photo gallery

photo gallery

Decorations

The senses tell the external architecture and the original layout

Worship services

Different styles and transformations of “one of the most beautiful monuments in the world”

A chapel by an unknown designer based on repeated symmetries

A new Cathedral

The Great Restoration

The cemetery of kings

The medieval city amidst monasticism and feudal aristocracy

The Cathedral over the centuries

The towers facing the facade used as bell towers

Shapes and colours of the wooden ceiling

The side aisles

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the architecture

Porphyry sarcophagi: royalty and power

The senses tell restorations

The chapel of the crucifix: an artistic casket based on a previous model

A cloister of accentuated stylistic variety

The interior of the church

A mixture of styles pervades the floor decorations

A controversial interpretation

The cultural substrate through time

Ecclesia munita

An architectural crescendo

Tempus fugit: a strategic project implemented in a short period of time

The return of water

A space between the visible and the invisible

A compositional design that combines nordic examples with new artistic languages, over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The southern portico

The architectural envelope: the Greek cross layout oriented towards the light

The Genoard Park, the garden of pleasures and wonders

The senses tell the ceiling

The Admiral’s dedication

A building constructed in a short space of time

Roger II of hauteville: a sovereign protected by God

Cefalù: settlement evidence through time

Layers of different cultures decorate the external apses

Beyond the harmony of proportions

A Northern population

The lost chapel

The senses tell Context 1

The towers and the western facade

A tree full of life

the Baroque exterior

The Chapel of the Kings

The Bible carved in stone

The chapel of St. Benedict

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From oblivion to the recovery of memory

The mosaics of the presbytery

The senses tell the historical context

The ancient convent of the Martorana, a history of devotion and tradition

A polysemy of high-level artistic forms and content

Gardens and architecture as a backdrop to the city of Palermo

The chapel of san Castrense: an important renaissance work

the Baroque interior

Roger II’s strategic design

The senses tell the interior

The mosaic cycle, an ascending path towards the light

The decorated facade

The senses tell the flooring

The Virgin Hodegetria

Intertwining of knowledge in Norman Palermo

The mosaics of the apses

The beginning of the construction site

The side Portico: a combination of elegance and lightness of form

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Kings’ Cathedrals

The mosaics of the transept and the apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

the roof of Paradise: one of the most representative works of medieval art

The flooring: shapes, motifs and iconography

Gold and light: the splendour of the mosaics in the Royal Chapel

Interior decorations

Palermo: the happiest city

From earthquake to collapse

The senses tell the architecture and decorations

Artistic elements in Peter’s ship

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The stone bible

Mosaic decoration

The transformations of the hall through the centuries

The Great Presbytery: a unique space for the cathedral

The opus sectile floor of the Palatine Chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The loca solatiorum: dwellings for recreation, well-being and hunting

The area of the Sanctuary

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The birth of the Norman kingdom

The senses tell the mosaic cycle

The liturgical spaces of the protesis and the diaconicon

The architectural appearance and transformations over time

The Royal Throne

The Gualtiero Cathedral

The senses tell baroque decoration

Restorations

Two initially similar towers, varied over time

The original design

The Palace of Kings

The decorations on the bell tower

Under the crosses of the Bema

The senses tell the Zisa over the centuries

The longest aisle

Squaring the circle

The mosaics of the naves

The rediscovered chapel

The architectural space

Transformations over the centuries

Saint Peter’s Chapel in the Royal Palace

The Chapel of St. Mary Magdalene

Norman religious architecture with islamic influences in Sicily

Characteristics of religious architecture in the romanesque period

A palimpsest of history

From the main gate to the aisles: an invitation to a journey of faith

The rediscovered palace

From the Mosque to the Cathedral

The king’s mark

The Norman conquest of Sicily and the birth of a new Latin kingdom

The balance between architecture and light

The links between the hauteville family and the monastic orders in Sicily

The construction of Monreale Cathedral: between myth and history

A remarkable ceiling

The senses tell the historical context

The dialogue between the architectures of the monumental complex

The Cassaro

The columns of the nave: the meticulous study of the overall order

The chorus: beating heart of the cathedral

Survey of the royal tombs

The chystro: a place between earth and sky

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the historical context