photo gallery

photo gallery

The decorations on the bell tower

The chapel of St. Benedict

The Great Presbytery: a unique space for the cathedral

The interior of the church

The original design

Transformations over the centuries

Roger II of hauteville: a sovereign protected by God

The senses tell the flooring

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

the Baroque exterior

The Genoard Park, the garden of pleasures and wonders

The longest aisle

A palimpsest of history

A polysemy of high-level artistic forms and content

The mosaics of the transept and the apses

The senses tell the Zisa over the centuries

Under the crosses of the Bema

A Northern population

The mosaic cycle, an ascending path towards the light

Palermo: the happiest city

The Cassaro

The chystro: a place between earth and sky

The cemetery of kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chapel of san Castrense: an important renaissance work

The columns of the nave: the meticulous study of the overall order

The senses tell the historical context

The senses tell the mosaic cycle

The senses tell the historical context

Layers of different cultures decorate the external apses

The Gualtiero Cathedral

The side Portico: a combination of elegance and lightness of form

Porphyry sarcophagi: royalty and power

From earthquake to collapse

Ecclesia munita

Artistic elements in Peter’s ship

An architectural crescendo

From the Mosque to the Cathedral

The side aisles

The decorated facade

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The links between the hauteville family and the monastic orders in Sicily

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Squaring the circle

The Royal Throne

The dialogue between the architectures of the monumental complex

A cloister of accentuated stylistic variety

Two initially similar towers, varied over time

The opus sectile floor of the Palatine Chapel

the roof of Paradise: one of the most representative works of medieval art

The cultural substrate through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A mixture of styles pervades the floor decorations

The return of water

The Cathedral over the centuries

Worship services

Beyond the harmony of proportions

A new Cathedral

Roger II’s strategic design

Norman religious architecture with islamic influences in Sicily

The mosaics of the naves

Interior decorations

Decorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of the crucifix: an artistic casket based on a previous model

The liturgical spaces of the protesis and the diaconicon

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The transformations of the hall through the centuries

The balance between architecture and light

A remarkable ceiling

The king’s mark

The Admiral’s dedication

The chorus: beating heart of the cathedral

The flooring: shapes, motifs and iconography

The senses tell the ceiling

Saint Peter’s Chapel in the Royal Palace

From the main gate to the aisles: an invitation to a journey of faith

The towers facing the facade used as bell towers

The architectural envelope: the Greek cross layout oriented towards the light

Gold and light: the splendour of the mosaics in the Royal Chapel

The Palace of Kings

A building constructed in a short space of time

A tree full of life

The birth of the Norman kingdom

The stone bible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The loca solatiorum: dwellings for recreation, well-being and hunting

Shapes and colours of the wooden ceiling

The senses tell the architecture

The Virgin Hodegetria

The ancient convent of the Martorana, a history of devotion and tradition

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The towers and the western facade

The Kings’ Cathedrals

Different styles and transformations of “one of the most beautiful monuments in the world”

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Characteristics of religious architecture in the romanesque period

The beginning of the construction site

The southern portico

From oblivion to the recovery of memory

Tempus fugit: a strategic project implemented in a short period of time

the Baroque interior

The mosaics of the apses

Survey of the royal tombs

The senses tell the external architecture and the original layout

The Great Restoration

The Bible carved in stone

The mosaics of the presbytery

The construction of Monreale Cathedral: between myth and history

The rediscovered palace

Mosaic decoration

The senses tell the interior

The senses tell restorations

The architectural appearance and transformations over time

The Chapel of St. Mary Magdalene

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the architecture and decorations

Restorations

A chapel by an unknown designer based on repeated symmetries

The lost chapel

The Chapel of the Kings

Intertwining of knowledge in Norman Palermo

The architectural space

A space between the visible and the invisible

The medieval city amidst monasticism and feudal aristocracy

The rediscovered chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Cefalù: settlement evidence through time

A controversial interpretation

The senses tell baroque decoration

The area of the Sanctuary

The senses tell Context 1