photo gallery

photo gallery

The balance between architecture and light

The senses tell Context 1

Interior decorations

A building constructed in a short space of time

Two initially similar towers, varied over time

The area of the Sanctuary

The king’s mark

Ecclesia munita

Under the crosses of the Bema

Transformations over the centuries

Roger II’s strategic design

the Baroque interior

Survey of the royal tombs

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Virgin Hodegetria

The Great Presbytery: a unique space for the cathedral

The southern portico

The transformations of the hall through the centuries

A palimpsest of history

The chystro: a place between earth and sky

A polysemy of high-level artistic forms and content

The Chapel of the Kings

From earthquake to collapse

The Cathedral over the centuries

The rediscovered chapel

The senses tell the ceiling

A tree full of life

Artistic elements in Peter’s ship

the Baroque exterior

The decorated facade

The opus sectile floor of the Palatine Chapel

A Northern population

Porphyry sarcophagi: royalty and power

Intertwining of knowledge in Norman Palermo

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A mixture of styles pervades the floor decorations

Worship services

The mosaic cycle, an ascending path towards the light

Shapes and colours of the wooden ceiling

The stone bible

The mosaics of the presbytery

The Norman conquest of Sicily and the birth of a new Latin kingdom

The columns of the nave: the meticulous study of the overall order

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the mosaic cycle

From oblivion to the recovery of memory

The senses tell baroque decoration

The flooring: shapes, motifs and iconography

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

The decorations on the bell tower

The lost chapel

The senses tell restorations

Characteristics of religious architecture in the romanesque period

Squaring the circle

The beginning of the construction site

The mosaics of the apses

The Royal Throne

The senses tell the historical context

Roger II of hauteville: a sovereign protected by God

The mosaics of the naves

Layers of different cultures decorate the external apses

Palermo: the happiest city

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The towers facing the facade used as bell towers

The senses tell the architecture and decorations

A controversial interpretation

The Cassaro

The rediscovered palace

The medieval city amidst monasticism and feudal aristocracy

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the flooring

From the main gate to the aisles: an invitation to a journey of faith

An architectural crescendo

The loca solatiorum: dwellings for recreation, well-being and hunting

A cloister of accentuated stylistic variety

A remarkable ceiling

Restorations

The dialogue between the architectures of the monumental complex

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

The senses tell the external architecture and the original layout

Gardens and architecture as a backdrop to the city of Palermo

The longest aisle

The side aisles

A new Cathedral

The senses tell the interior

From the Mosque to the Cathedral

The birth of the Norman kingdom

Gold and light: the splendour of the mosaics in the Royal Chapel

The Palace of Kings

The chapel of St. Benedict

The cultural substrate through time

The interior of the church

Decorations

The original design

The cemetery of kings

the roof of Paradise: one of the most representative works of medieval art

The Bible carved in stone

A space between the visible and the invisible

The Genoard Park, the garden of pleasures and wonders

The Admiral’s dedication

The links between the hauteville family and the monastic orders in Sicily

The construction of Monreale Cathedral: between myth and history

The architectural space

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the Zisa over the centuries

A chapel by an unknown designer based on repeated symmetries

The senses tell the architecture

The architectural envelope: the Greek cross layout oriented towards the light

The chorus: beating heart of the cathedral

The Gualtiero Cathedral

The Great Restoration

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Mosaic decoration

The liturgical spaces of the protesis and the diaconicon

Different styles and transformations of “one of the most beautiful monuments in the world”

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Kings’ Cathedrals

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The chapel of san Castrense: an important renaissance work

The mosaics of the transept and the apses

The architectural appearance and transformations over time

Norman religious architecture with islamic influences in Sicily

Saint Peter’s Chapel in the Royal Palace

Beyond the harmony of proportions

The senses tell the historical context

The side Portico: a combination of elegance and lightness of form

The return of water

Cefalù: settlement evidence through time

The Chapel of St. Mary Magdalene