photo gallery

photo gallery

The decorations on the bell tower

The senses tell restorations

Beyond the harmony of proportions

Roger II’s strategic design

A mixture of styles pervades the floor decorations

The towers and the western facade

The birth of the Norman kingdom

The towers facing the facade used as bell towers

The chystro: a place between earth and sky

Saint Peter’s Chapel in the Royal Palace

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the ceiling

Transformations over the centuries

Characteristics of religious architecture in the romanesque period

The longest aisle

The balance between architecture and light

The senses tell the mosaic cycle

Restorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

the Baroque interior

The return of water

Norman religious architecture with islamic influences in Sicily

The senses tell baroque decoration

A controversial interpretation

From the Mosque to the Cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

A chapel by an unknown designer based on repeated symmetries

The chapel of the crucifix: an artistic casket based on a previous model

The Great Presbytery: a unique space for the cathedral

The architectural space

The senses tell the Zisa over the centuries

The Genoard Park, the garden of pleasures and wonders

The chorus: beating heart of the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the presbytery

The loca solatiorum: dwellings for recreation, well-being and hunting

The Bible carved in stone

Interior decorations

The Gualtiero Cathedral

The side Portico: a combination of elegance and lightness of form

The original design

the Baroque exterior

The cultural substrate through time

The mosaic cycle, an ascending path towards the light

The links between the hauteville family and the monastic orders in Sicily

The Palace of Kings

The Cathedral over the centuries

A polysemy of high-level artistic forms and content

The Chapel of the Kings

Cefalù: settlement evidence through time

Intertwining of knowledge in Norman Palermo

The liturgical spaces of the protesis and the diaconicon

The flooring: shapes, motifs and iconography

The king’s mark

The interior of the church

A space between the visible and the invisible

The architectural envelope: the Greek cross layout oriented towards the light

Ecclesia munita

Different styles and transformations of “one of the most beautiful monuments in the world”

Survey of the royal tombs

Gardens and architecture as a backdrop to the city of Palermo

The stone bible

A Northern population

The mosaics of the apses

Palermo: the happiest city

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side aisles

A building constructed in a short space of time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The opus sectile floor of the Palatine Chapel

The Great Restoration

Layers of different cultures decorate the external apses

The cemetery of kings

A tree full of life

Artistic elements in Peter’s ship

The Virgin Hodegetria

A compositional design that combines nordic examples with new artistic languages, over the centuries

From the main gate to the aisles: an invitation to a journey of faith

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Admiral’s dedication

The senses tell Context 1

From earthquake to collapse

Porphyry sarcophagi: royalty and power

The senses tell the interior

A remarkable ceiling

The southern portico

The mosaics of the transept and the apses

Worship services

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The ancient convent of the Martorana, a history of devotion and tradition

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Chapel of St. Mary Magdalene

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The rediscovered palace

The columns of the nave: the meticulous study of the overall order

From oblivion to the recovery of memory

The senses tell the external architecture and the original layout

The senses tell the architecture

Decorations

The senses tell the architecture and decorations

Squaring the circle

The mosaics of the naves

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

The Royal Throne

A new Cathedral

The transformations of the hall through the centuries

The rediscovered chapel

Under the crosses of the Bema

Mosaic decoration

The construction of Monreale Cathedral: between myth and history

the roof of Paradise: one of the most representative works of medieval art

The Kings’ Cathedrals

The dialogue between the architectures of the monumental complex

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the historical context

The decorated facade

The senses tell the flooring

Shapes and colours of the wooden ceiling

The beginning of the construction site

Two initially similar towers, varied over time

An architectural crescendo

The Cassaro

A palimpsest of history

The area of the Sanctuary

The senses tell the historical context

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II of hauteville: a sovereign protected by God

The chapel of St. Benedict

The lost chapel

The chapel of san Castrense: an important renaissance work

The architectural appearance and transformations over time

The senses tell the historical context