photo gallery

photo gallery

The cultural substrate through time

From earthquake to collapse

Gold and light: the splendour of the mosaics in the Royal Chapel

Gardens and architecture as a backdrop to the city of Palermo

Norman religious architecture with islamic influences in Sicily

The original design

The chystro: a place between earth and sky

The stone bible

A compositional design that combines nordic examples with new artistic languages, over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Two initially similar towers, varied over time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Squaring the circle

Saint Peter’s Chapel in the Royal Palace

The Genoard Park, the garden of pleasures and wonders

The Chapel of the Kings

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the architecture and decorations

The rediscovered chapel

The medieval city amidst monasticism and feudal aristocracy

The decorated facade

The senses tell restorations

The balance between architecture and light

The Gualtiero Cathedral

An architectural crescendo

Survey of the royal tombs

The Virgin Hodegetria

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

The senses tell the ceiling

The towers facing the facade used as bell towers

A cloister of accentuated stylistic variety

The Royal Throne

The area of the Sanctuary

From oblivion to the recovery of memory

From the main gate to the aisles: an invitation to a journey of faith

Artistic elements in Peter’s ship

The chapel of san Castrense: an important renaissance work

Restorations

the Baroque exterior

Roger II of hauteville: a sovereign protected by God

The birth of the Norman kingdom

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the flooring

The mosaics of the transept and the apses

The rediscovered palace

The senses tell the historical context

The interior of the church

Shapes and colours of the wooden ceiling

Mosaic decoration

The flooring: shapes, motifs and iconography

The Norman conquest of Sicily and the birth of a new Latin kingdom

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The transformations of the hall through the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The architectural appearance and transformations over time

The cemetery of kings

Characteristics of religious architecture in the romanesque period

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of St. Benedict

A building constructed in a short space of time

Transformations over the centuries

The Great Presbytery: a unique space for the cathedral

The senses tell the interior

A controversial interpretation

The mosaics of the naves

Interior decorations

Ecclesia munita

The construction of Monreale Cathedral: between myth and history

The Chapel of St. Mary Magdalene

A chapel by an unknown designer based on repeated symmetries

A space between the visible and the invisible

The Great Restoration

Decorations

The mosaics of the apses

The Palace of Kings

The senses tell the mosaic cycle

The Bible carved in stone

The senses tell Context 1

The chapel of the crucifix: an artistic casket based on a previous model

The decorations on the bell tower

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaic cycle, an ascending path towards the light

A tree full of life

The side Portico: a combination of elegance and lightness of form

Layers of different cultures decorate the external apses

The Cassaro

Porphyry sarcophagi: royalty and power

From the Mosque to the Cathedral

A mixture of styles pervades the floor decorations

A polysemy of high-level artistic forms and content

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A Northern population

A new Cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The dialogue between the architectures of the monumental complex

The opus sectile floor of the Palatine Chapel

Cefalù: settlement evidence through time

Under the crosses of the Bema

The Cathedral over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

The longest aisle

The king’s mark

Palermo: the happiest city

The mosaics of the presbytery

The lost chapel

The chorus: beating heart of the cathedral

the roof of Paradise: one of the most representative works of medieval art

Beyond the harmony of proportions

The return of water

The liturgical spaces of the protesis and the diaconicon

The senses tell the historical context

A remarkable ceiling

The side aisles

The links between the hauteville family and the monastic orders in Sicily

Worship services

The southern portico

Roger II’s strategic design

the Baroque interior

Tempus fugit: a strategic project implemented in a short period of time

The Admiral’s dedication

A palimpsest of history

The senses tell the external architecture and the original layout

The senses tell baroque decoration

Intertwining of knowledge in Norman Palermo

The senses tell the Zisa over the centuries

The senses tell the architecture

The Kings’ Cathedrals

The senses tell the historical context

The towers and the western facade

The architectural envelope: the Greek cross layout oriented towards the light

The architectural space