photo gallery

photo gallery

The senses tell the historical context

The Kings’ Cathedrals

The towers and the western facade

The chystro: a place between earth and sky

A mixture of styles pervades the floor decorations

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the ceiling

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A cloister of accentuated stylistic variety

The king’s mark

The senses tell the historical context

The senses tell the architecture and decorations

The Gualtiero Cathedral

The return of water

The interior of the church

The cultural substrate through time

The side aisles

Ecclesia munita

From oblivion to the recovery of memory

The senses tell Context 1

Characteristics of religious architecture in the romanesque period

Palermo: the happiest city

The senses tell baroque decoration

The side Portico: a combination of elegance and lightness of form

Layers of different cultures decorate the external apses

A remarkable ceiling

The senses tell the interior

the Baroque exterior

Transformations over the centuries

the Baroque interior

The southern portico

The stone bible

The Chapel of the Kings

The original design

The Genoard Park, the garden of pleasures and wonders

The Palace of Kings

The rediscovered palace

The senses tell the external architecture and the original layout

The transformations of the hall through the centuries

The Royal Throne

From the Mosque to the Cathedral

The senses tell the historical context

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the mosaic cycle

The mosaics of the transept and the apses

The towers facing the facade used as bell towers

Roger II’s strategic design

The dialogue between the architectures of the monumental complex

Cefalù: settlement evidence through time

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A controversial interpretation

The decorated facade

The senses tell the Zisa over the centuries

Two initially similar towers, varied over time

Restorations

From the main gate to the aisles: an invitation to a journey of faith

An architectural crescendo

the roof of Paradise: one of the most representative works of medieval art

The Bible carved in stone

The Norman conquest of Sicily and the birth of a new Latin kingdom

Squaring the circle

The Great Restoration

The architectural space

A palimpsest of history

The mosaics of the presbytery

The Great Presbytery: a unique space for the cathedral

Beyond the harmony of proportions

Roger II of hauteville: a sovereign protected by God

The links between the hauteville family and the monastic orders in Sicily

Shapes and colours of the wooden ceiling

The architectural appearance and transformations over time

Decorations

The cemetery of kings

The longest aisle

Saint Peter’s Chapel in the Royal Palace

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The opus sectile floor of the Palatine Chapel

The loca solatiorum: dwellings for recreation, well-being and hunting

The flooring: shapes, motifs and iconography

The Cassaro

A compositional design that combines nordic examples with new artistic languages, over the centuries

The balance between architecture and light

Gold and light: the splendour of the mosaics in the Royal Chapel

A tree full of life

The Chapel of St. Mary Magdalene

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Admiral’s dedication

Intertwining of knowledge in Norman Palermo

The mosaics of the apses

Worship services

The area of the Sanctuary

The chapel of St. Benedict

Artistic elements in Peter’s ship

The medieval city amidst monasticism and feudal aristocracy

A new Cathedral

A chapel by an unknown designer based on repeated symmetries

The chapel of the crucifix: an artistic casket based on a previous model

Different styles and transformations of “one of the most beautiful monuments in the world”

The Virgin Hodegetria

The lost chapel

The senses tell the architecture

The liturgical spaces of the protesis and the diaconicon

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The decorations on the bell tower

Mosaic decoration

The chorus: beating heart of the cathedral

A Northern population

The construction of Monreale Cathedral: between myth and history

Under the crosses of the Bema

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Gardens and architecture as a backdrop to the city of Palermo

The Cathedral over the centuries

A building constructed in a short space of time

The senses tell restorations

A space between the visible and the invisible

Interior decorations

The mosaics of the naves

Porphyry sarcophagi: royalty and power

Norman religious architecture with islamic influences in Sicily

The columns of the nave: the meticulous study of the overall order

The senses tell the flooring

A polysemy of high-level artistic forms and content

The rediscovered chapel

The chapel of san Castrense: an important renaissance work

The ancient convent of the Martorana, a history of devotion and tradition

The beginning of the construction site

Survey of the royal tombs

From earthquake to collapse

The birth of the Norman kingdom

The mosaic cycle, an ascending path towards the light

Tempus fugit: a strategic project implemented in a short period of time