photo gallery

photo gallery

The chorus: beating heart of the cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Kings’ Cathedrals

Tempus fugit: a strategic project implemented in a short period of time

the roof of Paradise: one of the most representative works of medieval art

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

the Baroque interior

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

The Chapel of the Kings

The towers and the western facade

Beyond the harmony of proportions

The mosaics of the apses

Squaring the circle

The architectural envelope: the Greek cross layout oriented towards the light

The chapel of the crucifix: an artistic casket based on a previous model

The cemetery of kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Great Restoration

Worship services

A compositional design that combines nordic examples with new artistic languages, over the centuries

The balance between architecture and light

The loca solatiorum: dwellings for recreation, well-being and hunting

Shapes and colours of the wooden ceiling

The Bible carved in stone

The original design

The Cassaro

The southern portico

Saint Peter’s Chapel in the Royal Palace

The area of the Sanctuary

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A tree full of life

The towers facing the facade used as bell towers

The ancient convent of the Martorana, a history of devotion and tradition

The flooring: shapes, motifs and iconography

The decorated facade

Gardens and architecture as a backdrop to the city of Palermo

The Genoard Park, the garden of pleasures and wonders

Roger II’s strategic design

From the Mosque to the Cathedral

The senses tell the mosaic cycle

The Gualtiero Cathedral

The Admiral’s dedication

A new Cathedral

Characteristics of religious architecture in the romanesque period

From oblivion to the recovery of memory

Different styles and transformations of “one of the most beautiful monuments in the world”

A mixture of styles pervades the floor decorations

The birth of the Norman kingdom

The senses tell the historical context

The senses tell restorations

Gold and light: the splendour of the mosaics in the Royal Chapel

Intertwining of knowledge in Norman Palermo

The senses tell the architecture and decorations

The mosaic cycle, an ascending path towards the light

A Northern population

The decorations on the bell tower

The Virgin Hodegetria

The longest aisle

Layers of different cultures decorate the external apses

The opus sectile floor of the Palatine Chapel

The Cathedral over the centuries

Mosaic decoration

Roger II of hauteville: a sovereign protected by God

The side Portico: a combination of elegance and lightness of form

The senses tell Context 1

The return of water

The architectural space

The rediscovered chapel

Restorations

the Baroque exterior

The links between the hauteville family and the monastic orders in Sicily

A chapel by an unknown designer based on repeated symmetries

A building constructed in a short space of time

A cloister of accentuated stylistic variety

Cefalù: settlement evidence through time

The cultural substrate through time

Survey of the royal tombs

The columns of the nave: the meticulous study of the overall order

A palimpsest of history

The rediscovered palace

The king’s mark

A polysemy of high-level artistic forms and content

The Great Presbytery: a unique space for the cathedral

The senses tell the external architecture and the original layout

Two initially similar towers, varied over time

Decorations

The architectural appearance and transformations over time

A remarkable ceiling

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the naves

Transformations over the centuries

The chystro: a place between earth and sky

Norman religious architecture with islamic influences in Sicily

The Chapel of St. Mary Magdalene

The mosaics of the presbytery

From earthquake to collapse

The side aisles

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Palermo: the happiest city

The senses tell the ceiling

Porphyry sarcophagi: royalty and power

From the main gate to the aisles: an invitation to a journey of faith

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Norman conquest of Sicily and the birth of a new Latin kingdom

The construction of Monreale Cathedral: between myth and history

The senses tell the historical context

The senses tell the architecture

The Royal Throne

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The liturgical spaces of the protesis and the diaconicon

The mosaics of the transept and the apses

Artistic elements in Peter’s ship

Ecclesia munita

The Palace of Kings

The dialogue between the architectures of the monumental complex

The senses tell baroque decoration

An architectural crescendo

Interior decorations

The senses tell the flooring

The lost chapel

The beginning of the construction site

The transformations of the hall through the centuries

The senses tell the Zisa over the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The stone bible

A controversial interpretation

A space between the visible and the invisible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the interior

The interior of the church

Under the crosses of the Bema

The senses tell the historical context