photo gallery

photo gallery

Gardens and architecture as a backdrop to the city of Palermo

From earthquake to collapse

The mosaic cycle, an ascending path towards the light

A Northern population

A controversial interpretation

The construction of Monreale Cathedral: between myth and history

The area of the Sanctuary

Mosaic decoration

A palimpsest of history

Worship services

The southern portico

The mosaics of the naves

The links between the hauteville family and the monastic orders in Sicily

The Virgin Hodegetria

The senses tell the ceiling

The lost chapel

The interior of the church

Tempus fugit: a strategic project implemented in a short period of time

Decorations

The senses tell the Zisa over the centuries

The senses tell the external architecture and the original layout

Characteristics of religious architecture in the romanesque period

The architectural appearance and transformations over time

A remarkable ceiling

A tree full of life

The decorations on the bell tower

The senses tell the architecture

The Palace of Kings

The Chapel of St. Mary Magdalene

From the Mosque to the Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the historical context

Beyond the harmony of proportions

The ancient convent of the Martorana, a history of devotion and tradition

The decorated facade

The Bible carved in stone

The senses tell the historical context

Shapes and colours of the wooden ceiling

The beginning of the construction site

The chapel of the crucifix: an artistic casket based on a previous model

The architectural envelope: the Greek cross layout oriented towards the light

A space between the visible and the invisible

The cultural substrate through time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The medieval city amidst monasticism and feudal aristocracy

The towers facing the facade used as bell towers

Two initially similar towers, varied over time

The original design

The senses tell the architecture and decorations

The balance between architecture and light

Artistic elements in Peter’s ship

Roger II of hauteville: a sovereign protected by God

Porphyry sarcophagi: royalty and power

The senses tell the interior

The senses tell the flooring

The liturgical spaces of the protesis and the diaconicon

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the historical context

Layers of different cultures decorate the external apses

Transformations over the centuries

From oblivion to the recovery of memory

The Genoard Park, the garden of pleasures and wonders

The Cathedral over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Chapel of the Kings

A cloister of accentuated stylistic variety

The Cassaro

The Admiral’s dedication

The opus sectile floor of the Palatine Chapel

The mosaics of the transept and the apses

The cemetery of kings

Ecclesia munita

Restorations

The senses tell restorations

The king’s mark

The senses tell Context 1

the Baroque interior

The dialogue between the architectures of the monumental complex

Survey of the royal tombs

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chorus: beating heart of the cathedral

The chapel of san Castrense: an important renaissance work

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Kings’ Cathedrals

The architectural space

Under the crosses of the Bema

the roof of Paradise: one of the most representative works of medieval art

The senses tell the mosaic cycle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Saint Peter’s Chapel in the Royal Palace

The Royal Throne

The senses tell baroque decoration

The towers and the western facade

The side aisles

The flooring: shapes, motifs and iconography

The chystro: a place between earth and sky

A building constructed in a short space of time

The chapel of St. Benedict

The Gualtiero Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

A new Cathedral

From the main gate to the aisles: an invitation to a journey of faith

The return of water

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The columns of the nave: the meticulous study of the overall order

A chapel by an unknown designer based on repeated symmetries

The birth of the Norman kingdom

The stone bible

The side Portico: a combination of elegance and lightness of form

Roger II’s strategic design

The loca solatiorum: dwellings for recreation, well-being and hunting

Different styles and transformations of “one of the most beautiful monuments in the world”

Interior decorations

Palermo: the happiest city

The Great Restoration

The longest aisle

The rediscovered chapel

An architectural crescendo

Intertwining of knowledge in Norman Palermo

Norman religious architecture with islamic influences in Sicily

The transformations of the hall through the centuries

The rediscovered palace

A polysemy of high-level artistic forms and content

The Great Presbytery: a unique space for the cathedral

The mosaics of the presbytery

Cefalù: settlement evidence through time

The mosaics of the apses

A mixture of styles pervades the floor decorations

Squaring the circle

Gold and light: the splendour of the mosaics in the Royal Chapel

the Baroque exterior