photo gallery

photo gallery

From oblivion to the recovery of memory

Mosaic decoration

the Baroque exterior

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the transept and the apses

Decorations

The rediscovered palace

The side aisles

Ecclesia munita

The mosaics of the naves

A chapel by an unknown designer based on repeated symmetries

The senses tell the architecture and decorations

The king’s mark

Tempus fugit: a strategic project implemented in a short period of time

The construction of Monreale Cathedral: between myth and history

The cemetery of kings

The decorations on the bell tower

The columns of the nave: the meticulous study of the overall order

From earthquake to collapse

The cultural substrate through time

The return of water

The senses tell the ceiling

The dialogue between the architectures of the monumental complex

A new Cathedral

Survey of the royal tombs

The balance between architecture and light

The mosaics of the apses

the roof of Paradise: one of the most representative works of medieval art

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Porphyry sarcophagi: royalty and power

Transformations over the centuries

The interior of the church

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A tree full of life

The Chapel of the Kings

The senses tell the flooring

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the external architecture and the original layout

The Virgin Hodegetria

A compositional design that combines nordic examples with new artistic languages, over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Under the crosses of the Bema

The senses tell the architecture

The towers facing the facade used as bell towers

The architectural space

The Cathedral over the centuries

Intertwining of knowledge in Norman Palermo

The senses tell the mosaic cycle

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Kings’ Cathedrals

A controversial interpretation

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A remarkable ceiling

The chystro: a place between earth and sky

The opus sectile floor of the Palatine Chapel

The beginning of the construction site

Artistic elements in Peter’s ship

Cefalù: settlement evidence through time

Layers of different cultures decorate the external apses

Roger II’s strategic design

the Baroque interior

The senses tell baroque decoration

An architectural crescendo

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

The side Portico: a combination of elegance and lightness of form

Interior decorations

The Gualtiero Cathedral

The towers and the western facade

The senses tell the historical context

The Great Presbytery: a unique space for the cathedral

The chapel of St. Benedict

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II of hauteville: a sovereign protected by God

Palermo: the happiest city

The architectural appearance and transformations over time

Different styles and transformations of “one of the most beautiful monuments in the world”

Norman religious architecture with islamic influences in Sicily

The original design

The rediscovered chapel

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the Zisa over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

A space between the visible and the invisible

From the Mosque to the Cathedral

The Great Restoration

The area of the Sanctuary

Restorations

The transformations of the hall through the centuries

A palimpsest of history

Gold and light: the splendour of the mosaics in the Royal Chapel

The mosaics of the presbytery

The Bible carved in stone

The Admiral’s dedication

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Gardens and architecture as a backdrop to the city of Palermo

The stone bible

The ancient convent of the Martorana, a history of devotion and tradition

The longest aisle

The architectural envelope: the Greek cross layout oriented towards the light

A Northern population

The Palace of Kings

A cloister of accentuated stylistic variety

The loca solatiorum: dwellings for recreation, well-being and hunting

The Royal Throne

Characteristics of religious architecture in the romanesque period

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

Shapes and colours of the wooden ceiling

The birth of the Norman kingdom

The senses tell Context 1

The flooring: shapes, motifs and iconography

A building constructed in a short space of time

The Cassaro

The southern portico

The decorated facade

Beyond the harmony of proportions

The senses tell the interior

A mixture of styles pervades the floor decorations

Worship services

The lost chapel

The liturgical spaces of the protesis and the diaconicon

The links between the hauteville family and the monastic orders in Sicily

The senses tell the historical context

The mosaic cycle, an ascending path towards the light

The chapel of the crucifix: an artistic casket based on a previous model

The Genoard Park, the garden of pleasures and wonders

The chapel of san Castrense: an important renaissance work

Squaring the circle

From the main gate to the aisles: an invitation to a journey of faith

The chorus: beating heart of the cathedral

The senses tell restorations

The Chapel of St. Mary Magdalene