Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The beginning of the construction site

The towers facing the facade used as bell towers

The liturgical spaces of the protesis and the diaconicon

The towers and the western facade

A space between the visible and the invisible

The columns of the nave: the meticulous study of the overall order

The chapel of san Castrense: an important renaissance work

The links between the hauteville family and the monastic orders in Sicily

The balance between architecture and light

The chorus: beating heart of the cathedral

The Gualtiero Cathedral

Beyond the harmony of proportions

The dialogue between the architectures of the monumental complex

A remarkable ceiling

From the main gate to the aisles: an invitation to a journey of faith

A controversial interpretation

The senses tell Context 1

Norman religious architecture with islamic influences in Sicily

A chapel by an unknown designer based on repeated symmetries

A palimpsest of history

Roger II’s strategic design

A Northern population

Cefalù: settlement evidence through time

Characteristics of religious architecture in the romanesque period

Tempus fugit: a strategic project implemented in a short period of time

Porphyry sarcophagi: royalty and power

Transformations over the centuries

Ecclesia munita

Survey of the royal tombs

Squaring the circle

The mosaics of the presbytery

Interior decorations

The Great Restoration

The construction of Monreale Cathedral: between myth and history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The cemetery of kings

The Bible carved in stone

The area of the Sanctuary

Palermo: the happiest city

From the Mosque to the Cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A cloister of accentuated stylistic variety

The mosaics of the apses

The chapel of the crucifix: an artistic casket based on a previous model

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chystro: a place between earth and sky

A tree full of life

The cultural substrate through time

The stone bible

The king’s mark

Under the crosses of the Bema

The Kings’ Cathedrals

Two initially similar towers, varied over time

The Cathedral over the centuries

The southern portico

A polysemy of high-level artistic forms and content

The side aisles

Mosaic decoration

A mixture of styles pervades the floor decorations

The rediscovered chapel

Gardens and architecture as a backdrop to the city of Palermo

The Great Presbytery: a unique space for the cathedral

The Virgin Hodegetria

The chapel of St. Benedict

Roger II of hauteville: a sovereign protected by God

The Chapel of the Kings

The Chapel of St. Mary Magdalene

The medieval city amidst monasticism and feudal aristocracy

The lost chapel

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The transformations of the hall through the centuries

The original design

Worship services

The longest aisle

The decorated facade

Artistic elements in Peter’s ship

A new Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The side Portico: a combination of elegance and lightness of form

Layers of different cultures decorate the external apses

A compositional design that combines nordic examples with new artistic languages, over the centuries