photo gallery

photo gallery

The architectural space

The Bible carved in stone

Beyond the harmony of proportions

The chapel of the crucifix: an artistic casket based on a previous model

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Royal Throne

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the external architecture and the original layout

The towers and the western facade

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Palace of Kings

The senses tell restorations

A new Cathedral

The architectural appearance and transformations over time

The opus sectile floor of the Palatine Chapel

The senses tell baroque decoration

Mosaic decoration

The mosaics of the apses

A palimpsest of history

Palermo: the happiest city

The chapel of St. Benedict

The Great Restoration

Gardens and architecture as a backdrop to the city of Palermo

A tree full of life

the Baroque exterior

The liturgical spaces of the protesis and the diaconicon

Roger II’s strategic design

The senses tell the ceiling

The loca solatiorum: dwellings for recreation, well-being and hunting

The cemetery of kings

Characteristics of religious architecture in the romanesque period

The Kings’ Cathedrals

The senses tell the historical context

Roger II of hauteville: a sovereign protected by God

The Admiral’s dedication

A Northern population

The balance between architecture and light

The towers facing the facade used as bell towers

Shapes and colours of the wooden ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Artistic elements in Peter’s ship

Under the crosses of the Bema

A polysemy of high-level artistic forms and content

Cefalù: settlement evidence through time

The construction of Monreale Cathedral: between myth and history

The rediscovered chapel

The mosaics of the presbytery

The chystro: a place between earth and sky

The decorations on the bell tower

Tempus fugit: a strategic project implemented in a short period of time

Interior decorations

The senses tell the mosaic cycle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The links between the hauteville family and the monastic orders in Sicily

The longest aisle

The stone bible

An architectural crescendo

The senses tell the interior

A remarkable ceiling

A building constructed in a short space of time

Porphyry sarcophagi: royalty and power

A space between the visible and the invisible

The cultural substrate through time

A chapel by an unknown designer based on repeated symmetries

The area of the Sanctuary

The Genoard Park, the garden of pleasures and wonders

The original design

Different styles and transformations of “one of the most beautiful monuments in the world”

The flooring: shapes, motifs and iconography

The southern portico

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the naves

The Chapel of the Kings

The decorated facade

A mixture of styles pervades the floor decorations

the Baroque interior

Norman religious architecture with islamic influences in Sicily

The senses tell Context 1

Intertwining of knowledge in Norman Palermo

The Cathedral over the centuries

the roof of Paradise: one of the most representative works of medieval art

The senses tell the historical context

The side aisles

Two initially similar towers, varied over time

The Chapel of St. Mary Magdalene

The Great Presbytery: a unique space for the cathedral

The chorus: beating heart of the cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The lost chapel

Squaring the circle

Worship services

The mosaic cycle, an ascending path towards the light

The mosaics of the transept and the apses

The Virgin Hodegetria

The Gualtiero Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the architecture

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The transformations of the hall through the centuries

Layers of different cultures decorate the external apses

The side Portico: a combination of elegance and lightness of form

The Cassaro

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The return of water

The chapel of san Castrense: an important renaissance work

Saint Peter’s Chapel in the Royal Palace

From the Mosque to the Cathedral

Ecclesia munita

From oblivion to the recovery of memory

The dialogue between the architectures of the monumental complex

The Norman conquest of Sicily and the birth of a new Latin kingdom

The columns of the nave: the meticulous study of the overall order

The ancient convent of the Martorana, a history of devotion and tradition

Survey of the royal tombs

From earthquake to collapse

Decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The king’s mark

The rediscovered palace

Restorations

The senses tell the flooring

A controversial interpretation

The senses tell the historical context

The birth of the Norman kingdom

The senses tell the architecture and decorations

The interior of the church

Gold and light: the splendour of the mosaics in the Royal Chapel

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

The architectural envelope: the Greek cross layout oriented towards the light

Transformations over the centuries

The senses tell the Zisa over the centuries

A cloister of accentuated stylistic variety