photo gallery

photo gallery

The mosaic cycle, an ascending path towards the light

the roof of Paradise: one of the most representative works of medieval art

From oblivion to the recovery of memory

Squaring the circle

The senses tell the historical context

the Baroque interior

The senses tell restorations

Shapes and colours of the wooden ceiling

The construction of Monreale Cathedral: between myth and history

The senses tell the interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A space between the visible and the invisible

Decorations

The senses tell Context 1

The senses tell the historical context

The senses tell baroque decoration

The mosaics of the transept and the apses

The Great Presbytery: a unique space for the cathedral

The area of the Sanctuary

The southern portico

The chapel of the crucifix: an artistic casket based on a previous model

A Northern population

The senses tell the architecture and decorations

Norman religious architecture with islamic influences in Sicily

The Cassaro

The stone bible

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A remarkable ceiling

The Norman conquest of Sicily and the birth of a new Latin kingdom

The flooring: shapes, motifs and iconography

The cemetery of kings

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

Intertwining of knowledge in Norman Palermo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The cultural substrate through time

The Royal Throne

The architectural envelope: the Greek cross layout oriented towards the light

The rediscovered palace

The architectural space

The senses tell the historical context

The king’s mark

A building constructed in a short space of time

The chapel of san Castrense: an important renaissance work

The liturgical spaces of the protesis and the diaconicon

The chapel of St. Benedict

From the Mosque to the Cathedral

Layers of different cultures decorate the external apses

Worship services

Beyond the harmony of proportions

The loca solatiorum: dwellings for recreation, well-being and hunting

Roger II’s strategic design

A polysemy of high-level artistic forms and content

The senses tell the external architecture and the original layout

Porphyry sarcophagi: royalty and power

The Virgin Hodegetria

The dialogue between the architectures of the monumental complex

The architectural appearance and transformations over time

The Bible carved in stone

Restorations

The Great Restoration

The towers facing the facade used as bell towers

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Genoard Park, the garden of pleasures and wonders

The longest aisle

A compositional design that combines nordic examples with new artistic languages, over the centuries

Saint Peter’s Chapel in the Royal Palace

Tempus fugit: a strategic project implemented in a short period of time

the Baroque exterior

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Mosaic decoration

The senses tell the ceiling

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The side aisles

The columns of the nave: the meticulous study of the overall order

A palimpsest of history

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the mosaic cycle

A mixture of styles pervades the floor decorations

The interior of the church

Cefalù: settlement evidence through time

A controversial interpretation

Survey of the royal tombs

From the main gate to the aisles: an invitation to a journey of faith

The decorations on the bell tower

The mosaics of the naves

The Chapel of the Kings

The ancient convent of the Martorana, a history of devotion and tradition

The Chapel of St. Mary Magdalene

Under the crosses of the Bema

From earthquake to collapse

The balance between architecture and light

The towers and the western facade

The links between the hauteville family and the monastic orders in Sicily

The chorus: beating heart of the cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The opus sectile floor of the Palatine Chapel

The lost chapel

Transformations over the centuries

The rediscovered chapel

The senses tell the flooring

A chapel by an unknown designer based on repeated symmetries

Interior decorations

The senses tell the architecture

The transformations of the hall through the centuries

The Cathedral over the centuries

The side Portico: a combination of elegance and lightness of form

The chystro: a place between earth and sky

The Admiral’s dedication

The mosaics of the apses

Different styles and transformations of “one of the most beautiful monuments in the world”

The Kings’ Cathedrals

The decorated facade

A cloister of accentuated stylistic variety

Roger II of hauteville: a sovereign protected by God

Artistic elements in Peter’s ship

The mosaics of the presbytery

The senses tell the Zisa over the centuries

The return of water

Gardens and architecture as a backdrop to the city of Palermo

A new Cathedral

The Gualtiero Cathedral

The original design

Characteristics of religious architecture in the romanesque period

The Palace of Kings

The birth of the Norman kingdom

Palermo: the happiest city

Gold and light: the splendour of the mosaics in the Royal Chapel

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Two initially similar towers, varied over time

A tree full of life

Ecclesia munita

An architectural crescendo