photo gallery

photo gallery

From oblivion to the recovery of memory

The mosaic cycle, an ascending path towards the light

The construction of Monreale Cathedral: between myth and history

The side Portico: a combination of elegance and lightness of form

The chapel of san Castrense: an important renaissance work

The balance between architecture and light

The towers facing the facade used as bell towers

The chapel of the crucifix: an artistic casket based on a previous model

The chorus: beating heart of the cathedral

Squaring the circle

Ecclesia munita

An architectural crescendo

From earthquake to collapse

Palermo: the happiest city

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A mixture of styles pervades the floor decorations

Saint Peter’s Chapel in the Royal Palace

The side aisles

The lost chapel

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Tempus fugit: a strategic project implemented in a short period of time

The senses tell Context 1

The ancient convent of the Martorana, a history of devotion and tradition

The mosaics of the apses

Layers of different cultures decorate the external apses

The Chapel of the Kings

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the Zisa over the centuries

The senses tell the architecture and decorations

The Bible carved in stone

From the main gate to the aisles: an invitation to a journey of faith

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Great Presbytery: a unique space for the cathedral

Porphyry sarcophagi: royalty and power

The senses tell the external architecture and the original layout

The birth of the Norman kingdom

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Cassaro

The Great Restoration

The senses tell the architecture

The senses tell restorations

The original design

The senses tell the ceiling

A chapel by an unknown designer based on repeated symmetries

Shapes and colours of the wooden ceiling

Under the crosses of the Bema

The transformations of the hall through the centuries

The Cathedral over the centuries

the Baroque exterior

The liturgical spaces of the protesis and the diaconicon

The Gualtiero Cathedral

The decorated facade

The senses tell the flooring

The senses tell the historical context

Cefalù: settlement evidence through time

Restorations

The rediscovered chapel

A new Cathedral

The stone bible

The Admiral’s dedication

the Baroque interior

the roof of Paradise: one of the most representative works of medieval art

Beyond the harmony of proportions

Worship services

Intertwining of knowledge in Norman Palermo

A controversial interpretation

The southern portico

Interior decorations

The return of water

The columns of the nave: the meticulous study of the overall order

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A palimpsest of history

Gold and light: the splendour of the mosaics in the Royal Chapel

The rediscovered palace

Artistic elements in Peter’s ship

Survey of the royal tombs

Mosaic decoration

The architectural envelope: the Greek cross layout oriented towards the light

The cemetery of kings

The Palace of Kings

The mosaics of the presbytery

A Northern population

The mosaics of the naves

Different styles and transformations of “one of the most beautiful monuments in the world”

Norman religious architecture with islamic influences in Sicily

The dialogue between the architectures of the monumental complex

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the historical context

The opus sectile floor of the Palatine Chapel

Decorations

The cultural substrate through time

The Virgin Hodegetria

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A space between the visible and the invisible

The beginning of the construction site

The Kings’ Cathedrals

The links between the hauteville family and the monastic orders in Sicily

The towers and the western facade

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The longest aisle

From the Mosque to the Cathedral

Transformations over the centuries

The interior of the church

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of St. Benedict

The senses tell the interior

The Chapel of St. Mary Magdalene

A remarkable ceiling

The king’s mark

Roger II’s strategic design

Gardens and architecture as a backdrop to the city of Palermo

The area of the Sanctuary

The Genoard Park, the garden of pleasures and wonders

The mosaics of the transept and the apses

The senses tell the historical context

A tree full of life

The medieval city amidst monasticism and feudal aristocracy

Roger II of hauteville: a sovereign protected by God

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the mosaic cycle

The decorations on the bell tower

The Royal Throne

The flooring: shapes, motifs and iconography

A building constructed in a short space of time

The architectural space

Characteristics of religious architecture in the romanesque period

The senses tell baroque decoration

Two initially similar towers, varied over time

A cloister of accentuated stylistic variety

The architectural appearance and transformations over time

The chystro: a place between earth and sky

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A polysemy of high-level artistic forms and content