photo gallery

photo gallery

The decorated facade

From oblivion to the recovery of memory

A tree full of life

The Kings’ Cathedrals

the Baroque exterior

The interior of the church

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Royal Throne

The rediscovered chapel

Ecclesia munita

The senses tell the historical context

The towers and the western facade

The side aisles

Norman religious architecture with islamic influences in Sicily

The liturgical spaces of the protesis and the diaconicon

Cefalù: settlement evidence through time

A Northern population

The chapel of the crucifix: an artistic casket based on a previous model

The southern portico

A chapel by an unknown designer based on repeated symmetries

A polysemy of high-level artistic forms and content

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A controversial interpretation

Gardens and architecture as a backdrop to the city of Palermo

The original design

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The flooring: shapes, motifs and iconography

The senses tell the historical context

The senses tell the architecture and decorations

The mosaic cycle, an ascending path towards the light

Mosaic decoration

Saint Peter’s Chapel in the Royal Palace

Artistic elements in Peter’s ship

From the main gate to the aisles: an invitation to a journey of faith

The medieval city amidst monasticism and feudal aristocracy

The senses tell the external architecture and the original layout

The senses tell restorations

The senses tell the interior

Beyond the harmony of proportions

A cloister of accentuated stylistic variety

the Baroque interior

The Bible carved in stone

Porphyry sarcophagi: royalty and power

The senses tell the mosaic cycle

A space between the visible and the invisible

Characteristics of religious architecture in the romanesque period

The Palace of Kings

The chapel of St. Benedict

Gold and light: the splendour of the mosaics in the Royal Chapel

An architectural crescendo

The chorus: beating heart of the cathedral

The mosaics of the apses

The senses tell the historical context

The stone bible

The lost chapel

The beginning of the construction site

The Norman conquest of Sicily and the birth of a new Latin kingdom

Two initially similar towers, varied over time

The Great Restoration

Squaring the circle

The architectural appearance and transformations over time

Palermo: the happiest city

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Cathedral over the centuries

The Virgin Hodegetria

A mixture of styles pervades the floor decorations

the roof of Paradise: one of the most representative works of medieval art

The architectural space

The loca solatiorum: dwellings for recreation, well-being and hunting

Roger II’s strategic design

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the naves

The birth of the Norman kingdom

The dialogue between the architectures of the monumental complex

Layers of different cultures decorate the external apses

The king’s mark

Restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The balance between architecture and light

A palimpsest of history

The Gualtiero Cathedral

The ancient convent of the Martorana, a history of devotion and tradition

The architectural envelope: the Greek cross layout oriented towards the light

The cemetery of kings

Interior decorations

The senses tell the Zisa over the centuries

The links between the hauteville family and the monastic orders in Sicily

The senses tell baroque decoration

The longest aisle

The return of water

Worship services

The Chapel of St. Mary Magdalene

Intertwining of knowledge in Norman Palermo

The rediscovered palace

Transformations over the centuries

The Chapel of the Kings

Different styles and transformations of “one of the most beautiful monuments in the world”

The Genoard Park, the garden of pleasures and wonders

From earthquake to collapse

Decorations

The senses tell Context 1

The mosaics of the transept and the apses

A building constructed in a short space of time

The towers facing the facade used as bell towers

The Admiral’s dedication

Shapes and colours of the wooden ceiling

From the Mosque to the Cathedral

The Great Presbytery: a unique space for the cathedral

A new Cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cassaro

Survey of the royal tombs

The mosaics of the presbytery

The chapel of san Castrense: an important renaissance work

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the architecture

The chystro: a place between earth and sky

The transformations of the hall through the centuries

Tempus fugit: a strategic project implemented in a short period of time

Roger II of hauteville: a sovereign protected by God

The senses tell the ceiling

A remarkable ceiling

Under the crosses of the Bema

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The decorations on the bell tower

The construction of Monreale Cathedral: between myth and history

The side Portico: a combination of elegance and lightness of form

The columns of the nave: the meticulous study of the overall order

The cultural substrate through time

The area of the Sanctuary

The opus sectile floor of the Palatine Chapel

The senses tell the flooring