photo gallery

photo gallery

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The mosaics of the apses

The towers and the western facade

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

The side aisles

The Gualtiero Cathedral

Under the crosses of the Bema

The side Portico: a combination of elegance and lightness of form

The Admiral’s dedication

The architectural appearance and transformations over time

The area of the Sanctuary

The rediscovered palace

Transformations over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A space between the visible and the invisible

The decorated facade

A polysemy of high-level artistic forms and content

The senses tell baroque decoration

The Norman conquest of Sicily and the birth of a new Latin kingdom

The medieval city amidst monasticism and feudal aristocracy

The senses tell the architecture

The senses tell the mosaic cycle

The Cassaro

The cultural substrate through time

The flooring: shapes, motifs and iconography

The original design

The Virgin Hodegetria

The king’s mark

Porphyry sarcophagi: royalty and power

The chorus: beating heart of the cathedral

Beyond the harmony of proportions

The senses tell Context 1

Shapes and colours of the wooden ceiling

The Chapel of St. Mary Magdalene

Survey of the royal tombs

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cemetery of kings

The transformations of the hall through the centuries

The senses tell the ceiling

The Great Presbytery: a unique space for the cathedral

The construction of Monreale Cathedral: between myth and history

The Royal Throne

Gardens and architecture as a backdrop to the city of Palermo

Different styles and transformations of “one of the most beautiful monuments in the world”

The Kings’ Cathedrals

The longest aisle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The dialogue between the architectures of the monumental complex

Intertwining of knowledge in Norman Palermo

The chapel of St. Benedict

The birth of the Norman kingdom

Layers of different cultures decorate the external apses

A controversial interpretation

The chapel of san Castrense: an important renaissance work

Worship services

Characteristics of religious architecture in the romanesque period

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Interior decorations

the Baroque interior

From earthquake to collapse

The Genoard Park, the garden of pleasures and wonders

The columns of the nave: the meticulous study of the overall order

A mixture of styles pervades the floor decorations

the Baroque exterior

The senses tell the historical context

The rediscovered chapel

The loca solatiorum: dwellings for recreation, well-being and hunting

A compositional design that combines nordic examples with new artistic languages, over the centuries

A tree full of life

The Chapel of the Kings

Mosaic decoration

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaic cycle, an ascending path towards the light

The beginning of the construction site

A chapel by an unknown designer based on repeated symmetries

The senses tell restorations

The mosaics of the transept and the apses

Decorations

An architectural crescendo

The senses tell the flooring

The mosaics of the presbytery

The Great Restoration

The opus sectile floor of the Palatine Chapel

Palermo: the happiest city

The Bible carved in stone

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

From the main gate to the aisles: an invitation to a journey of faith

The lost chapel

Roger II’s strategic design

The senses tell the historical context

the roof of Paradise: one of the most representative works of medieval art

The stone bible

The mosaics of the naves

Squaring the circle

The southern portico

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the interior

The senses tell the historical context

A remarkable ceiling

A Northern population

A building constructed in a short space of time

From oblivion to the recovery of memory

The senses tell the architecture and decorations

The architectural envelope: the Greek cross layout oriented towards the light

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the Zisa over the centuries

Ecclesia munita

From the Mosque to the Cathedral

The senses tell the external architecture and the original layout

The chystro: a place between earth and sky

Norman religious architecture with islamic influences in Sicily

The interior of the church

The links between the hauteville family and the monastic orders in Sicily

The return of water

The decorations on the bell tower

Artistic elements in Peter’s ship

A cloister of accentuated stylistic variety

Tempus fugit: a strategic project implemented in a short period of time

Roger II of hauteville: a sovereign protected by God

The balance between architecture and light

Saint Peter’s Chapel in the Royal Palace

Restorations

The Palace of Kings

The ancient convent of the Martorana, a history of devotion and tradition

The architectural space

The towers facing the facade used as bell towers

The liturgical spaces of the protesis and the diaconicon

A new Cathedral

The Cathedral over the centuries

A palimpsest of history

Cefalù: settlement evidence through time