photo gallery

photo gallery

The return of water

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the external architecture and the original layout

The decorations on the bell tower

The senses tell restorations

A space between the visible and the invisible

The mosaics of the presbytery

A controversial interpretation

The Gualtiero Cathedral

The mosaics of the transept and the apses

Palermo: the happiest city

the Baroque interior

The Great Restoration

Norman religious architecture with islamic influences in Sicily

Roger II of hauteville: a sovereign protected by God

Mosaic decoration

A compositional design that combines nordic examples with new artistic languages, over the centuries

Transformations over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Chapel of the Kings

The senses tell baroque decoration

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Palace of Kings

A building constructed in a short space of time

An architectural crescendo

The decorated facade

The side Portico: a combination of elegance and lightness of form

The Kings’ Cathedrals

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

A cloister of accentuated stylistic variety

Layers of different cultures decorate the external apses

The Virgin Hodegetria

Ecclesia munita

The original design

The side aisles

The flooring: shapes, motifs and iconography

A new Cathedral

The interior of the church

A remarkable ceiling

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Shapes and colours of the wooden ceiling

A chapel by an unknown designer based on repeated symmetries

Different styles and transformations of “one of the most beautiful monuments in the world”

Gold and light: the splendour of the mosaics in the Royal Chapel

The mosaics of the naves

Two initially similar towers, varied over time

The senses tell the historical context

The architectural appearance and transformations over time

A palimpsest of history

Roger II’s strategic design

The dialogue between the architectures of the monumental complex

Decorations

Cefalù: settlement evidence through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The rediscovered chapel

The senses tell the architecture

The Great Presbytery: a unique space for the cathedral

The chorus: beating heart of the cathedral

The towers facing the facade used as bell towers

The chystro: a place between earth and sky

The opus sectile floor of the Palatine Chapel

The mosaic cycle, an ascending path towards the light

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the interior

The senses tell the historical context

The senses tell the Zisa over the centuries

the roof of Paradise: one of the most representative works of medieval art

Characteristics of religious architecture in the romanesque period

The chapel of the crucifix: an artistic casket based on a previous model

The king’s mark

the Baroque exterior

The Royal Throne

The beginning of the construction site

The transformations of the hall through the centuries

Survey of the royal tombs

The architectural space

The loca solatiorum: dwellings for recreation, well-being and hunting

The links between the hauteville family and the monastic orders in Sicily

A Northern population

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The area of the Sanctuary

The columns of the nave: the meticulous study of the overall order

The longest aisle

The Chapel of St. Mary Magdalene

The southern portico

From oblivion to the recovery of memory

Artistic elements in Peter’s ship

The architectural envelope: the Greek cross layout oriented towards the light

The mosaics of the apses

Intertwining of knowledge in Norman Palermo

Worship services

The lost chapel

The medieval city amidst monasticism and feudal aristocracy

From the Mosque to the Cathedral

Interior decorations

Beyond the harmony of proportions

The senses tell the ceiling

Tempus fugit: a strategic project implemented in a short period of time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Cathedral over the centuries

The construction of Monreale Cathedral: between myth and history

A polysemy of high-level artistic forms and content

The Genoard Park, the garden of pleasures and wonders

The senses tell the mosaic cycle

The Bible carved in stone

The rediscovered palace

The senses tell the architecture and decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The towers and the western facade

The Cassaro

The senses tell Context 1

Gardens and architecture as a backdrop to the city of Palermo

The balance between architecture and light

The cemetery of kings

A tree full of life

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

The birth of the Norman kingdom

From the main gate to the aisles: an invitation to a journey of faith

The liturgical spaces of the protesis and the diaconicon

The Admiral’s dedication

A mixture of styles pervades the floor decorations

Restorations

The cultural substrate through time

From earthquake to collapse

The stone bible

Under the crosses of the Bema

Porphyry sarcophagi: royalty and power

The senses tell the flooring

Squaring the circle