photo gallery

photo gallery

The Bible carved in stone

Survey of the royal tombs

Mosaic decoration

Cefalù: settlement evidence through time

The senses tell the architecture and decorations

Ecclesia munita

An architectural crescendo

The senses tell the Zisa over the centuries

The senses tell the external architecture and the original layout

The Cathedral over the centuries

A space between the visible and the invisible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chystro: a place between earth and sky

The beginning of the construction site

The senses tell the architecture

The cemetery of kings

the Baroque interior

The Gualtiero Cathedral

The architectural space

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The dialogue between the architectures of the monumental complex

Interior decorations

The original design

A mixture of styles pervades the floor decorations

The longest aisle

The southern portico

The Cassaro

Restorations

Saint Peter’s Chapel in the Royal Palace

Layers of different cultures decorate the external apses

The mosaics of the transept and the apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the mosaic cycle

A new Cathedral

The senses tell the historical context

The area of the Sanctuary

Gardens and architecture as a backdrop to the city of Palermo

The chapel of St. Benedict

The towers and the western facade

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

A remarkable ceiling

A chapel by an unknown designer based on repeated symmetries

The Great Presbytery: a unique space for the cathedral

The decorated facade

A polysemy of high-level artistic forms and content

The mosaic cycle, an ascending path towards the light

The cultural substrate through time

The rediscovered palace

The return of water

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side aisles

The columns of the nave: the meticulous study of the overall order

The senses tell baroque decoration

The chorus: beating heart of the cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The transformations of the hall through the centuries

From the Mosque to the Cathedral

The flooring: shapes, motifs and iconography

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the presbytery

The chapel of san Castrense: an important renaissance work

Transformations over the centuries

the Baroque exterior

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Porphyry sarcophagi: royalty and power

The Great Restoration

Roger II’s strategic design

Characteristics of religious architecture in the romanesque period

The mosaics of the naves

Worship services

The senses tell the interior

The Virgin Hodegetria

The senses tell the flooring

A palimpsest of history

Different styles and transformations of “one of the most beautiful monuments in the world”

The construction of Monreale Cathedral: between myth and history

The Chapel of St. Mary Magdalene

Decorations

Tempus fugit: a strategic project implemented in a short period of time

The Genoard Park, the garden of pleasures and wonders

The Palace of Kings

A building constructed in a short space of time

A tree full of life

From earthquake to collapse

Gold and light: the splendour of the mosaics in the Royal Chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The balance between architecture and light

The decorations on the bell tower

Shapes and colours of the wooden ceiling

Norman religious architecture with islamic influences in Sicily

The medieval city amidst monasticism and feudal aristocracy

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

The senses tell Context 1

The liturgical spaces of the protesis and the diaconicon

The stone bible

The chapel of the crucifix: an artistic casket based on a previous model

Palermo: the happiest city

A Northern population

The architectural appearance and transformations over time

Roger II of hauteville: a sovereign protected by God

The links between the hauteville family and the monastic orders in Sicily

The Norman conquest of Sicily and the birth of a new Latin kingdom

The opus sectile floor of the Palatine Chapel

The senses tell the historical context

A cloister of accentuated stylistic variety

Intertwining of knowledge in Norman Palermo

The ancient convent of the Martorana, a history of devotion and tradition

The Admiral’s dedication

Under the crosses of the Bema

The senses tell the ceiling

The towers facing the facade used as bell towers

the roof of Paradise: one of the most representative works of medieval art

The interior of the church

The loca solatiorum: dwellings for recreation, well-being and hunting

Beyond the harmony of proportions

Squaring the circle

The king’s mark

The Kings’ Cathedrals

The birth of the Norman kingdom

From the main gate to the aisles: an invitation to a journey of faith

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the apses

The lost chapel

The rediscovered chapel

Two initially similar towers, varied over time

A controversial interpretation

From oblivion to the recovery of memory

The Chapel of the Kings

Artistic elements in Peter’s ship

The Royal Throne