photo gallery

photo gallery

The return of water

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Great Presbytery: a unique space for the cathedral

A chapel by an unknown designer based on repeated symmetries

The senses tell the ceiling

The cemetery of kings

Beyond the harmony of proportions

Gardens and architecture as a backdrop to the city of Palermo

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From earthquake to collapse

The links between the hauteville family and the monastic orders in Sicily

Gold and light: the splendour of the mosaics in the Royal Chapel

Shapes and colours of the wooden ceiling

The senses tell the Zisa over the centuries

The Kings’ Cathedrals

The senses tell Context 1

The decorations on the bell tower

The architectural envelope: the Greek cross layout oriented towards the light

A compositional design that combines nordic examples with new artistic languages, over the centuries

The birth of the Norman kingdom

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

the Baroque interior

Palermo: the happiest city

Different styles and transformations of “one of the most beautiful monuments in the world”

The Chapel of St. Mary Magdalene

A tree full of life

A remarkable ceiling

The chapel of san Castrense: an important renaissance work

A palimpsest of history

The stone bible

The Cathedral over the centuries

The opus sectile floor of the Palatine Chapel

The ancient convent of the Martorana, a history of devotion and tradition

The king’s mark

The original design

The Gualtiero Cathedral

The interior of the church

The medieval city amidst monasticism and feudal aristocracy

A building constructed in a short space of time

The Chapel of the Kings

From oblivion to the recovery of memory

The chapel of St. Benedict

Two initially similar towers, varied over time

A cloister of accentuated stylistic variety

From the main gate to the aisles: an invitation to a journey of faith

The chystro: a place between earth and sky

From the Mosque to the Cathedral

The rediscovered chapel

The Royal Throne

The southern portico

Roger II of hauteville: a sovereign protected by God

A space between the visible and the invisible

Mosaic decoration

the roof of Paradise: one of the most representative works of medieval art

Tempus fugit: a strategic project implemented in a short period of time

The chorus: beating heart of the cathedral

The Norman conquest of Sicily and the birth of a new Latin kingdom

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The dialogue between the architectures of the monumental complex

The senses tell the external architecture and the original layout

The mosaics of the apses

The Palace of Kings

Characteristics of religious architecture in the romanesque period

A mixture of styles pervades the floor decorations

Squaring the circle

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the transept and the apses

Interior decorations

the Baroque exterior

A controversial interpretation

Porphyry sarcophagi: royalty and power

The senses tell the historical context

A Northern population

The Bible carved in stone

Layers of different cultures decorate the external apses

The senses tell the historical context

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The rediscovered palace

An architectural crescendo

The senses tell the mosaic cycle

Restorations

The transformations of the hall through the centuries

The balance between architecture and light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The towers facing the facade used as bell towers

The senses tell the interior

The Genoard Park, the garden of pleasures and wonders

Intertwining of knowledge in Norman Palermo

The side aisles

The area of the Sanctuary

The Admiral’s dedication

The Great Restoration

The side Portico: a combination of elegance and lightness of form

Transformations over the centuries

The Virgin Hodegetria

The liturgical spaces of the protesis and the diaconicon

The chapel of the crucifix: an artistic casket based on a previous model

A new Cathedral

The beginning of the construction site

The decorated facade

The flooring: shapes, motifs and iconography

The Cassaro

Artistic elements in Peter’s ship

The architectural appearance and transformations over time

The lost chapel

The senses tell restorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Worship services

The longest aisle

The architectural space

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The towers and the western facade

The construction of Monreale Cathedral: between myth and history

Cefalù: settlement evidence through time

Decorations

The senses tell baroque decoration

The senses tell the flooring

The mosaics of the presbytery

Ecclesia munita

The mosaic cycle, an ascending path towards the light

Under the crosses of the Bema

The loca solatiorum: dwellings for recreation, well-being and hunting

A polysemy of high-level artistic forms and content

The senses tell the architecture and decorations

Survey of the royal tombs

The mosaics of the naves

The columns of the nave: the meticulous study of the overall order

Saint Peter’s Chapel in the Royal Palace

The senses tell the architecture

Norman religious architecture with islamic influences in Sicily

Roger II’s strategic design

The cultural substrate through time

The senses tell the historical context