photo gallery

photo gallery

The senses tell the architecture

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

The liturgical spaces of the protesis and the diaconicon

Interior decorations

A remarkable ceiling

The flooring: shapes, motifs and iconography

The Palace of Kings

Gardens and architecture as a backdrop to the city of Palermo

the roof of Paradise: one of the most representative works of medieval art

The opus sectile floor of the Palatine Chapel

The area of the Sanctuary

The balance between architecture and light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the architecture and decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the historical context

Transformations over the centuries

A palimpsest of history

The rediscovered palace

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell baroque decoration

Palermo: the happiest city

From the Mosque to the Cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The medieval city amidst monasticism and feudal aristocracy

The architectural space

The chapel of St. Benedict

The senses tell Context 1

The senses tell the Zisa over the centuries

The loca solatiorum: dwellings for recreation, well-being and hunting

The construction of Monreale Cathedral: between myth and history

The Norman conquest of Sicily and the birth of a new Latin kingdom

A building constructed in a short space of time

The Royal Throne

The original design

The senses tell the interior

The birth of the Norman kingdom

The chystro: a place between earth and sky

The decorations on the bell tower

The links between the hauteville family and the monastic orders in Sicily

The chapel of san Castrense: an important renaissance work

The Great Presbytery: a unique space for the cathedral

The architectural appearance and transformations over time

Squaring the circle

The senses tell the external architecture and the original layout

Under the crosses of the Bema

Porphyry sarcophagi: royalty and power

The Gualtiero Cathedral

the Baroque exterior

Layers of different cultures decorate the external apses

Beyond the harmony of proportions

Decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The beginning of the construction site

The Cassaro

The Admiral’s dedication

From the main gate to the aisles: an invitation to a journey of faith

Restorations

The senses tell the flooring

The Genoard Park, the garden of pleasures and wonders

The stone bible

The columns of the nave: the meticulous study of the overall order

A controversial interpretation

A new Cathedral

The cultural substrate through time

The senses tell the historical context

The mosaics of the apses

A space between the visible and the invisible

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From oblivion to the recovery of memory

Norman religious architecture with islamic influences in Sicily

The longest aisle

Intertwining of knowledge in Norman Palermo

Mosaic decoration

The dialogue between the architectures of the monumental complex

The lost chapel

The chorus: beating heart of the cathedral

Cefalù: settlement evidence through time

The return of water

Roger II of hauteville: a sovereign protected by God

The decorated facade

The side Portico: a combination of elegance and lightness of form

From earthquake to collapse

The senses tell restorations

The king’s mark

A cloister of accentuated stylistic variety

The towers facing the facade used as bell towers

Tempus fugit: a strategic project implemented in a short period of time

The Chapel of St. Mary Magdalene

The Chapel of the Kings

The transformations of the hall through the centuries

The southern portico

Different styles and transformations of “one of the most beautiful monuments in the world”

Characteristics of religious architecture in the romanesque period

The mosaics of the transept and the apses

the Baroque interior

A chapel by an unknown designer based on repeated symmetries

The Kings’ Cathedrals

The Virgin Hodegetria

Worship services

Saint Peter’s Chapel in the Royal Palace

The interior of the church

A polysemy of high-level artistic forms and content

The towers and the western facade

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Roger II’s strategic design

Ecclesia munita

An architectural crescendo

The rediscovered chapel

The Cathedral over the centuries

Artistic elements in Peter’s ship

The senses tell the mosaic cycle

A mixture of styles pervades the floor decorations

The mosaics of the presbytery

The mosaics of the naves

The mosaic cycle, an ascending path towards the light

The architectural envelope: the Greek cross layout oriented towards the light

The side aisles

Gold and light: the splendour of the mosaics in the Royal Chapel

A Northern population

Shapes and colours of the wooden ceiling

The cemetery of kings

A tree full of life

The senses tell the historical context

The Bible carved in stone

Survey of the royal tombs

The Great Restoration

The senses tell the ceiling

A compositional design that combines nordic examples with new artistic languages, over the centuries