photo gallery

photo gallery

The longest aisle

The senses tell the historical context

Roger II’s strategic design

Transformations over the centuries

From earthquake to collapse

The liturgical spaces of the protesis and the diaconicon

The mosaics of the presbytery

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The original design

Worship services

A cloister of accentuated stylistic variety

The chorus: beating heart of the cathedral

The senses tell Context 1

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the historical context

A polysemy of high-level artistic forms and content

The Chapel of St. Mary Magdalene

A palimpsest of history

Survey of the royal tombs

The flooring: shapes, motifs and iconography

The loca solatiorum: dwellings for recreation, well-being and hunting

Under the crosses of the Bema

The southern portico

The Great Restoration

A remarkable ceiling

The Gualtiero Cathedral

The Great Presbytery: a unique space for the cathedral

Intertwining of knowledge in Norman Palermo

The towers and the western facade

The senses tell the Zisa over the centuries

The Virgin Hodegetria

The opus sectile floor of the Palatine Chapel

The chapel of the crucifix: an artistic casket based on a previous model

Beyond the harmony of proportions

The architectural space

From the Mosque to the Cathedral

The chapel of St. Benedict

A Northern population

Porphyry sarcophagi: royalty and power

The architectural envelope: the Greek cross layout oriented towards the light

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of san Castrense: an important renaissance work

The balance between architecture and light

The rediscovered palace

From the main gate to the aisles: an invitation to a journey of faith

The interior of the church

The Palace of Kings

The senses tell the architecture

the Baroque interior

The senses tell the interior

the Baroque exterior

The side aisles

The return of water

The Chapel of the Kings

Norman religious architecture with islamic influences in Sicily

Saint Peter’s Chapel in the Royal Palace

Squaring the circle

The senses tell restorations

Palermo: the happiest city

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Roger II of hauteville: a sovereign protected by God

The ancient convent of the Martorana, a history of devotion and tradition

Restorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The medieval city amidst monasticism and feudal aristocracy

The Norman conquest of Sicily and the birth of a new Latin kingdom

A chapel by an unknown designer based on repeated symmetries

The side Portico: a combination of elegance and lightness of form

The Genoard Park, the garden of pleasures and wonders

A space between the visible and the invisible

A tree full of life

The stone bible

The Cassaro

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Kings’ Cathedrals

the roof of Paradise: one of the most representative works of medieval art

The senses tell the mosaic cycle

The senses tell the historical context

The area of the Sanctuary

A compositional design that combines nordic examples with new artistic languages, over the centuries

The cultural substrate through time

The Bible carved in stone

The mosaics of the apses

The decorated facade

The senses tell the architecture and decorations

Artistic elements in Peter’s ship

The rediscovered chapel

The chystro: a place between earth and sky

Ecclesia munita

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A new Cathedral

The mosaics of the naves

Gardens and architecture as a backdrop to the city of Palermo

A controversial interpretation

Decorations

The decorations on the bell tower

Characteristics of religious architecture in the romanesque period

The columns of the nave: the meticulous study of the overall order

The dialogue between the architectures of the monumental complex

The senses tell the external architecture and the original layout

The senses tell baroque decoration

The birth of the Norman kingdom

A mixture of styles pervades the floor decorations

The architectural appearance and transformations over time

The lost chapel

The towers facing the facade used as bell towers

The links between the hauteville family and the monastic orders in Sicily

Two initially similar towers, varied over time

The Cathedral over the centuries

The transformations of the hall through the centuries

Shapes and colours of the wooden ceiling

Interior decorations

Cefalù: settlement evidence through time

An architectural crescendo

From oblivion to the recovery of memory

A building constructed in a short space of time

The mosaic cycle, an ascending path towards the light

The cemetery of kings

The mosaics of the transept and the apses

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Royal Throne

The beginning of the construction site

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the flooring

Mosaic decoration

Layers of different cultures decorate the external apses

The senses tell the ceiling

The construction of Monreale Cathedral: between myth and history

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The king’s mark

The Admiral’s dedication