photo gallery

photo gallery

Norman religious architecture with islamic influences in Sicily

A building constructed in a short space of time

The towers and the western facade

From the main gate to the aisles: an invitation to a journey of faith

The flooring: shapes, motifs and iconography

The Palace of Kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

The rediscovered chapel

The mosaics of the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the historical context

Worship services

the Baroque interior

A remarkable ceiling

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the architecture

Decorations

The mosaics of the presbytery

The Genoard Park, the garden of pleasures and wonders

A controversial interpretation

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

From the Mosque to the Cathedral

Palermo: the happiest city

The cultural substrate through time

The senses tell Context 1

The chapel of the crucifix: an artistic casket based on a previous model

The beginning of the construction site

A polysemy of high-level artistic forms and content

The chystro: a place between earth and sky

The chapel of St. Benedict

The construction of Monreale Cathedral: between myth and history

Beyond the harmony of proportions

Interior decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Chapel of St. Mary Magdalene

The original design

A mixture of styles pervades the floor decorations

Porphyry sarcophagi: royalty and power

A chapel by an unknown designer based on repeated symmetries

The senses tell the mosaic cycle

The Bible carved in stone

The towers facing the facade used as bell towers

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The balance between architecture and light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A palimpsest of history

the Baroque exterior

The lost chapel

The Gualtiero Cathedral

The longest aisle

The architectural appearance and transformations over time

The chorus: beating heart of the cathedral

Characteristics of religious architecture in the romanesque period

Transformations over the centuries

An architectural crescendo

Shapes and colours of the wooden ceiling

The side aisles

Roger II of hauteville: a sovereign protected by God

Two initially similar towers, varied over time

The transformations of the hall through the centuries

A new Cathedral

The interior of the church

The senses tell the Zisa over the centuries

A tree full of life

The mosaics of the transept and the apses

The Cassaro

The chapel of san Castrense: an important renaissance work

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell baroque decoration

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Intertwining of knowledge in Norman Palermo

The Kings’ Cathedrals

The Virgin Hodegetria

The dialogue between the architectures of the monumental complex

The side Portico: a combination of elegance and lightness of form

The loca solatiorum: dwellings for recreation, well-being and hunting

Cefalù: settlement evidence through time

The architectural space

From oblivion to the recovery of memory

Tempus fugit: a strategic project implemented in a short period of time

The columns of the nave: the meticulous study of the overall order

The cemetery of kings

Mosaic decoration

Gardens and architecture as a backdrop to the city of Palermo

The ancient convent of the Martorana, a history of devotion and tradition

The Chapel of the Kings

The senses tell the interior

The mosaic cycle, an ascending path towards the light

Restorations

The king’s mark

Artistic elements in Peter’s ship

The architectural envelope: the Greek cross layout oriented towards the light

Under the crosses of the Bema

The senses tell the historical context

The southern portico

the roof of Paradise: one of the most representative works of medieval art

The senses tell restorations

The stone bible

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the apses

The links between the hauteville family and the monastic orders in Sicily

Ecclesia munita

The Great Restoration

The Cathedral over the centuries

The rediscovered palace

The senses tell the ceiling

The Great Presbytery: a unique space for the cathedral

The medieval city amidst monasticism and feudal aristocracy

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Squaring the circle

Layers of different cultures decorate the external apses

Gold and light: the splendour of the mosaics in the Royal Chapel

A space between the visible and the invisible

The birth of the Norman kingdom

The return of water

The senses tell the historical context

From earthquake to collapse

The decorations on the bell tower

A Northern population

The senses tell the architecture and decorations

The senses tell the flooring

Roger II’s strategic design

The area of the Sanctuary

The Royal Throne

Saint Peter’s Chapel in the Royal Palace

The opus sectile floor of the Palatine Chapel

A cloister of accentuated stylistic variety

Survey of the royal tombs

The liturgical spaces of the protesis and the diaconicon

The Admiral’s dedication

The senses tell the external architecture and the original layout

The decorated facade