photo gallery

photo gallery

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The lost chapel

The side aisles

the Baroque exterior

The towers facing the facade used as bell towers

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Layers of different cultures decorate the external apses

The balance between architecture and light

The mosaics of the naves

The links between the hauteville family and the monastic orders in Sicily

A cloister of accentuated stylistic variety

A Northern population

The senses tell the external architecture and the original layout

The cemetery of kings

The interior of the church

A chapel by an unknown designer based on repeated symmetries

Decorations

The side Portico: a combination of elegance and lightness of form

The mosaics of the apses

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The dialogue between the architectures of the monumental complex

The beginning of the construction site

The mosaics of the transept and the apses

Norman religious architecture with islamic influences in Sicily

The senses tell the historical context

A building constructed in a short space of time

The senses tell the mosaic cycle

The Cathedral over the centuries

The rediscovered chapel

The chystro: a place between earth and sky

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The return of water

A controversial interpretation

A remarkable ceiling

The Chapel of St. Mary Magdalene

The chorus: beating heart of the cathedral

Beyond the harmony of proportions

The stone bible

The senses tell baroque decoration

The senses tell the flooring

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Interior decorations

Palermo: the happiest city

The Genoard Park, the garden of pleasures and wonders

Squaring the circle

The Virgin Hodegetria

The senses tell restorations

The Gualtiero Cathedral

The Norman conquest of Sicily and the birth of a new Latin kingdom

The transformations of the hall through the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The original design

The Great Presbytery: a unique space for the cathedral

The senses tell the architecture and decorations

The opus sectile floor of the Palatine Chapel

The Palace of Kings

The longest aisle

Saint Peter’s Chapel in the Royal Palace

The chapel of St. Benedict

The southern portico

From the main gate to the aisles: an invitation to a journey of faith

Intertwining of knowledge in Norman Palermo

From the Mosque to the Cathedral

Characteristics of religious architecture in the romanesque period

The decorated facade

A palimpsest of history

The Chapel of the Kings

The senses tell the Zisa over the centuries

The Bible carved in stone

The chapel of the crucifix: an artistic casket based on a previous model

A new Cathedral

The ancient convent of the Martorana, a history of devotion and tradition

A mixture of styles pervades the floor decorations

The senses tell the historical context

The loca solatiorum: dwellings for recreation, well-being and hunting

From oblivion to the recovery of memory

Porphyry sarcophagi: royalty and power

The flooring: shapes, motifs and iconography

Artistic elements in Peter’s ship

Worship services

A polysemy of high-level artistic forms and content

The Great Restoration

The senses tell Context 1

The Kings’ Cathedrals

The mosaics of the presbytery

Tempus fugit: a strategic project implemented in a short period of time

The towers and the western facade

The area of the Sanctuary

The rediscovered palace

Different styles and transformations of “one of the most beautiful monuments in the world”

From earthquake to collapse

The cultural substrate through time

Shapes and colours of the wooden ceiling

The Admiral’s dedication

Mosaic decoration

The Cassaro

A tree full of life

the Baroque interior

Restorations

Cefalù: settlement evidence through time

The mosaic cycle, an ascending path towards the light

The construction of Monreale Cathedral: between myth and history

the roof of Paradise: one of the most representative works of medieval art

The architectural appearance and transformations over time

A space between the visible and the invisible

The birth of the Norman kingdom

The king’s mark

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the architecture

Roger II’s strategic design

The liturgical spaces of the protesis and the diaconicon

The columns of the nave: the meticulous study of the overall order

The Royal Throne

Under the crosses of the Bema

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Ecclesia munita

The senses tell the historical context

Survey of the royal tombs

The medieval city amidst monasticism and feudal aristocracy

The decorations on the bell tower

Two initially similar towers, varied over time

The senses tell the interior

An architectural crescendo

The chapel of san Castrense: an important renaissance work

Gardens and architecture as a backdrop to the city of Palermo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II of hauteville: a sovereign protected by God

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the ceiling

Transformations over the centuries

The architectural space