photo gallery

photo gallery

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

the Baroque exterior

From oblivion to the recovery of memory

Roger II’s strategic design

The liturgical spaces of the protesis and the diaconicon

A tree full of life

The original design

The Palace of Kings

The Gualtiero Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the external architecture and the original layout

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A new Cathedral

From the main gate to the aisles: an invitation to a journey of faith

Beyond the harmony of proportions

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Restorations

The chapel of the crucifix: an artistic casket based on a previous model

Ecclesia munita

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Royal Throne

A palimpsest of history

The Kings’ Cathedrals

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The mosaics of the naves

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the historical context

The Cassaro

Gold and light: the splendour of the mosaics in the Royal Chapel

The side Portico: a combination of elegance and lightness of form

The construction of Monreale Cathedral: between myth and history

The links between the hauteville family and the monastic orders in Sicily

The lost chapel

The Norman conquest of Sicily and the birth of a new Latin kingdom

The transformations of the hall through the centuries

A cloister of accentuated stylistic variety

The rediscovered chapel

A space between the visible and the invisible

The senses tell the historical context

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell baroque decoration

The return of water

The architectural space

The Virgin Hodegetria

Interior decorations

Under the crosses of the Bema

The longest aisle

The ancient convent of the Martorana, a history of devotion and tradition

Cefalù: settlement evidence through time

The Chapel of St. Mary Magdalene

The mosaics of the presbytery

Different styles and transformations of “one of the most beautiful monuments in the world”

The Chapel of the Kings

The Genoard Park, the garden of pleasures and wonders

The chapel of san Castrense: an important renaissance work

From earthquake to collapse

Worship services

The birth of the Norman kingdom

The area of the Sanctuary

A chapel by an unknown designer based on repeated symmetries

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

An architectural crescendo

Survey of the royal tombs

The decorated facade

The senses tell the interior

Two initially similar towers, varied over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cultural substrate through time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the flooring

The decorations on the bell tower

The chystro: a place between earth and sky

A remarkable ceiling

the Baroque interior

The senses tell the Zisa over the centuries

The architectural appearance and transformations over time

The stone bible

The rediscovered palace

The balance between architecture and light

Shapes and colours of the wooden ceiling

Porphyry sarcophagi: royalty and power

Decorations

A mixture of styles pervades the floor decorations

The senses tell restorations

A building constructed in a short space of time

Norman religious architecture with islamic influences in Sicily

Roger II of hauteville: a sovereign protected by God

The senses tell the architecture

The columns of the nave: the meticulous study of the overall order

Artistic elements in Peter’s ship

From the Mosque to the Cathedral

Characteristics of religious architecture in the romanesque period

The dialogue between the architectures of the monumental complex

The mosaic cycle, an ascending path towards the light

The towers and the western facade

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the architecture and decorations

Squaring the circle

A polysemy of high-level artistic forms and content

The towers facing the facade used as bell towers

The Cathedral over the centuries

A Northern population

Intertwining of knowledge in Norman Palermo

The mosaics of the apses

The Bible carved in stone

The senses tell the ceiling

Palermo: the happiest city

Transformations over the centuries

The cemetery of kings

Saint Peter’s Chapel in the Royal Palace

The beginning of the construction site

The mosaics of the transept and the apses

The Great Presbytery: a unique space for the cathedral

The chorus: beating heart of the cathedral

The senses tell the historical context

The interior of the church

The Admiral’s dedication

the roof of Paradise: one of the most representative works of medieval art

The Great Restoration

Layers of different cultures decorate the external apses

The senses tell the mosaic cycle

A controversial interpretation

Tempus fugit: a strategic project implemented in a short period of time

Mosaic decoration

The chapel of St. Benedict

The opus sectile floor of the Palatine Chapel

The king’s mark

The flooring: shapes, motifs and iconography

The southern portico

The side aisles

The medieval city amidst monasticism and feudal aristocracy

The architectural envelope: the Greek cross layout oriented towards the light