photo gallery

photo gallery

The chystro: a place between earth and sky

Palermo: the happiest city

The king’s mark

The towers facing the facade used as bell towers

A palimpsest of history

The southern portico

Artistic elements in Peter’s ship

The medieval city amidst monasticism and feudal aristocracy

The Bible carved in stone

Two initially similar towers, varied over time

The side Portico: a combination of elegance and lightness of form

Roger II’s strategic design

Norman religious architecture with islamic influences in Sicily

A remarkable ceiling

A tree full of life

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The original design

Shapes and colours of the wooden ceiling

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Cefalù: settlement evidence through time

The mosaics of the apses

Characteristics of religious architecture in the romanesque period

The balance between architecture and light

The Kings’ Cathedrals

The senses tell the ceiling

The rediscovered chapel

The flooring: shapes, motifs and iconography

A mixture of styles pervades the floor decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

the roof of Paradise: one of the most representative works of medieval art

The chorus: beating heart of the cathedral

The Great Presbytery: a unique space for the cathedral

The opus sectile floor of the Palatine Chapel

The cultural substrate through time

A Northern population

The Royal Throne

Different styles and transformations of “one of the most beautiful monuments in the world”

From the Mosque to the Cathedral

The Admiral’s dedication

Transformations over the centuries

Squaring the circle

The senses tell the Zisa over the centuries

A cloister of accentuated stylistic variety

A controversial interpretation

Restorations

The birth of the Norman kingdom

The senses tell the historical context

A space between the visible and the invisible

The Gualtiero Cathedral

From oblivion to the recovery of memory

The senses tell the historical context

The longest aisle

The liturgical spaces of the protesis and the diaconicon

The Great Restoration

The Genoard Park, the garden of pleasures and wonders

Decorations

The transformations of the hall through the centuries

The cemetery of kings

The construction of Monreale Cathedral: between myth and history

Mosaic decoration

The Chapel of St. Mary Magdalene

The senses tell the flooring

An architectural crescendo

Tempus fugit: a strategic project implemented in a short period of time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The decorated facade

The architectural envelope: the Greek cross layout oriented towards the light

From the main gate to the aisles: an invitation to a journey of faith

The area of the Sanctuary

The mosaics of the presbytery

The columns of the nave: the meticulous study of the overall order

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the interior

The interior of the church

Interior decorations

The senses tell the architecture

The stone bible

the Baroque exterior

Gold and light: the splendour of the mosaics in the Royal Chapel

Layers of different cultures decorate the external apses

The senses tell Context 1

Gardens and architecture as a backdrop to the city of Palermo

The decorations on the bell tower

The towers and the western facade

The beginning of the construction site

The rediscovered palace

Beyond the harmony of proportions

The links between the hauteville family and the monastic orders in Sicily

The Cathedral over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

A building constructed in a short space of time

The side aisles

The Virgin Hodegetria

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A polysemy of high-level artistic forms and content

From earthquake to collapse

Survey of the royal tombs

The senses tell the mosaic cycle

Ecclesia munita

The architectural appearance and transformations over time

The chapel of St. Benedict

The mosaic cycle, an ascending path towards the light

Intertwining of knowledge in Norman Palermo

The Cassaro

The senses tell the external architecture and the original layout

the Baroque interior

The Palace of Kings

The senses tell restorations

The senses tell the architecture and decorations

The senses tell the historical context

A chapel by an unknown designer based on repeated symmetries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The architectural space

The lost chapel

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the transept and the apses

Under the crosses of the Bema

The Chapel of the Kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

Roger II of hauteville: a sovereign protected by God

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell baroque decoration

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Porphyry sarcophagi: royalty and power

The return of water

The chapel of san Castrense: an important renaissance work

Saint Peter’s Chapel in the Royal Palace

The chapel of the crucifix: an artistic casket based on a previous model

The dialogue between the architectures of the monumental complex

The mosaics of the naves

Worship services