photo gallery

photo gallery

The architectural space

The chapel of the crucifix: an artistic casket based on a previous model

The beginning of the construction site

Decorations

The Chapel of the Kings

A mixture of styles pervades the floor decorations

A polysemy of high-level artistic forms and content

A chapel by an unknown designer based on repeated symmetries

The mosaics of the apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of san Castrense: an important renaissance work

The side aisles

The chapel of St. Benedict

An architectural crescendo

The rediscovered chapel

The Royal Throne

The decorations on the bell tower

The Norman conquest of Sicily and the birth of a new Latin kingdom

the Baroque interior

The architectural envelope: the Greek cross layout oriented towards the light

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The interior of the church

The senses tell the external architecture and the original layout

Different styles and transformations of “one of the most beautiful monuments in the world”

The Great Presbytery: a unique space for the cathedral

The king’s mark

The cemetery of kings

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The southern portico

The medieval city amidst monasticism and feudal aristocracy

Two initially similar towers, varied over time

Gardens and architecture as a backdrop to the city of Palermo

The Virgin Hodegetria

A controversial interpretation

Cefalù: settlement evidence through time

The balance between architecture and light

The Bible carved in stone

The opus sectile floor of the Palatine Chapel

The senses tell the historical context

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From the main gate to the aisles: an invitation to a journey of faith

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the naves

A space between the visible and the invisible

The columns of the nave: the meticulous study of the overall order

The birth of the Norman kingdom

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Survey of the royal tombs

The mosaics of the transept and the apses

The senses tell the Zisa over the centuries

The towers and the western facade

The original design

The senses tell the architecture

The mosaic cycle, an ascending path towards the light

Interior decorations

Norman religious architecture with islamic influences in Sicily

Porphyry sarcophagi: royalty and power

A building constructed in a short space of time

Layers of different cultures decorate the external apses

A cloister of accentuated stylistic variety

The rediscovered palace

Saint Peter’s Chapel in the Royal Palace

The senses tell the ceiling

A palimpsest of history

The side Portico: a combination of elegance and lightness of form

The loca solatiorum: dwellings for recreation, well-being and hunting

Transformations over the centuries

Under the crosses of the Bema

The construction of Monreale Cathedral: between myth and history

The Chapel of St. Mary Magdalene

Artistic elements in Peter’s ship

The return of water

A compositional design that combines nordic examples with new artistic languages, over the centuries

From oblivion to the recovery of memory

The Palace of Kings

the Baroque exterior

Gold and light: the splendour of the mosaics in the Royal Chapel

The Cassaro

Palermo: the happiest city

The Admiral’s dedication

The ancient convent of the Martorana, a history of devotion and tradition

Restorations

Mosaic decoration

Squaring the circle

the roof of Paradise: one of the most representative works of medieval art

The liturgical spaces of the protesis and the diaconicon

The senses tell the historical context

The Great Restoration

The senses tell the architecture and decorations

Intertwining of knowledge in Norman Palermo

Tempus fugit: a strategic project implemented in a short period of time

The flooring: shapes, motifs and iconography

The Genoard Park, the garden of pleasures and wonders

From the Mosque to the Cathedral

Roger II of hauteville: a sovereign protected by God

A tree full of life

The decorated facade

The Gualtiero Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The lost chapel

Characteristics of religious architecture in the romanesque period

The transformations of the hall through the centuries

A Northern population

The mosaics of the presbytery

Beyond the harmony of proportions

The senses tell Context 1

The senses tell the historical context

The chystro: a place between earth and sky

The chorus: beating heart of the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The links between the hauteville family and the monastic orders in Sicily

The Cathedral over the centuries

The stone bible

Roger II’s strategic design

From earthquake to collapse

Ecclesia munita

The longest aisle

Worship services

The towers facing the facade used as bell towers

The senses tell the flooring

The senses tell baroque decoration

The senses tell the interior

The Kings’ Cathedrals

The dialogue between the architectures of the monumental complex

The architectural appearance and transformations over time

The cultural substrate through time

A new Cathedral

The senses tell restorations

Shapes and colours of the wooden ceiling

A remarkable ceiling

The area of the Sanctuary

The senses tell the mosaic cycle