photo gallery

photo gallery

The lost chapel

The flooring: shapes, motifs and iconography

Transformations over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Different styles and transformations of “one of the most beautiful monuments in the world”

From oblivion to the recovery of memory

Beyond the harmony of proportions

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Characteristics of religious architecture in the romanesque period

The senses tell baroque decoration

The return of water

The opus sectile floor of the Palatine Chapel

The links between the hauteville family and the monastic orders in Sicily

The Kings’ Cathedrals

The mosaics of the apses

The side Portico: a combination of elegance and lightness of form

The rediscovered palace

The stone bible

The loca solatiorum: dwellings for recreation, well-being and hunting

The dialogue between the architectures of the monumental complex

The towers facing the facade used as bell towers

The birth of the Norman kingdom

The cemetery of kings

The senses tell the historical context

The senses tell the historical context

The mosaics of the transept and the apses

The architectural appearance and transformations over time

The Chapel of the Kings

The senses tell restorations

The beginning of the construction site

The senses tell Context 1

the Baroque exterior

From the Mosque to the Cathedral

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural envelope: the Greek cross layout oriented towards the light

The mosaics of the naves

The senses tell the mosaic cycle

The columns of the nave: the meticulous study of the overall order

The Gualtiero Cathedral

The mosaics of the presbytery

The Chapel of St. Mary Magdalene

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The decorations on the bell tower

A compositional design that combines nordic examples with new artistic languages, over the centuries

Palermo: the happiest city

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Bible carved in stone

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Tempus fugit: a strategic project implemented in a short period of time

The transformations of the hall through the centuries

The medieval city amidst monasticism and feudal aristocracy

A space between the visible and the invisible

An architectural crescendo

Roger II of hauteville: a sovereign protected by God

Cefalù: settlement evidence through time

Layers of different cultures decorate the external apses

The chapel of St. Benedict

A building constructed in a short space of time

Survey of the royal tombs

The chystro: a place between earth and sky

The side aisles

From earthquake to collapse

The senses tell the external architecture and the original layout

A Northern population

Restorations

The senses tell the flooring

The chapel of san Castrense: an important renaissance work

The towers and the western facade

The Royal Throne

Roger II’s strategic design

Gold and light: the splendour of the mosaics in the Royal Chapel

The Norman conquest of Sicily and the birth of a new Latin kingdom

A tree full of life

A controversial interpretation

From the main gate to the aisles: an invitation to a journey of faith

Interior decorations

The balance between architecture and light

The Cathedral over the centuries

The Palace of Kings

Saint Peter’s Chapel in the Royal Palace

A mixture of styles pervades the floor decorations

The senses tell the historical context

the Baroque interior

The longest aisle

Shapes and colours of the wooden ceiling

Intertwining of knowledge in Norman Palermo

The senses tell the architecture and decorations

A cloister of accentuated stylistic variety

The king’s mark

A chapel by an unknown designer based on repeated symmetries

The Great Presbytery: a unique space for the cathedral

Worship services

The architectural space

The area of the Sanctuary

Decorations

The senses tell the interior

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A palimpsest of history

The southern portico

Under the crosses of the Bema

The mosaic cycle, an ascending path towards the light

The Genoard Park, the garden of pleasures and wonders

The chapel of the crucifix: an artistic casket based on a previous model

Artistic elements in Peter’s ship

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the architecture

Two initially similar towers, varied over time

The cultural substrate through time

The Cassaro

The chorus: beating heart of the cathedral

Ecclesia munita

The senses tell the Zisa over the centuries

The Virgin Hodegetria

A polysemy of high-level artistic forms and content

Squaring the circle

Porphyry sarcophagi: royalty and power

The rediscovered chapel

the roof of Paradise: one of the most representative works of medieval art

The senses tell the ceiling

Mosaic decoration

The decorated facade

A new Cathedral

A remarkable ceiling

The Admiral’s dedication

The original design

The Great Restoration

The liturgical spaces of the protesis and the diaconicon

The ancient convent of the Martorana, a history of devotion and tradition

The construction of Monreale Cathedral: between myth and history

The interior of the church

Norman religious architecture with islamic influences in Sicily