photo gallery

photo gallery

The rediscovered chapel

The beginning of the construction site

The Kings’ Cathedrals

Survey of the royal tombs

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

A palimpsest of history

A new Cathedral

A building constructed in a short space of time

The return of water

Characteristics of religious architecture in the romanesque period

The towers and the western facade

A polysemy of high-level artistic forms and content

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell baroque decoration

The senses tell the architecture and decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The construction of Monreale Cathedral: between myth and history

The opus sectile floor of the Palatine Chapel

The stone bible

Mosaic decoration

Roger II of hauteville: a sovereign protected by God

A compositional design that combines nordic examples with new artistic languages, over the centuries

The cemetery of kings

The Chapel of the Kings

The mosaics of the transept and the apses

The mosaics of the presbytery

The Royal Throne

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The balance between architecture and light

The dialogue between the architectures of the monumental complex

Different styles and transformations of “one of the most beautiful monuments in the world”

A space between the visible and the invisible

The decorations on the bell tower

The interior of the church

The columns of the nave: the meticulous study of the overall order

Decorations

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the historical context

The mosaics of the naves

Restorations

The senses tell the flooring

Tempus fugit: a strategic project implemented in a short period of time

A Northern population

The Palace of Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

From the Mosque to the Cathedral

Interior decorations

The rediscovered palace

The medieval city amidst monasticism and feudal aristocracy

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of St. Benedict

the Baroque exterior

The Cathedral over the centuries

The liturgical spaces of the protesis and the diaconicon

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Cefalù: settlement evidence through time

Beyond the harmony of proportions

The senses tell the interior

A remarkable ceiling

The mosaics of the apses

The Admiral’s dedication

The side aisles

The Great Presbytery: a unique space for the cathedral

The lost chapel

The chapel of san Castrense: an important renaissance work

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The decorated facade

The birth of the Norman kingdom

The senses tell the mosaic cycle

The cultural substrate through time

The senses tell the ceiling

The mosaic cycle, an ascending path towards the light

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural space

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Saint Peter’s Chapel in the Royal Palace

Porphyry sarcophagi: royalty and power

Gold and light: the splendour of the mosaics in the Royal Chapel

the Baroque interior

Layers of different cultures decorate the external apses

Gardens and architecture as a backdrop to the city of Palermo

Squaring the circle

Ecclesia munita

Transformations over the centuries

A controversial interpretation

A chapel by an unknown designer based on repeated symmetries

The Bible carved in stone

The transformations of the hall through the centuries

Two initially similar towers, varied over time

Intertwining of knowledge in Norman Palermo

Palermo: the happiest city

A mixture of styles pervades the floor decorations

Under the crosses of the Bema

The senses tell restorations

Artistic elements in Peter’s ship

The senses tell the external architecture and the original layout

The senses tell Context 1

The senses tell the architecture

The ancient convent of the Martorana, a history of devotion and tradition

The architectural appearance and transformations over time

The links between the hauteville family and the monastic orders in Sicily

From earthquake to collapse

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

The Cassaro

The original design

From oblivion to the recovery of memory

The longest aisle

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Chapel of St. Mary Magdalene

The southern portico

The Virgin Hodegetria

The flooring: shapes, motifs and iconography

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the Zisa over the centuries

The king’s mark

The Gualtiero Cathedral

A tree full of life

The towers facing the facade used as bell towers

The Norman conquest of Sicily and the birth of a new Latin kingdom

Norman religious architecture with islamic influences in Sicily

The Great Restoration

The area of the Sanctuary

The chystro: a place between earth and sky

An architectural crescendo

A cloister of accentuated stylistic variety

The chorus: beating heart of the cathedral

Roger II’s strategic design

Shapes and colours of the wooden ceiling

Worship services

the roof of Paradise: one of the most representative works of medieval art

The architectural envelope: the Greek cross layout oriented towards the light