photo gallery

photo gallery

The original design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The columns of the nave: the meticulous study of the overall order

The Kings’ Cathedrals

Roger II’s strategic design

Decorations

The cemetery of kings

Worship services

The senses tell the mosaic cycle

A mixture of styles pervades the floor decorations

The senses tell the historical context

The senses tell the interior

The senses tell the Zisa over the centuries

The Chapel of St. Mary Magdalene

Saint Peter’s Chapel in the Royal Palace

The Chapel of the Kings

Transformations over the centuries

The Cassaro

The chorus: beating heart of the cathedral

The return of water

From earthquake to collapse

Layers of different cultures decorate the external apses

From the Mosque to the Cathedral

Norman religious architecture with islamic influences in Sicily

Two initially similar towers, varied over time

A remarkable ceiling

A space between the visible and the invisible

A building constructed in a short space of time

Characteristics of religious architecture in the romanesque period

The longest aisle

The senses tell the historical context

The balance between architecture and light

The senses tell baroque decoration

A chapel by an unknown designer based on repeated symmetries

The interior of the church

The Great Restoration

The birth of the Norman kingdom

The architectural envelope: the Greek cross layout oriented towards the light

A polysemy of high-level artistic forms and content

The liturgical spaces of the protesis and the diaconicon

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The mosaics of the apses

The side aisles

Gardens and architecture as a backdrop to the city of Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the architecture and decorations

Ecclesia munita

The senses tell the external architecture and the original layout

The senses tell the architecture

A compositional design that combines nordic examples with new artistic languages, over the centuries

The king’s mark

The senses tell restorations

The mosaics of the transept and the apses

The towers facing the facade used as bell towers

The Virgin Hodegetria

The Admiral’s dedication

Roger II of hauteville: a sovereign protected by God

Restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Bible carved in stone

The senses tell the ceiling

From the main gate to the aisles: an invitation to a journey of faith

The towers and the western facade

A palimpsest of history

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The rediscovered palace

The decorated facade

the Baroque exterior

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

Cefalù: settlement evidence through time

Tempus fugit: a strategic project implemented in a short period of time

A cloister of accentuated stylistic variety

The Great Presbytery: a unique space for the cathedral

The chapel of the crucifix: an artistic casket based on a previous model

The rediscovered chapel

Shapes and colours of the wooden ceiling

The ancient convent of the Martorana, a history of devotion and tradition

The mosaics of the naves

Squaring the circle

The lost chapel

The cultural substrate through time

The architectural space

The Palace of Kings

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The dialogue between the architectures of the monumental complex

Different styles and transformations of “one of the most beautiful monuments in the world”

Under the crosses of the Bema

The Genoard Park, the garden of pleasures and wonders

Porphyry sarcophagi: royalty and power

The construction of Monreale Cathedral: between myth and history

The senses tell the flooring

the Baroque interior

A new Cathedral

The area of the Sanctuary

the roof of Paradise: one of the most representative works of medieval art

The transformations of the hall through the centuries

The Cathedral over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Artistic elements in Peter’s ship

The medieval city amidst monasticism and feudal aristocracy

Palermo: the happiest city

The stone bible

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Beyond the harmony of proportions

Survey of the royal tombs

The senses tell Context 1

An architectural crescendo

The chystro: a place between earth and sky

A Northern population

Gold and light: the splendour of the mosaics in the Royal Chapel

Interior decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Gualtiero Cathedral

The Norman conquest of Sicily and the birth of a new Latin kingdom

From oblivion to the recovery of memory

The opus sectile floor of the Palatine Chapel

The beginning of the construction site

The decorations on the bell tower

The Royal Throne

The southern portico

Intertwining of knowledge in Norman Palermo

The links between the hauteville family and the monastic orders in Sicily

The mosaics of the presbytery

The flooring: shapes, motifs and iconography

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the historical context

A controversial interpretation

The side Portico: a combination of elegance and lightness of form

The mosaic cycle, an ascending path towards the light

A tree full of life

Mosaic decoration

The architectural appearance and transformations over time