photo gallery

photo gallery

The senses tell the Zisa over the centuries

The longest aisle

The Virgin Hodegetria

The Palace of Kings

A controversial interpretation

The Cassaro

The architectural space

A polysemy of high-level artistic forms and content

the roof of Paradise: one of the most representative works of medieval art

The senses tell the historical context

A space between the visible and the invisible

The Gualtiero Cathedral

The senses tell restorations

Interior decorations

Restorations

The flooring: shapes, motifs and iconography

A palimpsest of history

Roger II’s strategic design

Saint Peter’s Chapel in the Royal Palace

From the Mosque to the Cathedral

The stone bible

Beyond the harmony of proportions

The Bible carved in stone

Mosaic decoration

The balance between architecture and light

Characteristics of religious architecture in the romanesque period

Palermo: the happiest city

The Great Restoration

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The columns of the nave: the meticulous study of the overall order

A mixture of styles pervades the floor decorations

The architectural appearance and transformations over time

The Great Presbytery: a unique space for the cathedral

The Admiral’s dedication

A Northern population

Worship services

The ancient convent of the Martorana, a history of devotion and tradition

Porphyry sarcophagi: royalty and power

From earthquake to collapse

The chapel of the crucifix: an artistic casket based on a previous model

Tempus fugit: a strategic project implemented in a short period of time

The southern portico

The chorus: beating heart of the cathedral

The side aisles

The senses tell the architecture

Roger II of hauteville: a sovereign protected by God

Layers of different cultures decorate the external apses

The Kings’ Cathedrals

A compositional design that combines nordic examples with new artistic languages, over the centuries

Squaring the circle

The mosaics of the apses

The side Portico: a combination of elegance and lightness of form

A building constructed in a short space of time

A remarkable ceiling

From oblivion to the recovery of memory

Norman religious architecture with islamic influences in Sicily

The Chapel of the Kings

The birth of the Norman kingdom

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the ceiling

The Genoard Park, the garden of pleasures and wonders

the Baroque exterior

The opus sectile floor of the Palatine Chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The return of water

The mosaics of the presbytery

The liturgical spaces of the protesis and the diaconicon

The cultural substrate through time

The dialogue between the architectures of the monumental complex

The senses tell the mosaic cycle

A chapel by an unknown designer based on repeated symmetries

The senses tell the interior

Different styles and transformations of “one of the most beautiful monuments in the world”

The beginning of the construction site

An architectural crescendo

The lost chapel

The decorated facade

Decorations

The mosaic cycle, an ascending path towards the light

The links between the hauteville family and the monastic orders in Sicily

The Chapel of St. Mary Magdalene

The towers and the western facade

The senses tell the historical context

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chapel of St. Benedict

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Artistic elements in Peter’s ship

The cemetery of kings

The senses tell the architecture and decorations

The senses tell the flooring

Gold and light: the splendour of the mosaics in the Royal Chapel

The decorations on the bell tower

Under the crosses of the Bema

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell Context 1

the Baroque interior

The rediscovered palace

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The original design

Transformations over the centuries

The transformations of the hall through the centuries

The mosaics of the naves

The Royal Throne

The loca solatiorum: dwellings for recreation, well-being and hunting

Survey of the royal tombs

From the main gate to the aisles: an invitation to a journey of faith

The architectural envelope: the Greek cross layout oriented towards the light

Ecclesia munita

The king’s mark

The towers facing the facade used as bell towers

The area of the Sanctuary

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Cefalù: settlement evidence through time

The senses tell the external architecture and the original layout

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

The chystro: a place between earth and sky

Intertwining of knowledge in Norman Palermo

The medieval city amidst monasticism and feudal aristocracy

The senses tell baroque decoration

The construction of Monreale Cathedral: between myth and history

The interior of the church

The rediscovered chapel

The Cathedral over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of san Castrense: an important renaissance work

The mosaics of the transept and the apses

A tree full of life

A cloister of accentuated stylistic variety

Shapes and colours of the wooden ceiling

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A new Cathedral

Two initially similar towers, varied over time