photo gallery

photo gallery

The mosaics of the presbytery

The mosaics of the transept and the apses

The Chapel of the Kings

The flooring: shapes, motifs and iconography

A remarkable ceiling

Transformations over the centuries

The senses tell the architecture and decorations

Gardens and architecture as a backdrop to the city of Palermo

From earthquake to collapse

The chapel of san Castrense: an important renaissance work

The Kings’ Cathedrals

The architectural envelope: the Greek cross layout oriented towards the light

A new Cathedral

The Cathedral over the centuries

The lost chapel

The chorus: beating heart of the cathedral

The senses tell the historical context

The mosaics of the apses

The towers and the western facade

The Palace of Kings

Ecclesia munita

Squaring the circle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The liturgical spaces of the protesis and the diaconicon

Characteristics of religious architecture in the romanesque period

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the architecture

The original design

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the naves

The Norman conquest of Sicily and the birth of a new Latin kingdom

A space between the visible and the invisible

the roof of Paradise: one of the most representative works of medieval art

The cemetery of kings

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

The senses tell the flooring

The Gualtiero Cathedral

A chapel by an unknown designer based on repeated symmetries

The architectural appearance and transformations over time

Saint Peter’s Chapel in the Royal Palace

The Chapel of St. Mary Magdalene

A polysemy of high-level artistic forms and content

The stone bible

The senses tell the historical context

From the Mosque to the Cathedral

Layers of different cultures decorate the external apses

The senses tell the ceiling

The longest aisle

Cefalù: settlement evidence through time

From the main gate to the aisles: an invitation to a journey of faith

A Northern population

The southern portico

Roger II of hauteville: a sovereign protected by God

Survey of the royal tombs

Norman religious architecture with islamic influences in Sicily

The king’s mark

The Admiral’s dedication

The mosaic cycle, an ascending path towards the light

A palimpsest of history

The transformations of the hall through the centuries

The Great Presbytery: a unique space for the cathedral

The senses tell restorations

The Great Restoration

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

the Baroque exterior

The area of the Sanctuary

The columns of the nave: the meticulous study of the overall order

Palermo: the happiest city

The Royal Throne

The chapel of St. Benedict

The senses tell the interior

A controversial interpretation

The senses tell baroque decoration

Interior decorations

The rediscovered palace

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Bible carved in stone

Roger II’s strategic design

Different styles and transformations of “one of the most beautiful monuments in the world”

The rediscovered chapel

The ancient convent of the Martorana, a history of devotion and tradition

The Cassaro

Shapes and colours of the wooden ceiling

An architectural crescendo

Artistic elements in Peter’s ship

The medieval city amidst monasticism and feudal aristocracy

Decorations

Two initially similar towers, varied over time

The Virgin Hodegetria

The Genoard Park, the garden of pleasures and wonders

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Under the crosses of the Bema

the Baroque interior

The chapel of the crucifix: an artistic casket based on a previous model

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A compositional design that combines nordic examples with new artistic languages, over the centuries

A cloister of accentuated stylistic variety

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the external architecture and the original layout

A tree full of life

The construction of Monreale Cathedral: between myth and history

The balance between architecture and light

A mixture of styles pervades the floor decorations

The interior of the church

The side Portico: a combination of elegance and lightness of form

Intertwining of knowledge in Norman Palermo

Beyond the harmony of proportions

The beginning of the construction site

The decorations on the bell tower

The side aisles

From oblivion to the recovery of memory

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A building constructed in a short space of time

Porphyry sarcophagi: royalty and power

The senses tell Context 1

The cultural substrate through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the mosaic cycle

Mosaic decoration

Worship services

The loca solatiorum: dwellings for recreation, well-being and hunting

Gold and light: the splendour of the mosaics in the Royal Chapel

The opus sectile floor of the Palatine Chapel

The senses tell the Zisa over the centuries

The chystro: a place between earth and sky

The towers facing the facade used as bell towers

The decorated facade

The birth of the Norman kingdom

The architectural space

Restorations

The dialogue between the architectures of the monumental complex

The return of water