photo gallery

photo gallery

From oblivion to the recovery of memory

Intertwining of knowledge in Norman Palermo

Cefalù: settlement evidence through time

The chapel of the crucifix: an artistic casket based on a previous model

The mosaic cycle, an ascending path towards the light

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chystro: a place between earth and sky

The Great Presbytery: a unique space for the cathedral

Worship services

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A polysemy of high-level artistic forms and content

From the main gate to the aisles: an invitation to a journey of faith

The longest aisle

The senses tell the Zisa over the centuries

The opus sectile floor of the Palatine Chapel

The architectural space

The architectural envelope: the Greek cross layout oriented towards the light

The original design

The Virgin Hodegetria

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell Context 1

A Northern population

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the historical context

Survey of the royal tombs

The senses tell the architecture

Transformations over the centuries

The return of water

A controversial interpretation

The mosaics of the presbytery

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Saint Peter’s Chapel in the Royal Palace

The columns of the nave: the meticulous study of the overall order

Roger II of hauteville: a sovereign protected by God

Decorations

Two initially similar towers, varied over time

From earthquake to collapse

A tree full of life

Layers of different cultures decorate the external apses

From the Mosque to the Cathedral

The stone bible

The senses tell the historical context

The senses tell the external architecture and the original layout

The Chapel of the Kings

A compositional design that combines nordic examples with new artistic languages, over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Shapes and colours of the wooden ceiling

The Genoard Park, the garden of pleasures and wonders

Squaring the circle

Under the crosses of the Bema

The decorations on the bell tower

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the flooring

The ancient convent of the Martorana, a history of devotion and tradition

The loca solatiorum: dwellings for recreation, well-being and hunting

Beyond the harmony of proportions

the roof of Paradise: one of the most representative works of medieval art

The side aisles

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cemetery of kings

Restorations

The side Portico: a combination of elegance and lightness of form

The liturgical spaces of the protesis and the diaconicon

Tempus fugit: a strategic project implemented in a short period of time

the Baroque exterior

Roger II’s strategic design

A new Cathedral

The rediscovered palace

The Cassaro

The senses tell restorations

Norman religious architecture with islamic influences in Sicily

Gardens and architecture as a backdrop to the city of Palermo

Palermo: the happiest city

A cloister of accentuated stylistic variety

Interior decorations

The medieval city amidst monasticism and feudal aristocracy

The architectural appearance and transformations over time

The rediscovered chapel

The flooring: shapes, motifs and iconography

The senses tell the mosaic cycle

The Kings’ Cathedrals

The Norman conquest of Sicily and the birth of a new Latin kingdom

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the architecture and decorations

The mosaics of the naves

An architectural crescendo

The birth of the Norman kingdom

The beginning of the construction site

The Royal Throne

Mosaic decoration

The cultural substrate through time

The Great Restoration

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

The king’s mark

The senses tell the ceiling

The mosaics of the apses

The Bible carved in stone

The senses tell baroque decoration

Porphyry sarcophagi: royalty and power

The chorus: beating heart of the cathedral

The towers and the western facade

The Palace of Kings

A chapel by an unknown designer based on repeated symmetries

Artistic elements in Peter’s ship

The area of the Sanctuary

The senses tell the interior

The links between the hauteville family and the monastic orders in Sicily

The decorated facade

A mixture of styles pervades the floor decorations

The southern portico

The dialogue between the architectures of the monumental complex

The Admiral’s dedication

A space between the visible and the invisible

The towers facing the facade used as bell towers

the Baroque interior

The chapel of san Castrense: an important renaissance work

The transformations of the hall through the centuries

The interior of the church

Ecclesia munita

The chapel of St. Benedict

The construction of Monreale Cathedral: between myth and history

The lost chapel

The balance between architecture and light

The mosaics of the transept and the apses

A remarkable ceiling

Characteristics of religious architecture in the romanesque period

The Cathedral over the centuries

A palimpsest of history

A building constructed in a short space of time

The Chapel of St. Mary Magdalene

Gold and light: the splendour of the mosaics in the Royal Chapel

The Gualtiero Cathedral