photo gallery

photo gallery

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the historical context

A remarkable ceiling

Mosaic decoration

Layers of different cultures decorate the external apses

The mosaics of the presbytery

The mosaics of the apses

A controversial interpretation

A new Cathedral

The mosaics of the transept and the apses

The cemetery of kings

The dialogue between the architectures of the monumental complex

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Cathedral over the centuries

Squaring the circle

The architectural envelope: the Greek cross layout oriented towards the light

The Chapel of the Kings

A mixture of styles pervades the floor decorations

Palermo: the happiest city

From the main gate to the aisles: an invitation to a journey of faith

The Bible carved in stone

The senses tell the flooring

Artistic elements in Peter’s ship

The return of water

The chystro: a place between earth and sky

the roof of Paradise: one of the most representative works of medieval art

The Virgin Hodegetria

The senses tell baroque decoration

The Great Restoration

The side aisles

Interior decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

Characteristics of religious architecture in the romanesque period

Saint Peter’s Chapel in the Royal Palace

The Chapel of St. Mary Magdalene

Gardens and architecture as a backdrop to the city of Palermo

The area of the Sanctuary

Decorations

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the architecture

A building constructed in a short space of time

The senses tell the interior

Survey of the royal tombs

The senses tell the architecture and decorations

The beginning of the construction site

The side Portico: a combination of elegance and lightness of form

The chorus: beating heart of the cathedral

The balance between architecture and light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A polysemy of high-level artistic forms and content

The interior of the church

The Royal Throne

The mosaics of the naves

Tempus fugit: a strategic project implemented in a short period of time

The Norman conquest of Sicily and the birth of a new Latin kingdom

the Baroque exterior

The Palace of Kings

The Genoard Park, the garden of pleasures and wonders

Intertwining of knowledge in Norman Palermo

The lost chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Norman religious architecture with islamic influences in Sicily

Transformations over the centuries

The decorations on the bell tower

Restorations

The architectural appearance and transformations over time

The senses tell the historical context

A space between the visible and the invisible

A Northern population

The southern portico

The loca solatiorum: dwellings for recreation, well-being and hunting

A chapel by an unknown designer based on repeated symmetries

Under the crosses of the Bema

Shapes and colours of the wooden ceiling

From earthquake to collapse

The decorated facade

The towers facing the facade used as bell towers

the Baroque interior

The mosaic cycle, an ascending path towards the light

Cefalù: settlement evidence through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Admiral’s dedication

The original design

A cloister of accentuated stylistic variety

The opus sectile floor of the Palatine Chapel

The senses tell the mosaic cycle

The senses tell restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

A palimpsest of history

The liturgical spaces of the protesis and the diaconicon

The chapel of san Castrense: an important renaissance work

The Great Presbytery: a unique space for the cathedral

An architectural crescendo

Ecclesia munita

The rediscovered chapel

Beyond the harmony of proportions

The senses tell Context 1

The senses tell the historical context

Roger II’s strategic design

Porphyry sarcophagi: royalty and power

The links between the hauteville family and the monastic orders in Sicily

The construction of Monreale Cathedral: between myth and history

The columns of the nave: the meticulous study of the overall order

The longest aisle

The cultural substrate through time

The medieval city amidst monasticism and feudal aristocracy

The stone bible

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Roger II of hauteville: a sovereign protected by God

Two initially similar towers, varied over time

From oblivion to the recovery of memory

The ancient convent of the Martorana, a history of devotion and tradition

The Cassaro

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of St. Benedict

A tree full of life

The flooring: shapes, motifs and iconography

The senses tell the external architecture and the original layout

From the Mosque to the Cathedral

The senses tell the ceiling

The Kings’ Cathedrals

The king’s mark

Worship services

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The transformations of the hall through the centuries

The rediscovered palace

The architectural space

The towers and the western facade

The senses tell the Zisa over the centuries

The birth of the Norman kingdom