photo gallery

photo gallery

Saint Peter’s Chapel in the Royal Palace

The king’s mark

The architectural space

Shapes and colours of the wooden ceiling

The side Portico: a combination of elegance and lightness of form

From the Mosque to the Cathedral

The senses tell the mosaic cycle

Squaring the circle

The Genoard Park, the garden of pleasures and wonders

Interior decorations

The lost chapel

The return of water

From the main gate to the aisles: an invitation to a journey of faith

The longest aisle

The Cassaro

The Great Restoration

Characteristics of religious architecture in the romanesque period

The mosaics of the apses

The cultural substrate through time

The Norman conquest of Sicily and the birth of a new Latin kingdom

The mosaics of the naves

A cloister of accentuated stylistic variety

From oblivion to the recovery of memory

The original design

The senses tell restorations

The Bible carved in stone

The senses tell the ceiling

The transformations of the hall through the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

Layers of different cultures decorate the external apses

An architectural crescendo

A space between the visible and the invisible

The Chapel of St. Mary Magdalene

The senses tell the architecture and decorations

Transformations over the centuries

The side aisles

The interior of the church

The decorated facade

A compositional design that combines nordic examples with new artistic languages, over the centuries

the roof of Paradise: one of the most representative works of medieval art

The stone bible

A palimpsest of history

The birth of the Norman kingdom

The liturgical spaces of the protesis and the diaconicon

Restorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The towers facing the facade used as bell towers

From earthquake to collapse

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of san Castrense: an important renaissance work

Artistic elements in Peter’s ship

The balance between architecture and light

A Northern population

The Great Presbytery: a unique space for the cathedral

the Baroque interior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the interior

The construction of Monreale Cathedral: between myth and history

Palermo: the happiest city

The flooring: shapes, motifs and iconography

The senses tell Context 1

The cemetery of kings

A polysemy of high-level artistic forms and content

A chapel by an unknown designer based on repeated symmetries

The chystro: a place between earth and sky

The decorations on the bell tower

Ecclesia munita

The dialogue between the architectures of the monumental complex

A mixture of styles pervades the floor decorations

The chapel of the crucifix: an artistic casket based on a previous model

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Virgin Hodegetria

The Chapel of the Kings

The rediscovered palace

The towers and the western facade

The Cathedral over the centuries

The mosaic cycle, an ascending path towards the light

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Cefalù: settlement evidence through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Palace of Kings

The links between the hauteville family and the monastic orders in Sicily

Survey of the royal tombs

Mosaic decoration

The senses tell the flooring

Decorations

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

Intertwining of knowledge in Norman Palermo

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the historical context

The Kings’ Cathedrals

Under the crosses of the Bema

The mosaics of the presbytery

A remarkable ceiling

The columns of the nave: the meticulous study of the overall order

The ancient convent of the Martorana, a history of devotion and tradition

A new Cathedral

Roger II of hauteville: a sovereign protected by God

The loca solatiorum: dwellings for recreation, well-being and hunting

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The area of the Sanctuary

The senses tell the historical context

Tempus fugit: a strategic project implemented in a short period of time

A tree full of life

the Baroque exterior

Beyond the harmony of proportions

The senses tell the architecture

A building constructed in a short space of time

A controversial interpretation

The senses tell baroque decoration

The senses tell the external architecture and the original layout

The rediscovered chapel

The chapel of St. Benedict

The architectural envelope: the Greek cross layout oriented towards the light

Porphyry sarcophagi: royalty and power

The Admiral’s dedication

Two initially similar towers, varied over time

The architectural appearance and transformations over time

The mosaics of the transept and the apses

The senses tell the historical context

The Gualtiero Cathedral

Worship services

The Royal Throne

Roger II’s strategic design

Gardens and architecture as a backdrop to the city of Palermo

The southern portico

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

The senses tell the Zisa over the centuries

The opus sectile floor of the Palatine Chapel