photo gallery

photo gallery

The ancient convent of the Martorana, a history of devotion and tradition

The Bible carved in stone

A building constructed in a short space of time

Survey of the royal tombs

The senses tell the ceiling

The Palace of Kings

The cemetery of kings

A cloister of accentuated stylistic variety

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Layers of different cultures decorate the external apses

The construction of Monreale Cathedral: between myth and history

A controversial interpretation

The senses tell the external architecture and the original layout

Characteristics of religious architecture in the romanesque period

The mosaics of the apses

The birth of the Norman kingdom

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Squaring the circle

Ecclesia munita

Restorations

The senses tell restorations

The mosaic cycle, an ascending path towards the light

The decorated facade

The medieval city amidst monasticism and feudal aristocracy

The Great Presbytery: a unique space for the cathedral

The senses tell the mosaic cycle

The Admiral’s dedication

The senses tell the architecture and decorations

the roof of Paradise: one of the most representative works of medieval art

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Roger II’s strategic design

The lost chapel

The chystro: a place between earth and sky

The decorations on the bell tower

The mosaics of the transept and the apses

Palermo: the happiest city

The Cathedral over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the presbytery

Roger II of hauteville: a sovereign protected by God

Worship services

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the architecture

The transformations of the hall through the centuries

The stone bible

The chorus: beating heart of the cathedral

The beginning of the construction site

The Gualtiero Cathedral

Tempus fugit: a strategic project implemented in a short period of time

The dialogue between the architectures of the monumental complex

Under the crosses of the Bema

A chapel by an unknown designer based on repeated symmetries

The chapel of the crucifix: an artistic casket based on a previous model

The interior of the church

The side Portico: a combination of elegance and lightness of form

The senses tell Context 1

A palimpsest of history

The king’s mark

From the Mosque to the Cathedral

Beyond the harmony of proportions

The Cassaro

The opus sectile floor of the Palatine Chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Transformations over the centuries

The return of water

The towers facing the facade used as bell towers

Different styles and transformations of “one of the most beautiful monuments in the world”

A tree full of life

Saint Peter’s Chapel in the Royal Palace

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Kings’ Cathedrals

The architectural envelope: the Greek cross layout oriented towards the light

Intertwining of knowledge in Norman Palermo

An architectural crescendo

The Virgin Hodegetria

The area of the Sanctuary

Artistic elements in Peter’s ship

Cefalù: settlement evidence through time

The senses tell the flooring

The senses tell the interior

Mosaic decoration

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Norman conquest of Sicily and the birth of a new Latin kingdom

A compositional design that combines nordic examples with new artistic languages, over the centuries

Two initially similar towers, varied over time

The columns of the nave: the meticulous study of the overall order

Shapes and colours of the wooden ceiling

The senses tell the historical context

The towers and the western facade

The senses tell the historical context

The Chapel of the Kings

The flooring: shapes, motifs and iconography

The senses tell baroque decoration

The liturgical spaces of the protesis and the diaconicon

The cultural substrate through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The architectural space

Porphyry sarcophagi: royalty and power

Decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The mosaics of the naves

The links between the hauteville family and the monastic orders in Sicily

The original design

The side aisles

From oblivion to the recovery of memory

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

The Royal Throne

A mixture of styles pervades the floor decorations

Norman religious architecture with islamic influences in Sicily

The Genoard Park, the garden of pleasures and wonders

A polysemy of high-level artistic forms and content

The longest aisle

A Northern population

From earthquake to collapse

the Baroque exterior

The balance between architecture and light

The Great Restoration

The senses tell the historical context

The southern portico

The rediscovered chapel

Interior decorations

The senses tell the Zisa over the centuries

A remarkable ceiling

A space between the visible and the invisible

The loca solatiorum: dwellings for recreation, well-being and hunting

A new Cathedral

The rediscovered palace

the Baroque interior

From the main gate to the aisles: an invitation to a journey of faith

The architectural appearance and transformations over time

The Chapel of St. Mary Magdalene