photo gallery

photo gallery

The senses tell the mosaic cycle

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

the Baroque exterior

The southern portico

The lost chapel

The columns of the nave: the meticulous study of the overall order

The Gualtiero Cathedral

The Great Restoration

The Cathedral over the centuries

Mosaic decoration

Saint Peter’s Chapel in the Royal Palace

The senses tell the historical context

The Cassaro

Roger II of hauteville: a sovereign protected by God

Interior decorations

A new Cathedral

Ecclesia munita

Cefalù: settlement evidence through time

The Genoard Park, the garden of pleasures and wonders

The opus sectile floor of the Palatine Chapel

The senses tell the Zisa over the centuries

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the transept and the apses

The Chapel of the Kings

The beginning of the construction site

The architectural appearance and transformations over time

The Great Presbytery: a unique space for the cathedral

The ancient convent of the Martorana, a history of devotion and tradition

From oblivion to the recovery of memory

The senses tell Context 1

The decorated facade

The king’s mark

The Chapel of St. Mary Magdalene

The senses tell the historical context

The longest aisle

A cloister of accentuated stylistic variety

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The side aisles

Two initially similar towers, varied over time

The transformations of the hall through the centuries

A controversial interpretation

The Palace of Kings

The stone bible

The original design

The towers and the western facade

The birth of the Norman kingdom

Gold and light: the splendour of the mosaics in the Royal Chapel

The decorations on the bell tower

the roof of Paradise: one of the most representative works of medieval art

A remarkable ceiling

The architectural space

The senses tell the architecture

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

From earthquake to collapse

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the historical context

The senses tell the ceiling

The chystro: a place between earth and sky

A Northern population

From the Mosque to the Cathedral

The liturgical spaces of the protesis and the diaconicon

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The balance between architecture and light

The rediscovered chapel

The towers facing the facade used as bell towers

The side Portico: a combination of elegance and lightness of form

The rediscovered palace

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Layers of different cultures decorate the external apses

Restorations

Characteristics of religious architecture in the romanesque period

The Royal Throne

The medieval city amidst monasticism and feudal aristocracy

The loca solatiorum: dwellings for recreation, well-being and hunting

Roger II’s strategic design

Decorations

A space between the visible and the invisible

Transformations over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

Shapes and colours of the wooden ceiling

The interior of the church

The construction of Monreale Cathedral: between myth and history

The Bible carved in stone

Worship services

Porphyry sarcophagi: royalty and power

The cultural substrate through time

A polysemy of high-level artistic forms and content

The mosaics of the presbytery

A tree full of life

A compositional design that combines nordic examples with new artistic languages, over the centuries

A building constructed in a short space of time

Squaring the circle

Under the crosses of the Bema

The chapel of san Castrense: an important renaissance work

The senses tell the architecture and decorations

The senses tell restorations

The mosaics of the apses

The Virgin Hodegetria

A chapel by an unknown designer based on repeated symmetries

Palermo: the happiest city

The links between the hauteville family and the monastic orders in Sicily

A mixture of styles pervades the floor decorations

The mosaics of the naves

The area of the Sanctuary

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Admiral’s dedication

From the main gate to the aisles: an invitation to a journey of faith

A palimpsest of history

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell baroque decoration

The senses tell the flooring

Artistic elements in Peter’s ship

The cemetery of kings

Beyond the harmony of proportions

The chorus: beating heart of the cathedral

The return of water

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

An architectural crescendo

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the interior

The Norman conquest of Sicily and the birth of a new Latin kingdom

Survey of the royal tombs

The senses tell the external architecture and the original layout

The chapel of St. Benedict

The Kings’ Cathedrals

The mosaic cycle, an ascending path towards the light

The dialogue between the architectures of the monumental complex

Intertwining of knowledge in Norman Palermo

Norman religious architecture with islamic influences in Sicily

The flooring: shapes, motifs and iconography

The chapel of the crucifix: an artistic casket based on a previous model

the Baroque interior