photo gallery

photo gallery

Beyond the harmony of proportions

From the main gate to the aisles: an invitation to a journey of faith

the roof of Paradise: one of the most representative works of medieval art

The chapel of the crucifix: an artistic casket based on a previous model

The decorated facade

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Admiral’s dedication

The medieval city amidst monasticism and feudal aristocracy

The senses tell the interior

The senses tell the architecture and decorations

The Virgin Hodegetria

Squaring the circle

The architectural space

A compositional design that combines nordic examples with new artistic languages, over the centuries

The links between the hauteville family and the monastic orders in Sicily

The towers and the western facade

Two initially similar towers, varied over time

Ecclesia munita

The southern portico

the Baroque exterior

Roger II’s strategic design

The side aisles

The senses tell the architecture

Decorations

A tree full of life

Gardens and architecture as a backdrop to the city of Palermo

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell Context 1

The side Portico: a combination of elegance and lightness of form

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell baroque decoration

The transformations of the hall through the centuries

Worship services

Restorations

Artistic elements in Peter’s ship

The mosaics of the transept and the apses

The return of water

From oblivion to the recovery of memory

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Cathedral over the centuries

The beginning of the construction site

The balance between architecture and light

The Kings’ Cathedrals

The senses tell the external architecture and the original layout

The ancient convent of the Martorana, a history of devotion and tradition

The cultural substrate through time

The senses tell restorations

The chapel of san Castrense: an important renaissance work

The Chapel of the Kings

A controversial interpretation

The decorations on the bell tower

The senses tell the mosaic cycle

An architectural crescendo

Intertwining of knowledge in Norman Palermo

The senses tell the ceiling

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The original design

The Genoard Park, the garden of pleasures and wonders

A mixture of styles pervades the floor decorations

From the Mosque to the Cathedral

A chapel by an unknown designer based on repeated symmetries

The flooring: shapes, motifs and iconography

Transformations over the centuries

The senses tell the Zisa over the centuries

The architectural envelope: the Greek cross layout oriented towards the light

A new Cathedral

The longest aisle

Tempus fugit: a strategic project implemented in a short period of time

The cemetery of kings

The architectural appearance and transformations over time

The Palace of Kings

The Great Presbytery: a unique space for the cathedral

The opus sectile floor of the Palatine Chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Royal Throne

The rediscovered chapel

The senses tell the flooring

The Cassaro

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the apses

The interior of the church

The Norman conquest of Sicily and the birth of a new Latin kingdom

A space between the visible and the invisible

The chorus: beating heart of the cathedral

A polysemy of high-level artistic forms and content

The Gualtiero Cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The towers facing the facade used as bell towers

A building constructed in a short space of time

Porphyry sarcophagi: royalty and power

The Great Restoration

The columns of the nave: the meticulous study of the overall order

The stone bible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The liturgical spaces of the protesis and the diaconicon

Shapes and colours of the wooden ceiling

Different styles and transformations of “one of the most beautiful monuments in the world”

A remarkable ceiling

A Northern population

The Bible carved in stone

The mosaics of the naves

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

Under the crosses of the Bema

The birth of the Norman kingdom

The chapel of St. Benedict

The rediscovered palace

A cloister of accentuated stylistic variety

A palimpsest of history

From earthquake to collapse

The lost chapel

Mosaic decoration

The mosaics of the presbytery

Roger II of hauteville: a sovereign protected by God

The Chapel of St. Mary Magdalene

The mosaic cycle, an ascending path towards the light

Survey of the royal tombs

The chystro: a place between earth and sky

Cefalù: settlement evidence through time

The king’s mark

the Baroque interior

The construction of Monreale Cathedral: between myth and history

The senses tell the historical context

Palermo: the happiest city

The dialogue between the architectures of the monumental complex

The senses tell the historical context

Interior decorations

Norman religious architecture with islamic influences in Sicily

The area of the Sanctuary

Characteristics of religious architecture in the romanesque period

Layers of different cultures decorate the external apses