photo gallery

photo gallery

The construction of Monreale Cathedral: between myth and history

A tree full of life

The senses tell the architecture

The rediscovered palace

The Gualtiero Cathedral

The links between the hauteville family and the monastic orders in Sicily

The ancient convent of the Martorana, a history of devotion and tradition

A controversial interpretation

A new Cathedral

The senses tell the ceiling

The mosaics of the presbytery

The senses tell the external architecture and the original layout

The Kings’ Cathedrals

The senses tell the Zisa over the centuries

The columns of the nave: the meticulous study of the overall order

From oblivion to the recovery of memory

The side aisles

The mosaics of the transept and the apses

A chapel by an unknown designer based on repeated symmetries

The senses tell the mosaic cycle

Survey of the royal tombs

The medieval city amidst monasticism and feudal aristocracy

The towers and the western facade

The cemetery of kings

Norman religious architecture with islamic influences in Sicily

Different styles and transformations of “one of the most beautiful monuments in the world”

The flooring: shapes, motifs and iconography

The rediscovered chapel

The towers facing the facade used as bell towers

The mosaics of the naves

The longest aisle

The senses tell the flooring

Layers of different cultures decorate the external apses

the Baroque exterior

Interior decorations

The chorus: beating heart of the cathedral

The opus sectile floor of the Palatine Chapel

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cassaro

A polysemy of high-level artistic forms and content

A palimpsest of history

The Cathedral over the centuries

The Virgin Hodegetria

The loca solatiorum: dwellings for recreation, well-being and hunting

The Palace of Kings

Tempus fugit: a strategic project implemented in a short period of time

The birth of the Norman kingdom

From the main gate to the aisles: an invitation to a journey of faith

A compositional design that combines nordic examples with new artistic languages, over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A remarkable ceiling

The chapel of san Castrense: an important renaissance work

The decorations on the bell tower

The Genoard Park, the garden of pleasures and wonders

Gardens and architecture as a backdrop to the city of Palermo

The beginning of the construction site

Intertwining of knowledge in Norman Palermo

The stone bible

The liturgical spaces of the protesis and the diaconicon

The balance between architecture and light

The Royal Throne

Squaring the circle

A building constructed in a short space of time

Roger II of hauteville: a sovereign protected by God

The senses tell the architecture and decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A cloister of accentuated stylistic variety

Transformations over the centuries

The Chapel of St. Mary Magdalene

The cultural substrate through time

Two initially similar towers, varied over time

Characteristics of religious architecture in the romanesque period

From the Mosque to the Cathedral

Beyond the harmony of proportions

The architectural appearance and transformations over time

Mosaic decoration

The senses tell the historical context

The southern portico

The area of the Sanctuary

Decorations

The original design

Palermo: the happiest city

Saint Peter’s Chapel in the Royal Palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chapel of St. Benedict

The Chapel of the Kings

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Restorations

the roof of Paradise: one of the most representative works of medieval art

Artistic elements in Peter’s ship

The Great Presbytery: a unique space for the cathedral

The mosaic cycle, an ascending path towards the light

Shapes and colours of the wooden ceiling

the Baroque interior

The chapel of the crucifix: an artistic casket based on a previous model

The Bible carved in stone

Roger II’s strategic design

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Under the crosses of the Bema

The architectural envelope: the Greek cross layout oriented towards the light

An architectural crescendo

From earthquake to collapse

The Great Restoration

The interior of the church

The senses tell the historical context

Ecclesia munita

The senses tell the interior

The decorated facade

A Northern population

The king’s mark

The mosaics of the apses

The side Portico: a combination of elegance and lightness of form

The senses tell baroque decoration

The senses tell the historical context

The dialogue between the architectures of the monumental complex

The chystro: a place between earth and sky

The transformations of the hall through the centuries

A space between the visible and the invisible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Porphyry sarcophagi: royalty and power

Cefalù: settlement evidence through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell restorations

The architectural space

The senses tell Context 1

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A mixture of styles pervades the floor decorations

Worship services

The lost chapel

The return of water

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Admiral’s dedication