photo gallery

photo gallery

The cemetery of kings

The Gualtiero Cathedral

Survey of the royal tombs

Roger II’s strategic design

The Virgin Hodegetria

Decorations

The construction of Monreale Cathedral: between myth and history

the Baroque interior

The transformations of the hall through the centuries

The Chapel of the Kings

The decorated facade

The Cassaro

The Admiral’s dedication

A controversial interpretation

Under the crosses of the Bema

Porphyry sarcophagi: royalty and power

The original design

Roger II of hauteville: a sovereign protected by God

Cefalù: settlement evidence through time

The mosaic cycle, an ascending path towards the light

Restorations

The senses tell the interior

The stone bible

The Bible carved in stone

The senses tell Context 1

The Chapel of St. Mary Magdalene

The Kings’ Cathedrals

The beginning of the construction site

Gardens and architecture as a backdrop to the city of Palermo

The birth of the Norman kingdom

The senses tell the ceiling

the Baroque exterior

The dialogue between the architectures of the monumental complex

Palermo: the happiest city

The towers and the western facade

The balance between architecture and light

The king’s mark

From oblivion to the recovery of memory

Intertwining of knowledge in Norman Palermo

The flooring: shapes, motifs and iconography

The mosaics of the transept and the apses

The Genoard Park, the garden of pleasures and wonders

The Royal Throne

A mixture of styles pervades the floor decorations

The mosaics of the apses

A cloister of accentuated stylistic variety

The senses tell the historical context

Transformations over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

The Cathedral over the centuries

Interior decorations

The longest aisle

The chapel of St. Benedict

The rediscovered palace

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the historical context

Squaring the circle

A space between the visible and the invisible

The mosaics of the presbytery

The interior of the church

A Northern population

The chorus: beating heart of the cathedral

The chystro: a place between earth and sky

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The rediscovered chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the historical context

From the main gate to the aisles: an invitation to a journey of faith

Characteristics of religious architecture in the romanesque period

A chapel by an unknown designer based on repeated symmetries

The loca solatiorum: dwellings for recreation, well-being and hunting

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the architecture

The return of water

The opus sectile floor of the Palatine Chapel

A compositional design that combines nordic examples with new artistic languages, over the centuries

Worship services

The medieval city amidst monasticism and feudal aristocracy

Two initially similar towers, varied over time

The architectural space

Tempus fugit: a strategic project implemented in a short period of time

The columns of the nave: the meticulous study of the overall order

A polysemy of high-level artistic forms and content

The senses tell restorations

Beyond the harmony of proportions

The towers facing the facade used as bell towers

Mosaic decoration

The senses tell the Zisa over the centuries

The senses tell the flooring

The ancient convent of the Martorana, a history of devotion and tradition

From the Mosque to the Cathedral

An architectural crescendo

the roof of Paradise: one of the most representative works of medieval art

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A palimpsest of history

A tree full of life

The side aisles

Layers of different cultures decorate the external apses

The decorations on the bell tower

The Palace of Kings

A new Cathedral

Ecclesia munita

The architectural envelope: the Greek cross layout oriented towards the light

From earthquake to collapse

The links between the hauteville family and the monastic orders in Sicily

The Great Restoration

The southern portico

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side Portico: a combination of elegance and lightness of form

Artistic elements in Peter’s ship

The lost chapel

The cultural substrate through time

Norman religious architecture with islamic influences in Sicily

The chapel of the crucifix: an artistic casket based on a previous model

The Great Presbytery: a unique space for the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A remarkable ceiling

Gold and light: the splendour of the mosaics in the Royal Chapel

The architectural appearance and transformations over time

The senses tell the mosaic cycle

A building constructed in a short space of time

Saint Peter’s Chapel in the Royal Palace

The chapel of san Castrense: an important renaissance work

The mosaics of the naves

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The area of the Sanctuary

The senses tell the external architecture and the original layout

The senses tell the architecture and decorations

Shapes and colours of the wooden ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell baroque decoration

The liturgical spaces of the protesis and the diaconicon

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure