photo gallery

photo gallery

The Gualtiero Cathedral

A tree full of life

The original design

Two initially similar towers, varied over time

The senses tell baroque decoration

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cassaro

The Chapel of St. Mary Magdalene

The medieval city amidst monasticism and feudal aristocracy

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the Zisa over the centuries

The senses tell the flooring

Beyond the harmony of proportions

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The opus sectile floor of the Palatine Chapel

The interior of the church

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The columns of the nave: the meticulous study of the overall order

The cemetery of kings

The senses tell the architecture and decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chapel of san Castrense: an important renaissance work

The birth of the Norman kingdom

The side aisles

An architectural crescendo

Squaring the circle

The senses tell the historical context

The flooring: shapes, motifs and iconography

The longest aisle

The transformations of the hall through the centuries

The southern portico

The side Portico: a combination of elegance and lightness of form

The senses tell the interior

A chapel by an unknown designer based on repeated symmetries

Restorations

Worship services

The lost chapel

The area of the Sanctuary

A space between the visible and the invisible

Gold and light: the splendour of the mosaics in the Royal Chapel

The Great Restoration

The senses tell the ceiling

Artistic elements in Peter’s ship

The beginning of the construction site

A polysemy of high-level artistic forms and content

A controversial interpretation

The balance between architecture and light

The chorus: beating heart of the cathedral

The dialogue between the architectures of the monumental complex

Palermo: the happiest city

A new Cathedral

A Northern population

The towers and the western facade

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the presbytery

The Cathedral over the centuries

Cefalù: settlement evidence through time

A palimpsest of history

The decorated facade

The rediscovered chapel

The construction of Monreale Cathedral: between myth and history

Roger II’s strategic design

The senses tell the external architecture and the original layout

The mosaic cycle, an ascending path towards the light

A compositional design that combines nordic examples with new artistic languages, over the centuries

Survey of the royal tombs

The towers facing the facade used as bell towers

The Admiral’s dedication

The Chapel of the Kings

Norman religious architecture with islamic influences in Sicily

the roof of Paradise: one of the most representative works of medieval art

The Palace of Kings

Tempus fugit: a strategic project implemented in a short period of time

Porphyry sarcophagi: royalty and power

The rediscovered palace

Under the crosses of the Bema

The Bible carved in stone

Layers of different cultures decorate the external apses

The chapel of St. Benedict

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The links between the hauteville family and the monastic orders in Sicily

The decorations on the bell tower

From the main gate to the aisles: an invitation to a journey of faith

Different styles and transformations of “one of the most beautiful monuments in the world”

The liturgical spaces of the protesis and the diaconicon

The chapel of the crucifix: an artistic casket based on a previous model

From earthquake to collapse

From oblivion to the recovery of memory

Interior decorations

The Genoard Park, the garden of pleasures and wonders

The mosaics of the naves

The Kings’ Cathedrals

The senses tell the mosaic cycle

The architectural space

Transformations over the centuries

Shapes and colours of the wooden ceiling

The senses tell the historical context

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the historical context

the Baroque interior

A building constructed in a short space of time

The chystro: a place between earth and sky

Roger II of hauteville: a sovereign protected by God

The senses tell restorations

The senses tell Context 1

A mixture of styles pervades the floor decorations

The mosaics of the apses

Saint Peter’s Chapel in the Royal Palace

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the architecture

The stone bible

From the Mosque to the Cathedral

The architectural appearance and transformations over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The king’s mark

The Virgin Hodegetria

Decorations

A remarkable ceiling

The Royal Throne

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

the Baroque exterior

The Norman conquest of Sicily and the birth of a new Latin kingdom

The mosaics of the transept and the apses

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Mosaic decoration

The return of water

Characteristics of religious architecture in the romanesque period

Ecclesia munita

The Great Presbytery: a unique space for the cathedral

Intertwining of knowledge in Norman Palermo

A cloister of accentuated stylistic variety

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure