Palermo Cathedral
The Context 1

A Northern population

The Normans, a Viking population from Normandy, landed in Messina in 1061 and conquered Palermo in 1071 under the leadership of two great leaders of the Altavilla family: Robert Guiscard and his brother the Great Count Roger found a prosperous and rich city.From here they continued their quest to conquer the island, which lasted about 30 years, until 1091, when the city of Noto, the last Muslim stronghold in Sicily, was conquered.
The military operation was preceded by a pact, known as the Treaty of Melfi , in which Pope Nicholas II gave Robert Guiscard, of the Norman Altavilla family , the mandate to proceed to conquer the regions of southern Italy, giving him the title of Duke of Apulia, Count in Sicily and Duke of Calabria, even before the conquest of such territories.
The Norman presence in Sicily was not accidental, it was strongly backed by the Church, to somehow balance the Byzantine presence in Southern Italy and free Sicily from the Muslim occupation, which had lasted over 250 years, thus being able to bring Christianity back to the island.

The cemetery of kings

Two initially similar towers, varied over time

Characteristics of religious architecture in the romanesque period

Porphyry sarcophagi: royalty and power

The cultural substrate through time

Norman religious architecture with islamic influences in Sicily

The mosaics of the apses

The balance between architecture and light

Transformations over the centuries

A tree full of life

The chapel of St. Benedict

A mixture of styles pervades the floor decorations

Tempus fugit: a strategic project implemented in a short period of time

The decorated facade

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The columns of the nave: the meticulous study of the overall order

A new Cathedral

Artistic elements in Peter’s ship

From the Mosque to the Cathedral

The links between the hauteville family and the monastic orders in Sicily

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Beyond the harmony of proportions

Layers of different cultures decorate the external apses

Worship services

The Great Restoration

A palimpsest of history

Ecclesia munita

The Kings’ Cathedrals

A polysemy of high-level artistic forms and content

Palermo: the happiest city

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

The liturgical spaces of the protesis and the diaconicon

The transformations of the hall through the centuries

Interior decorations

A cloister of accentuated stylistic variety

The Virgin Hodegetria

The chapel of the crucifix: an artistic casket based on a previous model

Mosaic decoration

A remarkable ceiling

The towers facing the facade used as bell towers

The beginning of the construction site

The area of the Sanctuary

A Northern population

Under the crosses of the Bema

A space between the visible and the invisible

The chystro: a place between earth and sky

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The southern portico

The Great Presbytery: a unique space for the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Chapel of St. Mary Magdalene

The chapel of san Castrense: an important renaissance work

The construction of Monreale Cathedral: between myth and history

Gardens and architecture as a backdrop to the city of Palermo

The senses tell Context 1

Squaring the circle

The mosaics of the presbytery

A chapel by an unknown designer based on repeated symmetries

The original design

The rediscovered chapel

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Bible carved in stone

The Cathedral over the centuries

The dialogue between the architectures of the monumental complex

The stone bible

From the main gate to the aisles: an invitation to a journey of faith

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A controversial interpretation

Cefalù: settlement evidence through time

The king’s mark

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Chapel of the Kings

The medieval city amidst monasticism and feudal aristocracy

The longest aisle

The side Portico: a combination of elegance and lightness of form

Roger II’s strategic design

Survey of the royal tombs

The lost chapel

The chorus: beating heart of the cathedral

The Gualtiero Cathedral

The side aisles

Roger II of hauteville: a sovereign protected by God