photo gallery

photo gallery

The senses tell the ceiling

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A compositional design that combines nordic examples with new artistic languages, over the centuries

the roof of Paradise: one of the most representative works of medieval art

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The birth of the Norman kingdom

The links between the hauteville family and the monastic orders in Sicily

The Cathedral over the centuries

Transformations over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the transept and the apses

The architectural appearance and transformations over time

The senses tell Context 1

The lost chapel

The dialogue between the architectures of the monumental complex

The chapel of san Castrense: an important renaissance work

Two initially similar towers, varied over time

The architectural space

The Virgin Hodegetria

The stone bible

Interior decorations

Shapes and colours of the wooden ceiling

The Cassaro

The Admiral’s dedication

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chorus: beating heart of the cathedral

The decorated facade

Worship services

Characteristics of religious architecture in the romanesque period

The rediscovered palace

A chapel by an unknown designer based on repeated symmetries

The Gualtiero Cathedral

Different styles and transformations of “one of the most beautiful monuments in the world”

A Northern population

The cemetery of kings

The liturgical spaces of the protesis and the diaconicon

A palimpsest of history

The senses tell the historical context

The Royal Throne

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Ecclesia munita

Survey of the royal tombs

Tempus fugit: a strategic project implemented in a short period of time

Roger II of hauteville: a sovereign protected by God

The senses tell the external architecture and the original layout

A cloister of accentuated stylistic variety

Gardens and architecture as a backdrop to the city of Palermo

The senses tell restorations

A tree full of life

The senses tell the Zisa over the centuries

The balance between architecture and light

The return of water

A new Cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

Intertwining of knowledge in Norman Palermo

The Chapel of the Kings

The rediscovered chapel

The cultural substrate through time

The chystro: a place between earth and sky

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Saint Peter’s Chapel in the Royal Palace

the Baroque exterior

The side Portico: a combination of elegance and lightness of form

Roger II’s strategic design

The towers and the western facade

The beginning of the construction site

The senses tell the architecture and decorations

Porphyry sarcophagi: royalty and power

The king’s mark

The construction of Monreale Cathedral: between myth and history

Palermo: the happiest city

A remarkable ceiling

The chapel of St. Benedict

The medieval city amidst monasticism and feudal aristocracy

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Restorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the mosaic cycle

The area of the Sanctuary

The senses tell the historical context

A mixture of styles pervades the floor decorations

From oblivion to the recovery of memory

The southern portico

The mosaics of the naves

Squaring the circle

The Chapel of St. Mary Magdalene

The towers facing the facade used as bell towers

The columns of the nave: the meticulous study of the overall order

The interior of the church

The transformations of the hall through the centuries

The mosaics of the presbytery

The original design

The Genoard Park, the garden of pleasures and wonders

Under the crosses of the Bema

The senses tell baroque decoration

The Palace of Kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the historical context

The mosaics of the apses

From the main gate to the aisles: an invitation to a journey of faith

Mosaic decoration

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the architecture

A building constructed in a short space of time

The mosaic cycle, an ascending path towards the light

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

the Baroque interior

The Kings’ Cathedrals

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Layers of different cultures decorate the external apses

The flooring: shapes, motifs and iconography

The side aisles

An architectural crescendo

A space between the visible and the invisible

A polysemy of high-level artistic forms and content

From earthquake to collapse

The decorations on the bell tower

Artistic elements in Peter’s ship

The Great Presbytery: a unique space for the cathedral

Beyond the harmony of proportions

The Bible carved in stone

The Great Restoration

The architectural envelope: the Greek cross layout oriented towards the light

Decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The opus sectile floor of the Palatine Chapel

A controversial interpretation

The senses tell the interior

From the Mosque to the Cathedral

The senses tell the flooring

Norman religious architecture with islamic influences in Sicily

Cefalù: settlement evidence through time

The longest aisle