photo gallery

photo gallery

The Great Restoration

Saint Peter’s Chapel in the Royal Palace

The chorus: beating heart of the cathedral

The senses tell the architecture and decorations

The loca solatiorum: dwellings for recreation, well-being and hunting

The liturgical spaces of the protesis and the diaconicon

The lost chapel

The interior of the church

Layers of different cultures decorate the external apses

The southern portico

The senses tell the historical context

the Baroque interior

The Virgin Hodegetria

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaic cycle, an ascending path towards the light

The Chapel of the Kings

The senses tell the historical context

The balance between architecture and light

Transformations over the centuries

The senses tell the ceiling

From the main gate to the aisles: an invitation to a journey of faith

Artistic elements in Peter’s ship

Decorations

The senses tell the external architecture and the original layout

The architectural appearance and transformations over time

the roof of Paradise: one of the most representative works of medieval art

Gardens and architecture as a backdrop to the city of Palermo

The Great Presbytery: a unique space for the cathedral

The columns of the nave: the meticulous study of the overall order

The side Portico: a combination of elegance and lightness of form

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From earthquake to collapse

The original design

Roger II’s strategic design

The senses tell the historical context

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The flooring: shapes, motifs and iconography

Worship services

Mosaic decoration

A mixture of styles pervades the floor decorations

A space between the visible and the invisible

The senses tell the architecture

Squaring the circle

The medieval city amidst monasticism and feudal aristocracy

The rediscovered palace

From oblivion to the recovery of memory

The senses tell the flooring

The Cathedral over the centuries

A controversial interpretation

Interior decorations

The senses tell Context 1

A cloister of accentuated stylistic variety

The mosaics of the presbytery

The Kings’ Cathedrals

The decorations on the bell tower

The senses tell the interior

Survey of the royal tombs

A remarkable ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A tree full of life

The senses tell restorations

The king’s mark

Beyond the harmony of proportions

Tempus fugit: a strategic project implemented in a short period of time

A chapel by an unknown designer based on repeated symmetries

A Northern population

The senses tell the Zisa over the centuries

An architectural crescendo

The Cassaro

The towers facing the facade used as bell towers

the Baroque exterior

The construction of Monreale Cathedral: between myth and history

Cefalù: settlement evidence through time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The transformations of the hall through the centuries

From the Mosque to the Cathedral

A palimpsest of history

The side aisles

The architectural envelope: the Greek cross layout oriented towards the light

The dialogue between the architectures of the monumental complex

Characteristics of religious architecture in the romanesque period

The Genoard Park, the garden of pleasures and wonders

The return of water

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cemetery of kings

The senses tell baroque decoration

The Gualtiero Cathedral

The ancient convent of the Martorana, a history of devotion and tradition

The architectural space

The chystro: a place between earth and sky

The Royal Throne

A polysemy of high-level artistic forms and content

The stone bible

The cultural substrate through time

The Chapel of St. Mary Magdalene

Intertwining of knowledge in Norman Palermo

A building constructed in a short space of time

Palermo: the happiest city

Porphyry sarcophagi: royalty and power

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the mosaic cycle

Ecclesia munita

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

The Palace of Kings

The chapel of St. Benedict

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Shapes and colours of the wooden ceiling

The Admiral’s dedication

Under the crosses of the Bema

The mosaics of the transept and the apses

The mosaics of the apses

The Norman conquest of Sicily and the birth of a new Latin kingdom

The rediscovered chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

The links between the hauteville family and the monastic orders in Sicily

The chapel of san Castrense: an important renaissance work

Norman religious architecture with islamic influences in Sicily

The area of the Sanctuary

The birth of the Norman kingdom

A new Cathedral

The beginning of the construction site

The mosaics of the naves

The opus sectile floor of the Palatine Chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

The decorated facade

Roger II of hauteville: a sovereign protected by God

Restorations

The Bible carved in stone

The longest aisle