photo gallery

photo gallery

The mosaics of the transept and the apses

The medieval city amidst monasticism and feudal aristocracy

The senses tell the external architecture and the original layout

The southern portico

The chapel of the crucifix: an artistic casket based on a previous model

The balance between architecture and light

Palermo: the happiest city

The chorus: beating heart of the cathedral

From earthquake to collapse

The construction of Monreale Cathedral: between myth and history

The transformations of the hall through the centuries

A controversial interpretation

The Admiral’s dedication

Layers of different cultures decorate the external apses

The rediscovered chapel

The side Portico: a combination of elegance and lightness of form

The architectural envelope: the Greek cross layout oriented towards the light

The loca solatiorum: dwellings for recreation, well-being and hunting

The mosaic cycle, an ascending path towards the light

A polysemy of high-level artistic forms and content

The Chapel of the Kings

Transformations over the centuries

The rediscovered palace

A space between the visible and the invisible

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the ceiling

The liturgical spaces of the protesis and the diaconicon

The Gualtiero Cathedral

A Northern population

Different styles and transformations of “one of the most beautiful monuments in the world”

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From oblivion to the recovery of memory

The Genoard Park, the garden of pleasures and wonders

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the Zisa over the centuries

The senses tell the flooring

The area of the Sanctuary

A building constructed in a short space of time

The Chapel of St. Mary Magdalene

The ancient convent of the Martorana, a history of devotion and tradition

The dialogue between the architectures of the monumental complex

The stone bible

The Palace of Kings

The Great Presbytery: a unique space for the cathedral

A new Cathedral

The Great Restoration

A mixture of styles pervades the floor decorations

The chystro: a place between earth and sky

Norman religious architecture with islamic influences in Sicily

The birth of the Norman kingdom

The Royal Throne

A tree full of life

The Norman conquest of Sicily and the birth of a new Latin kingdom

Two initially similar towers, varied over time

The cemetery of kings

The interior of the church

The senses tell the architecture and decorations

The flooring: shapes, motifs and iconography

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Survey of the royal tombs

A remarkable ceiling

Intertwining of knowledge in Norman Palermo

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the historical context

The mosaics of the apses

Saint Peter’s Chapel in the Royal Palace

An architectural crescendo

Mosaic decoration

The senses tell the interior

The decorated facade

The mosaics of the naves

The beginning of the construction site

Shapes and colours of the wooden ceiling

The senses tell the historical context

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The columns of the nave: the meticulous study of the overall order

the Baroque interior

The chapel of St. Benedict

From the Mosque to the Cathedral

Restorations

Beyond the harmony of proportions

The king’s mark

Ecclesia munita

The senses tell baroque decoration

The return of water

The mosaics of the presbytery

The Cathedral over the centuries

The towers and the western facade

Roger II’s strategic design

Roger II of hauteville: a sovereign protected by God

The senses tell the mosaic cycle

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Virgin Hodegetria

The longest aisle

The lost chapel

Worship services

The senses tell the architecture

The Bible carved in stone

Gold and light: the splendour of the mosaics in the Royal Chapel

Under the crosses of the Bema

The chapel of san Castrense: an important renaissance work

The cultural substrate through time

The side aisles

The links between the hauteville family and the monastic orders in Sicily

Characteristics of religious architecture in the romanesque period

The towers facing the facade used as bell towers

Gardens and architecture as a backdrop to the city of Palermo

the roof of Paradise: one of the most representative works of medieval art

From the main gate to the aisles: an invitation to a journey of faith

The original design

The Cassaro

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Squaring the circle

The architectural space

Interior decorations

The senses tell the historical context

Tempus fugit: a strategic project implemented in a short period of time

A palimpsest of history

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Decorations

Cefalù: settlement evidence through time

A chapel by an unknown designer based on repeated symmetries

The decorations on the bell tower

Artistic elements in Peter’s ship

Porphyry sarcophagi: royalty and power

A cloister of accentuated stylistic variety

The Kings’ Cathedrals

the Baroque exterior

The senses tell restorations

The senses tell Context 1

The opus sectile floor of the Palatine Chapel

The architectural appearance and transformations over time