photo gallery

photo gallery

The senses tell the architecture and decorations

An architectural crescendo

The Great Presbytery: a unique space for the cathedral

The senses tell Context 1

The Admiral’s dedication

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cathedral over the centuries

A remarkable ceiling

Two initially similar towers, varied over time

The links between the hauteville family and the monastic orders in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The Royal Throne

the roof of Paradise: one of the most representative works of medieval art

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

the Baroque exterior

The chystro: a place between earth and sky

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The king’s mark

Worship services

The Chapel of St. Mary Magdalene

The loca solatiorum: dwellings for recreation, well-being and hunting

Porphyry sarcophagi: royalty and power

The rediscovered chapel

The mosaics of the transept and the apses

Palermo: the happiest city

The Kings’ Cathedrals

The opus sectile floor of the Palatine Chapel

The flooring: shapes, motifs and iconography

The beginning of the construction site

From earthquake to collapse

The senses tell the external architecture and the original layout

Intertwining of knowledge in Norman Palermo

The Virgin Hodegetria

Transformations over the centuries

The side aisles

The original design

Under the crosses of the Bema

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell baroque decoration

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the naves

The columns of the nave: the meticulous study of the overall order

Saint Peter’s Chapel in the Royal Palace

A chapel by an unknown designer based on repeated symmetries

The transformations of the hall through the centuries

The architectural appearance and transformations over time

The senses tell the historical context

The Chapel of the Kings

A controversial interpretation

The Genoard Park, the garden of pleasures and wonders

The longest aisle

The mosaic cycle, an ascending path towards the light

The chapel of St. Benedict

The senses tell the interior

The Cassaro

A palimpsest of history

The mosaics of the presbytery

The southern portico

A new Cathedral

A building constructed in a short space of time

The cemetery of kings

The architectural space

Beyond the harmony of proportions

Artistic elements in Peter’s ship

The Great Restoration

The decorated facade

Norman religious architecture with islamic influences in Sicily

From the main gate to the aisles: an invitation to a journey of faith

The Norman conquest of Sicily and the birth of a new Latin kingdom

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The lost chapel

The liturgical spaces of the protesis and the diaconicon

Shapes and colours of the wooden ceiling

The construction of Monreale Cathedral: between myth and history

The ancient convent of the Martorana, a history of devotion and tradition

Roger II’s strategic design

A polysemy of high-level artistic forms and content

The cultural substrate through time

Roger II of hauteville: a sovereign protected by God

Characteristics of religious architecture in the romanesque period

The mosaics of the apses

The senses tell the architecture

The senses tell the historical context

The towers and the western facade

The return of water

The side Portico: a combination of elegance and lightness of form

The senses tell the ceiling

Decorations

The medieval city amidst monasticism and feudal aristocracy

The architectural envelope: the Greek cross layout oriented towards the light

Restorations

From the Mosque to the Cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The chorus: beating heart of the cathedral

The area of the Sanctuary

The rediscovered palace

The senses tell the historical context

The Palace of Kings

The senses tell the Zisa over the centuries

Layers of different cultures decorate the external apses

The dialogue between the architectures of the monumental complex

The balance between architecture and light

A space between the visible and the invisible

Survey of the royal tombs

The birth of the Norman kingdom

Cefalù: settlement evidence through time

A Northern population

The decorations on the bell tower

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Mosaic decoration

Squaring the circle

The chapel of san Castrense: an important renaissance work

Ecclesia munita

The Bible carved in stone

A cloister of accentuated stylistic variety

The towers facing the facade used as bell towers

From oblivion to the recovery of memory

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Different styles and transformations of “one of the most beautiful monuments in the world”

A mixture of styles pervades the floor decorations

The senses tell the mosaic cycle

The Gualtiero Cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Interior decorations

The stone bible

The senses tell restorations

A tree full of life

The senses tell the flooring

The interior of the church

the Baroque interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure