photo gallery

photo gallery

The king’s mark

The senses tell the historical context

A controversial interpretation

The rediscovered palace

Artistic elements in Peter’s ship

The chapel of St. Benedict

The liturgical spaces of the protesis and the diaconicon

Shapes and colours of the wooden ceiling

A palimpsest of history

A new Cathedral

Two initially similar towers, varied over time

The beginning of the construction site

The Great Restoration

The mosaic cycle, an ascending path towards the light

Beyond the harmony of proportions

The transformations of the hall through the centuries

The Chapel of St. Mary Magdalene

Saint Peter’s Chapel in the Royal Palace

The mosaics of the presbytery

A space between the visible and the invisible

The columns of the nave: the meticulous study of the overall order

The rediscovered chapel

Tempus fugit: a strategic project implemented in a short period of time

the Baroque interior

The Gualtiero Cathedral

The Genoard Park, the garden of pleasures and wonders

The senses tell the historical context

Characteristics of religious architecture in the romanesque period

The Kings’ Cathedrals

Ecclesia munita

The return of water

A mixture of styles pervades the floor decorations

The cemetery of kings

The decorated facade

The senses tell restorations

The chapel of the crucifix: an artistic casket based on a previous model

Intertwining of knowledge in Norman Palermo

The senses tell the architecture

The medieval city amidst monasticism and feudal aristocracy

The cultural substrate through time

Worship services

the roof of Paradise: one of the most representative works of medieval art

The Virgin Hodegetria

The mosaics of the transept and the apses

The lost chapel

The Cassaro

The loca solatiorum: dwellings for recreation, well-being and hunting

A remarkable ceiling

Under the crosses of the Bema

The Bible carved in stone

The senses tell the architecture and decorations

The chorus: beating heart of the cathedral

A polysemy of high-level artistic forms and content

The towers and the western facade

The Admiral’s dedication

The stone bible

Mosaic decoration

The ancient convent of the Martorana, a history of devotion and tradition

The mosaics of the naves

From earthquake to collapse

The chystro: a place between earth and sky

The Great Presbytery: a unique space for the cathedral

The senses tell the mosaic cycle

The senses tell the ceiling

The architectural envelope: the Greek cross layout oriented towards the light

Porphyry sarcophagi: royalty and power

The Norman conquest of Sicily and the birth of a new Latin kingdom

The side Portico: a combination of elegance and lightness of form

The Chapel of the Kings

The towers facing the facade used as bell towers

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the external architecture and the original layout

The interior of the church

A tree full of life

Norman religious architecture with islamic influences in Sicily

The opus sectile floor of the Palatine Chapel

The birth of the Norman kingdom

The decorations on the bell tower

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The architectural appearance and transformations over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the Zisa over the centuries

The senses tell Context 1

The senses tell the flooring

Layers of different cultures decorate the external apses

A chapel by an unknown designer based on repeated symmetries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural space

The area of the Sanctuary

The senses tell baroque decoration

The senses tell the historical context

The side aisles

A compositional design that combines nordic examples with new artistic languages, over the centuries

Gold and light: the splendour of the mosaics in the Royal Chapel

Restorations

The chapel of san Castrense: an important renaissance work

The longest aisle

The flooring: shapes, motifs and iconography

Transformations over the centuries

The Royal Throne

An architectural crescendo

The Palace of Kings

Gardens and architecture as a backdrop to the city of Palermo

Decorations

The original design

The southern portico

The balance between architecture and light

Squaring the circle

Survey of the royal tombs

The links between the hauteville family and the monastic orders in Sicily

Roger II’s strategic design

The Cathedral over the centuries

Interior decorations

A Northern population

From oblivion to the recovery of memory

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the interior

Palermo: the happiest city

Cefalù: settlement evidence through time

the Baroque exterior

Roger II of hauteville: a sovereign protected by God

The mosaics of the apses

A cloister of accentuated stylistic variety

A building constructed in a short space of time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Different styles and transformations of “one of the most beautiful monuments in the world”

From the Mosque to the Cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The construction of Monreale Cathedral: between myth and history

The dialogue between the architectures of the monumental complex