photo gallery

photo gallery

Squaring the circle

From the Mosque to the Cathedral

The rediscovered chapel

A mixture of styles pervades the floor decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

Beyond the harmony of proportions

The balance between architecture and light

Roger II of hauteville: a sovereign protected by God

Roger II’s strategic design

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the interior

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Ecclesia munita

The lost chapel

The Bible carved in stone

The liturgical spaces of the protesis and the diaconicon

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The rediscovered palace

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Worship services

The Palace of Kings

The senses tell the Zisa over the centuries

The senses tell the ceiling

The architectural space

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

The architectural envelope: the Greek cross layout oriented towards the light

Palermo: the happiest city

The Norman conquest of Sicily and the birth of a new Latin kingdom

Two initially similar towers, varied over time

Norman religious architecture with islamic influences in Sicily

The decorated facade

A palimpsest of history

A tree full of life

The king’s mark

Survey of the royal tombs

The return of water

The cemetery of kings

the Baroque interior

Intertwining of knowledge in Norman Palermo

Porphyry sarcophagi: royalty and power

The senses tell the external architecture and the original layout

The links between the hauteville family and the monastic orders in Sicily

The original design

A building constructed in a short space of time

The towers and the western facade

Characteristics of religious architecture in the romanesque period

The side Portico: a combination of elegance and lightness of form

The side aisles

From earthquake to collapse

The senses tell the architecture and decorations

Layers of different cultures decorate the external apses

Tempus fugit: a strategic project implemented in a short period of time

A cloister of accentuated stylistic variety

The mosaics of the apses

The senses tell Context 1

Shapes and colours of the wooden ceiling

The chapel of the crucifix: an artistic casket based on a previous model

Different styles and transformations of “one of the most beautiful monuments in the world”

Saint Peter’s Chapel in the Royal Palace

The interior of the church

The opus sectile floor of the Palatine Chapel

A new Cathedral

The towers facing the facade used as bell towers

The Cathedral over the centuries

The Gualtiero Cathedral

The Great Presbytery: a unique space for the cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Chapel of St. Mary Magdalene

Transformations over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

Cefalù: settlement evidence through time

The birth of the Norman kingdom

The Cassaro

The mosaics of the transept and the apses

The ancient convent of the Martorana, a history of devotion and tradition

The chapel of san Castrense: an important renaissance work

The mosaic cycle, an ascending path towards the light

From oblivion to the recovery of memory

The Kings’ Cathedrals

The mosaics of the presbytery

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell baroque decoration

The medieval city amidst monasticism and feudal aristocracy

The construction of Monreale Cathedral: between myth and history

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

A space between the visible and the invisible

The Chapel of the Kings

The senses tell the mosaic cycle

The mosaics of the naves

The senses tell the architecture

A controversial interpretation

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The area of the Sanctuary

The senses tell the historical context

The chapel of St. Benedict

The transformations of the hall through the centuries

The southern portico

The senses tell the flooring

Mosaic decoration

The decorations on the bell tower

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The longest aisle

The flooring: shapes, motifs and iconography

The chystro: a place between earth and sky

Under the crosses of the Bema

Restorations

Artistic elements in Peter’s ship

A chapel by an unknown designer based on repeated symmetries

The loca solatiorum: dwellings for recreation, well-being and hunting

The Admiral’s dedication

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell restorations

The senses tell the historical context

The Royal Throne

the Baroque exterior

The dialogue between the architectures of the monumental complex

A remarkable ceiling

Interior decorations

The architectural appearance and transformations over time

the roof of Paradise: one of the most representative works of medieval art

The Virgin Hodegetria

The cultural substrate through time

The Great Restoration

Decorations

A polysemy of high-level artistic forms and content

An architectural crescendo

The stone bible

From the main gate to the aisles: an invitation to a journey of faith

A Northern population