photo gallery

photo gallery

The Chapel of St. Mary Magdalene

The Royal Throne

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the architecture and decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The liturgical spaces of the protesis and the diaconicon

The senses tell restorations

Different styles and transformations of “one of the most beautiful monuments in the world”

Roger II’s strategic design

The senses tell the interior

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The king’s mark

The Gualtiero Cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

The Chapel of the Kings

The birth of the Norman kingdom

Cefalù: settlement evidence through time

A polysemy of high-level artistic forms and content

Survey of the royal tombs

A mixture of styles pervades the floor decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the architecture

The Great Presbytery: a unique space for the cathedral

The senses tell Context 1

The area of the Sanctuary

Characteristics of religious architecture in the romanesque period

From the Mosque to the Cathedral

The towers facing the facade used as bell towers

The original design

Worship services

An architectural crescendo

Saint Peter’s Chapel in the Royal Palace

The architectural space

Gold and light: the splendour of the mosaics in the Royal Chapel

The lost chapel

The chapel of St. Benedict

The Norman conquest of Sicily and the birth of a new Latin kingdom

Beyond the harmony of proportions

A remarkable ceiling

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Two initially similar towers, varied over time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the naves

The architectural appearance and transformations over time

The construction of Monreale Cathedral: between myth and history

The Kings’ Cathedrals

The mosaic cycle, an ascending path towards the light

The Cassaro

Norman religious architecture with islamic influences in Sicily

The Cathedral over the centuries

The mosaics of the transept and the apses

Decorations

A cloister of accentuated stylistic variety

The chorus: beating heart of the cathedral

The cultural substrate through time

The beginning of the construction site

Roger II of hauteville: a sovereign protected by God

The rediscovered chapel

A new Cathedral

The senses tell the mosaic cycle

Layers of different cultures decorate the external apses

Transformations over the centuries

Artistic elements in Peter’s ship

The decorated facade

A controversial interpretation

The links between the hauteville family and the monastic orders in Sicily

From the main gate to the aisles: an invitation to a journey of faith

The chystro: a place between earth and sky

the roof of Paradise: one of the most representative works of medieval art

The mosaics of the presbytery

The senses tell the historical context

The Great Restoration

Mosaic decoration

Ecclesia munita

The opus sectile floor of the Palatine Chapel

the Baroque interior

the Baroque exterior

The cemetery of kings

Shapes and colours of the wooden ceiling

The senses tell baroque decoration

The senses tell the ceiling

From oblivion to the recovery of memory

The senses tell the flooring

Tempus fugit: a strategic project implemented in a short period of time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A tree full of life

The side Portico: a combination of elegance and lightness of form

A building constructed in a short space of time

Gardens and architecture as a backdrop to the city of Palermo

The side aisles

The chapel of the crucifix: an artistic casket based on a previous model

The Bible carved in stone

The balance between architecture and light

Palermo: the happiest city

The rediscovered palace

Interior decorations

The Palace of Kings

The longest aisle

The stone bible

The Admiral’s dedication

The senses tell the historical context

A chapel by an unknown designer based on repeated symmetries

The flooring: shapes, motifs and iconography

A Northern population

The interior of the church

Porphyry sarcophagi: royalty and power

The architectural envelope: the Greek cross layout oriented towards the light

The transformations of the hall through the centuries

The southern portico

The senses tell the Zisa over the centuries

The senses tell the historical context

A palimpsest of history

The return of water

The decorations on the bell tower

The Genoard Park, the garden of pleasures and wonders

The ancient convent of the Martorana, a history of devotion and tradition

A space between the visible and the invisible

Squaring the circle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chapel of san Castrense: an important renaissance work

Intertwining of knowledge in Norman Palermo

The Virgin Hodegetria

Restorations

The medieval city amidst monasticism and feudal aristocracy

Under the crosses of the Bema

The senses tell the external architecture and the original layout

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From earthquake to collapse

The towers and the western facade

The mosaics of the apses

The dialogue between the architectures of the monumental complex

The columns of the nave: the meticulous study of the overall order