photo gallery

photo gallery

A Northern population

Artistic elements in Peter’s ship

The beginning of the construction site

The area of the Sanctuary

The mosaics of the transept and the apses

The chapel of the crucifix: an artistic casket based on a previous model

Beyond the harmony of proportions

The Admiral’s dedication

The transformations of the hall through the centuries

A cloister of accentuated stylistic variety

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell Context 1

Roger II’s strategic design

Gardens and architecture as a backdrop to the city of Palermo

The opus sectile floor of the Palatine Chapel

A polysemy of high-level artistic forms and content

Shapes and colours of the wooden ceiling

The towers and the western facade

The links between the hauteville family and the monastic orders in Sicily

The balance between architecture and light

The rediscovered chapel

The interior of the church

Under the crosses of the Bema

The Virgin Hodegetria

The columns of the nave: the meticulous study of the overall order

The cemetery of kings

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The loca solatiorum: dwellings for recreation, well-being and hunting

Decorations

The rediscovered palace

The stone bible

The dialogue between the architectures of the monumental complex

An architectural crescendo

The architectural appearance and transformations over time

Mosaic decoration

The senses tell baroque decoration

The Great Restoration

the roof of Paradise: one of the most representative works of medieval art

The Cathedral over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

The medieval city amidst monasticism and feudal aristocracy

A building constructed in a short space of time

A chapel by an unknown designer based on repeated symmetries

The Kings’ Cathedrals

The chorus: beating heart of the cathedral

A controversial interpretation

Characteristics of religious architecture in the romanesque period

Cefalù: settlement evidence through time

The chapel of san Castrense: an important renaissance work

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the architecture

The senses tell the historical context

Roger II of hauteville: a sovereign protected by God

The king’s mark

Restorations

The senses tell the ceiling

Porphyry sarcophagi: royalty and power

the Baroque interior

The flooring: shapes, motifs and iconography

The architectural envelope: the Greek cross layout oriented towards the light

The side Portico: a combination of elegance and lightness of form

The mosaics of the naves

The liturgical spaces of the protesis and the diaconicon

Survey of the royal tombs

Two initially similar towers, varied over time

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the Zisa over the centuries

Intertwining of knowledge in Norman Palermo

The senses tell the interior

The Cassaro

From the main gate to the aisles: an invitation to a journey of faith

Transformations over the centuries

From the Mosque to the Cathedral

Interior decorations

The senses tell the historical context

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Chapel of the Kings

A tree full of life

A new Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A mixture of styles pervades the floor decorations

Saint Peter’s Chapel in the Royal Palace

The senses tell the flooring

The towers facing the facade used as bell towers

The Genoard Park, the garden of pleasures and wonders

The southern portico

The senses tell restorations

Norman religious architecture with islamic influences in Sicily

The senses tell the architecture and decorations

The senses tell the mosaic cycle

Worship services

The decorated facade

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the presbytery

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Palace of Kings

From oblivion to the recovery of memory

The return of water

A remarkable ceiling

From earthquake to collapse

The construction of Monreale Cathedral: between myth and history

The original design

The senses tell the external architecture and the original layout

The lost chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A space between the visible and the invisible

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chystro: a place between earth and sky

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A palimpsest of history

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Royal Throne

The Bible carved in stone

The side aisles

The Gualtiero Cathedral

Squaring the circle

The senses tell the historical context

The longest aisle

The chapel of St. Benedict

Ecclesia munita

Palermo: the happiest city

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene

The decorations on the bell tower

The Great Presbytery: a unique space for the cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

The mosaics of the apses

The architectural space

The birth of the Norman kingdom

the Baroque exterior

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cultural substrate through time

The mosaic cycle, an ascending path towards the light