photo gallery

photo gallery

The mosaics of the naves

A controversial interpretation

The senses tell the historical context

The senses tell Context 1

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the ceiling

The Norman conquest of Sicily and the birth of a new Latin kingdom

The stone bible

The Genoard Park, the garden of pleasures and wonders

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Different styles and transformations of “one of the most beautiful monuments in the world”

The medieval city amidst monasticism and feudal aristocracy

The links between the hauteville family and the monastic orders in Sicily

The interior of the church

Worship services

Shapes and colours of the wooden ceiling

The senses tell the external architecture and the original layout

the Baroque interior

The ancient convent of the Martorana, a history of devotion and tradition

Tempus fugit: a strategic project implemented in a short period of time

The senses tell restorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The side aisles

The Virgin Hodegetria

Restorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The rediscovered chapel

The area of the Sanctuary

A space between the visible and the invisible

Layers of different cultures decorate the external apses

The liturgical spaces of the protesis and the diaconicon

Survey of the royal tombs

Mosaic decoration

the Baroque exterior

The construction of Monreale Cathedral: between myth and history

The longest aisle

The senses tell the interior

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Artistic elements in Peter’s ship

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II’s strategic design

Intertwining of knowledge in Norman Palermo

The Cathedral over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Royal Throne

The chorus: beating heart of the cathedral

The lost chapel

The towers facing the facade used as bell towers

The cultural substrate through time

Two initially similar towers, varied over time

The chystro: a place between earth and sky

The mosaics of the transept and the apses

The southern portico

The decorated facade

The towers and the western facade

Interior decorations

The balance between architecture and light

The beginning of the construction site

A Northern population

The Kings’ Cathedrals

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the historical context

The Chapel of the Kings

Roger II of hauteville: a sovereign protected by God

The senses tell the flooring

Norman religious architecture with islamic influences in Sicily

The return of water

The Gualtiero Cathedral

The senses tell the architecture

Beyond the harmony of proportions

The cemetery of kings

A mixture of styles pervades the floor decorations

The senses tell the Zisa over the centuries

From the Mosque to the Cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Decorations

A new Cathedral

The side Portico: a combination of elegance and lightness of form

The decorations on the bell tower

The mosaic cycle, an ascending path towards the light

A chapel by an unknown designer based on repeated symmetries

Transformations over the centuries

Porphyry sarcophagi: royalty and power

Gold and light: the splendour of the mosaics in the Royal Chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

Squaring the circle

The Great Presbytery: a unique space for the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From earthquake to collapse

A tree full of life

The Great Restoration

A building constructed in a short space of time

The chapel of san Castrense: an important renaissance work

The architectural appearance and transformations over time

The mosaics of the presbytery

The architectural space

Gardens and architecture as a backdrop to the city of Palermo

An architectural crescendo

The loca solatiorum: dwellings for recreation, well-being and hunting

From oblivion to the recovery of memory

The king’s mark

Palermo: the happiest city

The columns of the nave: the meticulous study of the overall order

Ecclesia munita

Under the crosses of the Bema

The transformations of the hall through the centuries

A palimpsest of history

The flooring: shapes, motifs and iconography

Cefalù: settlement evidence through time

The Chapel of St. Mary Magdalene

The rediscovered palace

Saint Peter’s Chapel in the Royal Palace

the roof of Paradise: one of the most representative works of medieval art

The original design

The Admiral’s dedication

The senses tell the architecture and decorations

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the mosaic cycle

The Palace of Kings

The Bible carved in stone

A polysemy of high-level artistic forms and content

The mosaics of the apses

A remarkable ceiling

The senses tell the historical context

The senses tell baroque decoration

A cloister of accentuated stylistic variety

The opus sectile floor of the Palatine Chapel

The architectural envelope: the Greek cross layout oriented towards the light

The birth of the Norman kingdom

The Cassaro

The dialogue between the architectures of the monumental complex

Characteristics of religious architecture in the romanesque period

The chapel of St. Benedict