photo gallery

photo gallery

An architectural crescendo

A Northern population

Characteristics of religious architecture in the romanesque period

A cloister of accentuated stylistic variety

Gold and light: the splendour of the mosaics in the Royal Chapel

The mosaics of the presbytery

Shapes and colours of the wooden ceiling

The senses tell the ceiling

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Royal Throne

The ancient convent of the Martorana, a history of devotion and tradition

The Chapel of the Kings

Saint Peter’s Chapel in the Royal Palace

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the external architecture and the original layout

The transformations of the hall through the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell restorations

The senses tell the Zisa over the centuries

The king’s mark

The cemetery of kings

The cultural substrate through time

The dialogue between the architectures of the monumental complex

From the Mosque to the Cathedral

Tempus fugit: a strategic project implemented in a short period of time

Under the crosses of the Bema

A tree full of life

The senses tell the architecture

The interior of the church

The senses tell the mosaic cycle

Intertwining of knowledge in Norman Palermo

The Genoard Park, the garden of pleasures and wonders

The Admiral’s dedication

The birth of the Norman kingdom

The Great Presbytery: a unique space for the cathedral

the Baroque interior

The decorated facade

Beyond the harmony of proportions

The towers and the western facade

The balance between architecture and light

The chapel of St. Benedict

The architectural space

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cassaro

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers facing the facade used as bell towers

A polysemy of high-level artistic forms and content

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the flooring

Layers of different cultures decorate the external apses

From the main gate to the aisles: an invitation to a journey of faith

The return of water

The Chapel of St. Mary Magdalene

the roof of Paradise: one of the most representative works of medieval art

Transformations over the centuries

A building constructed in a short space of time

The chystro: a place between earth and sky

The senses tell baroque decoration

The southern portico

Palermo: the happiest city

The rediscovered palace

From earthquake to collapse

The Great Restoration

Interior decorations

The opus sectile floor of the Palatine Chapel

A remarkable ceiling

The stone bible

The decorations on the bell tower

A mixture of styles pervades the floor decorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The links between the hauteville family and the monastic orders in Sicily

The columns of the nave: the meticulous study of the overall order

Porphyry sarcophagi: royalty and power

The side Portico: a combination of elegance and lightness of form

The senses tell the interior

The original design

A new Cathedral

The lost chapel

the Baroque exterior

The senses tell the historical context

The senses tell the architecture and decorations

The beginning of the construction site

The Virgin Hodegetria

The Cathedral over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A controversial interpretation

A space between the visible and the invisible

The chorus: beating heart of the cathedral

A chapel by an unknown designer based on repeated symmetries

Survey of the royal tombs

The chapel of san Castrense: an important renaissance work

The mosaics of the naves

The Gualtiero Cathedral

The rediscovered chapel

The flooring: shapes, motifs and iconography

The senses tell the historical context

The mosaic cycle, an ascending path towards the light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Different styles and transformations of “one of the most beautiful monuments in the world”

Worship services

A palimpsest of history

The Kings’ Cathedrals

The longest aisle

The mosaics of the apses

Artistic elements in Peter’s ship

The liturgical spaces of the protesis and the diaconicon

Decorations

From oblivion to the recovery of memory

Mosaic decoration

The architectural appearance and transformations over time

Gardens and architecture as a backdrop to the city of Palermo

Two initially similar towers, varied over time

The loca solatiorum: dwellings for recreation, well-being and hunting

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The area of the Sanctuary

Roger II of hauteville: a sovereign protected by God

Squaring the circle

The Palace of Kings

The senses tell the historical context

Norman religious architecture with islamic influences in Sicily

Cefalù: settlement evidence through time

The senses tell Context 1

The medieval city amidst monasticism and feudal aristocracy

Roger II’s strategic design

The chapel of the crucifix: an artistic casket based on a previous model

The construction of Monreale Cathedral: between myth and history

The mosaics of the transept and the apses

Ecclesia munita

Restorations

The side aisles

The Bible carved in stone