photo gallery

photo gallery

The chapel of St. Benedict

The mosaics of the presbytery

The Chapel of St. Mary Magdalene

The loca solatiorum: dwellings for recreation, well-being and hunting

A Northern population

Characteristics of religious architecture in the romanesque period

A remarkable ceiling

A controversial interpretation

the Baroque exterior

Layers of different cultures decorate the external apses

Intertwining of knowledge in Norman Palermo

The Genoard Park, the garden of pleasures and wonders

The Great Restoration

The senses tell the Zisa over the centuries

The Kings’ Cathedrals

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The links between the hauteville family and the monastic orders in Sicily

The senses tell the architecture

Restorations

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell Context 1

A tree full of life

Norman religious architecture with islamic influences in Sicily

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The architectural space

A chapel by an unknown designer based on repeated symmetries

The senses tell the external architecture and the original layout

The decorations on the bell tower

The senses tell the interior

Mosaic decoration

The Bible carved in stone

Two initially similar towers, varied over time

The senses tell the historical context

The senses tell the mosaic cycle

The dialogue between the architectures of the monumental complex

The chapel of the crucifix: an artistic casket based on a previous model

The mosaic cycle, an ascending path towards the light

A building constructed in a short space of time

The mosaics of the naves

The mosaics of the apses

Interior decorations

The senses tell the historical context

A cloister of accentuated stylistic variety

The flooring: shapes, motifs and iconography

A new Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The chorus: beating heart of the cathedral

A mixture of styles pervades the floor decorations

The Great Presbytery: a unique space for the cathedral

The senses tell the architecture and decorations

Gardens and architecture as a backdrop to the city of Palermo

A compositional design that combines nordic examples with new artistic languages, over the centuries

Squaring the circle

The medieval city amidst monasticism and feudal aristocracy

Beyond the harmony of proportions

Transformations over the centuries

The senses tell baroque decoration

The longest aisle

The balance between architecture and light

The ancient convent of the Martorana, a history of devotion and tradition

Tempus fugit: a strategic project implemented in a short period of time

The area of the Sanctuary

The Cassaro

The senses tell restorations

The chystro: a place between earth and sky

From the main gate to the aisles: an invitation to a journey of faith

From oblivion to the recovery of memory

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Royal Throne

The senses tell the historical context

The lost chapel

The rediscovered chapel

Porphyry sarcophagi: royalty and power

Shapes and colours of the wooden ceiling

The mosaics of the transept and the apses

The stone bible

Palermo: the happiest city

The Gualtiero Cathedral

Decorations

Survey of the royal tombs

The king’s mark

The cemetery of kings

The towers facing the facade used as bell towers

The beginning of the construction site

Ecclesia munita

From the Mosque to the Cathedral

Under the crosses of the Bema

The transformations of the hall through the centuries

The side aisles

The Virgin Hodegetria

The Norman conquest of Sicily and the birth of a new Latin kingdom

Roger II’s strategic design

the roof of Paradise: one of the most representative works of medieval art

An architectural crescendo

The Admiral’s dedication

The liturgical spaces of the protesis and the diaconicon

Saint Peter’s Chapel in the Royal Palace

The columns of the nave: the meticulous study of the overall order

The Palace of Kings

The Cathedral over the centuries

The senses tell the flooring

The decorated facade

The Chapel of the Kings

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The southern portico

The chapel of san Castrense: an important renaissance work

A space between the visible and the invisible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

the Baroque interior

A polysemy of high-level artistic forms and content

The original design

Gold and light: the splendour of the mosaics in the Royal Chapel

The cultural substrate through time

The towers and the western facade

The architectural appearance and transformations over time

Roger II of hauteville: a sovereign protected by God

The rediscovered palace

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The return of water

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The birth of the Norman kingdom

A palimpsest of history

The opus sectile floor of the Palatine Chapel

From earthquake to collapse

Artistic elements in Peter’s ship

The interior of the church

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Cefalù: settlement evidence through time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The construction of Monreale Cathedral: between myth and history

The senses tell the ceiling

The side Portico: a combination of elegance and lightness of form

Worship services