photo gallery

photo gallery

Gold and light: the splendour of the mosaics in the Royal Chapel

A Northern population

The chapel of san Castrense: an important renaissance work

An architectural crescendo

Decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Restorations

the Baroque exterior

The construction of Monreale Cathedral: between myth and history

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

Transformations over the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From the main gate to the aisles: an invitation to a journey of faith

The architectural appearance and transformations over time

The mosaics of the apses

A palimpsest of history

The senses tell the flooring

The towers and the western facade

The transformations of the hall through the centuries

The Cassaro

Intertwining of knowledge in Norman Palermo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Bible carved in stone

The interior of the church

The Great Restoration

Porphyry sarcophagi: royalty and power

A mixture of styles pervades the floor decorations

The mosaic cycle, an ascending path towards the light

The chapel of St. Benedict

The senses tell Context 1

The balance between architecture and light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The decorations on the bell tower

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The side aisles

Worship services

The Virgin Hodegetria

The ancient convent of the Martorana, a history of devotion and tradition

the Baroque interior

The senses tell the historical context

The original design

The senses tell the external architecture and the original layout

From oblivion to the recovery of memory

Different styles and transformations of “one of the most beautiful monuments in the world”

The Gualtiero Cathedral

The mosaics of the naves

Survey of the royal tombs

Saint Peter’s Chapel in the Royal Palace

The liturgical spaces of the protesis and the diaconicon

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the Zisa over the centuries

The flooring: shapes, motifs and iconography

The rediscovered chapel

The rediscovered palace

The links between the hauteville family and the monastic orders in Sicily

The Great Presbytery: a unique space for the cathedral

From the Mosque to the Cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the presbytery

A compositional design that combines nordic examples with new artistic languages, over the centuries

The decorated facade

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A remarkable ceiling

The beginning of the construction site

The dialogue between the architectures of the monumental complex

The mosaics of the transept and the apses

The medieval city amidst monasticism and feudal aristocracy

The senses tell the interior

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The stone bible

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

Artistic elements in Peter’s ship

Ecclesia munita

The cultural substrate through time

A polysemy of high-level artistic forms and content

The Royal Throne

The chystro: a place between earth and sky

The chapel of the crucifix: an artistic casket based on a previous model

The longest aisle

Under the crosses of the Bema

A chapel by an unknown designer based on repeated symmetries

Interior decorations

The architectural envelope: the Greek cross layout oriented towards the light

The lost chapel

Cefalù: settlement evidence through time

The Chapel of the Kings

The columns of the nave: the meticulous study of the overall order

The return of water

The senses tell the architecture and decorations

The southern portico

The birth of the Norman kingdom

The towers facing the facade used as bell towers

The Palace of Kings

Norman religious architecture with islamic influences in Sicily

The king’s mark

A space between the visible and the invisible

The senses tell baroque decoration

The Cathedral over the centuries

The Kings’ Cathedrals

Shapes and colours of the wooden ceiling

A new Cathedral

A building constructed in a short space of time

The loca solatiorum: dwellings for recreation, well-being and hunting

The area of the Sanctuary

Tempus fugit: a strategic project implemented in a short period of time

Roger II of hauteville: a sovereign protected by God

The senses tell restorations

Squaring the circle

The Genoard Park, the garden of pleasures and wonders

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chorus: beating heart of the cathedral

The architectural space

The senses tell the mosaic cycle

The senses tell the architecture

Roger II’s strategic design

The Chapel of St. Mary Magdalene

The opus sectile floor of the Palatine Chapel

Palermo: the happiest city

A tree full of life

the roof of Paradise: one of the most representative works of medieval art

Two initially similar towers, varied over time

Mosaic decoration

The Admiral’s dedication

The senses tell the historical context

A controversial interpretation

The senses tell the ceiling

From earthquake to collapse

The cemetery of kings

Layers of different cultures decorate the external apses

A cloister of accentuated stylistic variety