photo gallery

photo gallery

A cloister of accentuated stylistic variety

Two initially similar towers, varied over time

The senses tell the ceiling

Tempus fugit: a strategic project implemented in a short period of time

The rediscovered chapel

Characteristics of religious architecture in the romanesque period

The senses tell baroque decoration

The senses tell the Zisa over the centuries

The chystro: a place between earth and sky

The mosaics of the naves

A Northern population

Ecclesia munita

Worship services

A controversial interpretation

Squaring the circle

A new Cathedral

The Palace of Kings

The longest aisle

The ancient convent of the Martorana, a history of devotion and tradition

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the flooring

Palermo: the happiest city

The links between the hauteville family and the monastic orders in Sicily

The rediscovered palace

The Norman conquest of Sicily and the birth of a new Latin kingdom

The flooring: shapes, motifs and iconography

From earthquake to collapse

Transformations over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The Great Restoration

Roger II of hauteville: a sovereign protected by God

Mosaic decoration

A space between the visible and the invisible

Saint Peter’s Chapel in the Royal Palace

The loca solatiorum: dwellings for recreation, well-being and hunting

The Genoard Park, the garden of pleasures and wonders

The chorus: beating heart of the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Beyond the harmony of proportions

The senses tell the historical context

The side aisles

The chapel of the crucifix: an artistic casket based on a previous model

The medieval city amidst monasticism and feudal aristocracy

The Cathedral over the centuries

The side Portico: a combination of elegance and lightness of form

Shapes and colours of the wooden ceiling

The southern portico

The Cassaro

Intertwining of knowledge in Norman Palermo

The interior of the church

The Virgin Hodegetria

The Bible carved in stone

The Chapel of the Kings

The towers facing the facade used as bell towers

The senses tell the historical context

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From oblivion to the recovery of memory

The mosaics of the presbytery

A tree full of life

A polysemy of high-level artistic forms and content

The cemetery of kings

From the Mosque to the Cathedral

The mosaic cycle, an ascending path towards the light

The decorations on the bell tower

The stone bible

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Different styles and transformations of “one of the most beautiful monuments in the world”

the Baroque interior

The return of water

The Chapel of St. Mary Magdalene

The area of the Sanctuary

the roof of Paradise: one of the most representative works of medieval art

The chapel of san Castrense: an important renaissance work

The architectural space

The decorated facade

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Porphyry sarcophagi: royalty and power

The chapel of St. Benedict

The senses tell the architecture and decorations

A mixture of styles pervades the floor decorations

The senses tell the historical context

A chapel by an unknown designer based on repeated symmetries

The dialogue between the architectures of the monumental complex

Under the crosses of the Bema

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell Context 1

The senses tell the interior

The senses tell the architecture

A remarkable ceiling

Survey of the royal tombs

An architectural crescendo

The senses tell restorations

The lost chapel

The balance between architecture and light

The towers and the western facade

The Admiral’s dedication

The transformations of the hall through the centuries

The cultural substrate through time

The columns of the nave: the meticulous study of the overall order

The original design

Restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The opus sectile floor of the Palatine Chapel

Interior decorations

The mosaics of the apses

A palimpsest of history

Artistic elements in Peter’s ship

Roger II’s strategic design

Decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

The beginning of the construction site

The Kings’ Cathedrals

The construction of Monreale Cathedral: between myth and history

The liturgical spaces of the protesis and the diaconicon

A building constructed in a short space of time

the Baroque exterior

Cefalù: settlement evidence through time

Layers of different cultures decorate the external apses

The birth of the Norman kingdom

The senses tell the mosaic cycle

Norman religious architecture with islamic influences in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The king’s mark

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the external architecture and the original layout

The mosaics of the transept and the apses

The architectural appearance and transformations over time

The Royal Throne

The Great Presbytery: a unique space for the cathedral

The architectural envelope: the Greek cross layout oriented towards the light