Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The Chapel of St. Mary Magdalene

Under the crosses of the Bema

The rediscovered chapel

A cloister of accentuated stylistic variety

A Northern population

From the main gate to the aisles: an invitation to a journey of faith

The senses tell Context 1

The links between the hauteville family and the monastic orders in Sicily

A mixture of styles pervades the floor decorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Chapel of the Kings

The Cathedral over the centuries

A polysemy of high-level artistic forms and content

Gardens and architecture as a backdrop to the city of Palermo

A palimpsest of history

The Bible carved in stone

The mosaics of the apses

The Virgin Hodegetria

The towers facing the facade used as bell towers

The cemetery of kings

Porphyry sarcophagi: royalty and power

Interior decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Kings’ Cathedrals

From the Mosque to the Cathedral

The decorated facade

The chorus: beating heart of the cathedral

The dialogue between the architectures of the monumental complex

Norman religious architecture with islamic influences in Sicily

A remarkable ceiling

Characteristics of religious architecture in the romanesque period

The transformations of the hall through the centuries

The side Portico: a combination of elegance and lightness of form

The Gualtiero Cathedral

Mosaic decoration

Roger II’s strategic design

The construction of Monreale Cathedral: between myth and history

Worship services

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chystro: a place between earth and sky

A tree full of life

The chapel of St. Benedict

Tempus fugit: a strategic project implemented in a short period of time

The liturgical spaces of the protesis and the diaconicon

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Cefalù: settlement evidence through time

The cultural substrate through time

The southern portico

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Squaring the circle

The longest aisle

The original design

A controversial interpretation

Layers of different cultures decorate the external apses

The Great Restoration

Palermo: the happiest city

The side aisles

Roger II of hauteville: a sovereign protected by God

The stone bible

Ecclesia munita

Survey of the royal tombs

The columns of the nave: the meticulous study of the overall order

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Great Presbytery: a unique space for the cathedral

The beginning of the construction site

The lost chapel

Beyond the harmony of proportions

The chapel of san Castrense: an important renaissance work

The medieval city amidst monasticism and feudal aristocracy

A chapel by an unknown designer based on repeated symmetries

The area of the Sanctuary

The mosaics of the presbytery

The king’s mark

The towers and the western facade

A new Cathedral

Transformations over the centuries

Artistic elements in Peter’s ship

A space between the visible and the invisible

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

The balance between architecture and light

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister