photo gallery

photo gallery

The cultural substrate through time

Cefalù: settlement evidence through time

The senses tell the historical context

The mosaic cycle, an ascending path towards the light

The mosaics of the presbytery

The architectural envelope: the Greek cross layout oriented towards the light

The Gualtiero Cathedral

The senses tell restorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the architecture and decorations

Norman religious architecture with islamic influences in Sicily

A cloister of accentuated stylistic variety

The stone bible

The Palace of Kings

Survey of the royal tombs

The chorus: beating heart of the cathedral

the roof of Paradise: one of the most representative works of medieval art

The rediscovered palace

The senses tell the flooring

Characteristics of religious architecture in the romanesque period

The balance between architecture and light

Intertwining of knowledge in Norman Palermo

The dialogue between the architectures of the monumental complex

The interior of the church

The return of water

The Royal Throne

The architectural space

Decorations

A polysemy of high-level artistic forms and content

The senses tell the historical context

The chapel of the crucifix: an artistic casket based on a previous model

From oblivion to the recovery of memory

The senses tell baroque decoration

A tree full of life

From the Mosque to the Cathedral

The towers facing the facade used as bell towers

A space between the visible and the invisible

The Norman conquest of Sicily and the birth of a new Latin kingdom

From the main gate to the aisles: an invitation to a journey of faith

The opus sectile floor of the Palatine Chapel

From earthquake to collapse

The longest aisle

The area of the Sanctuary

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A Northern population

A compositional design that combines nordic examples with new artistic languages, over the centuries

The birth of the Norman kingdom

the Baroque exterior

Tempus fugit: a strategic project implemented in a short period of time

The chystro: a place between earth and sky

The southern portico

The Bible carved in stone

The Genoard Park, the garden of pleasures and wonders

Layers of different cultures decorate the external apses

Porphyry sarcophagi: royalty and power

An architectural crescendo

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Cassaro

Palermo: the happiest city

The chapel of san Castrense: an important renaissance work

The liturgical spaces of the protesis and the diaconicon

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Gardens and architecture as a backdrop to the city of Palermo

A palimpsest of history

The Chapel of the Kings

The mosaics of the apses

The king’s mark

The flooring: shapes, motifs and iconography

Shapes and colours of the wooden ceiling

The chapel of St. Benedict

Squaring the circle

The rediscovered chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A mixture of styles pervades the floor decorations

The senses tell the historical context

the Baroque interior

The senses tell the interior

The links between the hauteville family and the monastic orders in Sicily

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Great Restoration

The original design

Mosaic decoration

The decorations on the bell tower

The senses tell the Zisa over the centuries

A new Cathedral

The mosaics of the naves

Artistic elements in Peter’s ship

The senses tell the ceiling

Beyond the harmony of proportions

Two initially similar towers, varied over time

The loca solatiorum: dwellings for recreation, well-being and hunting

The Kings’ Cathedrals

The transformations of the hall through the centuries

The ancient convent of the Martorana, a history of devotion and tradition

The side aisles

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The medieval city amidst monasticism and feudal aristocracy

The Chapel of St. Mary Magdalene

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the transept and the apses

Saint Peter’s Chapel in the Royal Palace

The side Portico: a combination of elegance and lightness of form

A chapel by an unknown designer based on repeated symmetries

Interior decorations

The beginning of the construction site

Restorations

Under the crosses of the Bema

The Cathedral over the centuries

Worship services

The senses tell the mosaic cycle

A controversial interpretation

Different styles and transformations of “one of the most beautiful monuments in the world”

The columns of the nave: the meticulous study of the overall order

A remarkable ceiling

The construction of Monreale Cathedral: between myth and history

The cemetery of kings

Transformations over the centuries

The towers and the western facade

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Great Presbytery: a unique space for the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Ecclesia munita

The senses tell the external architecture and the original layout

The Admiral’s dedication

A building constructed in a short space of time

The decorated facade

The senses tell Context 1

Roger II’s strategic design

The Virgin Hodegetria

The senses tell the architecture

The lost chapel

Roger II of hauteville: a sovereign protected by God

The architectural appearance and transformations over time