photo gallery

photo gallery

Layers of different cultures decorate the external apses

Ecclesia munita

The senses tell the architecture

The Royal Throne

Porphyry sarcophagi: royalty and power

A new Cathedral

Mosaic decoration

Cefalù: settlement evidence through time

The Kings’ Cathedrals

Two initially similar towers, varied over time

A chapel by an unknown designer based on repeated symmetries

The loca solatiorum: dwellings for recreation, well-being and hunting

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The columns of the nave: the meticulous study of the overall order

Shapes and colours of the wooden ceiling

The king’s mark

The cemetery of kings

A cloister of accentuated stylistic variety

The mosaics of the apses

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Gold and light: the splendour of the mosaics in the Royal Chapel

Worship services

Transformations over the centuries

The chapel of san Castrense: an important renaissance work

The lost chapel

The construction of Monreale Cathedral: between myth and history

Beyond the harmony of proportions

The architectural space

the Baroque interior

A palimpsest of history

Restorations

The Palace of Kings

The rediscovered chapel

Artistic elements in Peter’s ship

The area of the Sanctuary

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The southern portico

The original design

From oblivion to the recovery of memory

A Northern population

Saint Peter’s Chapel in the Royal Palace

The senses tell the ceiling

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cultural substrate through time

A space between the visible and the invisible

Roger II of hauteville: a sovereign protected by God

Characteristics of religious architecture in the romanesque period

The stone bible

A polysemy of high-level artistic forms and content

The senses tell Context 1

The return of water

The Norman conquest of Sicily and the birth of a new Latin kingdom

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the external architecture and the original layout

the roof of Paradise: one of the most representative works of medieval art

The interior of the church

The senses tell the historical context

The transformations of the hall through the centuries

Decorations

The Cathedral over the centuries

The links between the hauteville family and the monastic orders in Sicily

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Great Presbytery: a unique space for the cathedral

The senses tell the historical context

The senses tell restorations

The balance between architecture and light

Gardens and architecture as a backdrop to the city of Palermo

The architectural appearance and transformations over time

the Baroque exterior

Intertwining of knowledge in Norman Palermo

The senses tell the architecture and decorations

The Gualtiero Cathedral

The Admiral’s dedication

An architectural crescendo

The Chapel of the Kings

The towers and the western facade

The rediscovered palace

The mosaics of the transept and the apses

The dialogue between the architectures of the monumental complex

The architectural envelope: the Greek cross layout oriented towards the light

The side aisles

Norman religious architecture with islamic influences in Sicily

The mosaic cycle, an ascending path towards the light

The senses tell the interior

The liturgical spaces of the protesis and the diaconicon

The towers facing the facade used as bell towers

The mosaics of the naves

A controversial interpretation

The senses tell the historical context

The chystro: a place between earth and sky

The Great Restoration

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the mosaic cycle

Different styles and transformations of “one of the most beautiful monuments in the world”

The medieval city amidst monasticism and feudal aristocracy

The Virgin Hodegetria

The decorated facade

A tree full of life

The senses tell the flooring

Under the crosses of the Bema

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Roger II’s strategic design

From the main gate to the aisles: an invitation to a journey of faith

From earthquake to collapse

A building constructed in a short space of time

The flooring: shapes, motifs and iconography

Interior decorations

Tempus fugit: a strategic project implemented in a short period of time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The side Portico: a combination of elegance and lightness of form

The senses tell the Zisa over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

A remarkable ceiling

The decorations on the bell tower

The Chapel of St. Mary Magdalene

The birth of the Norman kingdom

A compositional design that combines nordic examples with new artistic languages, over the centuries

From the Mosque to the Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the presbytery

The senses tell baroque decoration

The Genoard Park, the garden of pleasures and wonders

The chorus: beating heart of the cathedral

The Bible carved in stone

A mixture of styles pervades the floor decorations

Survey of the royal tombs

Palermo: the happiest city

The beginning of the construction site

The Cassaro

The chapel of St. Benedict

The longest aisle

The opus sectile floor of the Palatine Chapel

Squaring the circle