photo gallery

photo gallery

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the external architecture and the original layout

Gold and light: the splendour of the mosaics in the Royal Chapel

The mosaics of the apses

The senses tell the mosaic cycle

The king’s mark

The side aisles

Intertwining of knowledge in Norman Palermo

The decorations on the bell tower

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Roger II’s strategic design

The chapel of St. Benedict

The stone bible

The Great Restoration

Squaring the circle

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the architecture and decorations

The senses tell the interior

A chapel by an unknown designer based on repeated symmetries

The senses tell the flooring

From the Mosque to the Cathedral

Roger II of hauteville: a sovereign protected by God

The longest aisle

Porphyry sarcophagi: royalty and power

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The beginning of the construction site

the Baroque exterior

Palermo: the happiest city

The senses tell Context 1

The Gualtiero Cathedral

The flooring: shapes, motifs and iconography

From oblivion to the recovery of memory

The towers facing the facade used as bell towers

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the architecture

The chystro: a place between earth and sky

The Great Presbytery: a unique space for the cathedral

The senses tell the historical context

An architectural crescendo

Shapes and colours of the wooden ceiling

A tree full of life

A cloister of accentuated stylistic variety

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The balance between architecture and light

The chorus: beating heart of the cathedral

Restorations

The liturgical spaces of the protesis and the diaconicon

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of san Castrense: an important renaissance work

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Palace of Kings

Ecclesia munita

the Baroque interior

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

The Kings’ Cathedrals

The southern portico

The rediscovered chapel

The Cathedral over the centuries

The lost chapel

The Royal Throne

Two initially similar towers, varied over time

The medieval city amidst monasticism and feudal aristocracy

Decorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cultural substrate through time

The links between the hauteville family and the monastic orders in Sicily

A mixture of styles pervades the floor decorations

A polysemy of high-level artistic forms and content

The Bible carved in stone

The architectural appearance and transformations over time

The area of the Sanctuary

Different styles and transformations of “one of the most beautiful monuments in the world”

The mosaics of the naves

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Interior decorations

Transformations over the centuries

Under the crosses of the Bema

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Admiral’s dedication

the roof of Paradise: one of the most representative works of medieval art

Worship services

The senses tell the ceiling

The Chapel of St. Mary Magdalene

From earthquake to collapse

The Cassaro

A palimpsest of history

A Northern population

Norman religious architecture with islamic influences in Sicily

The transformations of the hall through the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

The dialogue between the architectures of the monumental complex

The mosaics of the transept and the apses

The senses tell baroque decoration

The cemetery of kings

The original design

The chapel of the crucifix: an artistic casket based on a previous model

Survey of the royal tombs

The rediscovered palace

The Virgin Hodegetria

The interior of the church

The columns of the nave: the meticulous study of the overall order

A controversial interpretation

A compositional design that combines nordic examples with new artistic languages, over the centuries

Beyond the harmony of proportions

A space between the visible and the invisible

Tempus fugit: a strategic project implemented in a short period of time

The decorated facade

The construction of Monreale Cathedral: between myth and history

The Chapel of the Kings

The ancient convent of the Martorana, a history of devotion and tradition

The mosaics of the presbytery

Mosaic decoration

The senses tell the Zisa over the centuries

A remarkable ceiling

Artistic elements in Peter’s ship

Saint Peter’s Chapel in the Royal Palace

The birth of the Norman kingdom

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell restorations

Gardens and architecture as a backdrop to the city of Palermo

The towers and the western facade

Layers of different cultures decorate the external apses

The mosaic cycle, an ascending path towards the light

Cefalù: settlement evidence through time

The Genoard Park, the garden of pleasures and wonders

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

A building constructed in a short space of time

The side Portico: a combination of elegance and lightness of form

The return of water

The architectural space