photo gallery

photo gallery

The stone bible

A palimpsest of history

Survey of the royal tombs

The senses tell the architecture

The Royal Throne

The senses tell the historical context

The towers facing the facade used as bell towers

The links between the hauteville family and the monastic orders in Sicily

The chapel of St. Benedict

the roof of Paradise: one of the most representative works of medieval art

A new Cathedral

A remarkable ceiling

The construction of Monreale Cathedral: between myth and history

From the Mosque to the Cathedral

Ecclesia munita

A polysemy of high-level artistic forms and content

The Great Restoration

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the Zisa over the centuries

From oblivion to the recovery of memory

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Roger II of hauteville: a sovereign protected by God

The architectural envelope: the Greek cross layout oriented towards the light

The longest aisle

The liturgical spaces of the protesis and the diaconicon

The chystro: a place between earth and sky

The interior of the church

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the architecture and decorations

The rediscovered palace

The chapel of san Castrense: an important renaissance work

Beyond the harmony of proportions

The senses tell the interior

The Great Presbytery: a unique space for the cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Gold and light: the splendour of the mosaics in the Royal Chapel

The Chapel of the Kings

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the flooring

The columns of the nave: the meticulous study of the overall order

The Genoard Park, the garden of pleasures and wonders

The balance between architecture and light

The lost chapel

Palermo: the happiest city

Different styles and transformations of “one of the most beautiful monuments in the world”

Cefalù: settlement evidence through time

The Kings’ Cathedrals

The king’s mark

Squaring the circle

Transformations over the centuries

Intertwining of knowledge in Norman Palermo

Norman religious architecture with islamic influences in Sicily

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Gualtiero Cathedral

The decorated facade

The mosaics of the transept and the apses

Porphyry sarcophagi: royalty and power

The mosaics of the naves

The original design

The Cathedral over the centuries

Restorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of the crucifix: an artistic casket based on a previous model

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side Portico: a combination of elegance and lightness of form

The area of the Sanctuary

The ancient convent of the Martorana, a history of devotion and tradition

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A Northern population

The senses tell the mosaic cycle

The architectural space

The senses tell the historical context

The cemetery of kings

Interior decorations

Decorations

The southern portico

The medieval city amidst monasticism and feudal aristocracy

Tempus fugit: a strategic project implemented in a short period of time

The beginning of the construction site

The opus sectile floor of the Palatine Chapel

A space between the visible and the invisible

Layers of different cultures decorate the external apses

A chapel by an unknown designer based on repeated symmetries

the Baroque exterior

The return of water

An architectural crescendo

Under the crosses of the Bema

Saint Peter’s Chapel in the Royal Palace

Two initially similar towers, varied over time

The towers and the western facade

The chorus: beating heart of the cathedral

The dialogue between the architectures of the monumental complex

The mosaics of the apses

A cloister of accentuated stylistic variety

The senses tell Context 1

The flooring: shapes, motifs and iconography

Characteristics of religious architecture in the romanesque period

The Cassaro

The decorations on the bell tower

The Palace of Kings

The transformations of the hall through the centuries

Gardens and architecture as a backdrop to the city of Palermo

Mosaic decoration

From earthquake to collapse

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the external architecture and the original layout

Shapes and colours of the wooden ceiling

The Admiral’s dedication

A mixture of styles pervades the floor decorations

The Norman conquest of Sicily and the birth of a new Latin kingdom

A controversial interpretation

The Bible carved in stone

The loca solatiorum: dwellings for recreation, well-being and hunting

The mosaic cycle, an ascending path towards the light

The side aisles

The mosaics of the presbytery

Artistic elements in Peter’s ship

A building constructed in a short space of time

The senses tell the historical context

The senses tell the ceiling

The Virgin Hodegetria

The Chapel of St. Mary Magdalene

Roger II’s strategic design

The senses tell restorations

Worship services

the Baroque interior

The senses tell baroque decoration

The birth of the Norman kingdom

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cultural substrate through time

The architectural appearance and transformations over time

The rediscovered chapel

A tree full of life