photo gallery

photo gallery

The area of the Sanctuary

Artistic elements in Peter’s ship

Palermo: the happiest city

A polysemy of high-level artistic forms and content

The senses tell the architecture

Cefalù: settlement evidence through time

From the Mosque to the Cathedral

The Great Presbytery: a unique space for the cathedral

A Northern population

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the presbytery

The towers facing the facade used as bell towers

The original design

Gold and light: the splendour of the mosaics in the Royal Chapel

Roger II’s strategic design

Norman religious architecture with islamic influences in Sicily

The Gualtiero Cathedral

Roger II of hauteville: a sovereign protected by God

The Norman conquest of Sicily and the birth of a new Latin kingdom

A controversial interpretation

The beginning of the construction site

The links between the hauteville family and the monastic orders in Sicily

The senses tell the historical context

The senses tell restorations

An architectural crescendo

The Kings’ Cathedrals

From oblivion to the recovery of memory

Tempus fugit: a strategic project implemented in a short period of time

The towers and the western facade

Porphyry sarcophagi: royalty and power

The chorus: beating heart of the cathedral

The side Portico: a combination of elegance and lightness of form

The Great Restoration

The senses tell the Zisa over the centuries

Gardens and architecture as a backdrop to the city of Palermo

A mixture of styles pervades the floor decorations

The southern portico

Transformations over the centuries

Ecclesia munita

A cloister of accentuated stylistic variety

Decorations

The balance between architecture and light

The liturgical spaces of the protesis and the diaconicon

Worship services

Squaring the circle

The Genoard Park, the garden of pleasures and wonders

The senses tell the external architecture and the original layout

The longest aisle

The chapel of san Castrense: an important renaissance work

The chystro: a place between earth and sky

The rediscovered palace

the Baroque exterior

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Admiral’s dedication

Layers of different cultures decorate the external apses

The Virgin Hodegetria

The ancient convent of the Martorana, a history of devotion and tradition

The mosaics of the transept and the apses

Restorations

Beyond the harmony of proportions

The columns of the nave: the meticulous study of the overall order

Characteristics of religious architecture in the romanesque period

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The opus sectile floor of the Palatine Chapel

The king’s mark

The medieval city amidst monasticism and feudal aristocracy

The chapel of St. Benedict

A palimpsest of history

The stone bible

The return of water

The birth of the Norman kingdom

A chapel by an unknown designer based on repeated symmetries

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The dialogue between the architectures of the monumental complex

The chapel of the crucifix: an artistic casket based on a previous model

A building constructed in a short space of time

The lost chapel

The Bible carved in stone

The senses tell the flooring

the Baroque interior

A tree full of life

From earthquake to collapse

The decorated facade

the roof of Paradise: one of the most representative works of medieval art

The cultural substrate through time

The senses tell the architecture and decorations

The Chapel of St. Mary Magdalene

Intertwining of knowledge in Norman Palermo

The senses tell the historical context

A new Cathedral

The senses tell Context 1

The architectural space

The mosaics of the apses

The Royal Throne

Survey of the royal tombs

The mosaics of the naves

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Shapes and colours of the wooden ceiling

The architectural appearance and transformations over time

The Cathedral over the centuries

Interior decorations

The construction of Monreale Cathedral: between myth and history

The Chapel of the Kings

The side aisles

The senses tell the mosaic cycle

The senses tell the historical context

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Palace of Kings

The flooring: shapes, motifs and iconography

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Cassaro

Two initially similar towers, varied over time

Mosaic decoration

The senses tell baroque decoration

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The decorations on the bell tower

Saint Peter’s Chapel in the Royal Palace

The mosaic cycle, an ascending path towards the light

The interior of the church

A remarkable ceiling

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The cemetery of kings

Under the crosses of the Bema

Different styles and transformations of “one of the most beautiful monuments in the world”

The loca solatiorum: dwellings for recreation, well-being and hunting

A space between the visible and the invisible

The senses tell the interior

The transformations of the hall through the centuries

The rediscovered chapel

From the main gate to the aisles: an invitation to a journey of faith