photo gallery

photo gallery

Roger II’s strategic design

From oblivion to the recovery of memory

Restorations

The balance between architecture and light

The side Portico: a combination of elegance and lightness of form

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the architecture and decorations

Two initially similar towers, varied over time

Characteristics of religious architecture in the romanesque period

The liturgical spaces of the protesis and the diaconicon

The senses tell the ceiling

The Royal Throne

A space between the visible and the invisible

The Cassaro

A new Cathedral

The senses tell the interior

The medieval city amidst monasticism and feudal aristocracy

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A controversial interpretation

The senses tell the architecture

Interior decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Gardens and architecture as a backdrop to the city of Palermo

The Chapel of the Kings

A chapel by an unknown designer based on repeated symmetries

The Cathedral over the centuries

The mosaics of the apses

Layers of different cultures decorate the external apses

The senses tell the Zisa over the centuries

The birth of the Norman kingdom

The return of water

A palimpsest of history

The cultural substrate through time

The side aisles

The rediscovered palace

Worship services

The Chapel of St. Mary Magdalene

The stone bible

The flooring: shapes, motifs and iconography

Different styles and transformations of “one of the most beautiful monuments in the world”

The Kings’ Cathedrals

Gold and light: the splendour of the mosaics in the Royal Chapel

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the naves

The transformations of the hall through the centuries

the roof of Paradise: one of the most representative works of medieval art

The architectural space

The dialogue between the architectures of the monumental complex

Survey of the royal tombs

Roger II of hauteville: a sovereign protected by God

A building constructed in a short space of time

Transformations over the centuries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Norman religious architecture with islamic influences in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the mosaic cycle

The architectural appearance and transformations over time

The mosaics of the transept and the apses

The chorus: beating heart of the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

From the Mosque to the Cathedral

A mixture of styles pervades the floor decorations

The interior of the church

Intertwining of knowledge in Norman Palermo

Mosaic decoration

The senses tell Context 1

The southern portico

Beyond the harmony of proportions

The Great Restoration

The king’s mark

The Gualtiero Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The Great Presbytery: a unique space for the cathedral

A remarkable ceiling

The towers and the western facade

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the external architecture and the original layout

The loca solatiorum: dwellings for recreation, well-being and hunting

From earthquake to collapse

Ecclesia munita

the Baroque exterior

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The construction of Monreale Cathedral: between myth and history

The columns of the nave: the meticulous study of the overall order

Artistic elements in Peter’s ship

The cemetery of kings

The senses tell baroque decoration

Porphyry sarcophagi: royalty and power

The decorated facade

A cloister of accentuated stylistic variety

The opus sectile floor of the Palatine Chapel

The Virgin Hodegetria

the Baroque interior

The Bible carved in stone

The Palace of Kings

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Under the crosses of the Bema

The senses tell the flooring

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Saint Peter’s Chapel in the Royal Palace

A Northern population

The rediscovered chapel

Decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Shapes and colours of the wooden ceiling

The chapel of san Castrense: an important renaissance work

From the main gate to the aisles: an invitation to a journey of faith

An architectural crescendo

The beginning of the construction site

The mosaics of the presbytery

The decorations on the bell tower

The original design

The Genoard Park, the garden of pleasures and wonders

The area of the Sanctuary

The chapel of St. Benedict

The Norman conquest of Sicily and the birth of a new Latin kingdom

A polysemy of high-level artistic forms and content

The links between the hauteville family and the monastic orders in Sicily

The senses tell restorations

The senses tell the historical context

A tree full of life

The Admiral’s dedication

The lost chapel

Squaring the circle

The towers facing the facade used as bell towers

The mosaic cycle, an ascending path towards the light

The senses tell the historical context

Palermo: the happiest city

The chystro: a place between earth and sky

The chapel of the crucifix: an artistic casket based on a previous model

Cefalù: settlement evidence through time

The longest aisle

The senses tell the historical context