photo gallery

photo gallery

The balance between architecture and light

The southern portico

Gold and light: the splendour of the mosaics in the Royal Chapel

A cloister of accentuated stylistic variety

Beyond the harmony of proportions

The rediscovered palace

The Great Presbytery: a unique space for the cathedral

The interior of the church

The chorus: beating heart of the cathedral

Porphyry sarcophagi: royalty and power

The towers facing the facade used as bell towers

Roger II of hauteville: a sovereign protected by God

The construction of Monreale Cathedral: between myth and history

The Cathedral over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Intertwining of knowledge in Norman Palermo

The side Portico: a combination of elegance and lightness of form

Squaring the circle

Interior decorations

Norman religious architecture with islamic influences in Sicily

A building constructed in a short space of time

A palimpsest of history

The area of the Sanctuary

A Northern population

The Great Restoration

From the Mosque to the Cathedral

The mosaics of the apses

The Virgin Hodegetria

The mosaics of the presbytery

The Bible carved in stone

An architectural crescendo

A remarkable ceiling

The cultural substrate through time

The senses tell Context 1

The architectural envelope: the Greek cross layout oriented towards the light

The Royal Throne

The mosaics of the transept and the apses

The cemetery of kings

The architectural space

The beginning of the construction site

From earthquake to collapse

Two initially similar towers, varied over time

The senses tell the historical context

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

From oblivion to the recovery of memory

The return of water

The towers and the western facade

Palermo: the happiest city

The chapel of san Castrense: an important renaissance work

The mosaics of the naves

Survey of the royal tombs

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the architecture

The birth of the Norman kingdom

A mixture of styles pervades the floor decorations

The senses tell the ceiling

A controversial interpretation

A polysemy of high-level artistic forms and content

The senses tell the mosaic cycle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural appearance and transformations over time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell baroque decoration

The rediscovered chapel

From the main gate to the aisles: an invitation to a journey of faith

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the Zisa over the centuries

The columns of the nave: the meticulous study of the overall order

Saint Peter’s Chapel in the Royal Palace

A tree full of life

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Chapel of St. Mary Magdalene

The medieval city amidst monasticism and feudal aristocracy

The stone bible

The decorated facade

The side aisles

A chapel by an unknown designer based on repeated symmetries

Artistic elements in Peter’s ship

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Restorations

The lost chapel

The chystro: a place between earth and sky

Decorations

A new Cathedral

The longest aisle

The Kings’ Cathedrals

The senses tell the external architecture and the original layout

The Palace of Kings

The senses tell the historical context

Ecclesia munita

The ancient convent of the Martorana, a history of devotion and tradition

the Baroque exterior

Mosaic decoration

The Chapel of the Kings

Shapes and colours of the wooden ceiling

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The flooring: shapes, motifs and iconography

The dialogue between the architectures of the monumental complex

The liturgical spaces of the protesis and the diaconicon

The decorations on the bell tower

The opus sectile floor of the Palatine Chapel

The senses tell the historical context

the Baroque interior

Characteristics of religious architecture in the romanesque period

The Norman conquest of Sicily and the birth of a new Latin kingdom

Tempus fugit: a strategic project implemented in a short period of time

The Admiral’s dedication

The links between the hauteville family and the monastic orders in Sicily

Different styles and transformations of “one of the most beautiful monuments in the world”

The loca solatiorum: dwellings for recreation, well-being and hunting

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The transformations of the hall through the centuries

The senses tell the interior

The original design

The senses tell restorations

The senses tell the architecture and decorations

Roger II’s strategic design

The chapel of St. Benedict

The Genoard Park, the garden of pleasures and wonders

The senses tell the flooring

A space between the visible and the invisible

Transformations over the centuries

The king’s mark

The Gualtiero Cathedral

Gardens and architecture as a backdrop to the city of Palermo

the roof of Paradise: one of the most representative works of medieval art

Layers of different cultures decorate the external apses

The Cassaro

Cefalù: settlement evidence through time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaic cycle, an ascending path towards the light

Worship services

Under the crosses of the Bema