Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

The towers and the western facade

Layers of different cultures decorate the external apses

A palimpsest of history

The decorated facade

The transformations of the hall through the centuries

Transformations over the centuries

The dialogue between the architectures of the monumental complex

The links between the hauteville family and the monastic orders in Sicily

Roger II’s strategic design

A space between the visible and the invisible

A remarkable ceiling

The Bible carved in stone

The beginning of the construction site

The area of the Sanctuary

The side aisles

The cemetery of kings

A controversial interpretation

The chapel of san Castrense: an important renaissance work

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A cloister of accentuated stylistic variety

A polysemy of high-level artistic forms and content

Norman religious architecture with islamic influences in Sicily

A mixture of styles pervades the floor decorations

Ecclesia munita

A chapel by an unknown designer based on repeated symmetries

The towers facing the facade used as bell towers

The cultural substrate through time

The southern portico

The chystro: a place between earth and sky

From the main gate to the aisles: an invitation to a journey of faith

The chapel of St. Benedict

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A compositional design that combines nordic examples with new artistic languages, over the centuries

The longest aisle

The Chapel of the Kings

A Northern population

Porphyry sarcophagi: royalty and power

The king’s mark

Worship services

The medieval city amidst monasticism and feudal aristocracy

The senses tell Context 1

Under the crosses of the Bema

The Gualtiero Cathedral

The chorus: beating heart of the cathedral

The original design

The mosaics of the apses

From the Mosque to the Cathedral

The columns of the nave: the meticulous study of the overall order

The liturgical spaces of the protesis and the diaconicon

The Virgin Hodegetria

Two initially similar towers, varied over time

Squaring the circle

A tree full of life

The lost chapel

Gardens and architecture as a backdrop to the city of Palermo

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Tempus fugit: a strategic project implemented in a short period of time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Survey of the royal tombs

Characteristics of religious architecture in the romanesque period

Palermo: the happiest city

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

The Cathedral over the centuries

The rediscovered chapel

Cefalù: settlement evidence through time

Roger II of hauteville: a sovereign protected by God

The Chapel of St. Mary Magdalene

The stone bible

The Great Restoration

Artistic elements in Peter’s ship

The mosaics of the presbytery

Beyond the harmony of proportions

The Great Presbytery: a unique space for the cathedral

Mosaic decoration

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The balance between architecture and light

The side Portico: a combination of elegance and lightness of form

A new Cathedral

The Kings’ Cathedrals

The construction of Monreale Cathedral: between myth and history

Interior decorations