photo gallery

photo gallery

The Royal Throne

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The opus sectile floor of the Palatine Chapel

the Baroque interior

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The lost chapel

A space between the visible and the invisible

An architectural crescendo

The Admiral’s dedication

The Great Presbytery: a unique space for the cathedral

The beginning of the construction site

The senses tell the architecture and decorations

Shapes and colours of the wooden ceiling

The area of the Sanctuary

The Cassaro

The senses tell the Zisa over the centuries

The architectural appearance and transformations over time

The senses tell the architecture

Palermo: the happiest city

The Gualtiero Cathedral

Two initially similar towers, varied over time

Under the crosses of the Bema

The senses tell the historical context

Norman religious architecture with islamic influences in Sicily

From oblivion to the recovery of memory

The Cathedral over the centuries

The Genoard Park, the garden of pleasures and wonders

The senses tell the flooring

The king’s mark

The mosaic cycle, an ascending path towards the light

A tree full of life

The links between the hauteville family and the monastic orders in Sicily

The cemetery of kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Bible carved in stone

Layers of different cultures decorate the external apses

The Chapel of the Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Interior decorations

The southern portico

The Kings’ Cathedrals

The architectural space

The birth of the Norman kingdom

Ecclesia munita

The decorations on the bell tower

the Baroque exterior

The longest aisle

A chapel by an unknown designer based on repeated symmetries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The liturgical spaces of the protesis and the diaconicon

Saint Peter’s Chapel in the Royal Palace

A new Cathedral

The senses tell the interior

The rediscovered chapel

The towers facing the facade used as bell towers

The senses tell Context 1

The columns of the nave: the meticulous study of the overall order

A remarkable ceiling

the roof of Paradise: one of the most representative works of medieval art

The interior of the church

Intertwining of knowledge in Norman Palermo

A compositional design that combines nordic examples with new artistic languages, over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

The Virgin Hodegetria

The medieval city amidst monasticism and feudal aristocracy

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the external architecture and the original layout

From the main gate to the aisles: an invitation to a journey of faith

The chorus: beating heart of the cathedral

A building constructed in a short space of time

The ancient convent of the Martorana, a history of devotion and tradition

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell restorations

A polysemy of high-level artistic forms and content

Characteristics of religious architecture in the romanesque period

Cefalù: settlement evidence through time

The balance between architecture and light

The stone bible

The senses tell baroque decoration

The chapel of St. Benedict

The Great Restoration

The side Portico: a combination of elegance and lightness of form

The chapel of san Castrense: an important renaissance work

Worship services

The loca solatiorum: dwellings for recreation, well-being and hunting

The construction of Monreale Cathedral: between myth and history

Transformations over the centuries

The mosaics of the apses

The senses tell the historical context

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From earthquake to collapse

The mosaics of the transept and the apses

The chystro: a place between earth and sky

The mosaics of the naves

A mixture of styles pervades the floor decorations

Beyond the harmony of proportions

Squaring the circle

The original design

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the mosaic cycle

The Palace of Kings

The cultural substrate through time

A Northern population

From the Mosque to the Cathedral

The senses tell the historical context

Restorations

A palimpsest of history

The transformations of the hall through the centuries

The decorated facade

Roger II’s strategic design

The rediscovered palace

The return of water

A cloister of accentuated stylistic variety

Survey of the royal tombs

Decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the presbytery

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A controversial interpretation

Mosaic decoration

The side aisles

Porphyry sarcophagi: royalty and power

Roger II of hauteville: a sovereign protected by God

Gold and light: the splendour of the mosaics in the Royal Chapel

Gardens and architecture as a backdrop to the city of Palermo

The Chapel of St. Mary Magdalene

The flooring: shapes, motifs and iconography

The towers and the western facade

Artistic elements in Peter’s ship

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The dialogue between the architectures of the monumental complex

The senses tell the ceiling

Tempus fugit: a strategic project implemented in a short period of time