photo gallery

photo gallery

Mosaic decoration

The senses tell the external architecture and the original layout

Interior decorations

Porphyry sarcophagi: royalty and power

The longest aisle

The beginning of the construction site

The senses tell baroque decoration

A new Cathedral

The columns of the nave: the meticulous study of the overall order

The Admiral’s dedication

The Great Presbytery: a unique space for the cathedral

The liturgical spaces of the protesis and the diaconicon

The chorus: beating heart of the cathedral

The chapel of san Castrense: an important renaissance work

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the mosaic cycle

The return of water

The senses tell the ceiling

The decorations on the bell tower

Norman religious architecture with islamic influences in Sicily

The Cathedral over the centuries

Decorations

The cultural substrate through time

The towers facing the facade used as bell towers

the Baroque exterior

The transformations of the hall through the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the historical context

The cemetery of kings

The senses tell the interior

The interior of the church

the roof of Paradise: one of the most representative works of medieval art

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The area of the Sanctuary

Saint Peter’s Chapel in the Royal Palace

Shapes and colours of the wooden ceiling

Gold and light: the splendour of the mosaics in the Royal Chapel

The original design

The chystro: a place between earth and sky

The senses tell the historical context

The side Portico: a combination of elegance and lightness of form

The architectural space

The Genoard Park, the garden of pleasures and wonders

The chapel of St. Benedict

The construction of Monreale Cathedral: between myth and history

The mosaics of the naves

The Royal Throne

From earthquake to collapse

The king’s mark

The links between the hauteville family and the monastic orders in Sicily

A cloister of accentuated stylistic variety

The Palace of Kings

the Baroque interior

The mosaics of the apses

The opus sectile floor of the Palatine Chapel

The lost chapel

The mosaics of the transept and the apses

The senses tell the architecture

The decorated facade

Under the crosses of the Bema

The southern portico

The senses tell Context 1

A building constructed in a short space of time

Roger II’s strategic design

From the Mosque to the Cathedral

A chapel by an unknown designer based on repeated symmetries

Artistic elements in Peter’s ship

The senses tell the flooring

The architectural envelope: the Greek cross layout oriented towards the light

Layers of different cultures decorate the external apses

The Kings’ Cathedrals

A space between the visible and the invisible

The Great Restoration

The stone bible

A Northern population

The side aisles

The Norman conquest of Sicily and the birth of a new Latin kingdom

A remarkable ceiling

The Bible carved in stone

A mixture of styles pervades the floor decorations

The senses tell the historical context

The balance between architecture and light

Worship services

The ancient convent of the Martorana, a history of devotion and tradition

The architectural appearance and transformations over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Chapel of St. Mary Magdalene

From the main gate to the aisles: an invitation to a journey of faith

Gardens and architecture as a backdrop to the city of Palermo

An architectural crescendo

The mosaic cycle, an ascending path towards the light

Two initially similar towers, varied over time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The towers and the western facade

Characteristics of religious architecture in the romanesque period

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Ecclesia munita

A controversial interpretation

The rediscovered palace

A palimpsest of history

Cefalù: settlement evidence through time

The mosaics of the presbytery

Palermo: the happiest city

The senses tell restorations

A polysemy of high-level artistic forms and content

The Chapel of the Kings

The Gualtiero Cathedral

Survey of the royal tombs

Beyond the harmony of proportions

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From oblivion to the recovery of memory

The Cassaro

Squaring the circle

The medieval city amidst monasticism and feudal aristocracy

A tree full of life

The chapel of the crucifix: an artistic casket based on a previous model

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The flooring: shapes, motifs and iconography

The dialogue between the architectures of the monumental complex

The loca solatiorum: dwellings for recreation, well-being and hunting

Restorations

Intertwining of knowledge in Norman Palermo

The senses tell the Zisa over the centuries

The Virgin Hodegetria

Transformations over the centuries

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the architecture and decorations

The birth of the Norman kingdom

Roger II of hauteville: a sovereign protected by God

The rediscovered chapel