photo gallery

photo gallery

Mosaic decoration

Artistic elements in Peter’s ship

The chapel of san Castrense: an important renaissance work

The medieval city amidst monasticism and feudal aristocracy

The columns of the nave: the meticulous study of the overall order

The rediscovered chapel

The architectural appearance and transformations over time

Worship services

The senses tell the ceiling

Gold and light: the splendour of the mosaics in the Royal Chapel

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A controversial interpretation

Porphyry sarcophagi: royalty and power

The Cathedral over the centuries

The cemetery of kings

The senses tell the external architecture and the original layout

Saint Peter’s Chapel in the Royal Palace

The architectural space

The longest aisle

The Cassaro

The flooring: shapes, motifs and iconography

The rediscovered palace

The Genoard Park, the garden of pleasures and wonders

From the main gate to the aisles: an invitation to a journey of faith

Decorations

The Kings’ Cathedrals

The Great Presbytery: a unique space for the cathedral

The Bible carved in stone

Roger II of hauteville: a sovereign protected by God

The senses tell the architecture and decorations

The loca solatiorum: dwellings for recreation, well-being and hunting

Characteristics of religious architecture in the romanesque period

The senses tell the interior

The Admiral’s dedication

The Chapel of St. Mary Magdalene

The senses tell the mosaic cycle

The opus sectile floor of the Palatine Chapel

The southern portico

From the Mosque to the Cathedral

Layers of different cultures decorate the external apses

Transformations over the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From earthquake to collapse

The decorated facade

The Chapel of the Kings

The stone bible

Different styles and transformations of “one of the most beautiful monuments in the world”

The lost chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

The mosaics of the transept and the apses

The original design

Ecclesia munita

A tree full of life

The ancient convent of the Martorana, a history of devotion and tradition

The Virgin Hodegetria

The senses tell the flooring

The dialogue between the architectures of the monumental complex

The senses tell the historical context

The decorations on the bell tower

The senses tell the historical context

Survey of the royal tombs

The side aisles

The area of the Sanctuary

The architectural envelope: the Greek cross layout oriented towards the light

The balance between architecture and light

Two initially similar towers, varied over time

The king’s mark

The Palace of Kings

Shapes and colours of the wooden ceiling

A new Cathedral

The senses tell Context 1

The chystro: a place between earth and sky

the Baroque exterior

The construction of Monreale Cathedral: between myth and history

the roof of Paradise: one of the most representative works of medieval art

A Northern population

The Great Restoration

Under the crosses of the Bema

A polysemy of high-level artistic forms and content

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Palermo: the happiest city

the Baroque interior

Squaring the circle

An architectural crescendo

The mosaics of the apses

Tempus fugit: a strategic project implemented in a short period of time

A chapel by an unknown designer based on repeated symmetries

The liturgical spaces of the protesis and the diaconicon

Restorations

The transformations of the hall through the centuries

Beyond the harmony of proportions

A mixture of styles pervades the floor decorations

A palimpsest of history

The beginning of the construction site

From oblivion to the recovery of memory

The senses tell the Zisa over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The cultural substrate through time

The Gualtiero Cathedral

The mosaic cycle, an ascending path towards the light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A space between the visible and the invisible

The mosaics of the naves

The birth of the Norman kingdom

A compositional design that combines nordic examples with new artistic languages, over the centuries

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

The mosaics of the presbytery

A remarkable ceiling

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The interior of the church

The chapel of St. Benedict

Interior decorations

The senses tell restorations

The towers facing the facade used as bell towers

A cloister of accentuated stylistic variety

Gardens and architecture as a backdrop to the city of Palermo

The return of water

Intertwining of knowledge in Norman Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Norman religious architecture with islamic influences in Sicily

The senses tell baroque decoration

Cefalù: settlement evidence through time

The chorus: beating heart of the cathedral

Roger II’s strategic design

A building constructed in a short space of time

The Norman conquest of Sicily and the birth of a new Latin kingdom

The links between the hauteville family and the monastic orders in Sicily

The Royal Throne

The senses tell the architecture

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister