photo gallery

photo gallery

From oblivion to the recovery of memory

The senses tell the mosaic cycle

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

From the main gate to the aisles: an invitation to a journey of faith

The side aisles

the Baroque exterior

The towers and the western facade

Under the crosses of the Bema

The decorated facade

The senses tell the architecture

Porphyry sarcophagi: royalty and power

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The flooring: shapes, motifs and iconography

The senses tell restorations

The ancient convent of the Martorana, a history of devotion and tradition

The loca solatiorum: dwellings for recreation, well-being and hunting

The mosaics of the transept and the apses

The king’s mark

The senses tell the ceiling

The Cathedral over the centuries

The chorus: beating heart of the cathedral

The southern portico

The chapel of san Castrense: an important renaissance work

The senses tell the architecture and decorations

Characteristics of religious architecture in the romanesque period

The mosaic cycle, an ascending path towards the light

The stone bible

The return of water

The Gualtiero Cathedral

The Chapel of the Kings

The senses tell the historical context

The Admiral’s dedication

An architectural crescendo

The side Portico: a combination of elegance and lightness of form

The interior of the church

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the presbytery

Saint Peter’s Chapel in the Royal Palace

Worship services

Gardens and architecture as a backdrop to the city of Palermo

The senses tell baroque decoration

The cultural substrate through time

The Norman conquest of Sicily and the birth of a new Latin kingdom

A new Cathedral

A Northern population

The dialogue between the architectures of the monumental complex

The balance between architecture and light

The decorations on the bell tower

The Cassaro

The chystro: a place between earth and sky

The mosaics of the naves

The senses tell Context 1

Two initially similar towers, varied over time

The Virgin Hodegetria

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Royal Throne

Norman religious architecture with islamic influences in Sicily

Decorations

The chapel of St. Benedict

Roger II of hauteville: a sovereign protected by God

A remarkable ceiling

The architectural envelope: the Greek cross layout oriented towards the light

The cemetery of kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the external architecture and the original layout

Mosaic decoration

Layers of different cultures decorate the external apses

The Kings’ Cathedrals

The beginning of the construction site

The senses tell the historical context

the roof of Paradise: one of the most representative works of medieval art

Cefalù: settlement evidence through time

The birth of the Norman kingdom

A space between the visible and the invisible

The towers facing the facade used as bell towers

The senses tell the historical context

The senses tell the flooring

Interior decorations

The construction of Monreale Cathedral: between myth and history

The chapel of the crucifix: an artistic casket based on a previous model

Transformations over the centuries

Beyond the harmony of proportions

The rediscovered palace

The original design

Ecclesia munita

The Genoard Park, the garden of pleasures and wonders

A chapel by an unknown designer based on repeated symmetries

The architectural appearance and transformations over time

Gold and light: the splendour of the mosaics in the Royal Chapel

The Chapel of St. Mary Magdalene

From the Mosque to the Cathedral

Restorations

The Great Presbytery: a unique space for the cathedral

The area of the Sanctuary

The mosaics of the apses

A controversial interpretation

The Great Restoration

Palermo: the happiest city

Different styles and transformations of “one of the most beautiful monuments in the world”

The columns of the nave: the meticulous study of the overall order

The lost chapel

The rediscovered chapel

Shapes and colours of the wooden ceiling

A mixture of styles pervades the floor decorations

the Baroque interior

The architectural space

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Survey of the royal tombs

The opus sectile floor of the Palatine Chapel

The medieval city amidst monasticism and feudal aristocracy

A tree full of life

The liturgical spaces of the protesis and the diaconicon

A compositional design that combines nordic examples with new artistic languages, over the centuries

Squaring the circle

A cloister of accentuated stylistic variety

A building constructed in a short space of time

The senses tell the Zisa over the centuries

The longest aisle

The links between the hauteville family and the monastic orders in Sicily

Roger II’s strategic design

From earthquake to collapse

Intertwining of knowledge in Norman Palermo

Artistic elements in Peter’s ship

A palimpsest of history

The transformations of the hall through the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Bible carved in stone

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Palace of Kings

The senses tell the interior

A polysemy of high-level artistic forms and content