photo gallery

photo gallery

The mosaics of the presbytery

Squaring the circle

The Cathedral over the centuries

The balance between architecture and light

The senses tell the historical context

The original design

The chapel of St. Benedict

Tempus fugit: a strategic project implemented in a short period of time

Interior decorations

The liturgical spaces of the protesis and the diaconicon

The architectural appearance and transformations over time

The architectural envelope: the Greek cross layout oriented towards the light

The cemetery of kings

Gardens and architecture as a backdrop to the city of Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A building constructed in a short space of time

The architectural space

The area of the Sanctuary

Restorations

The Chapel of the Kings

The construction of Monreale Cathedral: between myth and history

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

A space between the visible and the invisible

The side aisles

The interior of the church

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

the Baroque interior

A new Cathedral

Beyond the harmony of proportions

The Chapel of St. Mary Magdalene

the roof of Paradise: one of the most representative works of medieval art

The Great Presbytery: a unique space for the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

The stone bible

A tree full of life

A controversial interpretation

Two initially similar towers, varied over time

The transformations of the hall through the centuries

Under the crosses of the Bema

The Bible carved in stone

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

From the Mosque to the Cathedral

The chapel of san Castrense: an important renaissance work

The decorations on the bell tower

The chystro: a place between earth and sky

The mosaics of the naves

Decorations

Transformations over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

From oblivion to the recovery of memory

A polysemy of high-level artistic forms and content

A chapel by an unknown designer based on repeated symmetries

Ecclesia munita

From the main gate to the aisles: an invitation to a journey of faith

The loca solatiorum: dwellings for recreation, well-being and hunting

The medieval city amidst monasticism and feudal aristocracy

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Worship services

The senses tell the architecture

The Genoard Park, the garden of pleasures and wonders

The beginning of the construction site

The senses tell the historical context

Porphyry sarcophagi: royalty and power

The decorated facade

The towers and the western facade

The senses tell the interior

The senses tell the mosaic cycle

The senses tell baroque decoration

The cultural substrate through time

An architectural crescendo

The Gualtiero Cathedral

The senses tell the flooring

The senses tell Context 1

The senses tell the architecture and decorations

Roger II of hauteville: a sovereign protected by God

The ancient convent of the Martorana, a history of devotion and tradition

Palermo: the happiest city

The senses tell restorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The rediscovered palace

From earthquake to collapse

The side Portico: a combination of elegance and lightness of form

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A remarkable ceiling

The towers facing the facade used as bell towers

Saint Peter’s Chapel in the Royal Palace

A cloister of accentuated stylistic variety

The king’s mark

The links between the hauteville family and the monastic orders in Sicily

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The longest aisle

A compositional design that combines nordic examples with new artistic languages, over the centuries

The southern portico

The senses tell the ceiling

Artistic elements in Peter’s ship

The mosaics of the apses

The return of water

The birth of the Norman kingdom

The Kings’ Cathedrals

The mosaics of the transept and the apses

Roger II’s strategic design

Layers of different cultures decorate the external apses

The chapel of the crucifix: an artistic casket based on a previous model

The Great Restoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Admiral’s dedication

the Baroque exterior

Characteristics of religious architecture in the romanesque period

The Cassaro

The senses tell the Zisa over the centuries

A palimpsest of history

The mosaic cycle, an ascending path towards the light

Shapes and colours of the wooden ceiling

Cefalù: settlement evidence through time

The columns of the nave: the meticulous study of the overall order

The lost chapel

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Royal Throne

Gold and light: the splendour of the mosaics in the Royal Chapel

A Northern population

Intertwining of knowledge in Norman Palermo

The dialogue between the architectures of the monumental complex

The Palace of Kings

Survey of the royal tombs

A mixture of styles pervades the floor decorations

The flooring: shapes, motifs and iconography

Mosaic decoration

The rediscovered chapel

The senses tell the external architecture and the original layout

The Virgin Hodegetria