photo gallery

photo gallery

A chapel by an unknown designer based on repeated symmetries

The loca solatiorum: dwellings for recreation, well-being and hunting

Artistic elements in Peter’s ship

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the transept and the apses

The lost chapel

Restorations

The columns of the nave: the meticulous study of the overall order

The senses tell the architecture

A tree full of life

The balance between architecture and light

A controversial interpretation

The return of water

Porphyry sarcophagi: royalty and power

The Gualtiero Cathedral

Two initially similar towers, varied over time

The king’s mark

The Genoard Park, the garden of pleasures and wonders

The cemetery of kings

Under the crosses of the Bema

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the apses

A remarkable ceiling

The Cathedral over the centuries

The decorations on the bell tower

A cloister of accentuated stylistic variety

The beginning of the construction site

The architectural space

The mosaics of the naves

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The towers and the western facade

The Virgin Hodegetria

The side Portico: a combination of elegance and lightness of form

Characteristics of religious architecture in the romanesque period

The chystro: a place between earth and sky

From earthquake to collapse

The Chapel of St. Mary Magdalene

The construction of Monreale Cathedral: between myth and history

Roger II’s strategic design

The birth of the Norman kingdom

A palimpsest of history

The Norman conquest of Sicily and the birth of a new Latin kingdom

The flooring: shapes, motifs and iconography

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

The liturgical spaces of the protesis and the diaconicon

The mosaics of the presbytery

The Royal Throne

The senses tell the Zisa over the centuries

A polysemy of high-level artistic forms and content

The longest aisle

Norman religious architecture with islamic influences in Sicily

The senses tell the ceiling

The ancient convent of the Martorana, a history of devotion and tradition

Interior decorations

The architectural envelope: the Greek cross layout oriented towards the light

The Great Restoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From oblivion to the recovery of memory

A new Cathedral

the Baroque exterior

The towers facing the facade used as bell towers

The chorus: beating heart of the cathedral

The senses tell the flooring

The dialogue between the architectures of the monumental complex

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The rediscovered chapel

The rediscovered palace

the Baroque interior

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Kings’ Cathedrals

The chapel of St. Benedict

Beyond the harmony of proportions

Palermo: the happiest city

The cultural substrate through time

Shapes and colours of the wooden ceiling

A space between the visible and the invisible

The side aisles

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A Northern population

The interior of the church

The senses tell the architecture and decorations

The mosaic cycle, an ascending path towards the light

The Admiral’s dedication

Tempus fugit: a strategic project implemented in a short period of time

The senses tell baroque decoration

The Great Presbytery: a unique space for the cathedral

The stone bible

The decorated facade

Decorations

Squaring the circle

Cefalù: settlement evidence through time

The chapel of the crucifix: an artistic casket based on a previous model

Mosaic decoration

Layers of different cultures decorate the external apses

The Cassaro

Transformations over the centuries

From the Mosque to the Cathedral

The senses tell the external architecture and the original layout

The transformations of the hall through the centuries

From the main gate to the aisles: an invitation to a journey of faith

A mixture of styles pervades the floor decorations

Survey of the royal tombs

Worship services

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the interior

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell Context 1

the roof of Paradise: one of the most representative works of medieval art

The senses tell restorations

The opus sectile floor of the Palatine Chapel

Ecclesia munita

A building constructed in a short space of time

An architectural crescendo

The area of the Sanctuary

The Bible carved in stone

Roger II of hauteville: a sovereign protected by God

The original design

The Palace of Kings

Different styles and transformations of “one of the most beautiful monuments in the world”

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The architectural appearance and transformations over time

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The senses tell the mosaic cycle

The chapel of san Castrense: an important renaissance work

The senses tell the historical context

Intertwining of knowledge in Norman Palermo

The southern portico

The links between the hauteville family and the monastic orders in Sicily

Gold and light: the splendour of the mosaics in the Royal Chapel

The Chapel of the Kings