photo gallery

photo gallery

Gold and light: the splendour of the mosaics in the Royal Chapel

The medieval city amidst monasticism and feudal aristocracy

Two initially similar towers, varied over time

A polysemy of high-level artistic forms and content

A mixture of styles pervades the floor decorations

The interior of the church

Cefalù: settlement evidence through time

The chapel of St. Benedict

Palermo: the happiest city

Different styles and transformations of “one of the most beautiful monuments in the world”

Survey of the royal tombs

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

The senses tell the external architecture and the original layout

Norman religious architecture with islamic influences in Sicily

The senses tell the historical context

The Gualtiero Cathedral

Roger II of hauteville: a sovereign protected by God

A remarkable ceiling

Layers of different cultures decorate the external apses

The Chapel of the Kings

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The king’s mark

The decorations on the bell tower

The beginning of the construction site

The senses tell the interior

The decorated facade

The Virgin Hodegetria

the Baroque exterior

A Northern population

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Royal Throne

Worship services

The Admiral’s dedication

An architectural crescendo

Saint Peter’s Chapel in the Royal Palace

A cloister of accentuated stylistic variety

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The lost chapel

The columns of the nave: the meticulous study of the overall order

The stone bible

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the Zisa over the centuries

The senses tell the mosaic cycle

A new Cathedral

The mosaics of the transept and the apses

The senses tell the architecture and decorations

The Kings’ Cathedrals

The construction of Monreale Cathedral: between myth and history

the Baroque interior

The side aisles

The Genoard Park, the garden of pleasures and wonders

The ancient convent of the Martorana, a history of devotion and tradition

Gardens and architecture as a backdrop to the city of Palermo

From earthquake to collapse

Transformations over the centuries

The opus sectile floor of the Palatine Chapel

Squaring the circle

The chapel of san Castrense: an important renaissance work

The chorus: beating heart of the cathedral

The liturgical spaces of the protesis and the diaconicon

Artistic elements in Peter’s ship

The senses tell restorations

From oblivion to the recovery of memory

A chapel by an unknown designer based on repeated symmetries

The loca solatiorum: dwellings for recreation, well-being and hunting

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the architecture

The Palace of Kings

The longest aisle

The flooring: shapes, motifs and iconography

The return of water

The mosaics of the presbytery

The mosaics of the naves

A controversial interpretation

The senses tell the flooring

The chystro: a place between earth and sky

Characteristics of religious architecture in the romanesque period

The links between the hauteville family and the monastic orders in Sicily

Restorations

The senses tell Context 1

The architectural appearance and transformations over time

The Norman conquest of Sicily and the birth of a new Latin kingdom

A palimpsest of history

The Cathedral over the centuries

The Great Restoration

Roger II’s strategic design

The senses tell the historical context

The cultural substrate through time

The balance between architecture and light

Under the crosses of the Bema

From the Mosque to the Cathedral

The area of the Sanctuary

the roof of Paradise: one of the most representative works of medieval art

The southern portico

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A tree full of life

The mosaic cycle, an ascending path towards the light

The Great Presbytery: a unique space for the cathedral

The senses tell baroque decoration

Tempus fugit: a strategic project implemented in a short period of time

The towers facing the facade used as bell towers

The Bible carved in stone

The towers and the western facade

A building constructed in a short space of time

The senses tell the ceiling

A compositional design that combines nordic examples with new artistic languages, over the centuries

The dialogue between the architectures of the monumental complex

The transformations of the hall through the centuries

The Chapel of St. Mary Magdalene

Intertwining of knowledge in Norman Palermo

The Cassaro

The rediscovered palace

Decorations

The rediscovered chapel

The chapel of the crucifix: an artistic casket based on a previous model

A space between the visible and the invisible

The birth of the Norman kingdom

Shapes and colours of the wooden ceiling

Porphyry sarcophagi: royalty and power

The architectural space

Mosaic decoration

Beyond the harmony of proportions

The cemetery of kings

From the main gate to the aisles: an invitation to a journey of faith

Ecclesia munita

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Interior decorations

The original design