photo gallery

photo gallery

The chorus: beating heart of the cathedral

From the main gate to the aisles: an invitation to a journey of faith

Different styles and transformations of “one of the most beautiful monuments in the world”

Restorations

The area of the Sanctuary

Characteristics of religious architecture in the romanesque period

The columns of the nave: the meticulous study of the overall order

The Admiral’s dedication

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Tempus fugit: a strategic project implemented in a short period of time

A tree full of life

The senses tell the interior

An architectural crescendo

A space between the visible and the invisible

The liturgical spaces of the protesis and the diaconicon

The senses tell the flooring

The longest aisle

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The transformations of the hall through the centuries

The links between the hauteville family and the monastic orders in Sicily

The decorated facade

The medieval city amidst monasticism and feudal aristocracy

The senses tell the architecture

Gold and light: the splendour of the mosaics in the Royal Chapel

Norman religious architecture with islamic influences in Sicily

The senses tell the historical context

Survey of the royal tombs

The Chapel of St. Mary Magdalene

The Great Restoration

The senses tell Context 1

The senses tell the Zisa over the centuries

The senses tell the mosaic cycle

The ancient convent of the Martorana, a history of devotion and tradition

The flooring: shapes, motifs and iconography

Beyond the harmony of proportions

The rediscovered palace

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The king’s mark

Roger II’s strategic design

The senses tell baroque decoration

The senses tell restorations

From earthquake to collapse

The opus sectile floor of the Palatine Chapel

A remarkable ceiling

The cemetery of kings

The dialogue between the architectures of the monumental complex

The decorations on the bell tower

The Virgin Hodegetria

The mosaics of the apses

Two initially similar towers, varied over time

The towers facing the facade used as bell towers

The interior of the church

The return of water

Porphyry sarcophagi: royalty and power

Artistic elements in Peter’s ship

The Cathedral over the centuries

The Gualtiero Cathedral

The southern portico

The side aisles

The mosaics of the transept and the apses

The architectural space

Cefalù: settlement evidence through time

The original design

The Palace of Kings

The architectural envelope: the Greek cross layout oriented towards the light

A polysemy of high-level artistic forms and content

The cultural substrate through time

Mosaic decoration

The side Portico: a combination of elegance and lightness of form

The Chapel of the Kings

From oblivion to the recovery of memory

Ecclesia munita

The rediscovered chapel

A Northern population

The Kings’ Cathedrals

A chapel by an unknown designer based on repeated symmetries

The towers and the western facade

The Great Presbytery: a unique space for the cathedral

A building constructed in a short space of time

The chapel of the crucifix: an artistic casket based on a previous model

The balance between architecture and light

The senses tell the architecture and decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The lost chapel

The chapel of san Castrense: an important renaissance work

The Cassaro

The stone bible

The mosaics of the presbytery

the Baroque interior

the Baroque exterior

Transformations over the centuries

The construction of Monreale Cathedral: between myth and history

A cloister of accentuated stylistic variety

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the external architecture and the original layout

A palimpsest of history

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of St. Benedict

Under the crosses of the Bema

The senses tell the ceiling

The architectural appearance and transformations over time

From the Mosque to the Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

Layers of different cultures decorate the external apses

Decorations

A controversial interpretation

The Royal Throne

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the naves

Interior decorations

Shapes and colours of the wooden ceiling

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaic cycle, an ascending path towards the light

the roof of Paradise: one of the most representative works of medieval art

Palermo: the happiest city

The Bible carved in stone

A new Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

Squaring the circle

A mixture of styles pervades the floor decorations

Roger II of hauteville: a sovereign protected by God

The beginning of the construction site

The Genoard Park, the garden of pleasures and wonders

The chystro: a place between earth and sky

Worship services

Saint Peter’s Chapel in the Royal Palace

Intertwining of knowledge in Norman Palermo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The birth of the Norman kingdom