photo gallery

photo gallery

The opus sectile floor of the Palatine Chapel

The flooring: shapes, motifs and iconography

Squaring the circle

The senses tell the historical context

Roger II of hauteville: a sovereign protected by God

The chorus: beating heart of the cathedral

Characteristics of religious architecture in the romanesque period

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the architecture

Interior decorations

Mosaic decoration

The Chapel of the Kings

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The beginning of the construction site

The stone bible

The towers facing the facade used as bell towers

The longest aisle

The chystro: a place between earth and sky

The side aisles

The Genoard Park, the garden of pleasures and wonders

A space between the visible and the invisible

The Palace of Kings

The mosaic cycle, an ascending path towards the light

The balance between architecture and light

The rediscovered chapel

The area of the Sanctuary

The senses tell the historical context

The senses tell the external architecture and the original layout

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A compositional design that combines nordic examples with new artistic languages, over the centuries

The transformations of the hall through the centuries

The birth of the Norman kingdom

The Bible carved in stone

The interior of the church

A palimpsest of history

The Great Restoration

The senses tell the architecture and decorations

The Gualtiero Cathedral

The Virgin Hodegetria

Worship services

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The mosaics of the transept and the apses

The Admiral’s dedication

The mosaics of the apses

A chapel by an unknown designer based on repeated symmetries

The king’s mark

The senses tell Context 1

Survey of the royal tombs

From the Mosque to the Cathedral

The return of water

The columns of the nave: the meticulous study of the overall order

Porphyry sarcophagi: royalty and power

A new Cathedral

The towers and the western facade

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cemetery of kings

Gardens and architecture as a backdrop to the city of Palermo

A polysemy of high-level artistic forms and content

The southern portico

Ecclesia munita

Two initially similar towers, varied over time

The architectural space

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell baroque decoration

Shapes and colours of the wooden ceiling

A tree full of life

From the main gate to the aisles: an invitation to a journey of faith

The original design

The Kings’ Cathedrals

The senses tell the Zisa over the centuries

Restorations

The chapel of St. Benedict

A building constructed in a short space of time

The Royal Throne

Different styles and transformations of “one of the most beautiful monuments in the world”

The Norman conquest of Sicily and the birth of a new Latin kingdom

The medieval city amidst monasticism and feudal aristocracy

Under the crosses of the Bema

The rediscovered palace

Gold and light: the splendour of the mosaics in the Royal Chapel

Transformations over the centuries

From oblivion to the recovery of memory

The chapel of san Castrense: an important renaissance work

The Cathedral over the centuries

The construction of Monreale Cathedral: between myth and history

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The links between the hauteville family and the monastic orders in Sicily

From earthquake to collapse

Artistic elements in Peter’s ship

An architectural crescendo

Cefalù: settlement evidence through time

The decorations on the bell tower

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the ceiling

The dialogue between the architectures of the monumental complex

The lost chapel

Norman religious architecture with islamic influences in Sicily

Tempus fugit: a strategic project implemented in a short period of time

A controversial interpretation

The senses tell restorations

Decorations

Intertwining of knowledge in Norman Palermo

The Cassaro

The side Portico: a combination of elegance and lightness of form

The architectural appearance and transformations over time

The mosaics of the naves

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A cloister of accentuated stylistic variety

the Baroque interior

The Chapel of St. Mary Magdalene

the Baroque exterior

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the flooring

The senses tell the interior

The cultural substrate through time

Beyond the harmony of proportions

The senses tell the mosaic cycle

Palermo: the happiest city

The decorated facade

A mixture of styles pervades the floor decorations

Saint Peter’s Chapel in the Royal Palace

The ancient convent of the Martorana, a history of devotion and tradition

Roger II’s strategic design

The mosaics of the presbytery

The liturgical spaces of the protesis and the diaconicon

Layers of different cultures decorate the external apses

The senses tell the historical context

A Northern population

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

the roof of Paradise: one of the most representative works of medieval art

The Great Presbytery: a unique space for the cathedral

A remarkable ceiling

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents