photo gallery

photo gallery

The Chapel of St. Mary Magdalene

A mixture of styles pervades the floor decorations

The senses tell the architecture

The liturgical spaces of the protesis and the diaconicon

The cemetery of kings

the Baroque interior

The mosaics of the naves

Porphyry sarcophagi: royalty and power

The senses tell baroque decoration

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The architectural space

The senses tell restorations

The decorated facade

From earthquake to collapse

The Palace of Kings

The Virgin Hodegetria

The senses tell the historical context

The dialogue between the architectures of the monumental complex

The senses tell the historical context

The construction of Monreale Cathedral: between myth and history

The ancient convent of the Martorana, a history of devotion and tradition

Roger II of hauteville: a sovereign protected by God

A chapel by an unknown designer based on repeated symmetries

The medieval city amidst monasticism and feudal aristocracy

The cultural substrate through time

Shapes and colours of the wooden ceiling

The Cassaro

The architectural envelope: the Greek cross layout oriented towards the light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the external architecture and the original layout

Gardens and architecture as a backdrop to the city of Palermo

The chapel of san Castrense: an important renaissance work

Palermo: the happiest city

The opus sectile floor of the Palatine Chapel

The rediscovered palace

The mosaics of the presbytery

The chorus: beating heart of the cathedral

The longest aisle

Squaring the circle

Tempus fugit: a strategic project implemented in a short period of time

The transformations of the hall through the centuries

The Gualtiero Cathedral

The mosaics of the apses

the Baroque exterior

The Admiral’s dedication

The links between the hauteville family and the monastic orders in Sicily

Characteristics of religious architecture in the romanesque period

Worship services

The Genoard Park, the garden of pleasures and wonders

Mosaic decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From the Mosque to the Cathedral

The Chapel of the Kings

The southern portico

A building constructed in a short space of time

Layers of different cultures decorate the external apses

the roof of Paradise: one of the most representative works of medieval art

The king’s mark

The side aisles

The senses tell Context 1

A palimpsest of history

A new Cathedral

Restorations

A controversial interpretation

The senses tell the ceiling

Intertwining of knowledge in Norman Palermo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chystro: a place between earth and sky

The mosaic cycle, an ascending path towards the light

The senses tell the flooring

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the transept and the apses

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Kings’ Cathedrals

Beyond the harmony of proportions

A remarkable ceiling

The Cathedral over the centuries

Survey of the royal tombs

An architectural crescendo

Artistic elements in Peter’s ship

The interior of the church

The birth of the Norman kingdom

The senses tell the Zisa over the centuries

A cloister of accentuated stylistic variety

A Northern population

The stone bible

The original design

From oblivion to the recovery of memory

Two initially similar towers, varied over time

Under the crosses of the Bema

The senses tell the architecture and decorations

A space between the visible and the invisible

The side Portico: a combination of elegance and lightness of form

Decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Ecclesia munita

A tree full of life

The lost chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

The rediscovered chapel

The Royal Throne

The senses tell the interior

The balance between architecture and light

The architectural appearance and transformations over time

Interior decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of St. Benedict

Norman religious architecture with islamic influences in Sicily

The area of the Sanctuary

Cefalù: settlement evidence through time

The Great Presbytery: a unique space for the cathedral

The decorations on the bell tower

The senses tell the mosaic cycle

The Great Restoration

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The towers and the western facade

The Bible carved in stone

Saint Peter’s Chapel in the Royal Palace

The return of water

The loca solatiorum: dwellings for recreation, well-being and hunting

Transformations over the centuries

The columns of the nave: the meticulous study of the overall order

A compositional design that combines nordic examples with new artistic languages, over the centuries

Roger II’s strategic design

The beginning of the construction site

The flooring: shapes, motifs and iconography

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the historical context

A polysemy of high-level artistic forms and content

Gold and light: the splendour of the mosaics in the Royal Chapel

From the main gate to the aisles: an invitation to a journey of faith

The towers facing the facade used as bell towers