photo gallery

photo gallery

The mosaics of the naves

A palimpsest of history

The cultural substrate through time

A controversial interpretation

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Norman religious architecture with islamic influences in Sicily

The decorated facade

The Chapel of the Kings

A remarkable ceiling

the roof of Paradise: one of the most representative works of medieval art

The Gualtiero Cathedral

The senses tell the architecture

The balance between architecture and light

The liturgical spaces of the protesis and the diaconicon

The birth of the Norman kingdom

From earthquake to collapse

Roger II of hauteville: a sovereign protected by God

The columns of the nave: the meticulous study of the overall order

The return of water

The senses tell the architecture and decorations

The links between the hauteville family and the monastic orders in Sicily

A Northern population

The construction of Monreale Cathedral: between myth and history

The senses tell the historical context

From the Mosque to the Cathedral

Survey of the royal tombs

The medieval city amidst monasticism and feudal aristocracy

The senses tell the flooring

Decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Chapel of St. Mary Magdalene

The Cassaro

The senses tell the Zisa over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The Virgin Hodegetria

Gold and light: the splendour of the mosaics in the Royal Chapel

Artistic elements in Peter’s ship

Interior decorations

Layers of different cultures decorate the external apses

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Saint Peter’s Chapel in the Royal Palace

Transformations over the centuries

The area of the Sanctuary

Characteristics of religious architecture in the romanesque period

The dialogue between the architectures of the monumental complex

The chystro: a place between earth and sky

Shapes and colours of the wooden ceiling

The rediscovered chapel

The chorus: beating heart of the cathedral

The Great Presbytery: a unique space for the cathedral

A chapel by an unknown designer based on repeated symmetries

A polysemy of high-level artistic forms and content

The mosaic cycle, an ascending path towards the light

The towers and the western facade

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

the Baroque exterior

The loca solatiorum: dwellings for recreation, well-being and hunting

the Baroque interior

The Bible carved in stone

The side aisles

Restorations

The mosaics of the apses

The senses tell the interior

The senses tell the external architecture and the original layout

A cloister of accentuated stylistic variety

Mosaic decoration

The chapel of san Castrense: an important renaissance work

A new Cathedral

The mosaics of the presbytery

The architectural envelope: the Greek cross layout oriented towards the light

The Norman conquest of Sicily and the birth of a new Latin kingdom

The stone bible

A tree full of life

The lost chapel

The king’s mark

Two initially similar towers, varied over time

The transformations of the hall through the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The beginning of the construction site

Beyond the harmony of proportions

Porphyry sarcophagi: royalty and power

The decorations on the bell tower

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the mosaic cycle

Worship services

The interior of the church

The chapel of St. Benedict

The Palace of Kings

An architectural crescendo

Different styles and transformations of “one of the most beautiful monuments in the world”

The Cathedral over the centuries

The original design

The senses tell restorations

The southern portico

The cemetery of kings

From oblivion to the recovery of memory

Gardens and architecture as a backdrop to the city of Palermo

A mixture of styles pervades the floor decorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Tempus fugit: a strategic project implemented in a short period of time

Under the crosses of the Bema

Ecclesia munita

The senses tell the historical context

A building constructed in a short space of time

Squaring the circle

The senses tell the ceiling

The senses tell Context 1

From the main gate to the aisles: an invitation to a journey of faith

The Royal Throne

Cefalù: settlement evidence through time

The longest aisle

The architectural appearance and transformations over time

The Admiral’s dedication

The architectural space

The rediscovered palace

The senses tell baroque decoration

The Genoard Park, the garden of pleasures and wonders

The flooring: shapes, motifs and iconography

A compositional design that combines nordic examples with new artistic languages, over the centuries

Palermo: the happiest city

The Great Restoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Roger II’s strategic design

A space between the visible and the invisible

The towers facing the facade used as bell towers

The opus sectile floor of the Palatine Chapel

Intertwining of knowledge in Norman Palermo

The Kings’ Cathedrals

The senses tell the historical context

The mosaics of the transept and the apses

The side Portico: a combination of elegance and lightness of form