photo gallery

photo gallery

The side aisles

From the Mosque to the Cathedral

The southern portico

A remarkable ceiling

The dialogue between the architectures of the monumental complex

The links between the hauteville family and the monastic orders in Sicily

The architectural space

The senses tell the flooring

The side Portico: a combination of elegance and lightness of form

A compositional design that combines nordic examples with new artistic languages, over the centuries

The original design

A chapel by an unknown designer based on repeated symmetries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The return of water

The construction of Monreale Cathedral: between myth and history

The flooring: shapes, motifs and iconography

The Bible carved in stone

The Great Presbytery: a unique space for the cathedral

A Northern population

The Genoard Park, the garden of pleasures and wonders

The loca solatiorum: dwellings for recreation, well-being and hunting

The Admiral’s dedication

The Gualtiero Cathedral

Ecclesia munita

The Chapel of St. Mary Magdalene

Worship services

The Cassaro

The decorated facade

the Baroque interior

The architectural appearance and transformations over time

The interior of the church

A controversial interpretation

A building constructed in a short space of time

The chapel of san Castrense: an important renaissance work

Palermo: the happiest city

The ancient convent of the Martorana, a history of devotion and tradition

Saint Peter’s Chapel in the Royal Palace

The balance between architecture and light

A mixture of styles pervades the floor decorations

The opus sectile floor of the Palatine Chapel

A tree full of life

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The cemetery of kings

The senses tell Context 1

An architectural crescendo

The Palace of Kings

The mosaics of the apses

The cultural substrate through time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Great Restoration

The chapel of the crucifix: an artistic casket based on a previous model

The area of the Sanctuary

Squaring the circle

Transformations over the centuries

The columns of the nave: the meticulous study of the overall order

The beginning of the construction site

The mosaics of the transept and the apses

The transformations of the hall through the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A cloister of accentuated stylistic variety

The senses tell the interior

Restorations

The Chapel of the Kings

The mosaics of the presbytery

Tempus fugit: a strategic project implemented in a short period of time

From earthquake to collapse

The senses tell the external architecture and the original layout

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Roger II’s strategic design

Shapes and colours of the wooden ceiling

Gold and light: the splendour of the mosaics in the Royal Chapel

Mosaic decoration

The lost chapel

Survey of the royal tombs

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

The senses tell the architecture

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell restorations

Beyond the harmony of proportions

A polysemy of high-level artistic forms and content

Roger II of hauteville: a sovereign protected by God

The mosaics of the naves

Layers of different cultures decorate the external apses

The senses tell the ceiling

The Virgin Hodegetria

Interior decorations

The longest aisle

The medieval city amidst monasticism and feudal aristocracy

Cefalù: settlement evidence through time

A new Cathedral

From oblivion to the recovery of memory

the roof of Paradise: one of the most representative works of medieval art

The senses tell the historical context

Norman religious architecture with islamic influences in Sicily

The Royal Throne

The king’s mark

From the main gate to the aisles: an invitation to a journey of faith

Artistic elements in Peter’s ship

The stone bible

The chorus: beating heart of the cathedral

The Cathedral over the centuries

The senses tell the mosaic cycle

Under the crosses of the Bema

The mosaic cycle, an ascending path towards the light

Intertwining of knowledge in Norman Palermo

The liturgical spaces of the protesis and the diaconicon

The towers facing the facade used as bell towers

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Gardens and architecture as a backdrop to the city of Palermo

The towers and the western facade

The decorations on the bell tower

Porphyry sarcophagi: royalty and power

A space between the visible and the invisible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Kings’ Cathedrals

Decorations

The senses tell the Zisa over the centuries

The senses tell baroque decoration

The chapel of St. Benedict

the Baroque exterior

The senses tell the historical context

The rediscovered palace

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the architecture and decorations

The chystro: a place between earth and sky

The birth of the Norman kingdom

A palimpsest of history

The architectural envelope: the Greek cross layout oriented towards the light

Two initially similar towers, varied over time

The rediscovered chapel

Different styles and transformations of “one of the most beautiful monuments in the world”