photo gallery

photo gallery

A Northern population

Worship services

The longest aisle

Different styles and transformations of “one of the most beautiful monuments in the world”

The architectural space

The Chapel of St. Mary Magdalene

The links between the hauteville family and the monastic orders in Sicily

The mosaics of the naves

The senses tell the flooring

From the main gate to the aisles: an invitation to a journey of faith

Intertwining of knowledge in Norman Palermo

Squaring the circle

A chapel by an unknown designer based on repeated symmetries

A tree full of life

The Genoard Park, the garden of pleasures and wonders

Cefalù: settlement evidence through time

Interior decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

the roof of Paradise: one of the most representative works of medieval art

The Chapel of the Kings

The birth of the Norman kingdom

The southern portico

The senses tell the architecture

The flooring: shapes, motifs and iconography

the Baroque interior

The mosaics of the apses

A new Cathedral

The Bible carved in stone

The beginning of the construction site

Roger II of hauteville: a sovereign protected by God

Restorations

From the Mosque to the Cathedral

Porphyry sarcophagi: royalty and power

A space between the visible and the invisible

the Baroque exterior

The Royal Throne

The transformations of the hall through the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

The columns of the nave: the meticulous study of the overall order

Saint Peter’s Chapel in the Royal Palace

The architectural envelope: the Greek cross layout oriented towards the light

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the presbytery

The senses tell the historical context

Shapes and colours of the wooden ceiling

Tempus fugit: a strategic project implemented in a short period of time

The interior of the church

The construction of Monreale Cathedral: between myth and history

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Ecclesia munita

The senses tell the ceiling

The senses tell baroque decoration

The chapel of san Castrense: an important renaissance work

The Cathedral over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

The chystro: a place between earth and sky

The balance between architecture and light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Great Restoration

Roger II’s strategic design

Gold and light: the splendour of the mosaics in the Royal Chapel

A cloister of accentuated stylistic variety

The rediscovered palace

The loca solatiorum: dwellings for recreation, well-being and hunting

The Norman conquest of Sicily and the birth of a new Latin kingdom

The king’s mark

The cemetery of kings

From earthquake to collapse

The towers and the western facade

The senses tell the external architecture and the original layout

The ancient convent of the Martorana, a history of devotion and tradition

The Palace of Kings

The side Portico: a combination of elegance and lightness of form

Characteristics of religious architecture in the romanesque period

The senses tell restorations

A remarkable ceiling

Layers of different cultures decorate the external apses

The senses tell the historical context

The Kings’ Cathedrals

Gardens and architecture as a backdrop to the city of Palermo

The Admiral’s dedication

The original design

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The opus sectile floor of the Palatine Chapel

The senses tell the Zisa over the centuries

A mixture of styles pervades the floor decorations

Under the crosses of the Bema

The decorations on the bell tower

The decorated facade

Norman religious architecture with islamic influences in Sicily

The chapel of St. Benedict

The Virgin Hodegetria

The Gualtiero Cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the transept and the apses

Artistic elements in Peter’s ship

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The dialogue between the architectures of the monumental complex

Survey of the royal tombs

The side aisles

The lost chapel

The stone bible

Two initially similar towers, varied over time

Mosaic decoration

The senses tell the interior

The area of the Sanctuary

Palermo: the happiest city

The cultural substrate through time

The mosaic cycle, an ascending path towards the light

A palimpsest of history

The rediscovered chapel

The liturgical spaces of the protesis and the diaconicon

From oblivion to the recovery of memory

The senses tell the historical context

A building constructed in a short space of time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

An architectural crescendo

The senses tell the architecture and decorations

The senses tell the mosaic cycle

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The architectural appearance and transformations over time

Decorations

The return of water

A controversial interpretation

The towers facing the facade used as bell towers

A polysemy of high-level artistic forms and content

Beyond the harmony of proportions

The Great Presbytery: a unique space for the cathedral

Transformations over the centuries

The Cassaro