photo gallery

photo gallery

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Intertwining of knowledge in Norman Palermo

The Gualtiero Cathedral

From oblivion to the recovery of memory

Characteristics of religious architecture in the romanesque period

The decorations on the bell tower

The Bible carved in stone

The chapel of St. Benedict

The links between the hauteville family and the monastic orders in Sicily

Roger II of hauteville: a sovereign protected by God

The return of water

The Chapel of the Kings

The medieval city amidst monasticism and feudal aristocracy

The senses tell the historical context

The side Portico: a combination of elegance and lightness of form

The area of the Sanctuary

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Roger II’s strategic design

The mosaic cycle, an ascending path towards the light

Survey of the royal tombs

Saint Peter’s Chapel in the Royal Palace

the roof of Paradise: one of the most representative works of medieval art

The architectural envelope: the Greek cross layout oriented towards the light

The beginning of the construction site

From the main gate to the aisles: an invitation to a journey of faith

the Baroque interior

The mosaics of the presbytery

The cultural substrate through time

The Palace of Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Great Restoration

Tempus fugit: a strategic project implemented in a short period of time

An architectural crescendo

The senses tell the historical context

Artistic elements in Peter’s ship

The lost chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the architecture and decorations

Under the crosses of the Bema

The Great Presbytery: a unique space for the cathedral

A mixture of styles pervades the floor decorations

A space between the visible and the invisible

The dialogue between the architectures of the monumental complex

The longest aisle

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chystro: a place between earth and sky

Beyond the harmony of proportions

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell restorations

The architectural appearance and transformations over time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A palimpsest of history

A controversial interpretation

Worship services

The senses tell the mosaic cycle

The Cathedral over the centuries

Gold and light: the splendour of the mosaics in the Royal Chapel

The birth of the Norman kingdom

The towers facing the facade used as bell towers

The senses tell Context 1

Ecclesia munita

A cloister of accentuated stylistic variety

The chapel of san Castrense: an important renaissance work

Gardens and architecture as a backdrop to the city of Palermo

Cefalù: settlement evidence through time

The loca solatiorum: dwellings for recreation, well-being and hunting

A building constructed in a short space of time

From the Mosque to the Cathedral

The liturgical spaces of the protesis and the diaconicon

Palermo: the happiest city

The mosaics of the apses

The Kings’ Cathedrals

The stone bible

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Decorations

The rediscovered chapel

Shapes and colours of the wooden ceiling

The senses tell the Zisa over the centuries

The interior of the church

A tree full of life

Two initially similar towers, varied over time

The senses tell the historical context

Porphyry sarcophagi: royalty and power

The balance between architecture and light

The senses tell baroque decoration

The side aisles

The senses tell the interior

The Cassaro

The mosaics of the naves

The flooring: shapes, motifs and iconography

The ancient convent of the Martorana, a history of devotion and tradition

The original design

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Interior decorations

The Norman conquest of Sicily and the birth of a new Latin kingdom

Restorations

The columns of the nave: the meticulous study of the overall order

Mosaic decoration

A chapel by an unknown designer based on repeated symmetries

The senses tell the flooring

A Northern population

The senses tell the ceiling

A polysemy of high-level artistic forms and content

The Admiral’s dedication

The Royal Throne

The Virgin Hodegetria

The cemetery of kings

The towers and the western facade

The mosaics of the transept and the apses

The senses tell the architecture

the Baroque exterior

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The king’s mark

The transformations of the hall through the centuries

The opus sectile floor of the Palatine Chapel

The rediscovered palace

Layers of different cultures decorate the external apses

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

The decorated facade

The Chapel of St. Mary Magdalene

The Genoard Park, the garden of pleasures and wonders

Norman religious architecture with islamic influences in Sicily

The senses tell the external architecture and the original layout

The chorus: beating heart of the cathedral

A new Cathedral

The architectural space

From earthquake to collapse

The southern portico

The construction of Monreale Cathedral: between myth and history

A remarkable ceiling

Transformations over the centuries