Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The liturgical spaces of the protesis and the diaconicon

Gardens and architecture as a backdrop to the city of Palermo

Porphyry sarcophagi: royalty and power

Two initially similar towers, varied over time

The side Portico: a combination of elegance and lightness of form

A palimpsest of history

The senses tell Context 1

The lost chapel

A mixture of styles pervades the floor decorations

The cultural substrate through time

Norman religious architecture with islamic influences in Sicily

The chapel of san Castrense: an important renaissance work

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A remarkable ceiling

A polysemy of high-level artistic forms and content

Squaring the circle

The chorus: beating heart of the cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A controversial interpretation

The Great Presbytery: a unique space for the cathedral

The beginning of the construction site

The stone bible

The Chapel of St. Mary Magdalene

The Bible carved in stone

The Chapel of the Kings

The transformations of the hall through the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The longest aisle

Transformations over the centuries

A cloister of accentuated stylistic variety

A Northern population

The chystro: a place between earth and sky

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The decorated facade

The cemetery of kings

Under the crosses of the Bema

Ecclesia munita

The mosaics of the apses

From the main gate to the aisles: an invitation to a journey of faith

The links between the hauteville family and the monastic orders in Sicily

From the Mosque to the Cathedral

Palermo: the happiest city

The Kings’ Cathedrals

The chapel of St. Benedict

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The dialogue between the architectures of the monumental complex

The towers facing the facade used as bell towers

The area of the Sanctuary

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Layers of different cultures decorate the external apses

The Great Restoration

The southern portico

The mosaics of the presbytery

Survey of the royal tombs

The side aisles

A space between the visible and the invisible

A tree full of life

Artistic elements in Peter’s ship

The original design

Beyond the harmony of proportions

The construction of Monreale Cathedral: between myth and history

Mosaic decoration

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Cefalù: settlement evidence through time

The towers and the western facade

Roger II of hauteville: a sovereign protected by God

The Virgin Hodegetria

The medieval city amidst monasticism and feudal aristocracy

Characteristics of religious architecture in the romanesque period

The balance between architecture and light

Roger II’s strategic design

The Cathedral over the centuries

The Gualtiero Cathedral

Tempus fugit: a strategic project implemented in a short period of time

The king’s mark

The rediscovered chapel

A new Cathedral

The columns of the nave: the meticulous study of the overall order

Interior decorations

A chapel by an unknown designer based on repeated symmetries

The chapel of the crucifix: an artistic casket based on a previous model

Worship services