photo gallery

photo gallery

Beyond the harmony of proportions

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the presbytery

The chorus: beating heart of the cathedral

The mosaics of the naves

Worship services

The senses tell the flooring

Roger II’s strategic design

The longest aisle

A polysemy of high-level artistic forms and content

The Virgin Hodegetria

Porphyry sarcophagi: royalty and power

The decorated facade

The beginning of the construction site

The Great Restoration

the Baroque exterior

The mosaics of the transept and the apses

The southern portico

An architectural crescendo

A palimpsest of history

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Intertwining of knowledge in Norman Palermo

Squaring the circle

The Palace of Kings

The dialogue between the architectures of the monumental complex

The towers facing the facade used as bell towers

The Admiral’s dedication

Different styles and transformations of “one of the most beautiful monuments in the world”

Two initially similar towers, varied over time

The architectural appearance and transformations over time

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cultural substrate through time

The mosaic cycle, an ascending path towards the light

The Genoard Park, the garden of pleasures and wonders

The Gualtiero Cathedral

The construction of Monreale Cathedral: between myth and history

The senses tell the ceiling

Gardens and architecture as a backdrop to the city of Palermo

Ecclesia munita

The area of the Sanctuary

The chapel of St. Benedict

The Royal Throne

The birth of the Norman kingdom

A tree full of life

A building constructed in a short space of time

the Baroque interior

The senses tell the historical context

The original design

Norman religious architecture with islamic influences in Sicily

The king’s mark

The return of water

Under the crosses of the Bema

A Northern population

Mosaic decoration

The senses tell the Zisa over the centuries

The towers and the western facade

From the Mosque to the Cathedral

A cloister of accentuated stylistic variety

Shapes and colours of the wooden ceiling

The Cathedral over the centuries

The chapel of san Castrense: an important renaissance work

The Cassaro

The rediscovered palace

From oblivion to the recovery of memory

A mixture of styles pervades the floor decorations

The senses tell the interior

From earthquake to collapse

The side aisles

The Great Presbytery: a unique space for the cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The columns of the nave: the meticulous study of the overall order

The senses tell the architecture and decorations

The senses tell restorations

The architectural envelope: the Greek cross layout oriented towards the light

The liturgical spaces of the protesis and the diaconicon

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the mosaic cycle

Interior decorations

The Bible carved in stone

A chapel by an unknown designer based on repeated symmetries

The ancient convent of the Martorana, a history of devotion and tradition

Transformations over the centuries

The balance between architecture and light

The rediscovered chapel

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Kings’ Cathedrals

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the architecture

The medieval city amidst monasticism and feudal aristocracy

A space between the visible and the invisible

Saint Peter’s Chapel in the Royal Palace

The opus sectile floor of the Palatine Chapel

The decorations on the bell tower

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A new Cathedral

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

the roof of Paradise: one of the most representative works of medieval art

Characteristics of religious architecture in the romanesque period

The mosaics of the apses

Survey of the royal tombs

A controversial interpretation

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The transformations of the hall through the centuries

The senses tell baroque decoration

Layers of different cultures decorate the external apses

Artistic elements in Peter’s ship

The Chapel of the Kings

The Chapel of St. Mary Magdalene

The lost chapel

The chapel of the crucifix: an artistic casket based on a previous model

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The flooring: shapes, motifs and iconography

The cemetery of kings

The interior of the church

The stone bible

The senses tell the external architecture and the original layout

From the main gate to the aisles: an invitation to a journey of faith

The architectural space

The Norman conquest of Sicily and the birth of a new Latin kingdom

The side Portico: a combination of elegance and lightness of form

Palermo: the happiest city

Roger II of hauteville: a sovereign protected by God

Cefalù: settlement evidence through time

The loca solatiorum: dwellings for recreation, well-being and hunting

A remarkable ceiling

The senses tell the historical context

The chystro: a place between earth and sky

Decorations

Restorations