photo gallery

photo gallery

The Admiral’s dedication

Roger II of hauteville: a sovereign protected by God

The transformations of the hall through the centuries

Gold and light: the splendour of the mosaics in the Royal Chapel

Layers of different cultures decorate the external apses

Saint Peter’s Chapel in the Royal Palace

From oblivion to the recovery of memory

A mixture of styles pervades the floor decorations

The chorus: beating heart of the cathedral

The senses tell the Zisa over the centuries

the Baroque exterior

The Great Presbytery: a unique space for the cathedral

The senses tell the flooring

The mosaics of the transept and the apses

The cultural substrate through time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cemetery of kings

The lost chapel

Interior decorations

Norman religious architecture with islamic influences in Sicily

Worship services

The senses tell the external architecture and the original layout

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

Characteristics of religious architecture in the romanesque period

The Great Restoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The birth of the Norman kingdom

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Bible carved in stone

The links between the hauteville family and the monastic orders in Sicily

Survey of the royal tombs

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Palace of Kings

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the interior

The senses tell the architecture and decorations

The ancient convent of the Martorana, a history of devotion and tradition

A chapel by an unknown designer based on repeated symmetries

Gardens and architecture as a backdrop to the city of Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Virgin Hodegetria

The architectural space

A space between the visible and the invisible

Transformations over the centuries

The decorations on the bell tower

A cloister of accentuated stylistic variety

The loca solatiorum: dwellings for recreation, well-being and hunting

The Genoard Park, the garden of pleasures and wonders

From the main gate to the aisles: an invitation to a journey of faith

The stone bible

The mosaic cycle, an ascending path towards the light

The mosaics of the naves

The balance between architecture and light

A palimpsest of history

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the mosaic cycle

The dialogue between the architectures of the monumental complex

The area of the Sanctuary

The chystro: a place between earth and sky

The mosaics of the presbytery

The senses tell the historical context

The interior of the church

Porphyry sarcophagi: royalty and power

The chapel of St. Benedict

The senses tell restorations

The Chapel of the Kings

Different styles and transformations of “one of the most beautiful monuments in the world”

The side Portico: a combination of elegance and lightness of form

The towers and the western facade

the Baroque interior

The flooring: shapes, motifs and iconography

Tempus fugit: a strategic project implemented in a short period of time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The southern portico

Beyond the harmony of proportions

A Northern population

An architectural crescendo

Ecclesia munita

Two initially similar towers, varied over time

The side aisles

The senses tell the architecture

A tree full of life

The Royal Throne

A remarkable ceiling

Shapes and colours of the wooden ceiling

The Kings’ Cathedrals

The Cathedral over the centuries

Decorations

The liturgical spaces of the protesis and the diaconicon

A polysemy of high-level artistic forms and content

The original design

The beginning of the construction site

The longest aisle

The construction of Monreale Cathedral: between myth and history

The return of water

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

the roof of Paradise: one of the most representative works of medieval art

The architectural envelope: the Greek cross layout oriented towards the light

A building constructed in a short space of time

The chapel of san Castrense: an important renaissance work

A controversial interpretation

Squaring the circle

The senses tell the historical context

From earthquake to collapse

Under the crosses of the Bema

Cefalù: settlement evidence through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The rediscovered chapel

The Gualtiero Cathedral

The architectural appearance and transformations over time

Restorations

The rediscovered palace

A new Cathedral

Roger II’s strategic design

Mosaic decoration

Intertwining of knowledge in Norman Palermo

The mosaics of the apses

The senses tell the ceiling

The towers facing the facade used as bell towers

The columns of the nave: the meticulous study of the overall order

The senses tell baroque decoration

The medieval city amidst monasticism and feudal aristocracy

From the Mosque to the Cathedral

The decorated facade

The Chapel of St. Mary Magdalene

Palermo: the happiest city

Artistic elements in Peter’s ship

The king’s mark

The Cassaro