Cefalù Cathedral
the chystro

Squaring the circle

Entering the cloister of Cefalù Cathedral not only means plunging into a path steeped in medieval art that seems to reawaken the different decorative motifs animating the capitals of the columns as we pass, but also being pervaded by an architecture of light.
In accordance with Christian symbolism, it is oriented so that each of its spaces is illuminated in a different way, following the orientation of the sun.
Following its itinerary, made up of the transcendence of the circle inserted in the immanence of the square, we are invited to embark on a spiritual journey of purification that begins where the light sets, symbolically linked to Adam and the Old Testament, and then reaches the New Testament dimension, pervaded by the radiance of the incarnation and the promise. Even the plants arranged in the garden have always represented an ascetic message, capable of enveloping those who walk through it in a sense of theophany that unfolds along the way.

The chapel of St. Benedict

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The towers facing the facade used as bell towers

The balance between architecture and light

The towers and the western facade

Ecclesia munita

A space between the visible and the invisible

The chystro: a place between earth and sky

The Chapel of St. Mary Magdalene

Tempus fugit: a strategic project implemented in a short period of time

The beginning of the construction site

A new Cathedral

The chorus: beating heart of the cathedral

The longest aisle

From the main gate to the aisles: an invitation to a journey of faith

Roger II’s strategic design

The Cathedral over the centuries

Under the crosses of the Bema

A remarkable ceiling

Norman religious architecture with islamic influences in Sicily

The medieval city amidst monasticism and feudal aristocracy

Artistic elements in Peter’s ship

The links between the hauteville family and the monastic orders in Sicily

Two initially similar towers, varied over time

The Bible carved in stone

The lost chapel

Cefalù: settlement evidence through time

The side Portico: a combination of elegance and lightness of form

A controversial interpretation

A polysemy of high-level artistic forms and content

The construction of Monreale Cathedral: between myth and history

Roger II of hauteville: a sovereign protected by God

The mosaics of the presbytery

The Virgin Hodegetria

Layers of different cultures decorate the external apses

A tree full of life

The cemetery of kings

The stone bible

Survey of the royal tombs

The dialogue between the architectures of the monumental complex

The liturgical spaces of the protesis and the diaconicon

The rediscovered chapel

The transformations of the hall through the centuries

Palermo: the happiest city

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the apses

The Chapel of the Kings

A mixture of styles pervades the floor decorations

The original design

The columns of the nave: the meticulous study of the overall order

Characteristics of religious architecture in the romanesque period

Squaring the circle

A palimpsest of history

The decorated facade

The cultural substrate through time

The Kings’ Cathedrals

The chapel of the crucifix: an artistic casket based on a previous model

The southern portico

Transformations over the centuries

The chapel of san Castrense: an important renaissance work

Gardens and architecture as a backdrop to the city of Palermo

A compositional design that combines nordic examples with new artistic languages, over the centuries

The king’s mark

Mosaic decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Great Restoration

Worship services

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A chapel by an unknown designer based on repeated symmetries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Gualtiero Cathedral

From the Mosque to the Cathedral

Porphyry sarcophagi: royalty and power

The side aisles

A cloister of accentuated stylistic variety

A Northern population

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Great Presbytery: a unique space for the cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Interior decorations

Beyond the harmony of proportions

The area of the Sanctuary