photo gallery

photo gallery

The mosaic cycle, an ascending path towards the light

The Cassaro

The senses tell the historical context

A cloister of accentuated stylistic variety

Decorations

The mosaics of the apses

The senses tell the flooring

The architectural appearance and transformations over time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Roger II’s strategic design

A palimpsest of history

The dialogue between the architectures of the monumental complex

The Chapel of St. Mary Magdalene

The decorations on the bell tower

Two initially similar towers, varied over time

The construction of Monreale Cathedral: between myth and history

The architectural space

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A building constructed in a short space of time

The Admiral’s dedication

The chapel of the crucifix: an artistic casket based on a previous model

The ancient convent of the Martorana, a history of devotion and tradition

Roger II of hauteville: a sovereign protected by God

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

From oblivion to the recovery of memory

A Northern population

The rediscovered chapel

The mosaics of the presbytery

The chystro: a place between earth and sky

the Baroque interior

The architectural envelope: the Greek cross layout oriented towards the light

A remarkable ceiling

The Palace of Kings

The Chapel of the Kings

The Gualtiero Cathedral

Under the crosses of the Bema

The beginning of the construction site

The Great Presbytery: a unique space for the cathedral

Cefalù: settlement evidence through time

The transformations of the hall through the centuries

The side Portico: a combination of elegance and lightness of form

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The original design

Norman religious architecture with islamic influences in Sicily

The cemetery of kings

Different styles and transformations of “one of the most beautiful monuments in the world”

The Royal Throne

A compositional design that combines nordic examples with new artistic languages, over the centuries

The king’s mark

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the architecture and decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

A new Cathedral

The senses tell the mosaic cycle

Gardens and architecture as a backdrop to the city of Palermo

Layers of different cultures decorate the external apses

The Virgin Hodegetria

The flooring: shapes, motifs and iconography

The opus sectile floor of the Palatine Chapel

The rediscovered palace

The links between the hauteville family and the monastic orders in Sicily

Palermo: the happiest city

The liturgical spaces of the protesis and the diaconicon

The columns of the nave: the meticulous study of the overall order

The medieval city amidst monasticism and feudal aristocracy

Transformations over the centuries

The longest aisle

The mosaics of the naves

The lost chapel

The Bible carved in stone

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell Context 1

The return of water

Survey of the royal tombs

The chapel of san Castrense: an important renaissance work

The towers facing the facade used as bell towers

The Kings’ Cathedrals

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the historical context

A mixture of styles pervades the floor decorations

The loca solatiorum: dwellings for recreation, well-being and hunting

The cultural substrate through time

Beyond the harmony of proportions

The senses tell the historical context

A controversial interpretation

The senses tell baroque decoration

Restorations

The southern portico

The birth of the Norman kingdom

The senses tell the interior

the roof of Paradise: one of the most representative works of medieval art

The decorated facade

The Great Restoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A polysemy of high-level artistic forms and content

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of St. Benedict

An architectural crescendo

From the Mosque to the Cathedral

The towers and the western facade

Worship services

Shapes and colours of the wooden ceiling

Squaring the circle

Characteristics of religious architecture in the romanesque period

The senses tell the Zisa over the centuries

A chapel by an unknown designer based on repeated symmetries

the Baroque exterior

The Genoard Park, the garden of pleasures and wonders

The area of the Sanctuary

The senses tell restorations

From earthquake to collapse

The chorus: beating heart of the cathedral

The side aisles

A space between the visible and the invisible

The senses tell the external architecture and the original layout

The balance between architecture and light

A tree full of life

The interior of the church

Ecclesia munita

Tempus fugit: a strategic project implemented in a short period of time

The Norman conquest of Sicily and the birth of a new Latin kingdom

Interior decorations

Artistic elements in Peter’s ship

Porphyry sarcophagi: royalty and power

The mosaics of the transept and the apses

From the main gate to the aisles: an invitation to a journey of faith

The stone bible

The senses tell the architecture

The senses tell the ceiling

The Cathedral over the centuries

Saint Peter’s Chapel in the Royal Palace

Intertwining of knowledge in Norman Palermo

Mosaic decoration