photo gallery

photo gallery

Squaring the circle

The chorus: beating heart of the cathedral

the roof of Paradise: one of the most representative works of medieval art

Two initially similar towers, varied over time

The rediscovered chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The mosaics of the transept and the apses

The loca solatiorum: dwellings for recreation, well-being and hunting

The balance between architecture and light

A building constructed in a short space of time

The Genoard Park, the garden of pleasures and wonders

The links between the hauteville family and the monastic orders in Sicily

The Virgin Hodegetria

Layers of different cultures decorate the external apses

Beyond the harmony of proportions

Norman religious architecture with islamic influences in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The architectural envelope: the Greek cross layout oriented towards the light

The flooring: shapes, motifs and iconography

The senses tell the historical context

From the Mosque to the Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The columns of the nave: the meticulous study of the overall order

An architectural crescendo

Interior decorations

The cemetery of kings

A cloister of accentuated stylistic variety

Shapes and colours of the wooden ceiling

The stone bible

Gold and light: the splendour of the mosaics in the Royal Chapel

Mosaic decoration

Intertwining of knowledge in Norman Palermo

The liturgical spaces of the protesis and the diaconicon

The Bible carved in stone

The senses tell the external architecture and the original layout

Artistic elements in Peter’s ship

The towers and the western facade

The senses tell the Zisa over the centuries

A polysemy of high-level artistic forms and content

The senses tell the flooring

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Great Restoration

The side Portico: a combination of elegance and lightness of form

The Chapel of St. Mary Magdalene

The Chapel of the Kings

The Gualtiero Cathedral

The birth of the Norman kingdom

The chapel of the crucifix: an artistic casket based on a previous model

A new Cathedral

The senses tell the mosaic cycle

The senses tell the historical context

The Cathedral over the centuries

The Kings’ Cathedrals

A remarkable ceiling

The chapel of St. Benedict

From the main gate to the aisles: an invitation to a journey of faith

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell Context 1

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The return of water

Transformations over the centuries

A Northern population

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The decorations on the bell tower

Restorations

the Baroque interior

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A tree full of life

Palermo: the happiest city

The Palace of Kings

The king’s mark

From earthquake to collapse

The rediscovered palace

The opus sectile floor of the Palatine Chapel

The transformations of the hall through the centuries

Under the crosses of the Bema

The decorated facade

Cefalù: settlement evidence through time

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

The mosaics of the apses

A mixture of styles pervades the floor decorations

The mosaics of the naves

The Great Presbytery: a unique space for the cathedral

A chapel by an unknown designer based on repeated symmetries

The beginning of the construction site

The senses tell the architecture

Decorations

The side aisles

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the interior

The medieval city amidst monasticism and feudal aristocracy

The mosaic cycle, an ascending path towards the light

The dialogue between the architectures of the monumental complex

The chapel of san Castrense: an important renaissance work

Survey of the royal tombs

The senses tell baroque decoration

The architectural appearance and transformations over time

From oblivion to the recovery of memory

The senses tell restorations

The area of the Sanctuary

The lost chapel

Ecclesia munita

The interior of the church

The senses tell the architecture and decorations

The architectural space

The senses tell the ceiling

The longest aisle

The mosaics of the presbytery

Porphyry sarcophagi: royalty and power

Roger II of hauteville: a sovereign protected by God

The cultural substrate through time

The Admiral’s dedication

A space between the visible and the invisible

The southern portico

The Cassaro

The towers facing the facade used as bell towers

Gardens and architecture as a backdrop to the city of Palermo

Worship services

Characteristics of religious architecture in the romanesque period

A controversial interpretation

The Norman conquest of Sicily and the birth of a new Latin kingdom

Roger II’s strategic design

The chystro: a place between earth and sky

The construction of Monreale Cathedral: between myth and history

A palimpsest of history

The Royal Throne

The original design

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

the Baroque exterior