photo gallery

photo gallery

Squaring the circle

The Great Restoration

Under the crosses of the Bema

The side Portico: a combination of elegance and lightness of form

The chystro: a place between earth and sky

The architectural appearance and transformations over time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the mosaic cycle

The cemetery of kings

Artistic elements in Peter’s ship

Decorations

From the main gate to the aisles: an invitation to a journey of faith

An architectural crescendo

The senses tell the architecture

Beyond the harmony of proportions

The Chapel of the Kings

The senses tell the interior

the Baroque interior

The Norman conquest of Sicily and the birth of a new Latin kingdom

Mosaic decoration

Roger II of hauteville: a sovereign protected by God

The senses tell the architecture and decorations

The chapel of san Castrense: an important renaissance work

Norman religious architecture with islamic influences in Sicily

Layers of different cultures decorate the external apses

The cultural substrate through time

The mosaic cycle, an ascending path towards the light

The mosaics of the presbytery

The senses tell the historical context

Shapes and colours of the wooden ceiling

Ecclesia munita

The ancient convent of the Martorana, a history of devotion and tradition

The decorations on the bell tower

Cefalù: settlement evidence through time

The medieval city amidst monasticism and feudal aristocracy

The lost chapel

The king’s mark

The senses tell the external architecture and the original layout

the roof of Paradise: one of the most representative works of medieval art

the Baroque exterior

A controversial interpretation

The towers and the western facade

A remarkable ceiling

The birth of the Norman kingdom

The balance between architecture and light

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Palermo: the happiest city

Characteristics of religious architecture in the romanesque period

The chapel of St. Benedict

The interior of the church

Worship services

The Cassaro

Roger II’s strategic design

The Great Presbytery: a unique space for the cathedral

Gardens and architecture as a backdrop to the city of Palermo

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A building constructed in a short space of time

The opus sectile floor of the Palatine Chapel

Tempus fugit: a strategic project implemented in a short period of time

The architectural space

A tree full of life

A palimpsest of history

Survey of the royal tombs

The Chapel of St. Mary Magdalene

Gold and light: the splendour of the mosaics in the Royal Chapel

From earthquake to collapse

The senses tell restorations

Transformations over the centuries

A space between the visible and the invisible

The chapel of the crucifix: an artistic casket based on a previous model

The dialogue between the architectures of the monumental complex

From the Mosque to the Cathedral

The stone bible

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

The senses tell baroque decoration

The columns of the nave: the meticulous study of the overall order

The decorated facade

Saint Peter’s Chapel in the Royal Palace

The senses tell the ceiling

A new Cathedral

The Royal Throne

Interior decorations

The southern portico

The construction of Monreale Cathedral: between myth and history

The Gualtiero Cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A mixture of styles pervades the floor decorations

The area of the Sanctuary

Intertwining of knowledge in Norman Palermo

The return of water

A polysemy of high-level artistic forms and content

The chorus: beating heart of the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Genoard Park, the garden of pleasures and wonders

The longest aisle

The senses tell Context 1

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The towers facing the facade used as bell towers

Porphyry sarcophagi: royalty and power

The flooring: shapes, motifs and iconography

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The links between the hauteville family and the monastic orders in Sicily

The loca solatiorum: dwellings for recreation, well-being and hunting

A Northern population

A chapel by an unknown designer based on repeated symmetries

The mosaics of the naves

A cloister of accentuated stylistic variety

The senses tell the historical context

The Cathedral over the centuries

The rediscovered chapel

Two initially similar towers, varied over time

The mosaics of the apses

The beginning of the construction site

The senses tell the flooring

The rediscovered palace

The mosaics of the transept and the apses

The Kings’ Cathedrals

The side aisles

The Bible carved in stone

Restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

From oblivion to the recovery of memory

The Admiral’s dedication

The original design

The transformations of the hall through the centuries

The Virgin Hodegetria

The Palace of Kings

The liturgical spaces of the protesis and the diaconicon

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the Zisa over the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door