photo gallery

photo gallery

The senses tell restorations

The senses tell the historical context

The Cassaro

The Cathedral over the centuries

Mosaic decoration

The return of water

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of the crucifix: an artistic casket based on a previous model

The dialogue between the architectures of the monumental complex

The medieval city amidst monasticism and feudal aristocracy

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell Context 1

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Kings’ Cathedrals

The mosaic cycle, an ascending path towards the light

The senses tell the interior

The mosaics of the transept and the apses

The liturgical spaces of the protesis and the diaconicon

The Admiral’s dedication

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

From the Mosque to the Cathedral

The Great Restoration

From oblivion to the recovery of memory

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chapel of san Castrense: an important renaissance work

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the architecture

The area of the Sanctuary

The side Portico: a combination of elegance and lightness of form

Characteristics of religious architecture in the romanesque period

From the main gate to the aisles: an invitation to a journey of faith

Transformations over the centuries

Saint Peter’s Chapel in the Royal Palace

The Genoard Park, the garden of pleasures and wonders

The birth of the Norman kingdom

From earthquake to collapse

The mosaics of the presbytery

Shapes and colours of the wooden ceiling

The Gualtiero Cathedral

The mosaics of the apses

Ecclesia munita

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Interior decorations

An architectural crescendo

The decorated facade

The senses tell the Zisa over the centuries

Beyond the harmony of proportions

the Baroque exterior

Two initially similar towers, varied over time

Gardens and architecture as a backdrop to the city of Palermo

Squaring the circle

The architectural space

The beginning of the construction site

The interior of the church

The king’s mark

The columns of the nave: the meticulous study of the overall order

The Bible carved in stone

The Royal Throne

The rediscovered palace

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The balance between architecture and light

The senses tell the ceiling

The rediscovered chapel

Roger II of hauteville: a sovereign protected by God

Porphyry sarcophagi: royalty and power

The original design

The flooring: shapes, motifs and iconography

A mixture of styles pervades the floor decorations

The side aisles

Decorations

The senses tell the architecture and decorations

Under the crosses of the Bema

The Palace of Kings

The longest aisle

The cultural substrate through time

The architectural appearance and transformations over time

The stone bible

The chystro: a place between earth and sky

The senses tell the historical context

The senses tell the external architecture and the original layout

Artistic elements in Peter’s ship

The towers and the western facade

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A compositional design that combines nordic examples with new artistic languages, over the centuries

Tempus fugit: a strategic project implemented in a short period of time

A new Cathedral

Norman religious architecture with islamic influences in Sicily

Restorations

The cemetery of kings

The chorus: beating heart of the cathedral

A polysemy of high-level artistic forms and content

The construction of Monreale Cathedral: between myth and history

The Virgin Hodegetria

the roof of Paradise: one of the most representative works of medieval art

Roger II’s strategic design

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

A cloister of accentuated stylistic variety

A palimpsest of history

The chapel of St. Benedict

The towers facing the facade used as bell towers

Cefalù: settlement evidence through time

Intertwining of knowledge in Norman Palermo

A remarkable ceiling

The lost chapel

The Chapel of St. Mary Magdalene

The senses tell the mosaic cycle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Palermo: the happiest city

The southern portico

The Great Presbytery: a unique space for the cathedral

Worship services

A controversial interpretation

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the flooring

The senses tell baroque decoration

The decorations on the bell tower

The transformations of the hall through the centuries

Layers of different cultures decorate the external apses

The links between the hauteville family and the monastic orders in Sicily

The Chapel of the Kings

the Baroque interior

A space between the visible and the invisible

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A building constructed in a short space of time

The loca solatiorum: dwellings for recreation, well-being and hunting

A Northern population

Survey of the royal tombs

A tree full of life

The opus sectile floor of the Palatine Chapel

The mosaics of the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The architectural envelope: the Greek cross layout oriented towards the light