photo gallery

photo gallery

the Baroque interior

Survey of the royal tombs

The senses tell the architecture and decorations

Under the crosses of the Bema

The rediscovered chapel

The Admiral’s dedication

the Baroque exterior

Roger II’s strategic design

A tree full of life

Transformations over the centuries

The rediscovered palace

A chapel by an unknown designer based on repeated symmetries

A remarkable ceiling

The Kings’ Cathedrals

The mosaics of the apses

The Cathedral over the centuries

From the main gate to the aisles: an invitation to a journey of faith

The Palace of Kings

The senses tell baroque decoration

Tempus fugit: a strategic project implemented in a short period of time

The lost chapel

The longest aisle

The Chapel of the Kings

Palermo: the happiest city

Two initially similar towers, varied over time

Mosaic decoration

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the ceiling

A mixture of styles pervades the floor decorations

The dialogue between the architectures of the monumental complex

The chystro: a place between earth and sky

A Northern population

Cefalù: settlement evidence through time

Worship services

The chorus: beating heart of the cathedral

The area of the Sanctuary

From the Mosque to the Cathedral

The decorations on the bell tower

The liturgical spaces of the protesis and the diaconicon

The flooring: shapes, motifs and iconography

The senses tell Context 1

The interior of the church

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The ancient convent of the Martorana, a history of devotion and tradition

Saint Peter’s Chapel in the Royal Palace

The birth of the Norman kingdom

From oblivion to the recovery of memory

The southern portico

Intertwining of knowledge in Norman Palermo

The Great Restoration

The chapel of the crucifix: an artistic casket based on a previous model

Beyond the harmony of proportions

The Genoard Park, the garden of pleasures and wonders

A building constructed in a short space of time

The return of water

The cultural substrate through time

The mosaics of the naves

The senses tell the architecture

The chapel of St. Benedict

The senses tell the interior

The towers facing the facade used as bell towers

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The balance between architecture and light

Ecclesia munita

Decorations

Porphyry sarcophagi: royalty and power

The transformations of the hall through the centuries

The senses tell the historical context

Squaring the circle

The Great Presbytery: a unique space for the cathedral

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Artistic elements in Peter’s ship

An architectural crescendo

The senses tell the Zisa over the centuries

The medieval city amidst monasticism and feudal aristocracy

the roof of Paradise: one of the most representative works of medieval art

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Norman conquest of Sicily and the birth of a new Latin kingdom

A palimpsest of history

The opus sectile floor of the Palatine Chapel

The senses tell the flooring

The loca solatiorum: dwellings for recreation, well-being and hunting

Interior decorations

From earthquake to collapse

A new Cathedral

The towers and the western facade

A space between the visible and the invisible

The Cassaro

Characteristics of religious architecture in the romanesque period

A controversial interpretation

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the historical context

The beginning of the construction site

Shapes and colours of the wooden ceiling

The senses tell the external architecture and the original layout

The architectural envelope: the Greek cross layout oriented towards the light

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

Roger II of hauteville: a sovereign protected by God

The Virgin Hodegetria

A cloister of accentuated stylistic variety

The side Portico: a combination of elegance and lightness of form

The chapel of san Castrense: an important renaissance work

The architectural space

The architectural appearance and transformations over time

Different styles and transformations of “one of the most beautiful monuments in the world”

The side aisles

The mosaics of the presbytery

The Bible carved in stone

The senses tell the mosaic cycle

A polysemy of high-level artistic forms and content

The senses tell restorations

The king’s mark

The senses tell the historical context

The mosaics of the transept and the apses

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Norman religious architecture with islamic influences in Sicily

The mosaic cycle, an ascending path towards the light

The construction of Monreale Cathedral: between myth and history

The columns of the nave: the meticulous study of the overall order

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Gualtiero Cathedral

The decorated facade

The cemetery of kings

The stone bible

Gold and light: the splendour of the mosaics in the Royal Chapel

The Royal Throne

The Chapel of St. Mary Magdalene

Layers of different cultures decorate the external apses

The links between the hauteville family and the monastic orders in Sicily

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Restorations