photo gallery

photo gallery

A controversial interpretation

The mosaics of the transept and the apses

Mosaic decoration

Under the crosses of the Bema

Survey of the royal tombs

The mosaic cycle, an ascending path towards the light

The architectural appearance and transformations over time

Layers of different cultures decorate the external apses

Interior decorations

The dialogue between the architectures of the monumental complex

The Chapel of St. Mary Magdalene

The Great Presbytery: a unique space for the cathedral

The mosaics of the naves

Cefalù: settlement evidence through time

From earthquake to collapse

A mixture of styles pervades the floor decorations

Roger II’s strategic design

A Northern population

The rediscovered palace

A cloister of accentuated stylistic variety

Squaring the circle

A building constructed in a short space of time

The senses tell the interior

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of St. Benedict

The Genoard Park, the garden of pleasures and wonders

The king’s mark

The Virgin Hodegetria

The columns of the nave: the meticulous study of the overall order

The birth of the Norman kingdom

The southern portico

The senses tell the ceiling

The Gualtiero Cathedral

The Chapel of the Kings

The medieval city amidst monasticism and feudal aristocracy

From the Mosque to the Cathedral

The lost chapel

From oblivion to the recovery of memory

The Royal Throne

The links between the hauteville family and the monastic orders in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The interior of the church

The Cathedral over the centuries

Shapes and colours of the wooden ceiling

The senses tell the external architecture and the original layout

Palermo: the happiest city

the roof of Paradise: one of the most representative works of medieval art

The architectural space

Saint Peter’s Chapel in the Royal Palace

A new Cathedral

The senses tell the Zisa over the centuries

Two initially similar towers, varied over time

Decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

A palimpsest of history

The flooring: shapes, motifs and iconography

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The towers facing the facade used as bell towers

The senses tell the architecture and decorations

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the mosaic cycle

Intertwining of knowledge in Norman Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Palace of Kings

The side Portico: a combination of elegance and lightness of form

Porphyry sarcophagi: royalty and power

The senses tell restorations

the Baroque exterior

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the architecture

Transformations over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Worship services

The Bible carved in stone

The towers and the western facade

A remarkable ceiling

A chapel by an unknown designer based on repeated symmetries

The cultural substrate through time

Ecclesia munita

The Norman conquest of Sicily and the birth of a new Latin kingdom

An architectural crescendo

Different styles and transformations of “one of the most beautiful monuments in the world”

The return of water

The senses tell the historical context

The stone bible

The original design

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cassaro

The side aisles

From the main gate to the aisles: an invitation to a journey of faith

The area of the Sanctuary

The ancient convent of the Martorana, a history of devotion and tradition

The chorus: beating heart of the cathedral

The Great Restoration

The opus sectile floor of the Palatine Chapel

Restorations

The beginning of the construction site

the Baroque interior

The liturgical spaces of the protesis and the diaconicon

The mosaics of the presbytery

Norman religious architecture with islamic influences in Sicily

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Kings’ Cathedrals

The chystro: a place between earth and sky

The senses tell the historical context

Roger II of hauteville: a sovereign protected by God

The construction of Monreale Cathedral: between myth and history

The senses tell the historical context

The decorations on the bell tower

The senses tell baroque decoration

The balance between architecture and light

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Artistic elements in Peter’s ship

The decorated facade

The mosaics of the apses

The Admiral’s dedication

The longest aisle

A space between the visible and the invisible

A polysemy of high-level artistic forms and content

The architectural envelope: the Greek cross layout oriented towards the light

A tree full of life

The transformations of the hall through the centuries

The chapel of san Castrense: an important renaissance work

The cemetery of kings

The senses tell Context 1

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The rediscovered chapel

The senses tell the flooring

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

A compositional design that combines nordic examples with new artistic languages, over the centuries