photo gallery

photo gallery

Mosaic decoration

The architectural appearance and transformations over time

Different styles and transformations of “one of the most beautiful monuments in the world”

The interior of the church

The senses tell restorations

A palimpsest of history

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Chapel of the Kings

Tempus fugit: a strategic project implemented in a short period of time

The cemetery of kings

A mixture of styles pervades the floor decorations

A new Cathedral

A building constructed in a short space of time

Intertwining of knowledge in Norman Palermo

Palermo: the happiest city

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the presbytery

The architectural space

Under the crosses of the Bema

The Cathedral over the centuries

Characteristics of religious architecture in the romanesque period

Survey of the royal tombs

The transformations of the hall through the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The opus sectile floor of the Palatine Chapel

From the Mosque to the Cathedral

Beyond the harmony of proportions

The senses tell the historical context

The construction of Monreale Cathedral: between myth and history

Cefalù: settlement evidence through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Palace of Kings

The senses tell the mosaic cycle

The senses tell the architecture and decorations

The columns of the nave: the meticulous study of the overall order

The chapel of St. Benedict

The Royal Throne

the Baroque interior

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

A controversial interpretation

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The area of the Sanctuary

Worship services

The cultural substrate through time

The flooring: shapes, motifs and iconography

The chorus: beating heart of the cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A cloister of accentuated stylistic variety

The mosaics of the naves

Interior decorations

The senses tell the historical context

the Baroque exterior

The towers facing the facade used as bell towers

The senses tell the ceiling

Norman religious architecture with islamic influences in Sicily

Artistic elements in Peter’s ship

The king’s mark

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the apses

The Great Restoration

The ancient convent of the Martorana, a history of devotion and tradition

A remarkable ceiling

The rediscovered palace

The chystro: a place between earth and sky

The Admiral’s dedication

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A tree full of life

The Chapel of St. Mary Magdalene

Shapes and colours of the wooden ceiling

The dialogue between the architectures of the monumental complex

Transformations over the centuries

From earthquake to collapse

The links between the hauteville family and the monastic orders in Sicily

The architectural envelope: the Greek cross layout oriented towards the light

the roof of Paradise: one of the most representative works of medieval art

The towers and the western facade

The side Portico: a combination of elegance and lightness of form

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the Zisa over the centuries

Gardens and architecture as a backdrop to the city of Palermo

An architectural crescendo

Restorations

Porphyry sarcophagi: royalty and power

Squaring the circle

The senses tell the flooring

The senses tell the architecture

The Kings’ Cathedrals

The lost chapel

The return of water

The original design

From oblivion to the recovery of memory

The Cassaro

The decorations on the bell tower

The Gualtiero Cathedral

A chapel by an unknown designer based on repeated symmetries

Decorations

Two initially similar towers, varied over time

The Bible carved in stone

The senses tell baroque decoration

Ecclesia munita

The side aisles

The birth of the Norman kingdom

A Northern population

A space between the visible and the invisible

The senses tell the external architecture and the original layout

Layers of different cultures decorate the external apses

The chapel of san Castrense: an important renaissance work

The senses tell the interior

The mosaics of the transept and the apses

Roger II of hauteville: a sovereign protected by God

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The longest aisle

The rediscovered chapel

The mosaic cycle, an ascending path towards the light

The Virgin Hodegetria

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beginning of the construction site

A polysemy of high-level artistic forms and content

The senses tell Context 1

The southern portico

The liturgical spaces of the protesis and the diaconicon

Saint Peter’s Chapel in the Royal Palace

The medieval city amidst monasticism and feudal aristocracy

Roger II’s strategic design

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The balance between architecture and light

The stone bible

Gold and light: the splendour of the mosaics in the Royal Chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The decorated facade

The Great Presbytery: a unique space for the cathedral