Palermo Cathedral
The Context 1

Palermo: the happiest city

During the period of Muslim domination of the island, from the ninth to the eleventh century, Palermo was a rich and prosperous capital, with over 350 thousand inhabitants. The city was the third most important throughout the Mediterranean, after the great Cordoba, belonging to the emirate of Spain , and Constantinople, capital of the Byzantine Empire .
In his travel book, the Arab traveler Ibn Hawqal , who visited Sicily in 973, depicts the city as rich in lush gardens, large markets, and a centre of trade and commerce with the entire Mediterranean. He describes the multitude of mosques present in the city and, in particular, the great Gami Mosque (or ‘Friday Mosque’), which was probably built with reference to the great Umayyad Mosque in Damascus , taken as a model for all mosques in the Islamic world.

The original design

Palermo: the happiest city

Norman religious architecture with islamic influences in Sicily

A mixture of styles pervades the floor decorations

The transformations of the hall through the centuries

The cemetery of kings

The mosaics of the presbytery

The towers facing the facade used as bell towers

Tempus fugit: a strategic project implemented in a short period of time

Cefalù: settlement evidence through time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chorus: beating heart of the cathedral

The longest aisle

Ecclesia munita

A tree full of life

The dialogue between the architectures of the monumental complex

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

The side aisles

The chapel of St. Benedict

The stone bible

The decorated facade

The chystro: a place between earth and sky

The Great Restoration

The medieval city amidst monasticism and feudal aristocracy

Layers of different cultures decorate the external apses

The Cathedral over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A space between the visible and the invisible

The cultural substrate through time

A polysemy of high-level artistic forms and content

The mosaics of the apses

The beginning of the construction site

The king’s mark

A controversial interpretation

Interior decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The area of the Sanctuary

From the main gate to the aisles: an invitation to a journey of faith

The Gualtiero Cathedral

The side Portico: a combination of elegance and lightness of form

The Bible carved in stone

A remarkable ceiling

The lost chapel

A new Cathedral

The links between the hauteville family and the monastic orders in Sicily

A cloister of accentuated stylistic variety

The senses tell Context 1

Two initially similar towers, varied over time

The Great Presbytery: a unique space for the cathedral

Mosaic decoration

The Chapel of the Kings

Porphyry sarcophagi: royalty and power

Worship services

Artistic elements in Peter’s ship

The southern portico

The Virgin Hodegetria

The columns of the nave: the meticulous study of the overall order

Under the crosses of the Bema

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From the Mosque to the Cathedral

The towers and the western facade

The rediscovered chapel

Gardens and architecture as a backdrop to the city of Palermo

Transformations over the centuries

The balance between architecture and light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The construction of Monreale Cathedral: between myth and history

Characteristics of religious architecture in the romanesque period

The Chapel of St. Mary Magdalene

A Northern population

Roger II of hauteville: a sovereign protected by God

Survey of the royal tombs

A chapel by an unknown designer based on repeated symmetries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Kings’ Cathedrals

Beyond the harmony of proportions

Roger II’s strategic design

The liturgical spaces of the protesis and the diaconicon

The chapel of san Castrense: an important renaissance work

A palimpsest of history