photo gallery

photo gallery

From earthquake to collapse

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The cultural substrate through time

A polysemy of high-level artistic forms and content

The chystro: a place between earth and sky

Worship services

The side aisles

The Gualtiero Cathedral

The senses tell the flooring

The architectural space

The Admiral’s dedication

Different styles and transformations of “one of the most beautiful monuments in the world”

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The longest aisle

The lost chapel

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The loca solatiorum: dwellings for recreation, well-being and hunting

The decorations on the bell tower

the roof of Paradise: one of the most representative works of medieval art

Saint Peter’s Chapel in the Royal Palace

Porphyry sarcophagi: royalty and power

Layers of different cultures decorate the external apses

A palimpsest of history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of St. Benedict

The senses tell restorations

Squaring the circle

The interior of the church

Roger II’s strategic design

The transformations of the hall through the centuries

The stone bible

The decorated facade

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Norman conquest of Sicily and the birth of a new Latin kingdom

Beyond the harmony of proportions

The birth of the Norman kingdom

The chapel of san Castrense: an important renaissance work

A compositional design that combines nordic examples with new artistic languages, over the centuries

A Northern population

Gold and light: the splendour of the mosaics in the Royal Chapel

The construction of Monreale Cathedral: between myth and history

The flooring: shapes, motifs and iconography

The liturgical spaces of the protesis and the diaconicon

The towers and the western facade

The Bible carved in stone

The rediscovered chapel

The senses tell the historical context

The Chapel of St. Mary Magdalene

A space between the visible and the invisible

The side Portico: a combination of elegance and lightness of form

The senses tell the Zisa over the centuries

The architectural appearance and transformations over time

The senses tell the architecture

A cloister of accentuated stylistic variety

The area of the Sanctuary

The opus sectile floor of the Palatine Chapel

the Baroque exterior

From oblivion to the recovery of memory

The architectural envelope: the Greek cross layout oriented towards the light

Tempus fugit: a strategic project implemented in a short period of time

Palermo: the happiest city

The senses tell Context 1

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Genoard Park, the garden of pleasures and wonders

Survey of the royal tombs

The Great Presbytery: a unique space for the cathedral

The links between the hauteville family and the monastic orders in Sicily

A controversial interpretation

An architectural crescendo

The senses tell the historical context

The dialogue between the architectures of the monumental complex

Restorations

The mosaic cycle, an ascending path towards the light

The columns of the nave: the meticulous study of the overall order

Roger II of hauteville: a sovereign protected by God

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A chapel by an unknown designer based on repeated symmetries

The return of water

Decorations

The Chapel of the Kings

A mixture of styles pervades the floor decorations

The mosaics of the naves

The original design

The southern portico

The mosaics of the presbytery

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the external architecture and the original layout

Norman religious architecture with islamic influences in Sicily

The senses tell the ceiling

The Cathedral over the centuries

The mosaics of the transept and the apses

The senses tell the architecture and decorations

A building constructed in a short space of time

From the Mosque to the Cathedral

Interior decorations

Cefalù: settlement evidence through time

The senses tell baroque decoration

The mosaics of the apses

Shapes and colours of the wooden ceiling

The senses tell the interior

The Palace of Kings

The senses tell the historical context

Gardens and architecture as a backdrop to the city of Palermo

The Great Restoration

Under the crosses of the Bema

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

The balance between architecture and light

From the main gate to the aisles: an invitation to a journey of faith

A new Cathedral

A tree full of life

Ecclesia munita

The medieval city amidst monasticism and feudal aristocracy

The Kings’ Cathedrals

The Virgin Hodegetria

The rediscovered palace

The cemetery of kings

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

the Baroque interior

The chorus: beating heart of the cathedral

Characteristics of religious architecture in the romanesque period

The Cassaro

Transformations over the centuries

Artistic elements in Peter’s ship

The towers facing the facade used as bell towers

The beginning of the construction site

Intertwining of knowledge in Norman Palermo

The Royal Throne

Mosaic decoration

The king’s mark

A remarkable ceiling

The senses tell the mosaic cycle

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions