photo gallery

photo gallery

The medieval city amidst monasticism and feudal aristocracy

The senses tell the historical context

The Bible carved in stone

Layers of different cultures decorate the external apses

Ecclesia munita

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

The Cathedral over the centuries

the Baroque exterior

The rediscovered palace

Beyond the harmony of proportions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The dialogue between the architectures of the monumental complex

The chapel of san Castrense: an important renaissance work

A tree full of life

The cemetery of kings

the Baroque interior

The senses tell the architecture and decorations

The Kings’ Cathedrals

The Great Restoration

The Virgin Hodegetria

The columns of the nave: the meticulous study of the overall order

From the Mosque to the Cathedral

A cloister of accentuated stylistic variety

The decorations on the bell tower

Palermo: the happiest city

The senses tell Context 1

The senses tell restorations

The flooring: shapes, motifs and iconography

Intertwining of knowledge in Norman Palermo

The decorated facade

A building constructed in a short space of time

The Genoard Park, the garden of pleasures and wonders

Survey of the royal tombs

From oblivion to the recovery of memory

The mosaic cycle, an ascending path towards the light

The architectural appearance and transformations over time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The side aisles

A polysemy of high-level artistic forms and content

Restorations

Under the crosses of the Bema

The Gualtiero Cathedral

Interior decorations

Porphyry sarcophagi: royalty and power

The architectural space

The stone bible

Decorations

The senses tell baroque decoration

The interior of the church

The senses tell the architecture

The Chapel of the Kings

The transformations of the hall through the centuries

The senses tell the ceiling

Roger II of hauteville: a sovereign protected by God

From earthquake to collapse

The rediscovered chapel

The Great Presbytery: a unique space for the cathedral

A new Cathedral

The Norman conquest of Sicily and the birth of a new Latin kingdom

Squaring the circle

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the external architecture and the original layout

Worship services

The Cassaro

The architectural envelope: the Greek cross layout oriented towards the light

The opus sectile floor of the Palatine Chapel

Shapes and colours of the wooden ceiling

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the apses

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the Zisa over the centuries

A controversial interpretation

The towers and the western facade

A Northern population

A remarkable ceiling

Mosaic decoration

The Palace of Kings

The senses tell the interior

The king’s mark

The southern portico

The beginning of the construction site

The mosaics of the presbytery

A space between the visible and the invisible

The birth of the Norman kingdom

Roger II’s strategic design

The liturgical spaces of the protesis and the diaconicon

The Admiral’s dedication

Two initially similar towers, varied over time

The area of the Sanctuary

From the main gate to the aisles: an invitation to a journey of faith

The loca solatiorum: dwellings for recreation, well-being and hunting

Characteristics of religious architecture in the romanesque period

the roof of Paradise: one of the most representative works of medieval art

The chorus: beating heart of the cathedral

Tempus fugit: a strategic project implemented in a short period of time

The side Portico: a combination of elegance and lightness of form

Norman religious architecture with islamic influences in Sicily

The return of water

The Royal Throne

The chapel of the crucifix: an artistic casket based on a previous model

The ancient convent of the Martorana, a history of devotion and tradition

A chapel by an unknown designer based on repeated symmetries

Different styles and transformations of “one of the most beautiful monuments in the world”

The construction of Monreale Cathedral: between myth and history

A mixture of styles pervades the floor decorations

The links between the hauteville family and the monastic orders in Sicily

A compositional design that combines nordic examples with new artistic languages, over the centuries

An architectural crescendo

The senses tell the flooring

The lost chapel

Transformations over the centuries

A palimpsest of history

Saint Peter’s Chapel in the Royal Palace

The Chapel of St. Mary Magdalene

The senses tell the historical context

The towers facing the facade used as bell towers

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The longest aisle

The mosaics of the naves

The senses tell the mosaic cycle

Cefalù: settlement evidence through time

The senses tell the historical context

The chapel of St. Benedict

The chystro: a place between earth and sky

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The balance between architecture and light

The mosaics of the transept and the apses

The cultural substrate through time

Gold and light: the splendour of the mosaics in the Royal Chapel

Artistic elements in Peter’s ship