photo gallery

photo gallery

A Northern population

From earthquake to collapse

The cultural substrate through time

Gold and light: the splendour of the mosaics in the Royal Chapel

Two initially similar towers, varied over time

The senses tell baroque decoration

The mosaics of the presbytery

The mosaics of the transept and the apses

The Great Restoration

The senses tell the Zisa over the centuries

A tree full of life

A compositional design that combines nordic examples with new artistic languages, over the centuries

The lost chapel

The birth of the Norman kingdom

Shapes and colours of the wooden ceiling

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Admiral’s dedication

Tempus fugit: a strategic project implemented in a short period of time

The mosaic cycle, an ascending path towards the light

The senses tell the ceiling

The Great Presbytery: a unique space for the cathedral

Norman religious architecture with islamic influences in Sicily

Under the crosses of the Bema

The mosaics of the naves

the Baroque exterior

The Cathedral over the centuries

Roger II of hauteville: a sovereign protected by God

A polysemy of high-level artistic forms and content

The rediscovered chapel

The side Portico: a combination of elegance and lightness of form

The transformations of the hall through the centuries

Roger II’s strategic design

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

The architectural appearance and transformations over time

Interior decorations

The flooring: shapes, motifs and iconography

Intertwining of knowledge in Norman Palermo

The opus sectile floor of the Palatine Chapel

The area of the Sanctuary

The decorated facade

The chapel of the crucifix: an artistic casket based on a previous model

The rediscovered palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the historical context

A palimpsest of history

Saint Peter’s Chapel in the Royal Palace

The chystro: a place between earth and sky

Transformations over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the flooring

The columns of the nave: the meticulous study of the overall order

The longest aisle

The Royal Throne

The medieval city amidst monasticism and feudal aristocracy

The dialogue between the architectures of the monumental complex

From the Mosque to the Cathedral

The Chapel of St. Mary Magdalene

The decorations on the bell tower

The construction of Monreale Cathedral: between myth and history

The towers and the western facade

The beginning of the construction site

An architectural crescendo

Restorations

The senses tell restorations

The Palace of Kings

Palermo: the happiest city

The interior of the church

The cemetery of kings

The Gualtiero Cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Squaring the circle

Decorations

From oblivion to the recovery of memory

The king’s mark

The Virgin Hodegetria

Cefalù: settlement evidence through time

The Cassaro

Beyond the harmony of proportions

The side aisles

Survey of the royal tombs

Gardens and architecture as a backdrop to the city of Palermo

Layers of different cultures decorate the external apses

Artistic elements in Peter’s ship

A building constructed in a short space of time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Characteristics of religious architecture in the romanesque period

The senses tell the architecture

The Kings’ Cathedrals

The loca solatiorum: dwellings for recreation, well-being and hunting

A cloister of accentuated stylistic variety

The towers facing the facade used as bell towers

From the main gate to the aisles: an invitation to a journey of faith

The balance between architecture and light

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of san Castrense: an important renaissance work

The Bible carved in stone

A mixture of styles pervades the floor decorations

A controversial interpretation

Worship services

A new Cathedral

the roof of Paradise: one of the most representative works of medieval art

A chapel by an unknown designer based on repeated symmetries

The architectural space

The mosaics of the apses

the Baroque interior

A space between the visible and the invisible

The chorus: beating heart of the cathedral

The ancient convent of the Martorana, a history of devotion and tradition

The chapel of St. Benedict

The links between the hauteville family and the monastic orders in Sicily

The senses tell the mosaic cycle

Porphyry sarcophagi: royalty and power

A remarkable ceiling

The stone bible

The architectural envelope: the Greek cross layout oriented towards the light

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell Context 1

The senses tell the historical context

The Chapel of the Kings

The senses tell the architecture and decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The liturgical spaces of the protesis and the diaconicon

The original design

The senses tell the external architecture and the original layout

Mosaic decoration

Ecclesia munita

The return of water

The southern portico

The senses tell the interior