photo gallery

photo gallery

The Admiral’s dedication

The flooring: shapes, motifs and iconography

The loca solatiorum: dwellings for recreation, well-being and hunting

A space between the visible and the invisible

The Virgin Hodegetria

The Kings’ Cathedrals

The decorated facade

The transformations of the hall through the centuries

The chapel of san Castrense: an important renaissance work

The architectural space

The original design

The side Portico: a combination of elegance and lightness of form

A palimpsest of history

The side aisles

The senses tell the historical context

Characteristics of religious architecture in the romanesque period

The senses tell restorations

The Chapel of the Kings

The senses tell the historical context

The construction of Monreale Cathedral: between myth and history

The Cathedral over the centuries

Tempus fugit: a strategic project implemented in a short period of time

Artistic elements in Peter’s ship

The return of water

the roof of Paradise: one of the most representative works of medieval art

Decorations

A tree full of life

A controversial interpretation

Survey of the royal tombs

The cultural substrate through time

The senses tell the historical context

The chorus: beating heart of the cathedral

Under the crosses of the Bema

The opus sectile floor of the Palatine Chapel

The senses tell the flooring

An architectural crescendo

The king’s mark

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A new Cathedral

The architectural appearance and transformations over time

The senses tell the mosaic cycle

The mosaics of the transept and the apses

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Great Presbytery: a unique space for the cathedral

The senses tell Context 1

The Chapel of St. Mary Magdalene

The lost chapel

The area of the Sanctuary

The ancient convent of the Martorana, a history of devotion and tradition

The cemetery of kings

A remarkable ceiling

The Cassaro

A building constructed in a short space of time

Cefalù: settlement evidence through time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beginning of the construction site

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The balance between architecture and light

The mosaics of the naves

Mosaic decoration

The dialogue between the architectures of the monumental complex

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The decorations on the bell tower

The mosaic cycle, an ascending path towards the light

Squaring the circle

The chapel of St. Benedict

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The southern portico

A Northern population

The towers facing the facade used as bell towers

Roger II of hauteville: a sovereign protected by God

Roger II’s strategic design

The stone bible

The Royal Throne

The longest aisle

Restorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Different styles and transformations of “one of the most beautiful monuments in the world”

Two initially similar towers, varied over time

The towers and the western facade

The rediscovered palace

The senses tell the ceiling

Ecclesia munita

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

The senses tell the Zisa over the centuries

The chystro: a place between earth and sky

The medieval city amidst monasticism and feudal aristocracy

The senses tell the architecture and decorations

The birth of the Norman kingdom

The rediscovered chapel

Palermo: the happiest city

The Gualtiero Cathedral

Beyond the harmony of proportions

A chapel by an unknown designer based on repeated symmetries

Gardens and architecture as a backdrop to the city of Palermo

From oblivion to the recovery of memory

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From the Mosque to the Cathedral

The mosaics of the apses

From the main gate to the aisles: an invitation to a journey of faith

the Baroque exterior

From earthquake to collapse

The links between the hauteville family and the monastic orders in Sicily

The senses tell baroque decoration

The Great Restoration

The interior of the church

the Baroque interior

A polysemy of high-level artistic forms and content

The columns of the nave: the meticulous study of the overall order

Shapes and colours of the wooden ceiling

Norman religious architecture with islamic influences in Sicily

The chapel of the crucifix: an artistic casket based on a previous model

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Bible carved in stone

A mixture of styles pervades the floor decorations

Transformations over the centuries

The Palace of Kings

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the external architecture and the original layout

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the interior

Interior decorations

Layers of different cultures decorate the external apses

Saint Peter’s Chapel in the Royal Palace

The Genoard Park, the garden of pleasures and wonders

Intertwining of knowledge in Norman Palermo

Worship services

The mosaics of the presbytery

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the architecture

Porphyry sarcophagi: royalty and power