photo gallery

photo gallery

The chorus: beating heart of the cathedral

A palimpsest of history

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

From the Mosque to the Cathedral

Decorations

The rediscovered palace

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the naves

The senses tell the historical context

The Chapel of the Kings

Shapes and colours of the wooden ceiling

The Admiral’s dedication

Two initially similar towers, varied over time

A space between the visible and the invisible

Roger II’s strategic design

The flooring: shapes, motifs and iconography

The senses tell the mosaic cycle

The chapel of san Castrense: an important renaissance work

Layers of different cultures decorate the external apses

The Kings’ Cathedrals

The architectural envelope: the Greek cross layout oriented towards the light

the Baroque interior

An architectural crescendo

Palermo: the happiest city

The southern portico

The medieval city amidst monasticism and feudal aristocracy

A mixture of styles pervades the floor decorations

The senses tell the architecture and decorations

The construction of Monreale Cathedral: between myth and history

The Great Restoration

Characteristics of religious architecture in the romanesque period

Beyond the harmony of proportions

The king’s mark

The towers facing the facade used as bell towers

Intertwining of knowledge in Norman Palermo

The chystro: a place between earth and sky

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The decorated facade

The mosaics of the apses

The senses tell the flooring

The chapel of St. Benedict

The interior of the church

From oblivion to the recovery of memory

The Genoard Park, the garden of pleasures and wonders

The senses tell the external architecture and the original layout

The cultural substrate through time

The loca solatiorum: dwellings for recreation, well-being and hunting

the Baroque exterior

The Palace of Kings

The links between the hauteville family and the monastic orders in Sicily

The area of the Sanctuary

Worship services

The Chapel of St. Mary Magdalene

Restorations

The Cassaro

Mosaic decoration

The senses tell baroque decoration

Cefalù: settlement evidence through time

Gold and light: the splendour of the mosaics in the Royal Chapel

The Great Presbytery: a unique space for the cathedral

A controversial interpretation

The beginning of the construction site

A new Cathedral

The senses tell the interior

The mosaics of the transept and the apses

The columns of the nave: the meticulous study of the overall order

The senses tell Context 1

The original design

A remarkable ceiling

The cemetery of kings

The towers and the western facade

Interior decorations

Roger II of hauteville: a sovereign protected by God

A Northern population

The transformations of the hall through the centuries

The Gualtiero Cathedral

The chapel of the crucifix: an artistic casket based on a previous model

The architectural space

The Royal Throne

Porphyry sarcophagi: royalty and power

Ecclesia munita

The architectural appearance and transformations over time

From earthquake to collapse

The senses tell the ceiling

The senses tell the historical context

Artistic elements in Peter’s ship

The liturgical spaces of the protesis and the diaconicon

The Virgin Hodegetria

Squaring the circle

A chapel by an unknown designer based on repeated symmetries

A cloister of accentuated stylistic variety

Norman religious architecture with islamic influences in Sicily

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The rediscovered chapel

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The side Portico: a combination of elegance and lightness of form

The senses tell restorations

The mosaics of the presbytery

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The lost chapel

The side aisles

The senses tell the architecture

The mosaic cycle, an ascending path towards the light

The ancient convent of the Martorana, a history of devotion and tradition

The Cathedral over the centuries

The dialogue between the architectures of the monumental complex

the roof of Paradise: one of the most representative works of medieval art

The Norman conquest of Sicily and the birth of a new Latin kingdom

The stone bible

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the Zisa over the centuries

A tree full of life

Tempus fugit: a strategic project implemented in a short period of time

The longest aisle

The opus sectile floor of the Palatine Chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

Gardens and architecture as a backdrop to the city of Palermo

A building constructed in a short space of time

The Bible carved in stone

Under the crosses of the Bema

The birth of the Norman kingdom

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the historical context

The balance between architecture and light

Saint Peter’s Chapel in the Royal Palace

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The decorations on the bell tower

Transformations over the centuries

A polysemy of high-level artistic forms and content

The return of water

Survey of the royal tombs