photo gallery

photo gallery

A space between the visible and the invisible

The Palace of Kings

The lost chapel

Norman religious architecture with islamic influences in Sicily

The return of water

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the presbytery

The Genoard Park, the garden of pleasures and wonders

the Baroque interior

Intertwining of knowledge in Norman Palermo

The columns of the nave: the meticulous study of the overall order

Transformations over the centuries

Cefalù: settlement evidence through time

The side Portico: a combination of elegance and lightness of form

Artistic elements in Peter’s ship

Layers of different cultures decorate the external apses

The chapel of san Castrense: an important renaissance work

From the main gate to the aisles: an invitation to a journey of faith

The Chapel of the Kings

The Royal Throne

The Great Presbytery: a unique space for the cathedral

A building constructed in a short space of time

The senses tell baroque decoration

Squaring the circle

The Kings’ Cathedrals

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the naves

The longest aisle

Roger II of hauteville: a sovereign protected by God

The cemetery of kings

The decorated facade

A remarkable ceiling

The Virgin Hodegetria

Decorations

Interior decorations

the Baroque exterior

The Chapel of St. Mary Magdalene

A compositional design that combines nordic examples with new artistic languages, over the centuries

Worship services

The cultural substrate through time

The balance between architecture and light

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Restorations

The birth of the Norman kingdom

The stone bible

Two initially similar towers, varied over time

The chorus: beating heart of the cathedral

The architectural appearance and transformations over time

The chystro: a place between earth and sky

The senses tell the flooring

Tempus fugit: a strategic project implemented in a short period of time

The dialogue between the architectures of the monumental complex

The senses tell the interior

The rediscovered chapel

The decorations on the bell tower

The beginning of the construction site

The king’s mark

The side aisles

The southern portico

The architectural envelope: the Greek cross layout oriented towards the light

A polysemy of high-level artistic forms and content

The mosaics of the transept and the apses

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Mosaic decoration

The senses tell the Zisa over the centuries

The transformations of the hall through the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The construction of Monreale Cathedral: between myth and history

The towers facing the facade used as bell towers

The original design

A chapel by an unknown designer based on repeated symmetries

The senses tell restorations

The chapel of St. Benedict

The Bible carved in stone

A new Cathedral

The senses tell the architecture

Saint Peter’s Chapel in the Royal Palace

The Gualtiero Cathedral

The liturgical spaces of the protesis and the diaconicon

The opus sectile floor of the Palatine Chapel

A cloister of accentuated stylistic variety

The area of the Sanctuary

From the Mosque to the Cathedral

The rediscovered palace

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the apses

From earthquake to collapse

The interior of the church

Under the crosses of the Bema

A controversial interpretation

The chapel of the crucifix: an artistic casket based on a previous model

Beyond the harmony of proportions

Survey of the royal tombs

Roger II’s strategic design

The senses tell the historical context

the roof of Paradise: one of the most representative works of medieval art

The Admiral’s dedication

The Cathedral over the centuries

The towers and the western facade

Porphyry sarcophagi: royalty and power

The architectural space

A Northern population

Shapes and colours of the wooden ceiling

Palermo: the happiest city

The Cassaro

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

The Norman conquest of Sicily and the birth of a new Latin kingdom

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The loca solatiorum: dwellings for recreation, well-being and hunting

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A mixture of styles pervades the floor decorations

The senses tell the external architecture and the original layout

Different styles and transformations of “one of the most beautiful monuments in the world”

A tree full of life

The links between the hauteville family and the monastic orders in Sicily

The senses tell the architecture and decorations

Ecclesia munita

From oblivion to the recovery of memory

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Great Restoration

An architectural crescendo

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the historical context

The mosaic cycle, an ascending path towards the light

The ancient convent of the Martorana, a history of devotion and tradition

Gardens and architecture as a backdrop to the city of Palermo

The senses tell Context 1

The flooring: shapes, motifs and iconography

The senses tell the ceiling

The senses tell the mosaic cycle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A palimpsest of history