photo gallery

photo gallery

The senses tell the historical context

The cemetery of kings

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The architectural envelope: the Greek cross layout oriented towards the light

The mosaics of the naves

The southern portico

The king’s mark

The senses tell the external architecture and the original layout

The Bible carved in stone

The Chapel of the Kings

The liturgical spaces of the protesis and the diaconicon

Intertwining of knowledge in Norman Palermo

The senses tell the flooring

Worship services

The towers facing the facade used as bell towers

Gardens and architecture as a backdrop to the city of Palermo

The Royal Throne

Transformations over the centuries

The senses tell Context 1

The senses tell baroque decoration

A palimpsest of history

From oblivion to the recovery of memory

Characteristics of religious architecture in the romanesque period

Saint Peter’s Chapel in the Royal Palace

Squaring the circle

The senses tell the historical context

The towers and the western facade

A controversial interpretation

From earthquake to collapse

The construction of Monreale Cathedral: between myth and history

A polysemy of high-level artistic forms and content

Mosaic decoration

The return of water

The Gualtiero Cathedral

Tempus fugit: a strategic project implemented in a short period of time

The Genoard Park, the garden of pleasures and wonders

A building constructed in a short space of time

The senses tell the interior

Porphyry sarcophagi: royalty and power

From the main gate to the aisles: an invitation to a journey of faith

The Chapel of St. Mary Magdalene

The cultural substrate through time

The links between the hauteville family and the monastic orders in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Under the crosses of the Bema

The senses tell the architecture and decorations

the Baroque exterior

The senses tell the ceiling

The architectural space

The side aisles

The stone bible

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the architecture

The Cassaro

The Admiral’s dedication

The Cathedral over the centuries

The mosaics of the apses

Layers of different cultures decorate the external apses

The chapel of san Castrense: an important renaissance work

A space between the visible and the invisible

the roof of Paradise: one of the most representative works of medieval art

The rediscovered palace

Roger II of hauteville: a sovereign protected by God

The birth of the Norman kingdom

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell restorations

The Palace of Kings

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The interior of the church

The chapel of the crucifix: an artistic casket based on a previous model

The chapel of St. Benedict

The longest aisle

The columns of the nave: the meticulous study of the overall order

Artistic elements in Peter’s ship

The senses tell the mosaic cycle

Roger II’s strategic design

Norman religious architecture with islamic influences in Sicily

The ancient convent of the Martorana, a history of devotion and tradition

The dialogue between the architectures of the monumental complex

A new Cathedral

The medieval city amidst monasticism and feudal aristocracy

Restorations

the Baroque interior

Ecclesia munita

A remarkable ceiling

The rediscovered chapel

The senses tell the Zisa over the centuries

A Northern population

The mosaic cycle, an ascending path towards the light

The decorated facade

The mosaics of the presbytery

Cefalù: settlement evidence through time

From the Mosque to the Cathedral

The lost chapel

Decorations

A tree full of life

Beyond the harmony of proportions

Palermo: the happiest city

Different styles and transformations of “one of the most beautiful monuments in the world”

Two initially similar towers, varied over time

Survey of the royal tombs

The Virgin Hodegetria

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chorus: beating heart of the cathedral

The area of the Sanctuary

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The original design

The side Portico: a combination of elegance and lightness of form

Interior decorations

The architectural appearance and transformations over time

Gold and light: the splendour of the mosaics in the Royal Chapel

The balance between architecture and light

The Kings’ Cathedrals

A mixture of styles pervades the floor decorations

An architectural crescendo

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The loca solatiorum: dwellings for recreation, well-being and hunting

The decorations on the bell tower

The chystro: a place between earth and sky

The mosaics of the transept and the apses

The flooring: shapes, motifs and iconography

Shapes and colours of the wooden ceiling

The opus sectile floor of the Palatine Chapel

A cloister of accentuated stylistic variety

The transformations of the hall through the centuries

The senses tell the historical context

The Great Restoration

The beginning of the construction site

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A chapel by an unknown designer based on repeated symmetries

The Great Presbytery: a unique space for the cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister