Palermo Cathedral
The central body: the aisles

The Cathedral over the centuries

The common fate of most Romanesque churches was that they were transformed in the following centuries according to the style of the time. Some were profoundly modified and others were decorated with added compositions, without altering their original character.
A similar fate befell the Palermo Cathedral, which underwent numerous and varied transformations, restorations and embellishments from the 15th century until the early 18th century.These works did not change the structural characteristics of the building but simply added additional spaces for the clergy and for worship, sacristies and side chapels dedicated to the saints worshipped in the city. The interior walls were decorated with Baroque style frescoes and stucco work with garlands and wreaths, as well as other artistic works.
In the second half of the 18th century, the building was generally in poor condition and needed urgent work. Archbishop Filangeri and the Cathedral Chapter petitioned King Ferdinand IV of Bourbonto intervene “to restore decorum and dignity to the city’s mother church”.

The balance between architecture and light

The Bible carved in stone

The dialogue between the architectures of the monumental complex

The transformations of the hall through the centuries

A tree full of life

The Cathedral over the centuries

The towers facing the facade used as bell towers

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A chapel by an unknown designer based on repeated symmetries

The Chapel of the Kings

The mosaics of the apses

The Great Presbytery: a unique space for the cathedral

Cefalù: settlement evidence through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From the Mosque to the Cathedral

The original design

Survey of the royal tombs

The medieval city amidst monasticism and feudal aristocracy

A space between the visible and the invisible

Norman religious architecture with islamic influences in Sicily

Worship services

A remarkable ceiling

The beginning of the construction site

From the main gate to the aisles: an invitation to a journey of faith

Layers of different cultures decorate the external apses

The Virgin Hodegetria

The side aisles

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

The chorus: beating heart of the cathedral

Gardens and architecture as a backdrop to the city of Palermo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

The decorated facade

The construction of Monreale Cathedral: between myth and history

The Gualtiero Cathedral

The longest aisle

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The cultural substrate through time

Artistic elements in Peter’s ship

The chapel of St. Benedict

The cemetery of kings

The side Portico: a combination of elegance and lightness of form

The rediscovered chapel

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the presbytery

Two initially similar towers, varied over time

A Northern population

Under the crosses of the Bema

A mixture of styles pervades the floor decorations

Roger II’s strategic design

The Chapel of St. Mary Magdalene

The chystro: a place between earth and sky

Porphyry sarcophagi: royalty and power

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

A polysemy of high-level artistic forms and content

Ecclesia munita

The lost chapel

Interior decorations

The king’s mark

A controversial interpretation

Transformations over the centuries

The liturgical spaces of the protesis and the diaconicon

The chapel of san Castrense: an important renaissance work

Roger II of hauteville: a sovereign protected by God

The Great Restoration

Palermo: the happiest city

A cloister of accentuated stylistic variety

Squaring the circle

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Kings’ Cathedrals

A new Cathedral

A palimpsest of history

The senses tell Context 1

The stone bible

Tempus fugit: a strategic project implemented in a short period of time

Mosaic decoration

The southern portico

The columns of the nave: the meticulous study of the overall order

The links between the hauteville family and the monastic orders in Sicily

The area of the Sanctuary