Monreale Cathedral
the context 2

The senses tell Context 2

sight
An important construction site

A building such as the Monreale Cathedral, outlined by a multiform stylistic syncretism, reflected a deep religious implication promoted by William II. The ruler succeeded in consolidating the Western Christian influence through a fruitful and peaceful dialogue with the Byzantine-Oriental and Muslim-Arab cultures from the very year of his coronation in 1172. Alongside the Cathedral, surrounded by a flourishing natural setting, work began on the foundation of the Royal Palace in the same year, followed in 1176 by the construction of the Benedictine Monastery adjacent to it.

Tempus fugit: a strategic project implemented in a short period of time

Two initially similar towers, varied over time

The chapel of St. Benedict

The cemetery of kings

Roger II of hauteville: a sovereign protected by God

The mosaics of the apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The stone bible

The balance between architecture and light

The rediscovered chapel

From the main gate to the aisles: an invitation to a journey of faith

A Northern population

The Great Presbytery: a unique space for the cathedral

Ecclesia munita

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

The decorated facade

Characteristics of religious architecture in the romanesque period

Under the crosses of the Bema

A new Cathedral

The Bible carved in stone

From the Mosque to the Cathedral

A cloister of accentuated stylistic variety

The transformations of the hall through the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Great Restoration

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell Context 1

The construction of Monreale Cathedral: between myth and history

The side aisles

The chapel of the crucifix: an artistic casket based on a previous model

The dialogue between the architectures of the monumental complex

The lost chapel

The mosaics of the presbytery

The Kings’ Cathedrals

A polysemy of high-level artistic forms and content

The towers and the western facade

A tree full of life

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The king’s mark

Artistic elements in Peter’s ship

A remarkable ceiling

Cefalù: settlement evidence through time

Transformations over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The longest aisle

A mixture of styles pervades the floor decorations

The chapel of san Castrense: an important renaissance work

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Gualtiero Cathedral

Survey of the royal tombs

Palermo: the happiest city

Squaring the circle

The towers facing the facade used as bell towers

The Virgin Hodegetria

The medieval city amidst monasticism and feudal aristocracy

A controversial interpretation

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Cathedral over the centuries

Norman religious architecture with islamic influences in Sicily

The liturgical spaces of the protesis and the diaconicon

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Interior decorations

The area of the Sanctuary

The cultural substrate through time

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene

Roger II’s strategic design

The southern portico

The side Portico: a combination of elegance and lightness of form

Beyond the harmony of proportions

Worship services

Porphyry sarcophagi: royalty and power

A palimpsest of history

The chystro: a place between earth and sky

The links between the hauteville family and the monastic orders in Sicily

Mosaic decoration

The chorus: beating heart of the cathedral

The Chapel of the Kings

A space between the visible and the invisible

A chapel by an unknown designer based on repeated symmetries

The original design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door