photo gallery

photo gallery

Tempus fugit: a strategic project implemented in a short period of time

Transformations over the centuries

Under the crosses of the Bema

The senses tell the ceiling

The rediscovered palace

Survey of the royal tombs

A Northern population

The Bible carved in stone

The liturgical spaces of the protesis and the diaconicon

The lost chapel

Intertwining of knowledge in Norman Palermo

The southern portico

Cefalù: settlement evidence through time

the roof of Paradise: one of the most representative works of medieval art

The king’s mark

The architectural envelope: the Greek cross layout oriented towards the light

The opus sectile floor of the Palatine Chapel

A chapel by an unknown designer based on repeated symmetries

The stone bible

The Virgin Hodegetria

The senses tell the historical context

The architectural appearance and transformations over time

The dialogue between the architectures of the monumental complex

Porphyry sarcophagi: royalty and power

The senses tell the architecture

The chapel of san Castrense: an important renaissance work

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Decorations

Palermo: the happiest city

A polysemy of high-level artistic forms and content

Saint Peter’s Chapel in the Royal Palace

The mosaic cycle, an ascending path towards the light

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The longest aisle

From oblivion to the recovery of memory

The Palace of Kings

The transformations of the hall through the centuries

The senses tell Context 1

The Great Restoration

The construction of Monreale Cathedral: between myth and history

A space between the visible and the invisible

The mosaics of the naves

A tree full of life

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell restorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The beginning of the construction site

The Chapel of the Kings

The ancient convent of the Martorana, a history of devotion and tradition

The cemetery of kings

the Baroque interior

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side aisles

Norman religious architecture with islamic influences in Sicily

Ecclesia munita

A palimpsest of history

The mosaics of the presbytery

The Kings’ Cathedrals

A mixture of styles pervades the floor decorations

The links between the hauteville family and the monastic orders in Sicily

The loca solatiorum: dwellings for recreation, well-being and hunting

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers facing the facade used as bell towers

Artistic elements in Peter’s ship

The senses tell the historical context

The Cassaro

Interior decorations

The Great Presbytery: a unique space for the cathedral

The interior of the church

The medieval city amidst monasticism and feudal aristocracy

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the Zisa over the centuries

Gold and light: the splendour of the mosaics in the Royal Chapel

Characteristics of religious architecture in the romanesque period

Squaring the circle

From the main gate to the aisles: an invitation to a journey of faith

A cloister of accentuated stylistic variety

Shapes and colours of the wooden ceiling

The Chapel of St. Mary Magdalene

The Gualtiero Cathedral

The senses tell the mosaic cycle

Gardens and architecture as a backdrop to the city of Palermo

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The flooring: shapes, motifs and iconography

The rediscovered chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

The area of the Sanctuary

The senses tell the flooring

The birth of the Norman kingdom

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A remarkable ceiling

The senses tell baroque decoration

The return of water

The side Portico: a combination of elegance and lightness of form

The balance between architecture and light

From earthquake to collapse

The decorated facade

The senses tell the interior

The chorus: beating heart of the cathedral

The original design

The senses tell the historical context

The decorations on the bell tower

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the transept and the apses

Roger II of hauteville: a sovereign protected by God

Layers of different cultures decorate the external apses

The cultural substrate through time

the Baroque exterior

The senses tell the architecture and decorations

A controversial interpretation

The towers and the western facade

A building constructed in a short space of time

The Cathedral over the centuries

From the Mosque to the Cathedral

Restorations

The chystro: a place between earth and sky

The columns of the nave: the meticulous study of the overall order

The Genoard Park, the garden of pleasures and wonders

A new Cathedral

Two initially similar towers, varied over time

The mosaics of the apses

Beyond the harmony of proportions

The chapel of the crucifix: an artistic casket based on a previous model

Mosaic decoration

Worship services

An architectural crescendo

Roger II’s strategic design

The chapel of St. Benedict

The Admiral’s dedication

The Royal Throne

The architectural space

The senses tell the external architecture and the original layout