photo gallery

photo gallery

Roger II of hauteville: a sovereign protected by God

The Cassaro

The stone bible

The senses tell the Zisa over the centuries

Worship services

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The mosaics of the presbytery

Beyond the harmony of proportions

The interior of the church

Two initially similar towers, varied over time

The senses tell the mosaic cycle

the Baroque exterior

The senses tell the ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The architectural envelope: the Greek cross layout oriented towards the light

The towers and the western facade

The loca solatiorum: dwellings for recreation, well-being and hunting

Intertwining of knowledge in Norman Palermo

The Royal Throne

A remarkable ceiling

The flooring: shapes, motifs and iconography

The Admiral’s dedication

The Genoard Park, the garden of pleasures and wonders

The construction of Monreale Cathedral: between myth and history

The balance between architecture and light

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The links between the hauteville family and the monastic orders in Sicily

The area of the Sanctuary

The Norman conquest of Sicily and the birth of a new Latin kingdom

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

A polysemy of high-level artistic forms and content

Under the crosses of the Bema

Cefalù: settlement evidence through time

The Chapel of St. Mary Magdalene

Transformations over the centuries

The Great Presbytery: a unique space for the cathedral

The senses tell restorations

The senses tell Context 1

An architectural crescendo

The mosaics of the transept and the apses

Tempus fugit: a strategic project implemented in a short period of time

The original design

The Bible carved in stone

The senses tell the historical context

Squaring the circle

A cloister of accentuated stylistic variety

A Northern population

The Cathedral over the centuries

The Great Restoration

The architectural appearance and transformations over time

The architectural space

The Virgin Hodegetria

From the main gate to the aisles: an invitation to a journey of faith

The transformations of the hall through the centuries

From the Mosque to the Cathedral

The chapel of St. Benedict

The mosaics of the apses

The senses tell the flooring

The longest aisle

The chystro: a place between earth and sky

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Artistic elements in Peter’s ship

The rediscovered palace

The rediscovered chapel

The senses tell the interior

The mosaics of the naves

Palermo: the happiest city

Restorations

Norman religious architecture with islamic influences in Sicily

A space between the visible and the invisible

Layers of different cultures decorate the external apses

Different styles and transformations of “one of the most beautiful monuments in the world”

The southern portico

The Kings’ Cathedrals

The Gualtiero Cathedral

The side Portico: a combination of elegance and lightness of form

A compositional design that combines nordic examples with new artistic languages, over the centuries

Shapes and colours of the wooden ceiling

Interior decorations

the roof of Paradise: one of the most representative works of medieval art

The cemetery of kings

Decorations

Porphyry sarcophagi: royalty and power

The Chapel of the Kings

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A palimpsest of history

The senses tell the architecture

The side aisles

The mosaic cycle, an ascending path towards the light

The chorus: beating heart of the cathedral

From earthquake to collapse

The chapel of the crucifix: an artistic casket based on a previous model

The Palace of Kings

the Baroque interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The columns of the nave: the meticulous study of the overall order

The decorated facade

The towers facing the facade used as bell towers

Survey of the royal tombs

The liturgical spaces of the protesis and the diaconicon

The dialogue between the architectures of the monumental complex

Mosaic decoration

A new Cathedral

Gardens and architecture as a backdrop to the city of Palermo

The birth of the Norman kingdom

A controversial interpretation

The return of water

Saint Peter’s Chapel in the Royal Palace

A tree full of life

The senses tell the external architecture and the original layout

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The lost chapel

The chapel of san Castrense: an important renaissance work

The senses tell baroque decoration

The cultural substrate through time

The decorations on the bell tower

The king’s mark

Characteristics of religious architecture in the romanesque period

A building constructed in a short space of time

A mixture of styles pervades the floor decorations

Ecclesia munita

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

Roger II’s strategic design

The beginning of the construction site

Gold and light: the splendour of the mosaics in the Royal Chapel

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the architecture and decorations

From oblivion to the recovery of memory

The medieval city amidst monasticism and feudal aristocracy

A chapel by an unknown designer based on repeated symmetries