photo gallery

photo gallery

The senses tell the mosaic cycle

Shapes and colours of the wooden ceiling

The senses tell the external architecture and the original layout

A remarkable ceiling

The lost chapel

Roger II of hauteville: a sovereign protected by God

Decorations

Ecclesia munita

The Cassaro

the roof of Paradise: one of the most representative works of medieval art

Gold and light: the splendour of the mosaics in the Royal Chapel

The side Portico: a combination of elegance and lightness of form

The Great Presbytery: a unique space for the cathedral

The towers and the western facade

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The interior of the church

the Baroque interior

Layers of different cultures decorate the external apses

The Cathedral over the centuries

The senses tell the architecture and decorations

Saint Peter’s Chapel in the Royal Palace

Palermo: the happiest city

The ancient convent of the Martorana, a history of devotion and tradition

Squaring the circle

A mixture of styles pervades the floor decorations

The senses tell baroque decoration

The rediscovered chapel

The area of the Sanctuary

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the interior

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Chapel of the Kings

A palimpsest of history

The chapel of St. Benedict

The decorated facade

The senses tell the ceiling

The Palace of Kings

The Chapel of St. Mary Magdalene

Beyond the harmony of proportions

The Kings’ Cathedrals

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Intertwining of knowledge in Norman Palermo

The senses tell the historical context

Artistic elements in Peter’s ship

The loca solatiorum: dwellings for recreation, well-being and hunting

Survey of the royal tombs

The decorations on the bell tower

The mosaic cycle, an ascending path towards the light

The construction of Monreale Cathedral: between myth and history

Characteristics of religious architecture in the romanesque period

Tempus fugit: a strategic project implemented in a short period of time

The architectural space

A cloister of accentuated stylistic variety

The Great Restoration

Under the crosses of the Bema

The cemetery of kings

The mosaics of the naves

The opus sectile floor of the Palatine Chapel

The senses tell the architecture

Roger II’s strategic design

From the Mosque to the Cathedral

The medieval city amidst monasticism and feudal aristocracy

The senses tell the historical context

The original design

Mosaic decoration

Norman religious architecture with islamic influences in Sicily

The southern portico

The chorus: beating heart of the cathedral

The towers facing the facade used as bell towers

The liturgical spaces of the protesis and the diaconicon

The chapel of the crucifix: an artistic casket based on a previous model

A polysemy of high-level artistic forms and content

The senses tell the historical context

A building constructed in a short space of time

the Baroque exterior

Restorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural envelope: the Greek cross layout oriented towards the light

The chystro: a place between earth and sky

The senses tell the Zisa over the centuries

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

The mosaics of the presbytery

The chapel of san Castrense: an important renaissance work

Cefalù: settlement evidence through time

The flooring: shapes, motifs and iconography

The birth of the Norman kingdom

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Virgin Hodegetria

The Genoard Park, the garden of pleasures and wonders

A chapel by an unknown designer based on repeated symmetries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The transformations of the hall through the centuries

The links between the hauteville family and the monastic orders in Sicily

The senses tell restorations

The longest aisle

The senses tell Context 1

A space between the visible and the invisible

Interior decorations

The rediscovered palace

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From oblivion to the recovery of memory

The mosaics of the transept and the apses

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The stone bible

From earthquake to collapse

An architectural crescendo

The Norman conquest of Sicily and the birth of a new Latin kingdom

The king’s mark

Worship services

A new Cathedral

The balance between architecture and light

A Northern population

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the apses

The Bible carved in stone

Two initially similar towers, varied over time

The return of water

Porphyry sarcophagi: royalty and power

A tree full of life

The dialogue between the architectures of the monumental complex

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

The senses tell the flooring

The Royal Throne

Transformations over the centuries

The Admiral’s dedication

Gardens and architecture as a backdrop to the city of Palermo

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

The architectural appearance and transformations over time

A controversial interpretation

The side aisles