photo gallery

photo gallery

Gold and light: the splendour of the mosaics in the Royal Chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Artistic elements in Peter’s ship

The senses tell the Zisa over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

Transformations over the centuries

The senses tell the mosaic cycle

The Norman conquest of Sicily and the birth of a new Latin kingdom

The liturgical spaces of the protesis and the diaconicon

A polysemy of high-level artistic forms and content

The senses tell the external architecture and the original layout

The rediscovered palace

The transformations of the hall through the centuries

The Virgin Hodegetria

Porphyry sarcophagi: royalty and power

The Kings’ Cathedrals

The decorations on the bell tower

The birth of the Norman kingdom

From oblivion to the recovery of memory

A mixture of styles pervades the floor decorations

Worship services

The Chapel of the Kings

The senses tell the architecture

Ecclesia munita

The construction of Monreale Cathedral: between myth and history

The mosaic cycle, an ascending path towards the light

The medieval city amidst monasticism and feudal aristocracy

Different styles and transformations of “one of the most beautiful monuments in the world”

The side Portico: a combination of elegance and lightness of form

Gardens and architecture as a backdrop to the city of Palermo

The Genoard Park, the garden of pleasures and wonders

Shapes and colours of the wooden ceiling

The senses tell restorations

The mosaics of the apses

An architectural crescendo

The king’s mark

Roger II of hauteville: a sovereign protected by God

The Cathedral over the centuries

The chapel of san Castrense: an important renaissance work

The senses tell the architecture and decorations

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the flooring

The architectural envelope: the Greek cross layout oriented towards the light

The Great Restoration

The senses tell the ceiling

Intertwining of knowledge in Norman Palermo

A cloister of accentuated stylistic variety

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Mosaic decoration

The Chapel of St. Mary Magdalene

Two initially similar towers, varied over time

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Tempus fugit: a strategic project implemented in a short period of time

The dialogue between the architectures of the monumental complex

The towers facing the facade used as bell towers

The mosaics of the presbytery

The Gualtiero Cathedral

The senses tell baroque decoration

The architectural appearance and transformations over time

the roof of Paradise: one of the most representative works of medieval art

The loca solatiorum: dwellings for recreation, well-being and hunting

the Baroque interior

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Characteristics of religious architecture in the romanesque period

The original design

The southern portico

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The decorated facade

The senses tell the historical context

Under the crosses of the Bema

A space between the visible and the invisible

The senses tell the interior

A palimpsest of history

The Admiral’s dedication

The beginning of the construction site

The Great Presbytery: a unique space for the cathedral

The ancient convent of the Martorana, a history of devotion and tradition

Cefalù: settlement evidence through time

Saint Peter’s Chapel in the Royal Palace

The chystro: a place between earth and sky

Roger II’s strategic design

The cemetery of kings

Restorations

From earthquake to collapse

The senses tell the historical context

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A remarkable ceiling

Decorations

The stone bible

A chapel by an unknown designer based on repeated symmetries

The architectural space

The Cassaro

The columns of the nave: the meticulous study of the overall order

Interior decorations

Beyond the harmony of proportions

The area of the Sanctuary

A controversial interpretation

The interior of the church

The Royal Throne

Survey of the royal tombs

The side aisles

The return of water

the Baroque exterior

The senses tell Context 1

The mosaics of the transept and the apses

Layers of different cultures decorate the external apses

The lost chapel

The flooring: shapes, motifs and iconography

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The rediscovered chapel

The towers and the western facade

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chorus: beating heart of the cathedral

From the Mosque to the Cathedral

Norman religious architecture with islamic influences in Sicily

The links between the hauteville family and the monastic orders in Sicily

The cultural substrate through time

Squaring the circle

The senses tell the historical context

The chapel of St. Benedict

The longest aisle

A tree full of life

The opus sectile floor of the Palatine Chapel

The Bible carved in stone

A building constructed in a short space of time

A new Cathedral

The balance between architecture and light

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Palace of Kings

Palermo: the happiest city

The mosaics of the naves

A Northern population