photo gallery

photo gallery

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The dialogue between the architectures of the monumental complex

A building constructed in a short space of time

The senses tell the ceiling

The chorus: beating heart of the cathedral

The senses tell the historical context

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Cefalù: settlement evidence through time

Tempus fugit: a strategic project implemented in a short period of time

The columns of the nave: the meticulous study of the overall order

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

An architectural crescendo

The Norman conquest of Sicily and the birth of a new Latin kingdom

the Baroque exterior

The liturgical spaces of the protesis and the diaconicon

The senses tell the architecture

Palermo: the happiest city

The senses tell the external architecture and the original layout

A space between the visible and the invisible

The senses tell restorations

A cloister of accentuated stylistic variety

The rediscovered chapel

The senses tell baroque decoration

the Baroque interior

The return of water

Restorations

A polysemy of high-level artistic forms and content

The mosaics of the naves

Under the crosses of the Bema

The Great Presbytery: a unique space for the cathedral

The senses tell the historical context

The Cassaro

The transformations of the hall through the centuries

The Admiral’s dedication

A compositional design that combines nordic examples with new artistic languages, over the centuries

The side aisles

The Bible carved in stone

Layers of different cultures decorate the external apses

Ecclesia munita

The senses tell Context 1

Norman religious architecture with islamic influences in Sicily

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A palimpsest of history

Two initially similar towers, varied over time

A Northern population

The southern portico

Decorations

The stone bible

The Palace of Kings

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the transept and the apses

The cultural substrate through time

The chapel of san Castrense: an important renaissance work

Characteristics of religious architecture in the romanesque period

The senses tell the mosaic cycle

From earthquake to collapse

The architectural appearance and transformations over time

The chapel of the crucifix: an artistic casket based on a previous model

A controversial interpretation

The construction of Monreale Cathedral: between myth and history

The Royal Throne

The lost chapel

The interior of the church

The mosaic cycle, an ascending path towards the light

The longest aisle

The mosaics of the presbytery

A new Cathedral

The senses tell the interior

Porphyry sarcophagi: royalty and power

Gardens and architecture as a backdrop to the city of Palermo

The cemetery of kings

A chapel by an unknown designer based on repeated symmetries

Gold and light: the splendour of the mosaics in the Royal Chapel

The medieval city amidst monasticism and feudal aristocracy

Interior decorations

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Intertwining of knowledge in Norman Palermo

The Chapel of the Kings

The balance between architecture and light

The senses tell the Zisa over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chystro: a place between earth and sky

Transformations over the centuries

A remarkable ceiling

The towers facing the facade used as bell towers

The original design

Mosaic decoration

The senses tell the architecture and decorations

The Chapel of St. Mary Magdalene

The chapel of St. Benedict

A tree full of life

From the Mosque to the Cathedral

The side Portico: a combination of elegance and lightness of form

The loca solatiorum: dwellings for recreation, well-being and hunting

The Kings’ Cathedrals

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural envelope: the Greek cross layout oriented towards the light

Squaring the circle

Shapes and colours of the wooden ceiling

A mixture of styles pervades the floor decorations

The rediscovered palace

Artistic elements in Peter’s ship

Beyond the harmony of proportions

The king’s mark

The decorated facade

Survey of the royal tombs

The Genoard Park, the garden of pleasures and wonders

Roger II of hauteville: a sovereign protected by God

The mosaics of the apses

The beginning of the construction site

the roof of Paradise: one of the most representative works of medieval art

The opus sectile floor of the Palatine Chapel

The Great Restoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Worship services

The Virgin Hodegetria

The area of the Sanctuary

Different styles and transformations of “one of the most beautiful monuments in the world”

The flooring: shapes, motifs and iconography

From oblivion to the recovery of memory

The ancient convent of the Martorana, a history of devotion and tradition

The decorations on the bell tower

The birth of the Norman kingdom

Roger II’s strategic design

The senses tell the flooring

The Cathedral over the centuries

The towers and the western facade

Saint Peter’s Chapel in the Royal Palace

The architectural space

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves