photo gallery

photo gallery

The side aisles

Survey of the royal tombs

The senses tell the flooring

A mixture of styles pervades the floor decorations

The chorus: beating heart of the cathedral

The cemetery of kings

Saint Peter’s Chapel in the Royal Palace

The balance between architecture and light

The senses tell the architecture

The Cathedral over the centuries

The mosaics of the presbytery

The architectural envelope: the Greek cross layout oriented towards the light

The longest aisle

A controversial interpretation

The Genoard Park, the garden of pleasures and wonders

The Cassaro

The senses tell the Zisa over the centuries

From oblivion to the recovery of memory

The transformations of the hall through the centuries

The Great Restoration

The chapel of san Castrense: an important renaissance work

The king’s mark

The liturgical spaces of the protesis and the diaconicon

A cloister of accentuated stylistic variety

Norman religious architecture with islamic influences in Sicily

The interior of the church

From earthquake to collapse

The mosaics of the apses

Gold and light: the splendour of the mosaics in the Royal Chapel

The rediscovered palace

The side Portico: a combination of elegance and lightness of form

The area of the Sanctuary

Beyond the harmony of proportions

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The birth of the Norman kingdom

A space between the visible and the invisible

A polysemy of high-level artistic forms and content

A chapel by an unknown designer based on repeated symmetries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Porphyry sarcophagi: royalty and power

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The beginning of the construction site

The senses tell the historical context

The Palace of Kings

The chapel of the crucifix: an artistic casket based on a previous model

The Chapel of the Kings

Transformations over the centuries

The senses tell the ceiling

A palimpsest of history

Roger II of hauteville: a sovereign protected by God

The dialogue between the architectures of the monumental complex

The Kings’ Cathedrals

the roof of Paradise: one of the most representative works of medieval art

Shapes and colours of the wooden ceiling

Characteristics of religious architecture in the romanesque period

Under the crosses of the Bema

The mosaic cycle, an ascending path towards the light

Two initially similar towers, varied over time

The senses tell the external architecture and the original layout

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Admiral’s dedication

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

The cultural substrate through time

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

The senses tell the architecture and decorations

Squaring the circle

A new Cathedral

The mosaics of the naves

The chystro: a place between earth and sky

Artistic elements in Peter’s ship

The southern portico

Decorations

Ecclesia munita

Gardens and architecture as a backdrop to the city of Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A Northern population

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell baroque decoration

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

the Baroque interior

The Great Presbytery: a unique space for the cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The loca solatiorum: dwellings for recreation, well-being and hunting

Cefalù: settlement evidence through time

Intertwining of knowledge in Norman Palermo

The Virgin Hodegetria

Palermo: the happiest city

From the Mosque to the Cathedral

From the main gate to the aisles: an invitation to a journey of faith

The chapel of St. Benedict

Worship services

The medieval city amidst monasticism and feudal aristocracy

The towers and the western facade

A tree full of life

Restorations

The Royal Throne

Roger II’s strategic design

A building constructed in a short space of time

An architectural crescendo

The architectural appearance and transformations over time

Different styles and transformations of “one of the most beautiful monuments in the world”

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the interior

The flooring: shapes, motifs and iconography

A remarkable ceiling

The architectural space

A compositional design that combines nordic examples with new artistic languages, over the centuries

Layers of different cultures decorate the external apses

The mosaics of the transept and the apses

Mosaic decoration

The towers facing the facade used as bell towers

The return of water

The decorations on the bell tower

The decorated facade

The senses tell the mosaic cycle

The senses tell restorations

The stone bible

The Bible carved in stone

The columns of the nave: the meticulous study of the overall order

The senses tell Context 1

The construction of Monreale Cathedral: between myth and history

The Chapel of St. Mary Magdalene

The senses tell the historical context

Interior decorations

The lost chapel

The original design

the Baroque exterior

The links between the hauteville family and the monastic orders in Sicily

The rediscovered chapel

The Norman conquest of Sicily and the birth of a new Latin kingdom