photo gallery

photo gallery

The construction of Monreale Cathedral: between myth and history

Gardens and architecture as a backdrop to the city of Palermo

The stone bible

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Cathedral over the centuries

The senses tell Context 1

Layers of different cultures decorate the external apses

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The longest aisle

Tempus fugit: a strategic project implemented in a short period of time

the roof of Paradise: one of the most representative works of medieval art

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the historical context

An architectural crescendo

Cefalù: settlement evidence through time

The Cassaro

The Royal Throne

A space between the visible and the invisible

The Great Restoration

A controversial interpretation

The opus sectile floor of the Palatine Chapel

The senses tell the historical context

The mosaics of the naves

A palimpsest of history

The rediscovered chapel

Saint Peter’s Chapel in the Royal Palace

The Chapel of the Kings

The mosaics of the apses

Gold and light: the splendour of the mosaics in the Royal Chapel

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the Zisa over the centuries

The beginning of the construction site

A Northern population

The side aisles

The lost chapel

The dialogue between the architectures of the monumental complex

Palermo: the happiest city

The chystro: a place between earth and sky

From earthquake to collapse

A cloister of accentuated stylistic variety

The senses tell the architecture

A building constructed in a short space of time

The balance between architecture and light

The senses tell the interior

The chorus: beating heart of the cathedral

The senses tell baroque decoration

the Baroque exterior

The Admiral’s dedication

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The cultural substrate through time

The senses tell the external architecture and the original layout

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the presbytery

A tree full of life

The Virgin Hodegetria

The birth of the Norman kingdom

A chapel by an unknown designer based on repeated symmetries

Two initially similar towers, varied over time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The return of water

The senses tell the architecture and decorations

The towers facing the facade used as bell towers

The Palace of Kings

The links between the hauteville family and the monastic orders in Sicily

The interior of the church

From the Mosque to the Cathedral

Survey of the royal tombs

The Genoard Park, the garden of pleasures and wonders

The medieval city amidst monasticism and feudal aristocracy

Norman religious architecture with islamic influences in Sicily

The Kings’ Cathedrals

Mosaic decoration

A new Cathedral

The mosaics of the transept and the apses

The flooring: shapes, motifs and iconography

Roger II’s strategic design

The southern portico

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell restorations

The king’s mark

A polysemy of high-level artistic forms and content

The columns of the nave: the meticulous study of the overall order

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Decorations

A remarkable ceiling

The chapel of St. Benedict

The senses tell the historical context

Interior decorations

Restorations

The rediscovered palace

The side Portico: a combination of elegance and lightness of form

Different styles and transformations of “one of the most beautiful monuments in the world”

The Gualtiero Cathedral

Intertwining of knowledge in Norman Palermo

The original design

The decorations on the bell tower

The senses tell the ceiling

The architectural envelope: the Greek cross layout oriented towards the light

Roger II of hauteville: a sovereign protected by God

Porphyry sarcophagi: royalty and power

the Baroque interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

From oblivion to the recovery of memory

A mixture of styles pervades the floor decorations

The cemetery of kings

Worship services

The Great Presbytery: a unique space for the cathedral

The transformations of the hall through the centuries

Ecclesia munita

Under the crosses of the Bema

Shapes and colours of the wooden ceiling

Characteristics of religious architecture in the romanesque period

Beyond the harmony of proportions

From the main gate to the aisles: an invitation to a journey of faith

Squaring the circle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Transformations over the centuries

The decorated facade

The architectural space

The area of the Sanctuary

The towers and the western facade

The senses tell the mosaic cycle

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the flooring

The Bible carved in stone

The liturgical spaces of the protesis and the diaconicon

The architectural appearance and transformations over time

The Chapel of St. Mary Magdalene

The mosaic cycle, an ascending path towards the light

Artistic elements in Peter’s ship

The chapel of san Castrense: an important renaissance work