photo gallery

photo gallery

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The links between the hauteville family and the monastic orders in Sicily

The rediscovered palace

Two initially similar towers, varied over time

The Genoard Park, the garden of pleasures and wonders

A space between the visible and the invisible

A controversial interpretation

The architectural space

The senses tell the interior

Intertwining of knowledge in Norman Palermo

The interior of the church

Cefalù: settlement evidence through time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A chapel by an unknown designer based on repeated symmetries

The Cathedral over the centuries

The columns of the nave: the meticulous study of the overall order

Interior decorations

The birth of the Norman kingdom

A compositional design that combines nordic examples with new artistic languages, over the centuries

Roger II’s strategic design

The chapel of san Castrense: an important renaissance work

The flooring: shapes, motifs and iconography

Squaring the circle

Mosaic decoration

Ecclesia munita

The rediscovered chapel

The decorated facade

The chapel of St. Benedict

A new Cathedral

The construction of Monreale Cathedral: between myth and history

The senses tell baroque decoration

The senses tell Context 1

The Chapel of St. Mary Magdalene

The original design

Restorations

Characteristics of religious architecture in the romanesque period

Worship services

The Great Presbytery: a unique space for the cathedral

The side Portico: a combination of elegance and lightness of form

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the presbytery

Gold and light: the splendour of the mosaics in the Royal Chapel

A cloister of accentuated stylistic variety

Gardens and architecture as a backdrop to the city of Palermo

The area of the Sanctuary

The towers and the western facade

Beyond the harmony of proportions

The Admiral’s dedication

A polysemy of high-level artistic forms and content

From earthquake to collapse

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the mosaic cycle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the ceiling

Shapes and colours of the wooden ceiling

the Baroque exterior

The side aisles

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Bible carved in stone

A Northern population

Norman religious architecture with islamic influences in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the Zisa over the centuries

Artistic elements in Peter’s ship

The Royal Throne

the roof of Paradise: one of the most representative works of medieval art

Survey of the royal tombs

The senses tell restorations

Under the crosses of the Bema

The Norman conquest of Sicily and the birth of a new Latin kingdom

The return of water

From the Mosque to the Cathedral

The beginning of the construction site

The southern portico

The mosaics of the apses

The stone bible

Palermo: the happiest city

The lost chapel

The architectural appearance and transformations over time

The chapel of the crucifix: an artistic casket based on a previous model

The cemetery of kings

A building constructed in a short space of time

A palimpsest of history

The Kings’ Cathedrals

The Cassaro

The cultural substrate through time

The mosaics of the naves

Decorations

Layers of different cultures decorate the external apses

The senses tell the external architecture and the original layout

The Great Restoration

A tree full of life

The senses tell the historical context

The loca solatiorum: dwellings for recreation, well-being and hunting

The transformations of the hall through the centuries

The Chapel of the Kings

The king’s mark

The liturgical spaces of the protesis and the diaconicon

The senses tell the historical context

The balance between architecture and light

A mixture of styles pervades the floor decorations

The Palace of Kings

The senses tell the flooring

The decorations on the bell tower

From oblivion to the recovery of memory

The Virgin Hodegetria

The senses tell the historical context

The chystro: a place between earth and sky

The Gualtiero Cathedral

Saint Peter’s Chapel in the Royal Palace

The towers facing the facade used as bell towers

The senses tell the architecture

The mosaic cycle, an ascending path towards the light

The chorus: beating heart of the cathedral

The mosaics of the transept and the apses

An architectural crescendo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The longest aisle

Tempus fugit: a strategic project implemented in a short period of time

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the architecture and decorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Porphyry sarcophagi: royalty and power

the Baroque interior

The architectural envelope: the Greek cross layout oriented towards the light

A remarkable ceiling

Roger II of hauteville: a sovereign protected by God

Transformations over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

Different styles and transformations of “one of the most beautiful monuments in the world”

The opus sectile floor of the Palatine Chapel

The dialogue between the architectures of the monumental complex