photo gallery

photo gallery

The southern portico

The side aisles

The lost chapel

Artistic elements in Peter’s ship

The mosaics of the apses

The Great Restoration

The cultural substrate through time

A tree full of life

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the historical context

The area of the Sanctuary

The king’s mark

Mosaic decoration

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the ceiling

The rediscovered chapel

The transformations of the hall through the centuries

The senses tell the Zisa over the centuries

The columns of the nave: the meticulous study of the overall order

The architectural space

From the main gate to the aisles: an invitation to a journey of faith

The chystro: a place between earth and sky

Layers of different cultures decorate the external apses

The senses tell the mosaic cycle

The medieval city amidst monasticism and feudal aristocracy

Ecclesia munita

The dialogue between the architectures of the monumental complex

From the Mosque to the Cathedral

the Baroque interior

A space between the visible and the invisible

The senses tell the historical context

The longest aisle

The chapel of san Castrense: an important renaissance work

The towers facing the facade used as bell towers

The towers and the western facade

Restorations

The Palace of Kings

The decorated facade

The Gualtiero Cathedral

From oblivion to the recovery of memory

The side Portico: a combination of elegance and lightness of form

An architectural crescendo

Decorations

A mixture of styles pervades the floor decorations

Roger II’s strategic design

The mosaic cycle, an ascending path towards the light

Worship services

The senses tell restorations

Shapes and colours of the wooden ceiling

A Northern population

the Baroque exterior

The Royal Throne

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell baroque decoration

Gold and light: the splendour of the mosaics in the Royal Chapel

The Admiral’s dedication

The rediscovered palace

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The return of water

A cloister of accentuated stylistic variety

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

Cefalù: settlement evidence through time

The Genoard Park, the garden of pleasures and wonders

A chapel by an unknown designer based on repeated symmetries

The construction of Monreale Cathedral: between myth and history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Chapel of the Kings

The Kings’ Cathedrals

Squaring the circle

The mosaics of the naves

The beginning of the construction site

The opus sectile floor of the Palatine Chapel

Tempus fugit: a strategic project implemented in a short period of time

The Bible carved in stone

The cemetery of kings

The senses tell the architecture

The senses tell the flooring

A controversial interpretation

A polysemy of high-level artistic forms and content

Under the crosses of the Bema

Characteristics of religious architecture in the romanesque period

Norman religious architecture with islamic influences in Sicily

The original design

Two initially similar towers, varied over time

From earthquake to collapse

The Chapel of St. Mary Magdalene

The architectural appearance and transformations over time

The senses tell the interior

The senses tell Context 1

Intertwining of knowledge in Norman Palermo

The stone bible

The ancient convent of the Martorana, a history of devotion and tradition

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Porphyry sarcophagi: royalty and power

The balance between architecture and light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A new Cathedral

The Great Presbytery: a unique space for the cathedral

The senses tell the architecture and decorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A building constructed in a short space of time

The senses tell the historical context

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Cassaro

Transformations over the centuries

Saint Peter’s Chapel in the Royal Palace

A remarkable ceiling

the roof of Paradise: one of the most representative works of medieval art

Gardens and architecture as a backdrop to the city of Palermo

The Cathedral over the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The links between the hauteville family and the monastic orders in Sicily

The decorations on the bell tower

The flooring: shapes, motifs and iconography

The birth of the Norman kingdom

Roger II of hauteville: a sovereign protected by God

Palermo: the happiest city

Interior decorations

Beyond the harmony of proportions

The mosaics of the presbytery

The chapel of St. Benedict

Survey of the royal tombs

The chorus: beating heart of the cathedral

The liturgical spaces of the protesis and the diaconicon

The senses tell the external architecture and the original layout

The mosaics of the transept and the apses

The interior of the church

A palimpsest of history

The Virgin Hodegetria