photo gallery

photo gallery

The return of water

Layers of different cultures decorate the external apses

The senses tell the flooring

The columns of the nave: the meticulous study of the overall order

The Chapel of St. Mary Magdalene

The stone bible

Roger II’s strategic design

The side Portico: a combination of elegance and lightness of form

An architectural crescendo

the roof of Paradise: one of the most representative works of medieval art

A Northern population

Restorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Worship services

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Intertwining of knowledge in Norman Palermo

The Admiral’s dedication

The ancient convent of the Martorana, a history of devotion and tradition

The Bible carved in stone

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell restorations

The senses tell the Zisa over the centuries

The senses tell the historical context

Interior decorations

The mosaics of the transept and the apses

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of san Castrense: an important renaissance work

The architectural envelope: the Greek cross layout oriented towards the light

Gold and light: the splendour of the mosaics in the Royal Chapel

The transformations of the hall through the centuries

A new Cathedral

The decorations on the bell tower

The king’s mark

The Gualtiero Cathedral

The senses tell Context 1

A space between the visible and the invisible

The senses tell the historical context

Gardens and architecture as a backdrop to the city of Palermo

Different styles and transformations of “one of the most beautiful monuments in the world”

The mosaics of the naves

The Genoard Park, the garden of pleasures and wonders

The southern portico

Ecclesia munita

From the Mosque to the Cathedral

Survey of the royal tombs

The senses tell the ceiling

The balance between architecture and light

Shapes and colours of the wooden ceiling

The cemetery of kings

From oblivion to the recovery of memory

The rediscovered palace

A palimpsest of history

The chorus: beating heart of the cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A cloister of accentuated stylistic variety

A polysemy of high-level artistic forms and content

Artistic elements in Peter’s ship

The longest aisle

The chystro: a place between earth and sky

The towers facing the facade used as bell towers

The liturgical spaces of the protesis and the diaconicon

Squaring the circle

A tree full of life

Palermo: the happiest city

The architectural appearance and transformations over time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the external architecture and the original layout

The senses tell the historical context

The Kings’ Cathedrals

A mixture of styles pervades the floor decorations

Roger II of hauteville: a sovereign protected by God

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Transformations over the centuries

The cultural substrate through time

The towers and the western facade

The Great Presbytery: a unique space for the cathedral

The flooring: shapes, motifs and iconography

A controversial interpretation

Norman religious architecture with islamic influences in Sicily

The dialogue between the architectures of the monumental complex

The architectural space

Under the crosses of the Bema

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of St. Benedict

From earthquake to collapse

The links between the hauteville family and the monastic orders in Sicily

The senses tell the interior

From the main gate to the aisles: an invitation to a journey of faith

the Baroque exterior

Beyond the harmony of proportions

The Royal Throne

The interior of the church

The senses tell the architecture

The medieval city amidst monasticism and feudal aristocracy

The area of the Sanctuary

Decorations

Saint Peter’s Chapel in the Royal Palace

The Great Restoration

The mosaic cycle, an ascending path towards the light

The lost chapel

Characteristics of religious architecture in the romanesque period

The rediscovered chapel

The decorated facade

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The opus sectile floor of the Palatine Chapel

Mosaic decoration

The mosaics of the apses

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the presbytery

The Cathedral over the centuries

Cefalù: settlement evidence through time

The birth of the Norman kingdom

The Palace of Kings

The Chapel of the Kings

A chapel by an unknown designer based on repeated symmetries

Porphyry sarcophagi: royalty and power

A compositional design that combines nordic examples with new artistic languages, over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A building constructed in a short space of time

The Cassaro

The senses tell the mosaic cycle

Two initially similar towers, varied over time

The Norman conquest of Sicily and the birth of a new Latin kingdom

Tempus fugit: a strategic project implemented in a short period of time

The original design

The side aisles

A remarkable ceiling

the Baroque interior

The beginning of the construction site

The senses tell baroque decoration

The construction of Monreale Cathedral: between myth and history

The Virgin Hodegetria

The senses tell the architecture and decorations