Palermo Cathedral
The central body: the aisles

The Cathedral over the centuries

The common fate of most Romanesque churches was that they were transformed in the following centuries according to the style of the time. Some were profoundly modified and others were decorated with added compositions, without altering their original character.
A similar fate befell the Palermo Cathedral, which underwent numerous and varied transformations, restorations and embellishments from the 15th century until the early 18th century.These works did not change the structural characteristics of the building but simply added additional spaces for the clergy and for worship, sacristies and side chapels dedicated to the saints worshipped in the city. The interior walls were decorated with Baroque style frescoes and stucco work with garlands and wreaths, as well as other artistic works.
In the second half of the 18th century, the building was generally in poor condition and needed urgent work. Archbishop Filangeri and the Cathedral Chapter petitioned King Ferdinand IV of Bourbonto intervene “to restore decorum and dignity to the city’s mother church”.

The construction of Monreale Cathedral: between myth and history

The chapel of St. Benedict

The chapel of san Castrense: an important renaissance work

The towers and the western facade

The Great Presbytery: a unique space for the cathedral

The chorus: beating heart of the cathedral

The Chapel of the Kings

A tree full of life

The king’s mark

The decorated facade

A palimpsest of history

A cloister of accentuated stylistic variety

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

Interior decorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The balance between architecture and light

The cemetery of kings

The beginning of the construction site

The area of the Sanctuary

Under the crosses of the Bema

The dialogue between the architectures of the monumental complex

The southern portico

The Bible carved in stone

The Kings’ Cathedrals

The links between the hauteville family and the monastic orders in Sicily

Survey of the royal tombs

The Chapel of St. Mary Magdalene

The chystro: a place between earth and sky

The original design

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the presbytery

The medieval city amidst monasticism and feudal aristocracy

A chapel by an unknown designer based on repeated symmetries

Beyond the harmony of proportions

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Great Restoration

Porphyry sarcophagi: royalty and power

Tempus fugit: a strategic project implemented in a short period of time

Artistic elements in Peter’s ship

Worship services

The chapel of the crucifix: an artistic casket based on a previous model

The rediscovered chapel

A polysemy of high-level artistic forms and content

Characteristics of religious architecture in the romanesque period

The mosaics of the apses

A new Cathedral

Layers of different cultures decorate the external apses

The Cathedral over the centuries

The towers facing the facade used as bell towers

From the Mosque to the Cathedral

The longest aisle

A compositional design that combines nordic examples with new artistic languages, over the centuries

Mosaic decoration

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A controversial interpretation

A remarkable ceiling

Roger II of hauteville: a sovereign protected by God

A Northern population

The side Portico: a combination of elegance and lightness of form

Cefalù: settlement evidence through time

Palermo: the happiest city

Gardens and architecture as a backdrop to the city of Palermo

The stone bible

Norman religious architecture with islamic influences in Sicily

Roger II’s strategic design

The transformations of the hall through the centuries

The Gualtiero Cathedral

A mixture of styles pervades the floor decorations

The senses tell Context 1

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Transformations over the centuries

Squaring the circle

The cultural substrate through time

The side aisles

The Virgin Hodegetria

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The lost chapel

Ecclesia munita

The liturgical spaces of the protesis and the diaconicon

The columns of the nave: the meticulous study of the overall order