photo gallery

photo gallery

The towers facing the facade used as bell towers

The original design

Shapes and colours of the wooden ceiling

Roger II’s strategic design

The Cathedral over the centuries

A cloister of accentuated stylistic variety

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the mosaic cycle

The architectural space

The chorus: beating heart of the cathedral

The Chapel of the Kings

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Great Presbytery: a unique space for the cathedral

Layers of different cultures decorate the external apses

The longest aisle

A remarkable ceiling

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Admiral’s dedication

A palimpsest of history

The senses tell the flooring

The cemetery of kings

An architectural crescendo

The decorated facade

The Genoard Park, the garden of pleasures and wonders

The beginning of the construction site

the Baroque interior

The return of water

From oblivion to the recovery of memory

The senses tell the architecture

The senses tell the historical context

The decorations on the bell tower

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the architecture and decorations

Under the crosses of the Bema

The architectural appearance and transformations over time

Mosaic decoration

Transformations over the centuries

Porphyry sarcophagi: royalty and power

The Palace of Kings

the roof of Paradise: one of the most representative works of medieval art

The dialogue between the architectures of the monumental complex

Characteristics of religious architecture in the romanesque period

Intertwining of knowledge in Norman Palermo

The stone bible

The birth of the Norman kingdom

The towers and the western facade

From earthquake to collapse

The construction of Monreale Cathedral: between myth and history

The mosaic cycle, an ascending path towards the light

The loca solatiorum: dwellings for recreation, well-being and hunting

Different styles and transformations of “one of the most beautiful monuments in the world”

Decorations

The mosaics of the transept and the apses

Gardens and architecture as a backdrop to the city of Palermo

The chapel of the crucifix: an artistic casket based on a previous model

The area of the Sanctuary

A Northern population

The medieval city amidst monasticism and feudal aristocracy

The chapel of St. Benedict

Gold and light: the splendour of the mosaics in the Royal Chapel

The Cassaro

The side aisles

The mosaics of the presbytery

The mosaics of the naves

The senses tell the external architecture and the original layout

A space between the visible and the invisible

The rediscovered chapel

A building constructed in a short space of time

The columns of the nave: the meticulous study of the overall order

The lost chapel

the Baroque exterior

Squaring the circle

Ecclesia munita

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side Portico: a combination of elegance and lightness of form

The chystro: a place between earth and sky

Palermo: the happiest city

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The interior of the church

Saint Peter’s Chapel in the Royal Palace

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Bible carved in stone

The Gualtiero Cathedral

The links between the hauteville family and the monastic orders in Sicily

The liturgical spaces of the protesis and the diaconicon

A chapel by an unknown designer based on repeated symmetries

The Chapel of St. Mary Magdalene

From the Mosque to the Cathedral

The senses tell the interior

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the Zisa over the centuries

A tree full of life

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Two initially similar towers, varied over time

From the main gate to the aisles: an invitation to a journey of faith

The Virgin Hodegetria

The opus sectile floor of the Palatine Chapel

Survey of the royal tombs

A polysemy of high-level artistic forms and content

The rediscovered palace

The chapel of san Castrense: an important renaissance work

The senses tell Context 1

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the historical context

The southern portico

Artistic elements in Peter’s ship

The flooring: shapes, motifs and iconography

The architectural envelope: the Greek cross layout oriented towards the light

The mosaics of the apses

The transformations of the hall through the centuries

The cultural substrate through time

The senses tell restorations

A mixture of styles pervades the floor decorations

Norman religious architecture with islamic influences in Sicily

The senses tell the ceiling

A new Cathedral

Worship services

A controversial interpretation

Cefalù: settlement evidence through time

The balance between architecture and light

The Royal Throne

Interior decorations

The ancient convent of the Martorana, a history of devotion and tradition

Restorations

The Kings’ Cathedrals

The senses tell baroque decoration

Roger II of hauteville: a sovereign protected by God

Beyond the harmony of proportions

The senses tell the historical context

The king’s mark

The Great Restoration