photo gallery

photo gallery

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The return of water

From oblivion to the recovery of memory

The balance between architecture and light

Survey of the royal tombs

Porphyry sarcophagi: royalty and power

Under the crosses of the Bema

Palermo: the happiest city

Ecclesia munita

The Kings’ Cathedrals

Tempus fugit: a strategic project implemented in a short period of time

Norman religious architecture with islamic influences in Sicily

the roof of Paradise: one of the most representative works of medieval art

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The lost chapel

The architectural space

A palimpsest of history

The southern portico

The senses tell the mosaic cycle

The senses tell Context 1

A remarkable ceiling

The area of the Sanctuary

The chapel of the crucifix: an artistic casket based on a previous model

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Bible carved in stone

The interior of the church

A chapel by an unknown designer based on repeated symmetries

Beyond the harmony of proportions

The construction of Monreale Cathedral: between myth and history

The senses tell the historical context

Characteristics of religious architecture in the romanesque period

A tree full of life

The Admiral’s dedication

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The decorated facade

Mosaic decoration

A mixture of styles pervades the floor decorations

A space between the visible and the invisible

A polysemy of high-level artistic forms and content

The side Portico: a combination of elegance and lightness of form

Intertwining of knowledge in Norman Palermo

The architectural envelope: the Greek cross layout oriented towards the light

A new Cathedral

The towers and the western facade

The beginning of the construction site

The original design

From earthquake to collapse

The architectural appearance and transformations over time

Restorations

The mosaics of the apses

The senses tell the interior

The stone bible

The towers facing the facade used as bell towers

The senses tell baroque decoration

The birth of the Norman kingdom

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A cloister of accentuated stylistic variety

The senses tell the historical context

The senses tell the external architecture and the original layout

The king’s mark

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell restorations

The chapel of St. Benedict

Layers of different cultures decorate the external apses

Saint Peter’s Chapel in the Royal Palace

The cemetery of kings

The columns of the nave: the meticulous study of the overall order

The Gualtiero Cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

A controversial interpretation

The transformations of the hall through the centuries

Shapes and colours of the wooden ceiling

Roger II of hauteville: a sovereign protected by God

Transformations over the centuries

A Northern population

The Virgin Hodegetria

The chorus: beating heart of the cathedral

The senses tell the ceiling

The chapel of san Castrense: an important renaissance work

The Royal Throne

An architectural crescendo

the Baroque interior

Roger II’s strategic design

The rediscovered chapel

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the transept and the apses

The rediscovered palace

The Cathedral over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The flooring: shapes, motifs and iconography

The Great Restoration

The Cassaro

The ancient convent of the Martorana, a history of devotion and tradition

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Cefalù: settlement evidence through time

Gold and light: the splendour of the mosaics in the Royal Chapel

Gardens and architecture as a backdrop to the city of Palermo

The liturgical spaces of the protesis and the diaconicon

Artistic elements in Peter’s ship

The chystro: a place between earth and sky

The senses tell the flooring

The longest aisle

The dialogue between the architectures of the monumental complex

The Chapel of the Kings

From the Mosque to the Cathedral

The mosaics of the presbytery

Squaring the circle

The Genoard Park, the garden of pleasures and wonders

The senses tell the architecture

The senses tell the historical context

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Decorations

The senses tell the Zisa over the centuries

The side aisles

The mosaic cycle, an ascending path towards the light

The senses tell the architecture and decorations

The medieval city amidst monasticism and feudal aristocracy

the Baroque exterior

Interior decorations

Worship services

Two initially similar towers, varied over time

A compositional design that combines nordic examples with new artistic languages, over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The links between the hauteville family and the monastic orders in Sicily

The Chapel of St. Mary Magdalene

The cultural substrate through time

A building constructed in a short space of time

The mosaics of the naves

The opus sectile floor of the Palatine Chapel

The Palace of Kings

The decorations on the bell tower

The Great Presbytery: a unique space for the cathedral