Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The longest aisle

Norman religious architecture with islamic influences in Sicily

The liturgical spaces of the protesis and the diaconicon

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side aisles

The rediscovered chapel

Porphyry sarcophagi: royalty and power

A Northern population

The side Portico: a combination of elegance and lightness of form

The Chapel of the Kings

The original design

The towers facing the facade used as bell towers

Squaring the circle

A compositional design that combines nordic examples with new artistic languages, over the centuries

Under the crosses of the Bema

Worship services

The chorus: beating heart of the cathedral

From the main gate to the aisles: an invitation to a journey of faith

The lost chapel

The decorated facade

The beginning of the construction site

Ecclesia munita

The stone bible

The Chapel of St. Mary Magdalene

The towers and the western facade

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A cloister of accentuated stylistic variety

A tree full of life

The Cathedral over the centuries

The dialogue between the architectures of the monumental complex

The Virgin Hodegetria

The construction of Monreale Cathedral: between myth and history

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chystro: a place between earth and sky

The Kings’ Cathedrals

Roger II of hauteville: a sovereign protected by God

The chapel of the crucifix: an artistic casket based on a previous model

Survey of the royal tombs

Artistic elements in Peter’s ship

The cemetery of kings

The cultural substrate through time

Two initially similar towers, varied over time

Tempus fugit: a strategic project implemented in a short period of time

The Great Restoration

The Bible carved in stone

The southern portico

A space between the visible and the invisible

A new Cathedral

The chapel of san Castrense: an important renaissance work

A polysemy of high-level artistic forms and content

Transformations over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A controversial interpretation

The links between the hauteville family and the monastic orders in Sicily

The balance between architecture and light

The senses tell Context 1

The mosaics of the presbytery

A remarkable ceiling

The columns of the nave: the meticulous study of the overall order

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Mosaic decoration

From the Mosque to the Cathedral

The Great Presbytery: a unique space for the cathedral

A palimpsest of history

A mixture of styles pervades the floor decorations

The Gualtiero Cathedral

Gardens and architecture as a backdrop to the city of Palermo

The transformations of the hall through the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Characteristics of religious architecture in the romanesque period

Roger II’s strategic design

The area of the Sanctuary

The chapel of St. Benedict

A chapel by an unknown designer based on repeated symmetries

Layers of different cultures decorate the external apses

The mosaics of the apses

Interior decorations

The king’s mark

The medieval city amidst monasticism and feudal aristocracy

Beyond the harmony of proportions

Cefalù: settlement evidence through time

Palermo: the happiest city