photo gallery

photo gallery

The Kings’ Cathedrals

The chapel of san Castrense: an important renaissance work

The Virgin Hodegetria

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The birth of the Norman kingdom

The ancient convent of the Martorana, a history of devotion and tradition

Ecclesia munita

The dialogue between the architectures of the monumental complex

The senses tell Context 1

The cultural substrate through time

Gold and light: the splendour of the mosaics in the Royal Chapel

The rediscovered chapel

The Gualtiero Cathedral

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the historical context

The mosaics of the apses

The decorated facade

The stone bible

A compositional design that combines nordic examples with new artistic languages, over the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Roger II of hauteville: a sovereign protected by God

The architectural space

Artistic elements in Peter’s ship

The chapel of St. Benedict

The Great Restoration

A tree full of life

Gardens and architecture as a backdrop to the city of Palermo

The mosaic cycle, an ascending path towards the light

the roof of Paradise: one of the most representative works of medieval art

An architectural crescendo

The senses tell the flooring

The Chapel of St. Mary Magdalene

Roger II’s strategic design

The Cathedral over the centuries

A new Cathedral

The beginning of the construction site

Porphyry sarcophagi: royalty and power

The chorus: beating heart of the cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the Zisa over the centuries

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of the crucifix: an artistic casket based on a previous model

The opus sectile floor of the Palatine Chapel

Restorations

From the Mosque to the Cathedral

Saint Peter’s Chapel in the Royal Palace

The senses tell the external architecture and the original layout

The Genoard Park, the garden of pleasures and wonders

Interior decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The side aisles

The longest aisle

A mixture of styles pervades the floor decorations

The transformations of the hall through the centuries

The original design

The mosaics of the presbytery

From earthquake to collapse

A palimpsest of history

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the architecture

Layers of different cultures decorate the external apses

The interior of the church

the Baroque interior

Different styles and transformations of “one of the most beautiful monuments in the world”

The Cassaro

Characteristics of religious architecture in the romanesque period

The Palace of Kings

Beyond the harmony of proportions

The rediscovered palace

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Under the crosses of the Bema

The senses tell the interior

The Admiral’s dedication

Squaring the circle

Palermo: the happiest city

A controversial interpretation

From oblivion to the recovery of memory

The mosaics of the transept and the apses

The links between the hauteville family and the monastic orders in Sicily

The columns of the nave: the meticulous study of the overall order

The Royal Throne

The king’s mark

The flooring: shapes, motifs and iconography

Norman religious architecture with islamic influences in Sicily

The Great Presbytery: a unique space for the cathedral

The chystro: a place between earth and sky

The towers facing the facade used as bell towers

the Baroque exterior

The cemetery of kings

The towers and the western facade

A polysemy of high-level artistic forms and content

The liturgical spaces of the protesis and the diaconicon

The senses tell the historical context

The senses tell baroque decoration

The return of water

Two initially similar towers, varied over time

Shapes and colours of the wooden ceiling

The Chapel of the Kings

The senses tell the ceiling

A chapel by an unknown designer based on repeated symmetries

The decorations on the bell tower

The Bible carved in stone

A building constructed in a short space of time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Intertwining of knowledge in Norman Palermo

Mosaic decoration

The balance between architecture and light

The medieval city amidst monasticism and feudal aristocracy

The senses tell the historical context

The mosaics of the naves

The area of the Sanctuary

The construction of Monreale Cathedral: between myth and history

Worship services

Survey of the royal tombs

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Cefalù: settlement evidence through time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A cloister of accentuated stylistic variety

The architectural appearance and transformations over time

A Northern population

The senses tell restorations

The senses tell the mosaic cycle

The southern portico

Tempus fugit: a strategic project implemented in a short period of time

Decorations

The side Portico: a combination of elegance and lightness of form

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the architecture and decorations

Transformations over the centuries

A space between the visible and the invisible

The lost chapel

A remarkable ceiling