photo gallery

photo gallery

The side aisles

Worship services

Beyond the harmony of proportions

The Kings’ Cathedrals

A remarkable ceiling

The senses tell baroque decoration

The links between the hauteville family and the monastic orders in Sicily

Shapes and colours of the wooden ceiling

The Norman conquest of Sicily and the birth of a new Latin kingdom

The loca solatiorum: dwellings for recreation, well-being and hunting

Roger II’s strategic design

the roof of Paradise: one of the most representative works of medieval art

A space between the visible and the invisible

The chorus: beating heart of the cathedral

The senses tell the historical context

The mosaics of the presbytery

The Admiral’s dedication

A Northern population

The king’s mark

The interior of the church

Survey of the royal tombs

the Baroque interior

Interior decorations

The Genoard Park, the garden of pleasures and wonders

A palimpsest of history

Ecclesia munita

An architectural crescendo

The original design

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the interior

The columns of the nave: the meticulous study of the overall order

Saint Peter’s Chapel in the Royal Palace

The towers facing the facade used as bell towers

The Bible carved in stone

A tree full of life

The senses tell restorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Porphyry sarcophagi: royalty and power

The Cathedral over the centuries

The liturgical spaces of the protesis and the diaconicon

The opus sectile floor of the Palatine Chapel

The Gualtiero Cathedral

Gardens and architecture as a backdrop to the city of Palermo

The cultural substrate through time

A controversial interpretation

The senses tell the external architecture and the original layout

Squaring the circle

The senses tell the ceiling

The ancient convent of the Martorana, a history of devotion and tradition

The construction of Monreale Cathedral: between myth and history

The senses tell the Zisa over the centuries

The longest aisle

Different styles and transformations of “one of the most beautiful monuments in the world”

A polysemy of high-level artistic forms and content

The flooring: shapes, motifs and iconography

The senses tell Context 1

The Cassaro

The senses tell the mosaic cycle

The chystro: a place between earth and sky

The architectural appearance and transformations over time

Norman religious architecture with islamic influences in Sicily

The mosaics of the naves

Layers of different cultures decorate the external apses

The senses tell the historical context

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Two initially similar towers, varied over time

The area of the Sanctuary

The decorated facade

The Great Restoration

The towers and the western facade

The senses tell the flooring

Intertwining of knowledge in Norman Palermo

Roger II of hauteville: a sovereign protected by God

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

The mosaic cycle, an ascending path towards the light

The rediscovered palace

Cefalù: settlement evidence through time

From oblivion to the recovery of memory

The senses tell the historical context

Characteristics of religious architecture in the romanesque period

the Baroque exterior

A compositional design that combines nordic examples with new artistic languages, over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The decorations on the bell tower

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beginning of the construction site

The chapel of san Castrense: an important renaissance work

A building constructed in a short space of time

The balance between architecture and light

The lost chapel

The Royal Throne

From the Mosque to the Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

From earthquake to collapse

The senses tell the architecture

The side Portico: a combination of elegance and lightness of form

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The stone bible

Decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of St. Benedict

Tempus fugit: a strategic project implemented in a short period of time

The Palace of Kings

From the main gate to the aisles: an invitation to a journey of faith

Palermo: the happiest city

The Chapel of the Kings

The transformations of the hall through the centuries

The senses tell the architecture and decorations

The Great Presbytery: a unique space for the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Gold and light: the splendour of the mosaics in the Royal Chapel

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A new Cathedral

The mosaics of the apses

Artistic elements in Peter’s ship

The cemetery of kings

A chapel by an unknown designer based on repeated symmetries

The return of water

The rediscovered chapel

The Virgin Hodegetria

The Chapel of St. Mary Magdalene

The architectural space

The southern portico

Under the crosses of the Bema

Transformations over the centuries

Mosaic decoration

Restorations

A mixture of styles pervades the floor decorations

The dialogue between the architectures of the monumental complex

The mosaics of the transept and the apses

The birth of the Norman kingdom