photo gallery

photo gallery

The king’s mark

A controversial interpretation

From the main gate to the aisles: an invitation to a journey of faith

The Great Restoration

Shapes and colours of the wooden ceiling

The rediscovered chapel

The decorations on the bell tower

the roof of Paradise: one of the most representative works of medieval art

The rediscovered palace

Squaring the circle

The lost chapel

Roger II’s strategic design

Porphyry sarcophagi: royalty and power

Decorations

The senses tell the historical context

A new Cathedral

The chapel of san Castrense: an important renaissance work

Intertwining of knowledge in Norman Palermo

The mosaics of the presbytery

A chapel by an unknown designer based on repeated symmetries

The senses tell the interior

The opus sectile floor of the Palatine Chapel

Restorations

The mosaics of the apses

Saint Peter’s Chapel in the Royal Palace

The Great Presbytery: a unique space for the cathedral

The columns of the nave: the meticulous study of the overall order

The mosaics of the transept and the apses

The birth of the Norman kingdom

The towers facing the facade used as bell towers

Interior decorations

The Royal Throne

A polysemy of high-level artistic forms and content

The senses tell the historical context

The architectural space

The Virgin Hodegetria

The construction of Monreale Cathedral: between myth and history

The chystro: a place between earth and sky

Different styles and transformations of “one of the most beautiful monuments in the world”

Norman religious architecture with islamic influences in Sicily

Transformations over the centuries

The interior of the church

A palimpsest of history

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The longest aisle

Mosaic decoration

The cultural substrate through time

Palermo: the happiest city

The ancient convent of the Martorana, a history of devotion and tradition

Artistic elements in Peter’s ship

The flooring: shapes, motifs and iconography

The decorated facade

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the architecture

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II of hauteville: a sovereign protected by God

the Baroque exterior

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The links between the hauteville family and the monastic orders in Sicily

Two initially similar towers, varied over time

The senses tell baroque decoration

The side Portico: a combination of elegance and lightness of form

The Cassaro

Cefalù: settlement evidence through time

Under the crosses of the Bema

Ecclesia munita

The original design

The stone bible

The Bible carved in stone

Beyond the harmony of proportions

The senses tell the ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

An architectural crescendo

A cloister of accentuated stylistic variety

A mixture of styles pervades the floor decorations

Tempus fugit: a strategic project implemented in a short period of time

The area of the Sanctuary

The towers and the western facade

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of St. Benedict

The architectural envelope: the Greek cross layout oriented towards the light

A tree full of life

The balance between architecture and light

The senses tell restorations

Survey of the royal tombs

The Cathedral over the centuries

The transformations of the hall through the centuries

The Kings’ Cathedrals

The chapel of the crucifix: an artistic casket based on a previous model

The liturgical spaces of the protesis and the diaconicon

The mosaic cycle, an ascending path towards the light

The chorus: beating heart of the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A Northern population

The Genoard Park, the garden of pleasures and wonders

The beginning of the construction site

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The return of water

The mosaics of the naves

The Palace of Kings

Worship services

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the mosaic cycle

The senses tell Context 1

The senses tell the external architecture and the original layout

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the flooring

A compositional design that combines nordic examples with new artistic languages, over the centuries

From the Mosque to the Cathedral

The architectural appearance and transformations over time

The cemetery of kings

The senses tell the historical context

The senses tell the Zisa over the centuries

The dialogue between the architectures of the monumental complex

The Admiral’s dedication

A building constructed in a short space of time

The senses tell the architecture and decorations

From oblivion to the recovery of memory

A remarkable ceiling

the Baroque interior

The medieval city amidst monasticism and feudal aristocracy

The Chapel of the Kings

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The southern portico

Characteristics of religious architecture in the romanesque period

The Gualtiero Cathedral

From earthquake to collapse

The side aisles

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A space between the visible and the invisible

The Norman conquest of Sicily and the birth of a new Latin kingdom