photo gallery

photo gallery

Ecclesia munita

The interior of the church

From earthquake to collapse

Restorations

the Baroque interior

From oblivion to the recovery of memory

The rediscovered palace

Intertwining of knowledge in Norman Palermo

Transformations over the centuries

Survey of the royal tombs

The decorated facade

The Norman conquest of Sicily and the birth of a new Latin kingdom

The king’s mark

The columns of the nave: the meticulous study of the overall order

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the apses

The southern portico

The senses tell the flooring

The senses tell Context 1

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A Northern population

From the main gate to the aisles: an invitation to a journey of faith

The side Portico: a combination of elegance and lightness of form

The return of water

A compositional design that combines nordic examples with new artistic languages, over the centuries

The stone bible

The chystro: a place between earth and sky

The senses tell baroque decoration

The chorus: beating heart of the cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A controversial interpretation

Palermo: the happiest city

The construction of Monreale Cathedral: between myth and history

The senses tell the architecture and decorations

A new Cathedral

Layers of different cultures decorate the external apses

Shapes and colours of the wooden ceiling

The senses tell the architecture

The balance between architecture and light

The towers facing the facade used as bell towers

Mosaic decoration

Gold and light: the splendour of the mosaics in the Royal Chapel

The original design

Beyond the harmony of proportions

The senses tell the interior

Norman religious architecture with islamic influences in Sicily

The Bible carved in stone

The architectural appearance and transformations over time

A mixture of styles pervades the floor decorations

The senses tell restorations

The mosaics of the presbytery

The mosaics of the naves

The Admiral’s dedication

A building constructed in a short space of time

Artistic elements in Peter’s ship

The chapel of san Castrense: an important renaissance work

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the historical context

The lost chapel

The senses tell the Zisa over the centuries

A remarkable ceiling

The cultural substrate through time

Roger II of hauteville: a sovereign protected by God

The opus sectile floor of the Palatine Chapel

Two initially similar towers, varied over time

The mosaics of the transept and the apses

the roof of Paradise: one of the most representative works of medieval art

The Great Presbytery: a unique space for the cathedral

The Gualtiero Cathedral

Characteristics of religious architecture in the romanesque period

The flooring: shapes, motifs and iconography

The mosaic cycle, an ascending path towards the light

The rediscovered chapel

The senses tell the external architecture and the original layout

A chapel by an unknown designer based on repeated symmetries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A space between the visible and the invisible

An architectural crescendo

A polysemy of high-level artistic forms and content

The liturgical spaces of the protesis and the diaconicon

The Genoard Park, the garden of pleasures and wonders

The links between the hauteville family and the monastic orders in Sicily

the Baroque exterior

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cemetery of kings

Decorations

Under the crosses of the Bema

The transformations of the hall through the centuries

Interior decorations

The senses tell the mosaic cycle

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Palace of Kings

The longest aisle

The Great Restoration

The chapel of St. Benedict

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cathedral over the centuries

Roger II’s strategic design

The birth of the Norman kingdom

The Royal Throne

Different styles and transformations of “one of the most beautiful monuments in the world”

The Chapel of the Kings

The Cassaro

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The loca solatiorum: dwellings for recreation, well-being and hunting

The ancient convent of the Martorana, a history of devotion and tradition

The beginning of the construction site

A tree full of life

The area of the Sanctuary

The Virgin Hodegetria

The senses tell the historical context

Squaring the circle

The decorations on the bell tower

From the Mosque to the Cathedral

The senses tell the ceiling

Porphyry sarcophagi: royalty and power

Saint Peter’s Chapel in the Royal Palace

The towers and the western facade

Worship services

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Chapel of St. Mary Magdalene

The Kings’ Cathedrals

Cefalù: settlement evidence through time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A palimpsest of history

The medieval city amidst monasticism and feudal aristocracy

The dialogue between the architectures of the monumental complex

Tempus fugit: a strategic project implemented in a short period of time

The chapel of the crucifix: an artistic casket based on a previous model

The architectural space

A cloister of accentuated stylistic variety

The senses tell the historical context

The side aisles