photo gallery

photo gallery

The king’s mark

The opus sectile floor of the Palatine Chapel

The cultural substrate through time

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the external architecture and the original layout

Two initially similar towers, varied over time

The senses tell the interior

The Royal Throne

The ancient convent of the Martorana, a history of devotion and tradition

the Baroque exterior

The senses tell the historical context

The area of the Sanctuary

A remarkable ceiling

Decorations

The medieval city amidst monasticism and feudal aristocracy

Roger II of hauteville: a sovereign protected by God

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II’s strategic design

A Northern population

The mosaics of the naves

The senses tell baroque decoration

the roof of Paradise: one of the most representative works of medieval art

The columns of the nave: the meticulous study of the overall order

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The chorus: beating heart of the cathedral

The Norman conquest of Sicily and the birth of a new Latin kingdom

The mosaics of the transept and the apses

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Ecclesia munita

The senses tell the flooring

The towers facing the facade used as bell towers

The cemetery of kings

Palermo: the happiest city

The links between the hauteville family and the monastic orders in Sicily

Interior decorations

The transformations of the hall through the centuries

From earthquake to collapse

Gold and light: the splendour of the mosaics in the Royal Chapel

A palimpsest of history

Under the crosses of the Bema

The beginning of the construction site

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the ceiling

The mosaic cycle, an ascending path towards the light

Shapes and colours of the wooden ceiling

The flooring: shapes, motifs and iconography

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

The rediscovered palace

The senses tell the mosaic cycle

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The chapel of san Castrense: an important renaissance work

The Cathedral over the centuries

Worship services

The senses tell the Zisa over the centuries

The interior of the church

The senses tell the architecture and decorations

Beyond the harmony of proportions

Restorations

Mosaic decoration

The architectural space

The towers and the western facade

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell Context 1

The longest aisle

The stone bible

A tree full of life

An architectural crescendo

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A space between the visible and the invisible

The Virgin Hodegetria

The Chapel of the Kings

The senses tell the historical context

The lost chapel

The Kings’ Cathedrals

Intertwining of knowledge in Norman Palermo

The Gualtiero Cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The loca solatiorum: dwellings for recreation, well-being and hunting

Different styles and transformations of “one of the most beautiful monuments in the world”

The Great Restoration

The return of water

The Bible carved in stone

A mixture of styles pervades the floor decorations

From oblivion to the recovery of memory

The liturgical spaces of the protesis and the diaconicon

The southern portico

Saint Peter’s Chapel in the Royal Palace

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Norman religious architecture with islamic influences in Sicily

The mosaics of the presbytery

The rediscovered chapel

The architectural envelope: the Greek cross layout oriented towards the light

The mosaics of the apses

A new Cathedral

Layers of different cultures decorate the external apses

The decorated facade

The Genoard Park, the garden of pleasures and wonders

Artistic elements in Peter’s ship

The balance between architecture and light

A building constructed in a short space of time

The senses tell restorations

Transformations over the centuries

the Baroque interior

The original design

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Palace of Kings

Cefalù: settlement evidence through time

From the Mosque to the Cathedral

The Great Presbytery: a unique space for the cathedral

Porphyry sarcophagi: royalty and power

The dialogue between the architectures of the monumental complex

The chapel of St. Benedict

The senses tell the architecture

The construction of Monreale Cathedral: between myth and history

The chystro: a place between earth and sky

The Admiral’s dedication

The decorations on the bell tower

The Cassaro

A controversial interpretation

A polysemy of high-level artistic forms and content

From the main gate to the aisles: an invitation to a journey of faith

A compositional design that combines nordic examples with new artistic languages, over the centuries

A cloister of accentuated stylistic variety

The birth of the Norman kingdom

The side aisles

Survey of the royal tombs

Characteristics of religious architecture in the romanesque period

The architectural appearance and transformations over time

Squaring the circle

The side Portico: a combination of elegance and lightness of form