photo gallery

photo gallery

From earthquake to collapse

Palermo: the happiest city

The mosaics of the naves

Characteristics of religious architecture in the romanesque period

The original design

A controversial interpretation

From the Mosque to the Cathedral

Artistic elements in Peter’s ship

The Virgin Hodegetria

The cultural substrate through time

The mosaics of the transept and the apses

A cloister of accentuated stylistic variety

Mosaic decoration

The transformations of the hall through the centuries

The balance between architecture and light

The interior of the church

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

From oblivion to the recovery of memory

Layers of different cultures decorate the external apses

The architectural space

The Cathedral over the centuries

The king’s mark

The senses tell restorations

The mosaic cycle, an ascending path towards the light

Squaring the circle

The senses tell the architecture

The Chapel of St. Mary Magdalene

The beginning of the construction site

Two initially similar towers, varied over time

The side Portico: a combination of elegance and lightness of form

The Gualtiero Cathedral

A tree full of life

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The southern portico

The architectural appearance and transformations over time

Survey of the royal tombs

The stone bible

The opus sectile floor of the Palatine Chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the ceiling

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Admiral’s dedication

A chapel by an unknown designer based on repeated symmetries

The chystro: a place between earth and sky

Transformations over the centuries

The Royal Throne

Interior decorations

Saint Peter’s Chapel in the Royal Palace

Tempus fugit: a strategic project implemented in a short period of time

From the main gate to the aisles: an invitation to a journey of faith

Decorations

The senses tell the historical context

The Great Restoration

The liturgical spaces of the protesis and the diaconicon

Shapes and colours of the wooden ceiling

The mosaics of the presbytery

The Genoard Park, the garden of pleasures and wonders

The senses tell the historical context

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The longest aisle

Under the crosses of the Bema

A new Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The decorated facade

Norman religious architecture with islamic influences in Sicily

The Kings’ Cathedrals

The flooring: shapes, motifs and iconography

The Chapel of the Kings

The senses tell the Zisa over the centuries

The links between the hauteville family and the monastic orders in Sicily

A space between the visible and the invisible

The chapel of St. Benedict

The decorations on the bell tower

The senses tell Context 1

Beyond the harmony of proportions

A mixture of styles pervades the floor decorations

The columns of the nave: the meticulous study of the overall order

The medieval city amidst monasticism and feudal aristocracy

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the interior

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Worship services

The senses tell the mosaic cycle

Restorations

The side aisles

The rediscovered chapel

The area of the Sanctuary

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Roger II’s strategic design

The return of water

The lost chapel

The Cassaro

The ancient convent of the Martorana, a history of devotion and tradition

A building constructed in a short space of time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers facing the facade used as bell towers

A Northern population

The chorus: beating heart of the cathedral

The cemetery of kings

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the architecture and decorations

The senses tell the historical context

The birth of the Norman kingdom

The senses tell baroque decoration

The Palace of Kings

Gold and light: the splendour of the mosaics in the Royal Chapel

A polysemy of high-level artistic forms and content

Roger II of hauteville: a sovereign protected by God

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the flooring

Gardens and architecture as a backdrop to the city of Palermo

An architectural crescendo

Cefalù: settlement evidence through time

Porphyry sarcophagi: royalty and power

the Baroque interior

The rediscovered palace

Ecclesia munita

the Baroque exterior

the roof of Paradise: one of the most representative works of medieval art

The Bible carved in stone

The towers and the western facade

The Great Presbytery: a unique space for the cathedral

The construction of Monreale Cathedral: between myth and history

Intertwining of knowledge in Norman Palermo

The mosaics of the apses

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the external architecture and the original layout

The chapel of san Castrense: an important renaissance work

A palimpsest of history

The dialogue between the architectures of the monumental complex

A remarkable ceiling