photo gallery

photo gallery

The chorus: beating heart of the cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A mixture of styles pervades the floor decorations

Artistic elements in Peter’s ship

Two initially similar towers, varied over time

The senses tell baroque decoration

The Bible carved in stone

The senses tell the interior

Gardens and architecture as a backdrop to the city of Palermo

An architectural crescendo

The Norman conquest of Sicily and the birth of a new Latin kingdom

The area of the Sanctuary

Restorations

The balance between architecture and light

The mosaics of the naves

Squaring the circle

Saint Peter’s Chapel in the Royal Palace

Roger II of hauteville: a sovereign protected by God

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

The dialogue between the architectures of the monumental complex

The mosaics of the apses

Transformations over the centuries

The Great Restoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Virgin Hodegetria

The king’s mark

The senses tell the mosaic cycle

The medieval city amidst monasticism and feudal aristocracy

The Palace of Kings

A Northern population

Beyond the harmony of proportions

The mosaics of the presbytery

The chapel of St. Benedict

The cultural substrate through time

The southern portico

the Baroque exterior

A new Cathedral

Under the crosses of the Bema

A compositional design that combines nordic examples with new artistic languages, over the centuries

Interior decorations

Roger II’s strategic design

A chapel by an unknown designer based on repeated symmetries

The chapel of san Castrense: an important renaissance work

From the Mosque to the Cathedral

The Cassaro

The flooring: shapes, motifs and iconography

Palermo: the happiest city

The chystro: a place between earth and sky

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The interior of the church

A controversial interpretation

The cemetery of kings

A polysemy of high-level artistic forms and content

The senses tell Context 1

Shapes and colours of the wooden ceiling

The Kings’ Cathedrals

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the historical context

Layers of different cultures decorate the external apses

From oblivion to the recovery of memory

The Chapel of St. Mary Magdalene

Gold and light: the splendour of the mosaics in the Royal Chapel

Intertwining of knowledge in Norman Palermo

The columns of the nave: the meticulous study of the overall order

The architectural appearance and transformations over time

The ancient convent of the Martorana, a history of devotion and tradition

The liturgical spaces of the protesis and the diaconicon

The longest aisle

The decorated facade

The opus sectile floor of the Palatine Chapel

The rediscovered palace

Tempus fugit: a strategic project implemented in a short period of time

The Genoard Park, the garden of pleasures and wonders

The stone bible

A tree full of life

Ecclesia munita

Norman religious architecture with islamic influences in Sicily

Worship services

The construction of Monreale Cathedral: between myth and history

The senses tell the architecture and decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A space between the visible and the invisible

Decorations

The senses tell the external architecture and the original layout

The senses tell the flooring

the roof of Paradise: one of the most representative works of medieval art

The mosaic cycle, an ascending path towards the light

The beginning of the construction site

The senses tell the Zisa over the centuries

The original design

Porphyry sarcophagi: royalty and power

The rediscovered chapel

The senses tell restorations

A cloister of accentuated stylistic variety

The decorations on the bell tower

The Chapel of the Kings

The links between the hauteville family and the monastic orders in Sicily

The Great Presbytery: a unique space for the cathedral

The transformations of the hall through the centuries

Survey of the royal tombs

The senses tell the architecture

The Gualtiero Cathedral

A building constructed in a short space of time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Cefalù: settlement evidence through time

The lost chapel

The towers facing the facade used as bell towers

Characteristics of religious architecture in the romanesque period

The Royal Throne

The towers and the western facade

The senses tell the historical context

Mosaic decoration

A remarkable ceiling

The Cathedral over the centuries

The side aisles

Different styles and transformations of “one of the most beautiful monuments in the world”

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the ceiling

From earthquake to collapse

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

the Baroque interior

The mosaics of the transept and the apses

The Admiral’s dedication

The side Portico: a combination of elegance and lightness of form

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the historical context

The architectural space

A palimpsest of history

The birth of the Norman kingdom

The return of water

From the main gate to the aisles: an invitation to a journey of faith