Palermo Cathedral
The Context 2

The Gualtiero Cathedral

The cathedral remained unchanged in its structure for almost a hundred years after the arrival of the Normans. During the reign of William II , grandson of Roger II , the church was restored and designed as an ecclesia munita from 1170 onwards,at the behest of Archbishop Gualtiero , a Proto family member of the King. The Cathedral was reopened for worship on April 6, 1185, with a lavish ceremony.
It is probable that the decision to renovate the sacred building was made not only to provide the city with a temple worthy of the kingdom’s capital, but also because of the damage caused to the church by the seismic event of 4 February 1169, known as the “ earthquake of Sant'Agata “, which caused extensive ruin throughout most of Sicily. Palermo Cathedral was rebuilt at the same time as the construction of the Monreale Cathedral, commissioned by William II, as part of his plans to govern the territory by creating emblematic places of worship.
For both sacred buildings, records tell the story of the discovery of a treasure, the one found by the Virgin Mary, who came to William in a dream to facilitate the construction of the Monreale Cathedral, and the one found during the construction of the church of the Holy Spirit , for the renovation of the church in Palermo.

A remarkable ceiling

The Gualtiero Cathedral

The Bible carved in stone

A Northern population

The Kings’ Cathedrals

Characteristics of religious architecture in the romanesque period

The towers facing the facade used as bell towers

Norman religious architecture with islamic influences in Sicily

Gardens and architecture as a backdrop to the city of Palermo

Two initially similar towers, varied over time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of san Castrense: an important renaissance work

The Great Restoration

The Chapel of St. Mary Magdalene

Ecclesia munita

Roger II of hauteville: a sovereign protected by God

The lost chapel

A tree full of life

A controversial interpretation

The Virgin Hodegetria

The mosaics of the apses

Mosaic decoration

The decorated facade

Porphyry sarcophagi: royalty and power

A chapel by an unknown designer based on repeated symmetries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The links between the hauteville family and the monastic orders in Sicily

A compositional design that combines nordic examples with new artistic languages, over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The rediscovered chapel

The transformations of the hall through the centuries

The balance between architecture and light

The longest aisle

The side aisles

The chapel of the crucifix: an artistic casket based on a previous model

The columns of the nave: the meticulous study of the overall order

The original design

The liturgical spaces of the protesis and the diaconicon

The southern portico

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II’s strategic design

The chystro: a place between earth and sky

Layers of different cultures decorate the external apses

The dialogue between the architectures of the monumental complex

The cemetery of kings

The cultural substrate through time

The side Portico: a combination of elegance and lightness of form

Survey of the royal tombs

The area of the Sanctuary

Beyond the harmony of proportions

Interior decorations

Squaring the circle

The Cathedral over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A new Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A palimpsest of history

Cefalù: settlement evidence through time

The medieval city amidst monasticism and feudal aristocracy

The king’s mark

From the main gate to the aisles: an invitation to a journey of faith

The stone bible

The Chapel of the Kings

From the Mosque to the Cathedral

The senses tell Context 1

Tempus fugit: a strategic project implemented in a short period of time

Worship services

The chorus: beating heart of the cathedral

Artistic elements in Peter’s ship

The beginning of the construction site

The construction of Monreale Cathedral: between myth and history

A mixture of styles pervades the floor decorations

Under the crosses of the Bema

The Great Presbytery: a unique space for the cathedral

A polysemy of high-level artistic forms and content

A space between the visible and the invisible

The towers and the western facade

A cloister of accentuated stylistic variety

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the presbytery

The chapel of St. Benedict

Transformations over the centuries

Palermo: the happiest city