crosses of the Bema

The Gualtiero Cathedral

The side Portico: a combination of elegance and lightness of form

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A cloister of accentuated stylistic variety

The area of the Sanctuary

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell Context 1

Palermo: the happiest city

The balance between architecture and light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The decorated facade

The medieval city amidst monasticism and feudal aristocracy

The Great Presbytery: a unique space for the cathedral

Survey of the royal tombs

The columns of the nave: the meticulous study of the overall order

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A mixture of styles pervades the floor decorations

The chapel of the crucifix: an artistic casket based on a previous model