photo gallery

photo gallery

The senses tell the Zisa over the centuries

Roger II’s strategic design

The southern portico

Layers of different cultures decorate the external apses

The senses tell baroque decoration

Porphyry sarcophagi: royalty and power

The Gualtiero Cathedral

A mixture of styles pervades the floor decorations

The beginning of the construction site

The senses tell the architecture and decorations

The chorus: beating heart of the cathedral

The chystro: a place between earth and sky

Artistic elements in Peter’s ship

The cultural substrate through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Beyond the harmony of proportions

The rediscovered palace

The birth of the Norman kingdom

The mosaics of the transept and the apses

The mosaic cycle, an ascending path towards the light

The Chapel of St. Mary Magdalene

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

The towers and the western facade

The senses tell the mosaic cycle

The liturgical spaces of the protesis and the diaconicon

Survey of the royal tombs

Gardens and architecture as a backdrop to the city of Palermo

The Chapel of the Kings

The architectural space

A chapel by an unknown designer based on repeated symmetries

The mosaics of the naves

Different styles and transformations of “one of the most beautiful monuments in the world”

The balance between architecture and light

The construction of Monreale Cathedral: between myth and history

Intertwining of knowledge in Norman Palermo

the Baroque interior

A controversial interpretation

The architectural appearance and transformations over time

A new Cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A Northern population

The interior of the church

The area of the Sanctuary

The side Portico: a combination of elegance and lightness of form

From the Mosque to the Cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

An architectural crescendo

Two initially similar towers, varied over time

The Kings’ Cathedrals

The opus sectile floor of the Palatine Chapel

The Genoard Park, the garden of pleasures and wonders

Ecclesia munita

Worship services

The Royal Throne

Characteristics of religious architecture in the romanesque period

A remarkable ceiling

Transformations over the centuries

From earthquake to collapse

The senses tell the flooring

Under the crosses of the Bema

The mosaics of the presbytery

The decorations on the bell tower

From oblivion to the recovery of memory

The senses tell Context 1

A palimpsest of history

The lost chapel

The original design

Mosaic decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

the Baroque exterior

The chapel of the crucifix: an artistic casket based on a previous model

Squaring the circle

The Norman conquest of Sicily and the birth of a new Latin kingdom

Norman religious architecture with islamic influences in Sicily

The Admiral’s dedication

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Virgin Hodegetria

The longest aisle

The Great Presbytery: a unique space for the cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The Great Restoration

The transformations of the hall through the centuries

The chapel of san Castrense: an important renaissance work

Decorations

Restorations

The senses tell restorations

The senses tell the external architecture and the original layout

A space between the visible and the invisible

the roof of Paradise: one of the most representative works of medieval art

Cefalù: settlement evidence through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Shapes and colours of the wooden ceiling

The rediscovered chapel

A tree full of life

The Palace of Kings

The return of water

The senses tell the ceiling

The cemetery of kings

Roger II of hauteville: a sovereign protected by God

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the historical context

The dialogue between the architectures of the monumental complex

The loca solatiorum: dwellings for recreation, well-being and hunting

Saint Peter’s Chapel in the Royal Palace

The columns of the nave: the meticulous study of the overall order

The chapel of St. Benedict

A polysemy of high-level artistic forms and content

The senses tell the interior

Interior decorations

Palermo: the happiest city

From the main gate to the aisles: an invitation to a journey of faith

The side aisles

The Cassaro

The king’s mark

The senses tell the historical context

Gold and light: the splendour of the mosaics in the Royal Chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The mosaics of the apses

The Bible carved in stone

Tempus fugit: a strategic project implemented in a short period of time

The decorated facade

The links between the hauteville family and the monastic orders in Sicily

The senses tell the architecture

The Cathedral over the centuries

The flooring: shapes, motifs and iconography

The medieval city amidst monasticism and feudal aristocracy

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A cloister of accentuated stylistic variety

A building constructed in a short space of time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The stone bible

The towers facing the facade used as bell towers