photo gallery

photo gallery

The construction of Monreale Cathedral: between myth and history

The rediscovered chapel

The beginning of the construction site

The rediscovered palace

The liturgical spaces of the protesis and the diaconicon

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The original design

Cefalù: settlement evidence through time

The Bible carved in stone

the Baroque exterior

Porphyry sarcophagi: royalty and power

Roger II of hauteville: a sovereign protected by God

The cemetery of kings

The Admiral’s dedication

Tempus fugit: a strategic project implemented in a short period of time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II’s strategic design

the Baroque interior

From earthquake to collapse

Decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The flooring: shapes, motifs and iconography

The Palace of Kings

The senses tell the Zisa over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The Royal Throne

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Norman religious architecture with islamic influences in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A remarkable ceiling

The towers facing the facade used as bell towers

From oblivion to the recovery of memory

The king’s mark

The Norman conquest of Sicily and the birth of a new Latin kingdom

The area of the Sanctuary

The senses tell baroque decoration

The chystro: a place between earth and sky

The architectural space

The medieval city amidst monasticism and feudal aristocracy

The side aisles

Artistic elements in Peter’s ship

Survey of the royal tombs

The architectural appearance and transformations over time

Squaring the circle

The side Portico: a combination of elegance and lightness of form

Two initially similar towers, varied over time

The mosaics of the presbytery

Different styles and transformations of “one of the most beautiful monuments in the world”

Shapes and colours of the wooden ceiling

Transformations over the centuries

The dialogue between the architectures of the monumental complex

The Chapel of St. Mary Magdalene

The chapel of san Castrense: an important renaissance work

Worship services

An architectural crescendo

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the external architecture and the original layout

Beyond the harmony of proportions

A Northern population

The lost chapel

A palimpsest of history

A mixture of styles pervades the floor decorations

The stone bible

The mosaics of the apses

The chapel of the crucifix: an artistic casket based on a previous model

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the historical context

A tree full of life

A new Cathedral

The links between the hauteville family and the monastic orders in Sicily

Characteristics of religious architecture in the romanesque period

The return of water

The Gualtiero Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The southern portico

Under the crosses of the Bema

Intertwining of knowledge in Norman Palermo

The transformations of the hall through the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cathedral over the centuries

The Kings’ Cathedrals

The birth of the Norman kingdom

Ecclesia munita

The decorated facade

The towers and the western facade

The mosaics of the transept and the apses

The cultural substrate through time

A building constructed in a short space of time

Layers of different cultures decorate the external apses

The senses tell the mosaic cycle

The Great Restoration

The balance between architecture and light

The chorus: beating heart of the cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

The interior of the church

Interior decorations

The ancient convent of the Martorana, a history of devotion and tradition

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

The senses tell the ceiling

The columns of the nave: the meticulous study of the overall order

A cloister of accentuated stylistic variety

The Great Presbytery: a unique space for the cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The opus sectile floor of the Palatine Chapel

The Cassaro

A controversial interpretation

From the Mosque to the Cathedral

Palermo: the happiest city

Mosaic decoration

The Virgin Hodegetria

the roof of Paradise: one of the most representative works of medieval art

The mosaic cycle, an ascending path towards the light

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

The senses tell restorations

A polysemy of high-level artistic forms and content

Restorations

The senses tell the flooring

The chapel of St. Benedict

The senses tell the architecture

The decorations on the bell tower

A space between the visible and the invisible

The senses tell the interior

Saint Peter’s Chapel in the Royal Palace

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell Context 1

The Chapel of the Kings

The senses tell the architecture and decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The mosaics of the naves

The longest aisle