photo gallery

photo gallery

The architectural space

Layers of different cultures decorate the external apses

The senses tell the mosaic cycle

the Baroque exterior

The Genoard Park, the garden of pleasures and wonders

The mosaics of the transept and the apses

The towers and the western facade

The lost chapel

The senses tell Context 1

the roof of Paradise: one of the most representative works of medieval art

Shapes and colours of the wooden ceiling

Under the crosses of the Bema

From earthquake to collapse

A Northern population

The towers facing the facade used as bell towers

The Great Presbytery: a unique space for the cathedral

A remarkable ceiling

A palimpsest of history

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chapel of san Castrense: an important renaissance work

The senses tell the historical context

The chorus: beating heart of the cathedral

The senses tell the architecture and decorations

Roger II’s strategic design

The chapel of the crucifix: an artistic casket based on a previous model

A cloister of accentuated stylistic variety

The dialogue between the architectures of the monumental complex

The area of the Sanctuary

The Virgin Hodegetria

A new Cathedral

Survey of the royal tombs

The Cassaro

Porphyry sarcophagi: royalty and power

Gold and light: the splendour of the mosaics in the Royal Chapel

Squaring the circle

The senses tell the architecture

Different styles and transformations of “one of the most beautiful monuments in the world”

A space between the visible and the invisible

The mosaics of the presbytery

Interior decorations

The balance between architecture and light

The decorations on the bell tower

The Palace of Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cultural substrate through time

The Bible carved in stone

The king’s mark

Norman religious architecture with islamic influences in Sicily

An architectural crescendo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A controversial interpretation

The loca solatiorum: dwellings for recreation, well-being and hunting

The side aisles

The Royal Throne

The return of water

The senses tell the interior

The mosaics of the naves

Cefalù: settlement evidence through time

A tree full of life

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Worship services

The Chapel of the Kings

The senses tell the Zisa over the centuries

The transformations of the hall through the centuries

The rediscovered chapel

A mixture of styles pervades the floor decorations

the Baroque interior

The beginning of the construction site

The longest aisle

The flooring: shapes, motifs and iconography

A chapel by an unknown designer based on repeated symmetries

The cemetery of kings

The southern portico

The Chapel of St. Mary Magdalene

From the main gate to the aisles: an invitation to a journey of faith

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Artistic elements in Peter’s ship

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Admiral’s dedication

The opus sectile floor of the Palatine Chapel

The ancient convent of the Martorana, a history of devotion and tradition

Restorations

From oblivion to the recovery of memory

The architectural envelope: the Greek cross layout oriented towards the light

Two initially similar towers, varied over time

A building constructed in a short space of time

Beyond the harmony of proportions

Tempus fugit: a strategic project implemented in a short period of time

Gardens and architecture as a backdrop to the city of Palermo

The decorated facade

The architectural appearance and transformations over time

The medieval city amidst monasticism and feudal aristocracy

The Gualtiero Cathedral

The links between the hauteville family and the monastic orders in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The construction of Monreale Cathedral: between myth and history

The interior of the church

The senses tell the flooring

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaic cycle, an ascending path towards the light

The senses tell the ceiling

The senses tell the external architecture and the original layout

Transformations over the centuries

Characteristics of religious architecture in the romanesque period

Ecclesia munita

The Great Restoration

The stone bible

The senses tell the historical context

The liturgical spaces of the protesis and the diaconicon

Palermo: the happiest city

The Kings’ Cathedrals

From the Mosque to the Cathedral

The senses tell the historical context

The rediscovered palace

The side Portico: a combination of elegance and lightness of form

The senses tell baroque decoration

The mosaics of the apses

The senses tell restorations

A polysemy of high-level artistic forms and content

The columns of the nave: the meticulous study of the overall order

Saint Peter’s Chapel in the Royal Palace

The original design

The Cathedral over the centuries

The chystro: a place between earth and sky

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Decorations

Mosaic decoration

The birth of the Norman kingdom

Roger II of hauteville: a sovereign protected by God

Intertwining of knowledge in Norman Palermo

The chapel of St. Benedict