photo gallery

photo gallery

The chapel of the crucifix: an artistic casket based on a previous model

From oblivion to the recovery of memory

Gold and light: the splendour of the mosaics in the Royal Chapel

Roger II of hauteville: a sovereign protected by God

Two initially similar towers, varied over time

The senses tell the architecture and decorations

Ecclesia munita

The ancient convent of the Martorana, a history of devotion and tradition

Different styles and transformations of “one of the most beautiful monuments in the world”

The opus sectile floor of the Palatine Chapel

A cloister of accentuated stylistic variety

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Admiral’s dedication

The rediscovered chapel

The senses tell restorations

An architectural crescendo

The senses tell the historical context

Restorations

The senses tell Context 1

The architectural appearance and transformations over time

A Northern population

The architectural envelope: the Greek cross layout oriented towards the light

The towers facing the facade used as bell towers

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural space

The towers and the western facade

The Gualtiero Cathedral

The senses tell baroque decoration

The Genoard Park, the garden of pleasures and wonders

The links between the hauteville family and the monastic orders in Sicily

The side Portico: a combination of elegance and lightness of form

From the main gate to the aisles: an invitation to a journey of faith

The stone bible

the roof of Paradise: one of the most representative works of medieval art

Interior decorations

Under the crosses of the Bema

The construction of Monreale Cathedral: between myth and history

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Cefalù: settlement evidence through time

Artistic elements in Peter’s ship

The king’s mark

The senses tell the flooring

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the historical context

the Baroque interior

The Cathedral over the centuries

Worship services

The southern portico

The return of water

From the Mosque to the Cathedral

Squaring the circle

A tree full of life

The Virgin Hodegetria

The flooring: shapes, motifs and iconography

The side aisles

Shapes and colours of the wooden ceiling

The balance between architecture and light

The Palace of Kings

The senses tell the Zisa over the centuries

A remarkable ceiling

Intertwining of knowledge in Norman Palermo

the Baroque exterior

Gardens and architecture as a backdrop to the city of Palermo

The interior of the church

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chorus: beating heart of the cathedral

Survey of the royal tombs

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A chapel by an unknown designer based on repeated symmetries

The cultural substrate through time

The Kings’ Cathedrals

Saint Peter’s Chapel in the Royal Palace

The mosaics of the transept and the apses

The senses tell the architecture

The mosaics of the naves

The mosaics of the apses

The mosaic cycle, an ascending path towards the light

The columns of the nave: the meticulous study of the overall order

Palermo: the happiest city

The Great Presbytery: a unique space for the cathedral

The decorations on the bell tower

The senses tell the ceiling

The cemetery of kings

Porphyry sarcophagi: royalty and power

From earthquake to collapse

The dialogue between the architectures of the monumental complex

The decorated facade

The chapel of St. Benedict

The beginning of the construction site

Norman religious architecture with islamic influences in Sicily

The senses tell the interior

Tempus fugit: a strategic project implemented in a short period of time

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cassaro

The mosaics of the presbytery

The transformations of the hall through the centuries

Mosaic decoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the external architecture and the original layout

A space between the visible and the invisible

A mixture of styles pervades the floor decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The rediscovered palace

The chystro: a place between earth and sky

Beyond the harmony of proportions

A palimpsest of history

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Chapel of the Kings

The area of the Sanctuary

The Chapel of St. Mary Magdalene

The Great Restoration

Transformations over the centuries

The liturgical spaces of the protesis and the diaconicon

The Bible carved in stone

A controversial interpretation

The chapel of san Castrense: an important renaissance work

Layers of different cultures decorate the external apses

The Royal Throne

A building constructed in a short space of time

Decorations

The lost chapel

The original design

The senses tell the mosaic cycle

The senses tell the historical context

The longest aisle

Characteristics of religious architecture in the romanesque period

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Roger II’s strategic design

A new Cathedral

A polysemy of high-level artistic forms and content

The medieval city amidst monasticism and feudal aristocracy

The birth of the Norman kingdom