photo gallery

photo gallery

The chapel of the crucifix: an artistic casket based on a previous model

Porphyry sarcophagi: royalty and power

A remarkable ceiling

A space between the visible and the invisible

The cultural substrate through time

A new Cathedral

From earthquake to collapse

The rediscovered chapel

The senses tell the ceiling

Restorations

Transformations over the centuries

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The opus sectile floor of the Palatine Chapel

The senses tell the architecture

The architectural envelope: the Greek cross layout oriented towards the light

the Baroque exterior

The Gualtiero Cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side aisles

The Genoard Park, the garden of pleasures and wonders

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The architectural space

The rediscovered palace

The original design

Palermo: the happiest city

A polysemy of high-level artistic forms and content

Layers of different cultures decorate the external apses

The Great Restoration

The king’s mark

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cemetery of kings

From the main gate to the aisles: an invitation to a journey of faith

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell restorations

A building constructed in a short space of time

The chapel of san Castrense: an important renaissance work

Roger II’s strategic design

The transformations of the hall through the centuries

Decorations

The senses tell baroque decoration

The Palace of Kings

The Chapel of the Kings

The links between the hauteville family and the monastic orders in Sicily

The Cathedral over the centuries

The decorations on the bell tower

Roger II of hauteville: a sovereign protected by God

Different styles and transformations of “one of the most beautiful monuments in the world”

The Norman conquest of Sicily and the birth of a new Latin kingdom

The dialogue between the architectures of the monumental complex

From oblivion to the recovery of memory

Artistic elements in Peter’s ship

The Admiral’s dedication

The senses tell the architecture and decorations

The stone bible

Two initially similar towers, varied over time

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The towers and the western facade

Worship services

The columns of the nave: the meticulous study of the overall order

The liturgical spaces of the protesis and the diaconicon

Cefalù: settlement evidence through time

The Great Presbytery: a unique space for the cathedral

Norman religious architecture with islamic influences in Sicily

From the Mosque to the Cathedral

The interior of the church

The southern portico

Interior decorations

The Bible carved in stone

The construction of Monreale Cathedral: between myth and history

The decorated facade

The senses tell the flooring

An architectural crescendo

The beginning of the construction site

Characteristics of religious architecture in the romanesque period

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Squaring the circle

The Royal Throne

The towers facing the facade used as bell towers

The architectural appearance and transformations over time

the Baroque interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaic cycle, an ascending path towards the light

The chapel of St. Benedict

The senses tell the interior

Mosaic decoration

The senses tell the Zisa over the centuries

The senses tell the external architecture and the original layout

The senses tell Context 1

Intertwining of knowledge in Norman Palermo

The return of water

The flooring: shapes, motifs and iconography

The chorus: beating heart of the cathedral

The longest aisle

The senses tell the mosaic cycle

The area of the Sanctuary

A mixture of styles pervades the floor decorations

The lost chapel

The side Portico: a combination of elegance and lightness of form

The Virgin Hodegetria

The Cassaro

A Northern population

The Kings’ Cathedrals

Tempus fugit: a strategic project implemented in a short period of time

The medieval city amidst monasticism and feudal aristocracy

Under the crosses of the Bema

The chystro: a place between earth and sky

The balance between architecture and light

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Shapes and colours of the wooden ceiling

Beyond the harmony of proportions

A tree full of life

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A controversial interpretation

The mosaics of the apses

The mosaics of the presbytery

Saint Peter’s Chapel in the Royal Palace

The birth of the Norman kingdom

The ancient convent of the Martorana, a history of devotion and tradition

A compositional design that combines nordic examples with new artistic languages, over the centuries

A cloister of accentuated stylistic variety

Ecclesia munita

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

the roof of Paradise: one of the most representative works of medieval art

The Chapel of St. Mary Magdalene

The mosaics of the naves

The senses tell the historical context

Gold and light: the splendour of the mosaics in the Royal Chapel

The mosaics of the transept and the apses

A palimpsest of history

Survey of the royal tombs