Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The Chapel of the Kings

Palermo: the happiest city

Roger II of hauteville: a sovereign protected by God

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The chapel of St. Benedict

The Bible carved in stone

The stone bible

A tree full of life

Artistic elements in Peter’s ship

A mixture of styles pervades the floor decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Great Presbytery: a unique space for the cathedral

Transformations over the centuries

Beyond the harmony of proportions

The Chapel of St. Mary Magdalene

Worship services

The longest aisle

The towers and the western facade

A compositional design that combines nordic examples with new artistic languages, over the centuries

Porphyry sarcophagi: royalty and power

The original design

Characteristics of religious architecture in the romanesque period

The chorus: beating heart of the cathedral

The Gualtiero Cathedral

Norman religious architecture with islamic influences in Sicily

Survey of the royal tombs

The mosaics of the presbytery

The columns of the nave: the meticulous study of the overall order

The area of the Sanctuary

The chapel of san Castrense: an important renaissance work

The chystro: a place between earth and sky

The balance between architecture and light

A cloister of accentuated stylistic variety

The dialogue between the architectures of the monumental complex

A space between the visible and the invisible

The southern portico

A Northern population

The towers facing the facade used as bell towers

Gardens and architecture as a backdrop to the city of Palermo

The cultural substrate through time

Mosaic decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The decorated facade

The lost chapel

Two initially similar towers, varied over time

The Virgin Hodegetria

Tempus fugit: a strategic project implemented in a short period of time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Cefalù: settlement evidence through time

A palimpsest of history

The Cathedral over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The transformations of the hall through the centuries

Squaring the circle

A remarkable ceiling

The beginning of the construction site

The liturgical spaces of the protesis and the diaconicon

Under the crosses of the Bema

Roger II’s strategic design

The Great Restoration

The side aisles

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cemetery of kings

The construction of Monreale Cathedral: between myth and history

Interior decorations

Ecclesia munita

From the main gate to the aisles: an invitation to a journey of faith

A chapel by an unknown designer based on repeated symmetries

A polysemy of high-level artistic forms and content

The links between the hauteville family and the monastic orders in Sicily

From the Mosque to the Cathedral

The rediscovered chapel

A new Cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Kings’ Cathedrals

The side Portico: a combination of elegance and lightness of form

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the apses

A controversial interpretation

The king’s mark

The senses tell Context 1

Layers of different cultures decorate the external apses