photo gallery

photo gallery

The chystro: a place between earth and sky

The interior of the church

A polysemy of high-level artistic forms and content

The senses tell the historical context

Different styles and transformations of “one of the most beautiful monuments in the world”

Two initially similar towers, varied over time

The balance between architecture and light

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The area of the Sanctuary

The return of water

Gold and light: the splendour of the mosaics in the Royal Chapel

The Virgin Hodegetria

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The links between the hauteville family and the monastic orders in Sicily

Survey of the royal tombs

The medieval city amidst monasticism and feudal aristocracy

The lost chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The side aisles

Gardens and architecture as a backdrop to the city of Palermo

A building constructed in a short space of time

the roof of Paradise: one of the most representative works of medieval art

Porphyry sarcophagi: royalty and power

The senses tell the mosaic cycle

A mixture of styles pervades the floor decorations

The ancient convent of the Martorana, a history of devotion and tradition

The longest aisle

From earthquake to collapse

Worship services

the Baroque exterior

The decorations on the bell tower

The chapel of san Castrense: an important renaissance work

A controversial interpretation

A compositional design that combines nordic examples with new artistic languages, over the centuries

The southern portico

The cemetery of kings

The towers and the western facade

Saint Peter’s Chapel in the Royal Palace

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Transformations over the centuries

The chorus: beating heart of the cathedral

The mosaics of the apses

The Cassaro

The senses tell the architecture and decorations

Roger II’s strategic design

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell baroque decoration

The senses tell the Zisa over the centuries

The senses tell the external architecture and the original layout

Squaring the circle

The senses tell the architecture

The Great Presbytery: a unique space for the cathedral

The Gualtiero Cathedral

The columns of the nave: the meticulous study of the overall order

the Baroque interior

The mosaics of the presbytery

The senses tell the historical context

The transformations of the hall through the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

An architectural crescendo

The senses tell Context 1

The liturgical spaces of the protesis and the diaconicon

A Northern population

Intertwining of knowledge in Norman Palermo

The Great Restoration

The loca solatiorum: dwellings for recreation, well-being and hunting

A space between the visible and the invisible

Characteristics of religious architecture in the romanesque period

Layers of different cultures decorate the external apses

A new Cathedral

The senses tell the interior

The birth of the Norman kingdom

Restorations

A remarkable ceiling

The Royal Throne

The mosaic cycle, an ascending path towards the light

The side Portico: a combination of elegance and lightness of form

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The original design

A tree full of life

The flooring: shapes, motifs and iconography

The chapel of the crucifix: an artistic casket based on a previous model

The Admiral’s dedication

Decorations

Artistic elements in Peter’s ship

The chapel of St. Benedict

The senses tell the flooring

The architectural envelope: the Greek cross layout oriented towards the light

The towers facing the facade used as bell towers

The dialogue between the architectures of the monumental complex

From the Mosque to the Cathedral

Ecclesia munita

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Beyond the harmony of proportions

Roger II of hauteville: a sovereign protected by God

Tempus fugit: a strategic project implemented in a short period of time

The Bible carved in stone

The rediscovered chapel

A cloister of accentuated stylistic variety

The Genoard Park, the garden of pleasures and wonders

The senses tell restorations

The king’s mark

Cefalù: settlement evidence through time

The senses tell the historical context

From oblivion to the recovery of memory

The architectural space

The stone bible

Under the crosses of the Bema

Norman religious architecture with islamic influences in Sicily

The mosaics of the transept and the apses

The senses tell the ceiling

The opus sectile floor of the Palatine Chapel

The beginning of the construction site

A palimpsest of history

A chapel by an unknown designer based on repeated symmetries

Mosaic decoration

The Kings’ Cathedrals

The rediscovered palace

The Palace of Kings

The mosaics of the naves

From the main gate to the aisles: an invitation to a journey of faith

The Cathedral over the centuries

The construction of Monreale Cathedral: between myth and history

The architectural appearance and transformations over time

Shapes and colours of the wooden ceiling

Interior decorations

The Chapel of the Kings

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Chapel of St. Mary Magdalene

The decorated facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Palermo: the happiest city

The cultural substrate through time