Palermo Cathedral
The central body: the aisles

The Cathedral over the centuries

The common fate of most Romanesque churches was that they were transformed in the following centuries according to the style of the time. Some were profoundly modified and others were decorated with added compositions, without altering their original character.
A similar fate befell the Palermo Cathedral, which underwent numerous and varied transformations, restorations and embellishments from the 15th century until the early 18th century.These works did not change the structural characteristics of the building but simply added additional spaces for the clergy and for worship, sacristies and side chapels dedicated to the saints worshipped in the city. The interior walls were decorated with Baroque style frescoes and stucco work with garlands and wreaths, as well as other artistic works.
In the second half of the 18th century, the building was generally in poor condition and needed urgent work. Archbishop Filangeri and the Cathedral Chapter petitioned King Ferdinand IV of Bourbonto intervene “to restore decorum and dignity to the city’s mother church”.

The side aisles

The chorus: beating heart of the cathedral

The Chapel of the Kings

A chapel by an unknown designer based on repeated symmetries

The decorated facade

The Virgin Hodegetria

Porphyry sarcophagi: royalty and power

The mosaics of the presbytery

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Artistic elements in Peter’s ship

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Gardens and architecture as a backdrop to the city of Palermo

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of san Castrense: an important renaissance work

The original design

The towers and the western facade

A new Cathedral

Palermo: the happiest city

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The dialogue between the architectures of the monumental complex

The cultural substrate through time

The lost chapel

Norman religious architecture with islamic influences in Sicily

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

A tree full of life

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the apses

The chapel of St. Benedict

A Northern population

Survey of the royal tombs

Mosaic decoration

From the Mosque to the Cathedral

The Bible carved in stone

Beyond the harmony of proportions

The transformations of the hall through the centuries

The rediscovered chapel

The construction of Monreale Cathedral: between myth and history

The Chapel of St. Mary Magdalene

The columns of the nave: the meticulous study of the overall order

From the main gate to the aisles: an invitation to a journey of faith

The senses tell Context 1

The southern portico

A remarkable ceiling

The cemetery of kings

The Kings’ Cathedrals

A polysemy of high-level artistic forms and content

Interior decorations

The liturgical spaces of the protesis and the diaconicon

The towers facing the facade used as bell towers

Worship services

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

The Great Restoration

Ecclesia munita

The longest aisle

Characteristics of religious architecture in the romanesque period

Cefalù: settlement evidence through time

A palimpsest of history

A space between the visible and the invisible

The stone bible

The beginning of the construction site

The balance between architecture and light

The Great Presbytery: a unique space for the cathedral

The Gualtiero Cathedral

Transformations over the centuries

The king’s mark

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Layers of different cultures decorate the external apses

The Cathedral over the centuries

Two initially similar towers, varied over time

Under the crosses of the Bema

A controversial interpretation

The chystro: a place between earth and sky

The links between the hauteville family and the monastic orders in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The side Portico: a combination of elegance and lightness of form

Roger II’s strategic design

Roger II of hauteville: a sovereign protected by God

A mixture of styles pervades the floor decorations

The area of the Sanctuary

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time