photo gallery

photo gallery

Different styles and transformations of “one of the most beautiful monuments in the world”

The original design

A new Cathedral

The area of the Sanctuary

The southern portico

Cefalù: settlement evidence through time

The side Portico: a combination of elegance and lightness of form

The cultural substrate through time

A remarkable ceiling

The senses tell the external architecture and the original layout

The construction of Monreale Cathedral: between myth and history

The rediscovered palace

The liturgical spaces of the protesis and the diaconicon

Survey of the royal tombs

The decorated facade

Tempus fugit: a strategic project implemented in a short period of time

The Great Restoration

The cemetery of kings

The side aisles

The Virgin Hodegetria

The towers facing the facade used as bell towers

The links between the hauteville family and the monastic orders in Sicily

A polysemy of high-level artistic forms and content

A mixture of styles pervades the floor decorations

A space between the visible and the invisible

Two initially similar towers, varied over time

Interior decorations

A Northern population

Gardens and architecture as a backdrop to the city of Palermo

The columns of the nave: the meticulous study of the overall order

Mosaic decoration

The senses tell baroque decoration

The Chapel of St. Mary Magdalene

The towers and the western facade

The mosaics of the apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the naves

The senses tell the architecture

The senses tell Context 1

The flooring: shapes, motifs and iconography

The Great Presbytery: a unique space for the cathedral

Under the crosses of the Bema

The Chapel of the Kings

The chapel of St. Benedict

Roger II’s strategic design

The mosaics of the presbytery

The ancient convent of the Martorana, a history of devotion and tradition

The return of water

Restorations

The loca solatiorum: dwellings for recreation, well-being and hunting

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The opus sectile floor of the Palatine Chapel

The senses tell the Zisa over the centuries

Saint Peter’s Chapel in the Royal Palace

The Cassaro

The Genoard Park, the garden of pleasures and wonders

The Bible carved in stone

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Ecclesia munita

The beginning of the construction site

The lost chapel

The senses tell the historical context

The senses tell the interior

The Norman conquest of Sicily and the birth of a new Latin kingdom

The architectural space

The dialogue between the architectures of the monumental complex

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Artistic elements in Peter’s ship

Characteristics of religious architecture in the romanesque period

The medieval city amidst monasticism and feudal aristocracy

The Admiral’s dedication

The architectural appearance and transformations over time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Cathedral over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Norman religious architecture with islamic influences in Sicily

From the main gate to the aisles: an invitation to a journey of faith

Porphyry sarcophagi: royalty and power

The senses tell the historical context

The transformations of the hall through the centuries

Gold and light: the splendour of the mosaics in the Royal Chapel

the Baroque exterior

Shapes and colours of the wooden ceiling

The rediscovered chapel

The senses tell the ceiling

The senses tell the historical context

The senses tell the architecture and decorations

The longest aisle

the Baroque interior

Worship services

Decorations

A chapel by an unknown designer based on repeated symmetries

The king’s mark

From oblivion to the recovery of memory

From the Mosque to the Cathedral

Transformations over the centuries

A building constructed in a short space of time

Beyond the harmony of proportions

The interior of the church

The Palace of Kings

The chystro: a place between earth and sky

The stone bible

A tree full of life

The Royal Throne

Roger II of hauteville: a sovereign protected by God

Squaring the circle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The birth of the Norman kingdom

The chapel of the crucifix: an artistic casket based on a previous model

The balance between architecture and light

Intertwining of knowledge in Norman Palermo

A palimpsest of history

The chorus: beating heart of the cathedral

A cloister of accentuated stylistic variety

Layers of different cultures decorate the external apses

The mosaics of the transept and the apses

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A controversial interpretation

The Kings’ Cathedrals

Palermo: the happiest city

The chapel of san Castrense: an important renaissance work

the roof of Paradise: one of the most representative works of medieval art

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the mosaic cycle

The mosaic cycle, an ascending path towards the light

From earthquake to collapse

The senses tell restorations

The decorations on the bell tower

The senses tell the flooring

An architectural crescendo

The architectural envelope: the Greek cross layout oriented towards the light

The Gualtiero Cathedral