photo gallery

photo gallery

The chystro: a place between earth and sky

The medieval city amidst monasticism and feudal aristocracy

The interior of the church

The decorations on the bell tower

The mosaic cycle, an ascending path towards the light

From the main gate to the aisles: an invitation to a journey of faith

The lost chapel

Norman religious architecture with islamic influences in Sicily

An architectural crescendo

The Genoard Park, the garden of pleasures and wonders

The flooring: shapes, motifs and iconography

Decorations

Worship services

A palimpsest of history

Saint Peter’s Chapel in the Royal Palace

The dialogue between the architectures of the monumental complex

the Baroque exterior

A space between the visible and the invisible

A remarkable ceiling

The senses tell restorations

The mosaics of the naves

The side Portico: a combination of elegance and lightness of form

Gold and light: the splendour of the mosaics in the Royal Chapel

From earthquake to collapse

A controversial interpretation

The cultural substrate through time

Ecclesia munita

The architectural appearance and transformations over time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The stone bible

The senses tell the architecture

Artistic elements in Peter’s ship

The chorus: beating heart of the cathedral

The opus sectile floor of the Palatine Chapel

the Baroque interior

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Survey of the royal tombs

From the Mosque to the Cathedral

Tempus fugit: a strategic project implemented in a short period of time

The columns of the nave: the meticulous study of the overall order

The southern portico

The chapel of St. Benedict

Transformations over the centuries

Roger II of hauteville: a sovereign protected by God

Two initially similar towers, varied over time

Palermo: the happiest city

A tree full of life

A polysemy of high-level artistic forms and content

The rediscovered palace

The chapel of san Castrense: an important renaissance work

The architectural envelope: the Greek cross layout oriented towards the light

The beginning of the construction site

The Chapel of the Kings

The Gualtiero Cathedral

Porphyry sarcophagi: royalty and power

A building constructed in a short space of time

The Great Restoration

The area of the Sanctuary

Beyond the harmony of proportions

The architectural space

The side aisles

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

The Norman conquest of Sicily and the birth of a new Latin kingdom

A chapel by an unknown designer based on repeated symmetries

A compositional design that combines nordic examples with new artistic languages, over the centuries

Under the crosses of the Bema

The Great Presbytery: a unique space for the cathedral

Shapes and colours of the wooden ceiling

The towers facing the facade used as bell towers

A mixture of styles pervades the floor decorations

Interior decorations

A cloister of accentuated stylistic variety

The transformations of the hall through the centuries

The Virgin Hodegetria

The liturgical spaces of the protesis and the diaconicon

The senses tell the architecture and decorations

The senses tell the Zisa over the centuries

The links between the hauteville family and the monastic orders in Sicily

Gardens and architecture as a backdrop to the city of Palermo

Mosaic decoration

The Cassaro

The senses tell the interior

The Palace of Kings

The mosaics of the presbytery

The balance between architecture and light

The longest aisle

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the apses

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

The decorated facade

The towers and the western facade

The senses tell the mosaic cycle

The Cathedral over the centuries

The senses tell the historical context

The Admiral’s dedication

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Layers of different cultures decorate the external apses

The king’s mark

The senses tell the external architecture and the original layout

The construction of Monreale Cathedral: between myth and history

The Chapel of St. Mary Magdalene

A Northern population

The senses tell the historical context

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A new Cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

The birth of the Norman kingdom

The original design

Cefalù: settlement evidence through time

The rediscovered chapel

The return of water

The senses tell baroque decoration

The Kings’ Cathedrals

The cemetery of kings

The senses tell the flooring

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Intertwining of knowledge in Norman Palermo

Roger II’s strategic design

The Bible carved in stone

Different styles and transformations of “one of the most beautiful monuments in the world”

The mosaics of the transept and the apses

Characteristics of religious architecture in the romanesque period

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From oblivion to the recovery of memory

Restorations

The senses tell Context 1

The Royal Throne

The senses tell the ceiling

the roof of Paradise: one of the most representative works of medieval art