photo gallery

photo gallery

Palermo: the happiest city

A tree full of life

The mosaics of the presbytery

The flooring: shapes, motifs and iconography

The senses tell the mosaic cycle

Squaring the circle

The senses tell Context 1

The senses tell the Zisa over the centuries

The towers facing the facade used as bell towers

Two initially similar towers, varied over time

A polysemy of high-level artistic forms and content

The king’s mark

Restorations

The senses tell the ceiling

The original design

The senses tell the external architecture and the original layout

The medieval city amidst monasticism and feudal aristocracy

The columns of the nave: the meticulous study of the overall order

The area of the Sanctuary

Worship services

The decorations on the bell tower

Gardens and architecture as a backdrop to the city of Palermo

the Baroque interior

The Palace of Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Cassaro

the roof of Paradise: one of the most representative works of medieval art

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of san Castrense: an important renaissance work

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the interior

The senses tell the historical context

The Kings’ Cathedrals

The rediscovered chapel

The Great Presbytery: a unique space for the cathedral

The chystro: a place between earth and sky

The chapel of the crucifix: an artistic casket based on a previous model

Saint Peter’s Chapel in the Royal Palace

The balance between architecture and light

The Virgin Hodegetria

The dialogue between the architectures of the monumental complex

The opus sectile floor of the Palatine Chapel

A building constructed in a short space of time

The Cathedral over the centuries

A new Cathedral

The mosaics of the apses

Artistic elements in Peter’s ship

Gold and light: the splendour of the mosaics in the Royal Chapel

Roger II’s strategic design

The architectural space

The mosaics of the naves

The senses tell the flooring

The architectural appearance and transformations over time

Decorations

Porphyry sarcophagi: royalty and power

A palimpsest of history

Ecclesia munita

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From the main gate to the aisles: an invitation to a journey of faith

The interior of the church

The southern portico

The Admiral’s dedication

The Great Restoration

The Bible carved in stone

Characteristics of religious architecture in the romanesque period

Norman religious architecture with islamic influences in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the historical context

The beginning of the construction site

Interior decorations

Cefalù: settlement evidence through time

Transformations over the centuries

Intertwining of knowledge in Norman Palermo

The Genoard Park, the garden of pleasures and wonders

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the architecture and decorations

The birth of the Norman kingdom

The rediscovered palace

A cloister of accentuated stylistic variety

The cemetery of kings

The senses tell the architecture

The side Portico: a combination of elegance and lightness of form

A mixture of styles pervades the floor decorations

Different styles and transformations of “one of the most beautiful monuments in the world”

The return of water

The Royal Throne

Beyond the harmony of proportions

The mosaic cycle, an ascending path towards the light

Roger II of hauteville: a sovereign protected by God

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chorus: beating heart of the cathedral

The side aisles

From earthquake to collapse

A Northern population

Mosaic decoration

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A controversial interpretation

The chapel of St. Benedict

The senses tell baroque decoration

The cultural substrate through time

The longest aisle

The construction of Monreale Cathedral: between myth and history

From oblivion to the recovery of memory

The decorated facade

The senses tell restorations

The ancient convent of the Martorana, a history of devotion and tradition

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A remarkable ceiling

The Norman conquest of Sicily and the birth of a new Latin kingdom

The architectural envelope: the Greek cross layout oriented towards the light

The Chapel of the Kings

the Baroque exterior

The lost chapel

The liturgical spaces of the protesis and the diaconicon

Under the crosses of the Bema

An architectural crescendo

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A space between the visible and the invisible

The Gualtiero Cathedral

Shapes and colours of the wooden ceiling

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the transept and the apses

The stone bible

The links between the hauteville family and the monastic orders in Sicily

Layers of different cultures decorate the external apses

A chapel by an unknown designer based on repeated symmetries

The towers and the western facade

The senses tell the historical context

Survey of the royal tombs

From the Mosque to the Cathedral

The transformations of the hall through the centuries

The Chapel of St. Mary Magdalene