photo gallery

photo gallery

The architectural space

A space between the visible and the invisible

The rediscovered palace

The side aisles

The Cathedral over the centuries

The Palace of Kings

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Norman religious architecture with islamic influences in Sicily

the Baroque exterior

Restorations

The beginning of the construction site

The cemetery of kings

The senses tell baroque decoration

Tempus fugit: a strategic project implemented in a short period of time

Layers of different cultures decorate the external apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Great Presbytery: a unique space for the cathedral

From earthquake to collapse

The Royal Throne

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Transformations over the centuries

Gold and light: the splendour of the mosaics in the Royal Chapel

the roof of Paradise: one of the most representative works of medieval art

From oblivion to the recovery of memory

The dialogue between the architectures of the monumental complex

The towers facing the facade used as bell towers

The architectural appearance and transformations over time

The king’s mark

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A cloister of accentuated stylistic variety

The senses tell the Zisa over the centuries

Roger II’s strategic design

The senses tell the interior

The chapel of san Castrense: an important renaissance work

Cefalù: settlement evidence through time

A tree full of life

A Northern population

The chystro: a place between earth and sky

The lost chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the flooring

An architectural crescendo

The mosaics of the presbytery

The Kings’ Cathedrals

Roger II of hauteville: a sovereign protected by God

The Admiral’s dedication

The mosaics of the transept and the apses

The Cassaro

Shapes and colours of the wooden ceiling

Squaring the circle

Worship services

The construction of Monreale Cathedral: between myth and history

The senses tell the external architecture and the original layout

The medieval city amidst monasticism and feudal aristocracy

The flooring: shapes, motifs and iconography

Interior decorations

The mosaics of the naves

The decorated facade

The balance between architecture and light

Artistic elements in Peter’s ship

A mixture of styles pervades the floor decorations

Mosaic decoration

The loca solatiorum: dwellings for recreation, well-being and hunting

The mosaic cycle, an ascending path towards the light

The mosaics of the apses

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell restorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The links between the hauteville family and the monastic orders in Sicily

The senses tell the historical context

Characteristics of religious architecture in the romanesque period

Different styles and transformations of “one of the most beautiful monuments in the world”

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Chapel of St. Mary Magdalene

The senses tell the ceiling

The senses tell the historical context

The longest aisle

The area of the Sanctuary

The senses tell the architecture and decorations

Ecclesia munita

The Great Restoration

Under the crosses of the Bema

A palimpsest of history

The towers and the western facade

The senses tell the historical context

The birth of the Norman kingdom

The southern portico

Beyond the harmony of proportions

Decorations

The cultural substrate through time

the Baroque interior

The chorus: beating heart of the cathedral

The interior of the church

A building constructed in a short space of time

The senses tell Context 1

The chapel of the crucifix: an artistic casket based on a previous model

The transformations of the hall through the centuries

The senses tell the mosaic cycle

A controversial interpretation

The architectural envelope: the Greek cross layout oriented towards the light

The stone bible

The original design

Palermo: the happiest city

A chapel by an unknown designer based on repeated symmetries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Chapel of the Kings

Survey of the royal tombs

The opus sectile floor of the Palatine Chapel

The Genoard Park, the garden of pleasures and wonders

The Gualtiero Cathedral

From the Mosque to the Cathedral

The columns of the nave: the meticulous study of the overall order

From the main gate to the aisles: an invitation to a journey of faith

Gardens and architecture as a backdrop to the city of Palermo

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The liturgical spaces of the protesis and the diaconicon

A polysemy of high-level artistic forms and content

The Bible carved in stone

Two initially similar towers, varied over time

The Virgin Hodegetria

The chapel of St. Benedict

The side Portico: a combination of elegance and lightness of form

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The return of water

A remarkable ceiling

The rediscovered chapel

Porphyry sarcophagi: royalty and power

A new Cathedral

The decorations on the bell tower

Saint Peter’s Chapel in the Royal Palace

The senses tell the architecture

Intertwining of knowledge in Norman Palermo