photo gallery

photo gallery

The Cathedral over the centuries

The side Portico: a combination of elegance and lightness of form

The liturgical spaces of the protesis and the diaconicon

The loca solatiorum: dwellings for recreation, well-being and hunting

the Baroque interior

The mosaics of the naves

A new Cathedral

The Norman conquest of Sicily and the birth of a new Latin kingdom

The mosaic cycle, an ascending path towards the light

The Virgin Hodegetria

Saint Peter’s Chapel in the Royal Palace

An architectural crescendo

A Northern population

the roof of Paradise: one of the most representative works of medieval art

Restorations

Decorations

The senses tell the mosaic cycle

The construction of Monreale Cathedral: between myth and history

The Palace of Kings

A building constructed in a short space of time

The senses tell baroque decoration

The senses tell the flooring

The mosaics of the apses

Ecclesia munita

The decorated facade

The senses tell the ceiling

The longest aisle

The Great Restoration

The senses tell the Zisa over the centuries

Survey of the royal tombs

Tempus fugit: a strategic project implemented in a short period of time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A mixture of styles pervades the floor decorations

The senses tell the historical context

A chapel by an unknown designer based on repeated symmetries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Genoard Park, the garden of pleasures and wonders

A compositional design that combines nordic examples with new artistic languages, over the centuries

The rediscovered chapel

The senses tell the interior

The area of the Sanctuary

A palimpsest of history

From the main gate to the aisles: an invitation to a journey of faith

The Bible carved in stone

Cefalù: settlement evidence through time

From oblivion to the recovery of memory

From the Mosque to the Cathedral

The architectural appearance and transformations over time

The Kings’ Cathedrals

A cloister of accentuated stylistic variety

The Cassaro

Intertwining of knowledge in Norman Palermo

The senses tell the external architecture and the original layout

The architectural envelope: the Greek cross layout oriented towards the light

The decorations on the bell tower

The senses tell the architecture and decorations

Squaring the circle

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Characteristics of religious architecture in the romanesque period

Interior decorations

The opus sectile floor of the Palatine Chapel

The chystro: a place between earth and sky

The original design

The ancient convent of the Martorana, a history of devotion and tradition

The Chapel of St. Mary Magdalene

Shapes and colours of the wooden ceiling

The cultural substrate through time

Roger II’s strategic design

Roger II of hauteville: a sovereign protected by God

The transformations of the hall through the centuries

The balance between architecture and light

Gold and light: the splendour of the mosaics in the Royal Chapel

Worship services

The mosaics of the presbytery

A controversial interpretation

Under the crosses of the Bema

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the architecture

The senses tell the historical context

The medieval city amidst monasticism and feudal aristocracy

The chapel of St. Benedict

A space between the visible and the invisible

From earthquake to collapse

The side aisles

Porphyry sarcophagi: royalty and power

Two initially similar towers, varied over time

A polysemy of high-level artistic forms and content

Layers of different cultures decorate the external apses

the Baroque exterior

The architectural space

The dialogue between the architectures of the monumental complex

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the transept and the apses

The senses tell Context 1

Artistic elements in Peter’s ship

The columns of the nave: the meticulous study of the overall order

The senses tell restorations

Beyond the harmony of proportions

The return of water

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The links between the hauteville family and the monastic orders in Sicily

A tree full of life

A remarkable ceiling

The king’s mark

Gardens and architecture as a backdrop to the city of Palermo

Norman religious architecture with islamic influences in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Mosaic decoration

The rediscovered palace

The towers facing the facade used as bell towers

The Gualtiero Cathedral

The flooring: shapes, motifs and iconography

The interior of the church

The cemetery of kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The birth of the Norman kingdom

The beginning of the construction site

Transformations over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of san Castrense: an important renaissance work

The southern portico

The chorus: beating heart of the cathedral

Palermo: the happiest city

The Admiral’s dedication

The towers and the western facade

The lost chapel

The Great Presbytery: a unique space for the cathedral

The stone bible

The Chapel of the Kings

The senses tell the historical context

The Royal Throne