photo gallery

photo gallery

The medieval city amidst monasticism and feudal aristocracy

Norman religious architecture with islamic influences in Sicily

A tree full of life

The Genoard Park, the garden of pleasures and wonders

Restorations

The Chapel of the Kings

The senses tell the Zisa over the centuries

Intertwining of knowledge in Norman Palermo

The birth of the Norman kingdom

the roof of Paradise: one of the most representative works of medieval art

Ecclesia munita

The senses tell baroque decoration

The original design

The Admiral’s dedication

The Cathedral over the centuries

A building constructed in a short space of time

The senses tell the architecture and decorations

The mosaics of the presbytery

The architectural appearance and transformations over time

The Cassaro

The mosaics of the apses

The senses tell the interior

The towers facing the facade used as bell towers

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

From earthquake to collapse

The senses tell the mosaic cycle

Transformations over the centuries

The senses tell Context 1

Two initially similar towers, varied over time

The architectural envelope: the Greek cross layout oriented towards the light

Squaring the circle

The dialogue between the architectures of the monumental complex

A chapel by an unknown designer based on repeated symmetries

The senses tell the external architecture and the original layout

The mosaics of the naves

The Gualtiero Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

The decorated facade

The beginning of the construction site

From the Mosque to the Cathedral

The flooring: shapes, motifs and iconography

The stone bible

The architectural space

The side Portico: a combination of elegance and lightness of form

Characteristics of religious architecture in the romanesque period

Gardens and architecture as a backdrop to the city of Palermo

The decorations on the bell tower

Roger II of hauteville: a sovereign protected by God

From oblivion to the recovery of memory

Under the crosses of the Bema

The Kings’ Cathedrals

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chystro: a place between earth and sky

The lost chapel

Palermo: the happiest city

The rediscovered chapel

A mixture of styles pervades the floor decorations

The Great Restoration

The opus sectile floor of the Palatine Chapel

The mosaics of the transept and the apses

The chorus: beating heart of the cathedral

The senses tell the ceiling

Cefalù: settlement evidence through time

The area of the Sanctuary

The return of water

the Baroque exterior

The cemetery of kings

A palimpsest of history

The rediscovered palace

From the main gate to the aisles: an invitation to a journey of faith

The king’s mark

The chapel of the crucifix: an artistic casket based on a previous model

The Palace of Kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

Shapes and colours of the wooden ceiling

The cultural substrate through time

A Northern population

The liturgical spaces of the protesis and the diaconicon

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Royal Throne

Worship services

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A polysemy of high-level artistic forms and content

Porphyry sarcophagi: royalty and power

The loca solatiorum: dwellings for recreation, well-being and hunting

The mosaic cycle, an ascending path towards the light

An architectural crescendo

Survey of the royal tombs

Gold and light: the splendour of the mosaics in the Royal Chapel

The links between the hauteville family and the monastic orders in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Layers of different cultures decorate the external apses

the Baroque interior

The senses tell the architecture

The side aisles

The balance between architecture and light

The towers and the western facade

Beyond the harmony of proportions

The southern portico

The construction of Monreale Cathedral: between myth and history

The senses tell the historical context

A cloister of accentuated stylistic variety

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

Decorations

Interior decorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A new Cathedral

The senses tell restorations

The senses tell the flooring

The ancient convent of the Martorana, a history of devotion and tradition

A controversial interpretation

The senses tell the historical context

The columns of the nave: the meticulous study of the overall order

The Chapel of St. Mary Magdalene

Saint Peter’s Chapel in the Royal Palace

The senses tell the historical context

The Bible carved in stone

Tempus fugit: a strategic project implemented in a short period of time

Roger II’s strategic design

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The interior of the church

A remarkable ceiling

The Great Presbytery: a unique space for the cathedral

The longest aisle

Different styles and transformations of “one of the most beautiful monuments in the world”

The Virgin Hodegetria

Artistic elements in Peter’s ship

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

The transformations of the hall through the centuries

Mosaic decoration

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents