photo gallery

photo gallery

The mosaics of the presbytery

The loca solatiorum: dwellings for recreation, well-being and hunting

Squaring the circle

Intertwining of knowledge in Norman Palermo

The chystro: a place between earth and sky

Artistic elements in Peter’s ship

The columns of the nave: the meticulous study of the overall order

The chapel of St. Benedict

The beginning of the construction site

Beyond the harmony of proportions

A Northern population

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Royal Throne

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the apses

Porphyry sarcophagi: royalty and power

The interior of the church

The Great Presbytery: a unique space for the cathedral

The Cathedral over the centuries

The senses tell the historical context

The Kings’ Cathedrals

Layers of different cultures decorate the external apses

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Worship services

The mosaic cycle, an ascending path towards the light

Shapes and colours of the wooden ceiling

The architectural appearance and transformations over time

The side aisles

The mosaics of the transept and the apses

The Bible carved in stone

The mosaics of the naves

The return of water

The Cassaro

The Norman conquest of Sicily and the birth of a new Latin kingdom

A remarkable ceiling

The towers and the western facade

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Gualtiero Cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

The Chapel of St. Mary Magdalene

A new Cathedral

A chapel by an unknown designer based on repeated symmetries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Virgin Hodegetria

Two initially similar towers, varied over time

The Great Restoration

Different styles and transformations of “one of the most beautiful monuments in the world”

The dialogue between the architectures of the monumental complex

A mixture of styles pervades the floor decorations

Survey of the royal tombs

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chorus: beating heart of the cathedral

The chapel of san Castrense: an important renaissance work

The senses tell the flooring

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The liturgical spaces of the protesis and the diaconicon

The chapel of the crucifix: an artistic casket based on a previous model

The decorations on the bell tower

Saint Peter’s Chapel in the Royal Palace

Under the crosses of the Bema

The area of the Sanctuary

The senses tell the interior

The towers facing the facade used as bell towers

From oblivion to the recovery of memory

Transformations over the centuries

the Baroque interior

A building constructed in a short space of time

A palimpsest of history

Characteristics of religious architecture in the romanesque period

The rediscovered chapel

The side Portico: a combination of elegance and lightness of form

Roger II’s strategic design

The king’s mark

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

the roof of Paradise: one of the most representative works of medieval art

The flooring: shapes, motifs and iconography

Roger II of hauteville: a sovereign protected by God

The longest aisle

The construction of Monreale Cathedral: between myth and history

A polysemy of high-level artistic forms and content

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A tree full of life

The cemetery of kings

The transformations of the hall through the centuries

The senses tell the architecture and decorations

A controversial interpretation

Restorations

The Chapel of the Kings

The opus sectile floor of the Palatine Chapel

An architectural crescendo

The lost chapel

the Baroque exterior

The ancient convent of the Martorana, a history of devotion and tradition

The decorated facade

The Admiral’s dedication

The architectural envelope: the Greek cross layout oriented towards the light

Norman religious architecture with islamic influences in Sicily

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

The cultural substrate through time

The senses tell the Zisa over the centuries

The senses tell the architecture

The original design

The birth of the Norman kingdom

Interior decorations

Palermo: the happiest city

From earthquake to collapse

The senses tell the external architecture and the original layout

The senses tell the mosaic cycle

The senses tell restorations

The senses tell the historical context

The architectural space

Gardens and architecture as a backdrop to the city of Palermo

The senses tell baroque decoration

Tempus fugit: a strategic project implemented in a short period of time

The southern portico

Decorations

The rediscovered palace

The stone bible

The links between the hauteville family and the monastic orders in Sicily

The senses tell the ceiling

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

A cloister of accentuated stylistic variety

From the main gate to the aisles: an invitation to a journey of faith

Ecclesia munita

Mosaic decoration

Cefalù: settlement evidence through time

The Palace of Kings

From the Mosque to the Cathedral

The balance between architecture and light

The senses tell Context 1