photo gallery

photo gallery

A controversial interpretation

From the Mosque to the Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Beyond the harmony of proportions

The mosaics of the apses

Gardens and architecture as a backdrop to the city of Palermo

A new Cathedral

The rediscovered chapel

Worship services

The medieval city amidst monasticism and feudal aristocracy

The Virgin Hodegetria

Transformations over the centuries

The Great Presbytery: a unique space for the cathedral

The lost chapel

The senses tell the historical context

The senses tell restorations

The chapel of St. Benedict

A remarkable ceiling

The Chapel of St. Mary Magdalene

A tree full of life

The Kings’ Cathedrals

The stone bible

A space between the visible and the invisible

The Cathedral over the centuries

A polysemy of high-level artistic forms and content

Palermo: the happiest city

the Baroque interior

Roger II of hauteville: a sovereign protected by God

The senses tell the historical context

The chapel of san Castrense: an important renaissance work

The senses tell the external architecture and the original layout

Characteristics of religious architecture in the romanesque period

Saint Peter’s Chapel in the Royal Palace

From oblivion to the recovery of memory

the Baroque exterior

The senses tell the architecture

The columns of the nave: the meticulous study of the overall order

The architectural envelope: the Greek cross layout oriented towards the light

Survey of the royal tombs

A mixture of styles pervades the floor decorations

The mosaics of the naves

From the main gate to the aisles: an invitation to a journey of faith

Two initially similar towers, varied over time

Decorations

A Northern population

The mosaics of the presbytery

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The interior of the church

Norman religious architecture with islamic influences in Sicily

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Roger II’s strategic design

The senses tell the architecture and decorations

The side aisles

Layers of different cultures decorate the external apses

The balance between architecture and light

The architectural appearance and transformations over time

Shapes and colours of the wooden ceiling

the roof of Paradise: one of the most representative works of medieval art

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the interior

The beginning of the construction site

The towers facing the facade used as bell towers

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Palace of Kings

A palimpsest of history

A compositional design that combines nordic examples with new artistic languages, over the centuries

Interior decorations

The opus sectile floor of the Palatine Chapel

The Gualtiero Cathedral

The cemetery of kings

The architectural space

Different styles and transformations of “one of the most beautiful monuments in the world”

The rediscovered palace

Squaring the circle

The Genoard Park, the garden of pleasures and wonders

A cloister of accentuated stylistic variety

The decorations on the bell tower

Gold and light: the splendour of the mosaics in the Royal Chapel

The loca solatiorum: dwellings for recreation, well-being and hunting

Cefalù: settlement evidence through time

The mosaics of the transept and the apses

Restorations

The Cassaro

The king’s mark

The dialogue between the architectures of the monumental complex

The decorated facade

The side Portico: a combination of elegance and lightness of form

The senses tell the Zisa over the centuries

Intertwining of knowledge in Norman Palermo

An architectural crescendo

The senses tell baroque decoration

The senses tell the flooring

The Great Restoration

The Bible carved in stone

Ecclesia munita

Under the crosses of the Bema

The original design

A building constructed in a short space of time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chorus: beating heart of the cathedral

The links between the hauteville family and the monastic orders in Sicily

The senses tell Context 1

The mosaic cycle, an ascending path towards the light

The towers and the western facade

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Porphyry sarcophagi: royalty and power

The senses tell the mosaic cycle

Artistic elements in Peter’s ship

The Royal Throne

The ancient convent of the Martorana, a history of devotion and tradition

The chystro: a place between earth and sky

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the historical context

The area of the Sanctuary

The Chapel of the Kings

The transformations of the hall through the centuries

Mosaic decoration

From earthquake to collapse

The Admiral’s dedication

The return of water

The construction of Monreale Cathedral: between myth and history

The birth of the Norman kingdom

The flooring: shapes, motifs and iconography

The southern portico

The liturgical spaces of the protesis and the diaconicon

The senses tell the ceiling

The longest aisle

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The chapel of the crucifix: an artistic casket based on a previous model

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A chapel by an unknown designer based on repeated symmetries

The cultural substrate through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door