photo gallery

photo gallery

Tempus fugit: a strategic project implemented in a short period of time

A cloister of accentuated stylistic variety

A remarkable ceiling

A chapel by an unknown designer based on repeated symmetries

The architectural envelope: the Greek cross layout oriented towards the light

Palermo: the happiest city

A tree full of life

Transformations over the centuries

The ancient convent of the Martorana, a history of devotion and tradition

Gardens and architecture as a backdrop to the city of Palermo

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the Zisa over the centuries

The birth of the Norman kingdom

The senses tell restorations

The cultural substrate through time

The mosaics of the naves

The Kings’ Cathedrals

The senses tell the architecture

Interior decorations

The chapel of St. Benedict

The Norman conquest of Sicily and the birth of a new Latin kingdom

the Baroque interior

The medieval city amidst monasticism and feudal aristocracy

Squaring the circle

An architectural crescendo

The longest aisle

Porphyry sarcophagi: royalty and power

Decorations

Restorations

A palimpsest of history

The towers facing the facade used as bell towers

A space between the visible and the invisible

The senses tell the historical context

The rediscovered palace

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Roger II of hauteville: a sovereign protected by God

The loca solatiorum: dwellings for recreation, well-being and hunting

Different styles and transformations of “one of the most beautiful monuments in the world”

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Saint Peter’s Chapel in the Royal Palace

From earthquake to collapse

The senses tell the external architecture and the original layout

The senses tell the mosaic cycle

A mixture of styles pervades the floor decorations

The Great Restoration

The Genoard Park, the garden of pleasures and wonders

The southern portico

The Great Presbytery: a unique space for the cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The decorations on the bell tower

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the apses

A polysemy of high-level artistic forms and content

Norman religious architecture with islamic influences in Sicily

A Northern population

Characteristics of religious architecture in the romanesque period

The columns of the nave: the meticulous study of the overall order

Cefalù: settlement evidence through time

The decorated facade

The senses tell the historical context

The original design

The architectural appearance and transformations over time

The Chapel of St. Mary Magdalene

The senses tell the architecture and decorations

Ecclesia munita

The return of water

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the presbytery

Gold and light: the splendour of the mosaics in the Royal Chapel

A building constructed in a short space of time

The Cathedral over the centuries

The side Portico: a combination of elegance and lightness of form

The king’s mark

The senses tell the ceiling

The Bible carved in stone

The links between the hauteville family and the monastic orders in Sicily

The beginning of the construction site

The Virgin Hodegetria

The Royal Throne

The Cassaro

The chapel of san Castrense: an important renaissance work

Beyond the harmony of proportions

The rediscovered chapel

The construction of Monreale Cathedral: between myth and history

Layers of different cultures decorate the external apses

The chapel of the crucifix: an artistic casket based on a previous model

The transformations of the hall through the centuries

The flooring: shapes, motifs and iconography

The area of the Sanctuary

The Admiral’s dedication

Shapes and colours of the wooden ceiling

Intertwining of knowledge in Norman Palermo

From oblivion to the recovery of memory

The balance between architecture and light

The senses tell the interior

The cemetery of kings

The chorus: beating heart of the cathedral

The towers and the western facade

The Chapel of the Kings

The interior of the church

A new Cathedral

From the Mosque to the Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

the Baroque exterior

The mosaic cycle, an ascending path towards the light

The chystro: a place between earth and sky

The lost chapel

The architectural space

the roof of Paradise: one of the most representative works of medieval art

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Mosaic decoration

The opus sectile floor of the Palatine Chapel

The side aisles

Roger II’s strategic design

The Gualtiero Cathedral

The stone bible

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Artistic elements in Peter’s ship

The senses tell Context 1

Under the crosses of the Bema

Worship services

The senses tell baroque decoration

The dialogue between the architectures of the monumental complex

The liturgical spaces of the protesis and the diaconicon

A controversial interpretation

Survey of the royal tombs

The senses tell the flooring

The Palace of Kings

The senses tell the historical context

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the transept and the apses