photo gallery

photo gallery

the Baroque exterior

Artistic elements in Peter’s ship

The senses tell the ceiling

The senses tell restorations

The cultural substrate through time

The senses tell the historical context

The senses tell the mosaic cycle

Two initially similar towers, varied over time

The senses tell the Zisa over the centuries

The rediscovered chapel

The king’s mark

The area of the Sanctuary

The senses tell the external architecture and the original layout

The architectural space

Mosaic decoration

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Saint Peter’s Chapel in the Royal Palace

The Palace of Kings

A palimpsest of history

The lost chapel

The mosaic cycle, an ascending path towards the light

The flooring: shapes, motifs and iconography

From the Mosque to the Cathedral

The Admiral’s dedication

The Royal Throne

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the naves

The side Portico: a combination of elegance and lightness of form

Gold and light: the splendour of the mosaics in the Royal Chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A building constructed in a short space of time

The cemetery of kings

The opus sectile floor of the Palatine Chapel

The senses tell Context 1

Restorations

From earthquake to collapse

The Virgin Hodegetria

The architectural appearance and transformations over time

Palermo: the happiest city

The decorated facade

The return of water

Roger II’s strategic design

The senses tell the interior

the roof of Paradise: one of the most representative works of medieval art

Shapes and colours of the wooden ceiling

Gardens and architecture as a backdrop to the city of Palermo

The original design

The Great Restoration

A mixture of styles pervades the floor decorations

Beyond the harmony of proportions

The ancient convent of the Martorana, a history of devotion and tradition

Cefalù: settlement evidence through time

Porphyry sarcophagi: royalty and power

The links between the hauteville family and the monastic orders in Sicily

From oblivion to the recovery of memory

The chapel of san Castrense: an important renaissance work

The mosaics of the apses

Ecclesia munita

A compositional design that combines nordic examples with new artistic languages, over the centuries

the Baroque interior

Squaring the circle

The Cassaro

The senses tell the architecture

The Chapel of the Kings

An architectural crescendo

A cloister of accentuated stylistic variety

Characteristics of religious architecture in the romanesque period

The chapel of the crucifix: an artistic casket based on a previous model

The loca solatiorum: dwellings for recreation, well-being and hunting

Under the crosses of the Bema

The liturgical spaces of the protesis and the diaconicon

A Northern population

The medieval city amidst monasticism and feudal aristocracy

A space between the visible and the invisible

The stone bible

The chystro: a place between earth and sky

Worship services

The mosaics of the transept and the apses

Layers of different cultures decorate the external apses

The senses tell the historical context

The Great Presbytery: a unique space for the cathedral

Tempus fugit: a strategic project implemented in a short period of time

A chapel by an unknown designer based on repeated symmetries

Roger II of hauteville: a sovereign protected by God

The Bible carved in stone

The chorus: beating heart of the cathedral

The longest aisle

Intertwining of knowledge in Norman Palermo

Interior decorations

The beginning of the construction site

Different styles and transformations of “one of the most beautiful monuments in the world”

The mosaics of the presbytery

The rediscovered palace

The side aisles

The senses tell the flooring

The construction of Monreale Cathedral: between myth and history

The decorations on the bell tower

The transformations of the hall through the centuries

The senses tell baroque decoration

The chapel of St. Benedict

Norman religious architecture with islamic influences in Sicily

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The towers and the western facade

The senses tell the architecture and decorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Decorations

The Cathedral over the centuries

Survey of the royal tombs

The Kings’ Cathedrals

The birth of the Norman kingdom

A polysemy of high-level artistic forms and content

A tree full of life

The southern portico

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The interior of the church

The columns of the nave: the meticulous study of the overall order

A remarkable ceiling

The Chapel of St. Mary Magdalene

A new Cathedral

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Genoard Park, the garden of pleasures and wonders

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The towers facing the facade used as bell towers

The dialogue between the architectures of the monumental complex

The balance between architecture and light

From the main gate to the aisles: an invitation to a journey of faith

Transformations over the centuries

A controversial interpretation

The architectural envelope: the Greek cross layout oriented towards the light

The Gualtiero Cathedral

The senses tell the historical context

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents