photo gallery

photo gallery

The mosaics of the presbytery

The area of the Sanctuary

Characteristics of religious architecture in the romanesque period

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The links between the hauteville family and the monastic orders in Sicily

The senses tell the ceiling

A tree full of life

Norman religious architecture with islamic influences in Sicily

Ecclesia munita

the Baroque interior

The chapel of St. Benedict

The towers and the western facade

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Roger II’s strategic design

The side aisles

Porphyry sarcophagi: royalty and power

The Chapel of St. Mary Magdalene

The decorations on the bell tower

Two initially similar towers, varied over time

The cemetery of kings

Tempus fugit: a strategic project implemented in a short period of time

Interior decorations

A palimpsest of history

Saint Peter’s Chapel in the Royal Palace

A remarkable ceiling

The columns of the nave: the meticulous study of the overall order

A building constructed in a short space of time

The chystro: a place between earth and sky

The Great Restoration

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the naves

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A space between the visible and the invisible

A chapel by an unknown designer based on repeated symmetries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The longest aisle

An architectural crescendo

A cloister of accentuated stylistic variety

The Great Presbytery: a unique space for the cathedral

A polysemy of high-level artistic forms and content

The rediscovered palace

The southern portico

The senses tell the interior

The Royal Throne

The stone bible

The Cathedral over the centuries

The Genoard Park, the garden of pleasures and wonders

Mosaic decoration

The senses tell restorations

The architectural envelope: the Greek cross layout oriented towards the light

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A controversial interpretation

Gardens and architecture as a backdrop to the city of Palermo

The chapel of the crucifix: an artistic casket based on a previous model

The rediscovered chapel

The mosaic cycle, an ascending path towards the light

The architectural space

Survey of the royal tombs

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The flooring: shapes, motifs and iconography

The decorated facade

The side Portico: a combination of elegance and lightness of form

The Bible carved in stone

Shapes and colours of the wooden ceiling

The Virgin Hodegetria

The liturgical spaces of the protesis and the diaconicon

The ancient convent of the Martorana, a history of devotion and tradition

The balance between architecture and light

The mosaics of the apses

A Northern population

The lost chapel

The architectural appearance and transformations over time

The opus sectile floor of the Palatine Chapel

The interior of the church

The chapel of san Castrense: an important renaissance work

The original design

The chorus: beating heart of the cathedral

Under the crosses of the Bema

Different styles and transformations of “one of the most beautiful monuments in the world”

Cefalù: settlement evidence through time

the roof of Paradise: one of the most representative works of medieval art

The senses tell the architecture and decorations

The towers facing the facade used as bell towers

The Norman conquest of Sicily and the birth of a new Latin kingdom

Intertwining of knowledge in Norman Palermo

Decorations

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the historical context

The transformations of the hall through the centuries

The Palace of Kings

The king’s mark

Roger II of hauteville: a sovereign protected by God

The Admiral’s dedication

Artistic elements in Peter’s ship

From the Mosque to the Cathedral

The Kings’ Cathedrals

From earthquake to collapse

A compositional design that combines nordic examples with new artistic languages, over the centuries

The beginning of the construction site

The Chapel of the Kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell baroque decoration

The birth of the Norman kingdom

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the historical context

The senses tell the mosaic cycle

A mixture of styles pervades the floor decorations

The senses tell the historical context

The medieval city amidst monasticism and feudal aristocracy

Beyond the harmony of proportions

The mosaics of the transept and the apses

Transformations over the centuries

The Gualtiero Cathedral

The senses tell the Zisa over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The return of water

Palermo: the happiest city

The cultural substrate through time

Restorations

From oblivion to the recovery of memory

The senses tell Context 1

Worship services

The dialogue between the architectures of the monumental complex

The senses tell the external architecture and the original layout

The senses tell the flooring

The construction of Monreale Cathedral: between myth and history

Gold and light: the splendour of the mosaics in the Royal Chapel

the Baroque exterior

A new Cathedral

Layers of different cultures decorate the external apses

Squaring the circle

The Cassaro

The senses tell the architecture