photo gallery

photo gallery

Different styles and transformations of “one of the most beautiful monuments in the world”

The transformations of the hall through the centuries

The architectural space

The rediscovered chapel

The beginning of the construction site

A Northern population

A building constructed in a short space of time

the Baroque exterior

Saint Peter’s Chapel in the Royal Palace

Roger II’s strategic design

The decorated facade

A polysemy of high-level artistic forms and content

Squaring the circle

Shapes and colours of the wooden ceiling

The flooring: shapes, motifs and iconography

Norman religious architecture with islamic influences in Sicily

Intertwining of knowledge in Norman Palermo

The senses tell the Zisa over the centuries

The senses tell the interior

The Gualtiero Cathedral

The towers and the western facade

The mosaics of the naves

A controversial interpretation

Artistic elements in Peter’s ship

From earthquake to collapse

The birth of the Norman kingdom

A mixture of styles pervades the floor decorations

The Admiral’s dedication

The opus sectile floor of the Palatine Chapel

The side Portico: a combination of elegance and lightness of form

Palermo: the happiest city

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the ceiling

Cefalù: settlement evidence through time

The senses tell the architecture

The Cathedral over the centuries

The senses tell the architecture and decorations

The mosaics of the apses

The king’s mark

The links between the hauteville family and the monastic orders in Sicily

The chystro: a place between earth and sky

From the main gate to the aisles: an invitation to a journey of faith

The chapel of the crucifix: an artistic casket based on a previous model

the roof of Paradise: one of the most representative works of medieval art

A new Cathedral

Under the crosses of the Bema

The architectural appearance and transformations over time

Mosaic decoration

The Palace of Kings

A compositional design that combines nordic examples with new artistic languages, over the centuries

An architectural crescendo

The rediscovered palace

The chorus: beating heart of the cathedral

The mosaics of the presbytery

Survey of the royal tombs

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

The columns of the nave: the meticulous study of the overall order

Transformations over the centuries

The decorations on the bell tower

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Norman conquest of Sicily and the birth of a new Latin kingdom

The architectural envelope: the Greek cross layout oriented towards the light

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A tree full of life

The ancient convent of the Martorana, a history of devotion and tradition

Worship services

The senses tell the historical context

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Interior decorations

The medieval city amidst monasticism and feudal aristocracy

The Cassaro

The southern portico

Roger II of hauteville: a sovereign protected by God

The side aisles

A chapel by an unknown designer based on repeated symmetries

The Genoard Park, the garden of pleasures and wonders

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Two initially similar towers, varied over time

From oblivion to the recovery of memory

The stone bible

A space between the visible and the invisible

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The lost chapel

The Kings’ Cathedrals

the Baroque interior

Layers of different cultures decorate the external apses

The Bible carved in stone

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell Context 1

Decorations

The loca solatiorum: dwellings for recreation, well-being and hunting

The Great Presbytery: a unique space for the cathedral

The chapel of san Castrense: an important renaissance work

Characteristics of religious architecture in the romanesque period

The original design

Beyond the harmony of proportions

The senses tell the flooring

The Chapel of St. Mary Magdalene

The senses tell the historical context

The construction of Monreale Cathedral: between myth and history

The area of the Sanctuary

The Chapel of the Kings

A palimpsest of history

The senses tell restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Ecclesia munita

A remarkable ceiling

The Great Restoration

The longest aisle

The senses tell baroque decoration

The senses tell the historical context

Tempus fugit: a strategic project implemented in a short period of time

The chapel of St. Benedict

The mosaics of the transept and the apses

The towers facing the facade used as bell towers

The Royal Throne

Gardens and architecture as a backdrop to the city of Palermo

The balance between architecture and light

The interior of the church

The senses tell the mosaic cycle

The cemetery of kings

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The return of water

The dialogue between the architectures of the monumental complex

Porphyry sarcophagi: royalty and power

The senses tell the external architecture and the original layout

The mosaic cycle, an ascending path towards the light

From the Mosque to the Cathedral

The Virgin Hodegetria

The cultural substrate through time

Restorations