photo gallery

photo gallery

The beginning of the construction site

The balance between architecture and light

The Virgin Hodegetria

A new Cathedral

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the presbytery

The construction of Monreale Cathedral: between myth and history

The senses tell the architecture and decorations

The mosaics of the transept and the apses

The senses tell the interior

Artistic elements in Peter’s ship

The senses tell the external architecture and the original layout

The birth of the Norman kingdom

the Baroque interior

The cemetery of kings

Cefalù: settlement evidence through time

Saint Peter’s Chapel in the Royal Palace

Survey of the royal tombs

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The lost chapel

The longest aisle

The senses tell the flooring

Roger II of hauteville: a sovereign protected by God

The senses tell Context 1

The original design

The towers and the western facade

The senses tell baroque decoration

The opus sectile floor of the Palatine Chapel

A remarkable ceiling

The rediscovered chapel

The return of water

A tree full of life

The Chapel of St. Mary Magdalene

The senses tell the mosaic cycle

The Kings’ Cathedrals

The side aisles

Decorations

The ancient convent of the Martorana, a history of devotion and tradition

The architectural envelope: the Greek cross layout oriented towards the light

A compositional design that combines nordic examples with new artistic languages, over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

An architectural crescendo

Restorations

A mixture of styles pervades the floor decorations

The senses tell the Zisa over the centuries

Shapes and colours of the wooden ceiling

The southern portico

The flooring: shapes, motifs and iconography

The side Portico: a combination of elegance and lightness of form

The interior of the church

A space between the visible and the invisible

Norman religious architecture with islamic influences in Sicily

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell restorations

The chystro: a place between earth and sky

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Chapel of the Kings

The columns of the nave: the meticulous study of the overall order

The Palace of Kings

Tempus fugit: a strategic project implemented in a short period of time

The transformations of the hall through the centuries

The mosaics of the naves

The architectural appearance and transformations over time

From oblivion to the recovery of memory

The senses tell the historical context

The decorated facade

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A Northern population

The chapel of san Castrense: an important renaissance work

A palimpsest of history

The loca solatiorum: dwellings for recreation, well-being and hunting

Layers of different cultures decorate the external apses

The chorus: beating heart of the cathedral

The Great Presbytery: a unique space for the cathedral

The Royal Throne

The Admiral’s dedication

A controversial interpretation

From the main gate to the aisles: an invitation to a journey of faith

The towers facing the facade used as bell towers

Different styles and transformations of “one of the most beautiful monuments in the world”

Palermo: the happiest city

Characteristics of religious architecture in the romanesque period

Intertwining of knowledge in Norman Palermo

A cloister of accentuated stylistic variety

The decorations on the bell tower

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Cathedral over the centuries

The liturgical spaces of the protesis and the diaconicon

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Mosaic decoration

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Ecclesia munita

The cultural substrate through time

The Bible carved in stone

Roger II’s strategic design

From the Mosque to the Cathedral

The senses tell the ceiling

the Baroque exterior

The Gualtiero Cathedral

Under the crosses of the Bema

The senses tell the historical context

Interior decorations

Squaring the circle

Transformations over the centuries

The Cassaro

Gardens and architecture as a backdrop to the city of Palermo

The chapel of St. Benedict

A building constructed in a short space of time

Beyond the harmony of proportions

Worship services

The Great Restoration

The rediscovered palace

The links between the hauteville family and the monastic orders in Sicily

The senses tell the historical context

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The stone bible

The king’s mark

The mosaic cycle, an ascending path towards the light

The architectural space

The dialogue between the architectures of the monumental complex

The mosaics of the apses

The senses tell the architecture

The Norman conquest of Sicily and the birth of a new Latin kingdom

Porphyry sarcophagi: royalty and power

From earthquake to collapse

The Genoard Park, the garden of pleasures and wonders

the roof of Paradise: one of the most representative works of medieval art

A chapel by an unknown designer based on repeated symmetries

Two initially similar towers, varied over time

A polysemy of high-level artistic forms and content

The area of the Sanctuary

The chapel of the crucifix: an artistic casket based on a previous model