photo gallery

photo gallery

The mosaic cycle, an ascending path towards the light

The mosaics of the presbytery

Mosaic decoration

The return of water

Interior decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The stone bible

The ancient convent of the Martorana, a history of devotion and tradition

From the main gate to the aisles: an invitation to a journey of faith

The Gualtiero Cathedral

The rediscovered palace

A tree full of life

The links between the hauteville family and the monastic orders in Sicily

The lost chapel

A space between the visible and the invisible

The chystro: a place between earth and sky

The senses tell the Zisa over the centuries

The loca solatiorum: dwellings for recreation, well-being and hunting

The mosaics of the naves

The senses tell the architecture

The mosaics of the apses

Saint Peter’s Chapel in the Royal Palace

The towers and the western facade

The Chapel of the Kings

the roof of Paradise: one of the most representative works of medieval art

Worship services

The Genoard Park, the garden of pleasures and wonders

Layers of different cultures decorate the external apses

The Chapel of St. Mary Magdalene

Artistic elements in Peter’s ship

The architectural envelope: the Greek cross layout oriented towards the light

A palimpsest of history

From oblivion to the recovery of memory

Norman religious architecture with islamic influences in Sicily

The senses tell the historical context

Under the crosses of the Bema

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The cemetery of kings

The senses tell baroque decoration

The architectural appearance and transformations over time

From earthquake to collapse

The senses tell the external architecture and the original layout

The senses tell restorations

A remarkable ceiling

The Cathedral over the centuries

Gold and light: the splendour of the mosaics in the Royal Chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Palace of Kings

The Great Presbytery: a unique space for the cathedral

Ecclesia munita

The construction of Monreale Cathedral: between myth and history

The beginning of the construction site

A controversial interpretation

The senses tell the historical context

The senses tell the flooring

The architectural space

The chorus: beating heart of the cathedral

The Kings’ Cathedrals

Different styles and transformations of “one of the most beautiful monuments in the world”

The opus sectile floor of the Palatine Chapel

Transformations over the centuries

Palermo: the happiest city

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Great Restoration

The flooring: shapes, motifs and iconography

The chapel of the crucifix: an artistic casket based on a previous model

Gardens and architecture as a backdrop to the city of Palermo

The area of the Sanctuary

A chapel by an unknown designer based on repeated symmetries

A cloister of accentuated stylistic variety

The longest aisle

Cefalù: settlement evidence through time

The balance between architecture and light

The Norman conquest of Sicily and the birth of a new Latin kingdom

The side aisles

Roger II of hauteville: a sovereign protected by God

The side Portico: a combination of elegance and lightness of form

Tempus fugit: a strategic project implemented in a short period of time

A new Cathedral

Intertwining of knowledge in Norman Palermo

The Bible carved in stone

Shapes and colours of the wooden ceiling

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The decorated facade

Squaring the circle

The columns of the nave: the meticulous study of the overall order

the Baroque interior

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Virgin Hodegetria

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

The decorations on the bell tower

the Baroque exterior

From the Mosque to the Cathedral

The transformations of the hall through the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

Roger II’s strategic design

Decorations

The towers facing the facade used as bell towers

Characteristics of religious architecture in the romanesque period

The senses tell the architecture and decorations

A building constructed in a short space of time

The liturgical spaces of the protesis and the diaconicon

Restorations

The dialogue between the architectures of the monumental complex

Survey of the royal tombs

The cultural substrate through time

The chapel of san Castrense: an important renaissance work

The Cassaro

The senses tell Context 1

The interior of the church

An architectural crescendo

The mosaics of the transept and the apses

A mixture of styles pervades the floor decorations

The senses tell the interior

The senses tell the mosaic cycle

Beyond the harmony of proportions

The king’s mark

The original design

The birth of the Norman kingdom

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Porphyry sarcophagi: royalty and power

The senses tell the historical context

A Northern population

The chapel of St. Benedict

The medieval city amidst monasticism and feudal aristocracy

The southern portico

The Admiral’s dedication

The rediscovered chapel

The Royal Throne

The senses tell the ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions