photo gallery

photo gallery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Norman religious architecture with islamic influences in Sicily

The columns of the nave: the meticulous study of the overall order

From the main gate to the aisles: an invitation to a journey of faith

The rediscovered palace

A new Cathedral

Decorations

Gardens and architecture as a backdrop to the city of Palermo

Cefalù: settlement evidence through time

The chorus: beating heart of the cathedral

The senses tell the architecture

The area of the Sanctuary

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the apses

Worship services

The senses tell the architecture and decorations

Saint Peter’s Chapel in the Royal Palace

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side Portico: a combination of elegance and lightness of form

The Cassaro

From earthquake to collapse

The opus sectile floor of the Palatine Chapel

The Bible carved in stone

The senses tell the interior

The lost chapel

The senses tell Context 1

The return of water

A chapel by an unknown designer based on repeated symmetries

The chapel of san Castrense: an important renaissance work

Interior decorations

Artistic elements in Peter’s ship

The stone bible

From the Mosque to the Cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A polysemy of high-level artistic forms and content

The Great Restoration

The architectural envelope: the Greek cross layout oriented towards the light

the Baroque exterior

Restorations

A remarkable ceiling

The senses tell the flooring

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The medieval city amidst monasticism and feudal aristocracy

Roger II of hauteville: a sovereign protected by God

The senses tell the historical context

The flooring: shapes, motifs and iconography

The Chapel of St. Mary Magdalene

The liturgical spaces of the protesis and the diaconicon

The mosaics of the naves

The senses tell the Zisa over the centuries

The towers and the western facade

The side aisles

A cloister of accentuated stylistic variety

The ancient convent of the Martorana, a history of devotion and tradition

Tempus fugit: a strategic project implemented in a short period of time

The Admiral’s dedication

The Cathedral over the centuries

The Gualtiero Cathedral

the Baroque interior

The architectural space

The mosaic cycle, an ascending path towards the light

The senses tell the historical context

A mixture of styles pervades the floor decorations

Roger II’s strategic design

The cultural substrate through time

Gold and light: the splendour of the mosaics in the Royal Chapel

A Northern population

The senses tell the mosaic cycle

The architectural appearance and transformations over time

From oblivion to the recovery of memory

The Great Presbytery: a unique space for the cathedral

Under the crosses of the Bema

Shapes and colours of the wooden ceiling

A compositional design that combines nordic examples with new artistic languages, over the centuries

Ecclesia munita

Intertwining of knowledge in Norman Palermo

An architectural crescendo

The balance between architecture and light

Porphyry sarcophagi: royalty and power

Mosaic decoration

The Royal Throne

The senses tell the ceiling

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Norman conquest of Sicily and the birth of a new Latin kingdom

Survey of the royal tombs

The beginning of the construction site

The Genoard Park, the garden of pleasures and wonders

A building constructed in a short space of time

The towers facing the facade used as bell towers

A palimpsest of history

The mosaics of the presbytery

Squaring the circle

A tree full of life

The longest aisle

The birth of the Norman kingdom

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Virgin Hodegetria

The decorations on the bell tower

The interior of the church

The chystro: a place between earth and sky

The senses tell the historical context

The senses tell the external architecture and the original layout

the roof of Paradise: one of the most representative works of medieval art

The senses tell restorations

Transformations over the centuries

The cemetery of kings

The mosaics of the transept and the apses

The transformations of the hall through the centuries

The Kings’ Cathedrals

The construction of Monreale Cathedral: between myth and history

The Palace of Kings

The links between the hauteville family and the monastic orders in Sicily

The king’s mark

The chapel of the crucifix: an artistic casket based on a previous model

The Chapel of the Kings

The senses tell baroque decoration

The original design

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chapel of St. Benedict

The rediscovered chapel

A controversial interpretation

A space between the visible and the invisible

Two initially similar towers, varied over time

Different styles and transformations of “one of the most beautiful monuments in the world”

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The decorated facade

The southern portico

Beyond the harmony of proportions

Layers of different cultures decorate the external apses

The dialogue between the architectures of the monumental complex

Characteristics of religious architecture in the romanesque period

Palermo: the happiest city

The loca solatiorum: dwellings for recreation, well-being and hunting