photo gallery

photo gallery

Intertwining of knowledge in Norman Palermo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Virgin Hodegetria

Characteristics of religious architecture in the romanesque period

The chapel of the crucifix: an artistic casket based on a previous model

Artistic elements in Peter’s ship

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A chapel by an unknown designer based on repeated symmetries

A building constructed in a short space of time

The towers facing the facade used as bell towers

The Genoard Park, the garden of pleasures and wonders

The senses tell the historical context

the roof of Paradise: one of the most representative works of medieval art

The Bible carved in stone

The Cathedral over the centuries

A mixture of styles pervades the floor decorations

The decorated facade

Gold and light: the splendour of the mosaics in the Royal Chapel

The rediscovered chapel

From earthquake to collapse

Tempus fugit: a strategic project implemented in a short period of time

The decorations on the bell tower

The towers and the western facade

The southern portico

The senses tell the interior

The mosaics of the presbytery

The senses tell the historical context

Two initially similar towers, varied over time

The loca solatiorum: dwellings for recreation, well-being and hunting

The medieval city amidst monasticism and feudal aristocracy

The senses tell Context 1

Gardens and architecture as a backdrop to the city of Palermo

The interior of the church

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Saint Peter’s Chapel in the Royal Palace

Roger II of hauteville: a sovereign protected by God

The mosaics of the naves

The birth of the Norman kingdom

The senses tell the historical context

The Great Presbytery: a unique space for the cathedral

the Baroque exterior

The balance between architecture and light

Cefalù: settlement evidence through time

A cloister of accentuated stylistic variety

Worship services

The dialogue between the architectures of the monumental complex

The rediscovered palace

The Chapel of the Kings

The transformations of the hall through the centuries

The side aisles

A palimpsest of history

Norman religious architecture with islamic influences in Sicily

Restorations

The Cassaro

The chystro: a place between earth and sky

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of St. Benedict

From the Mosque to the Cathedral

The cultural substrate through time

Survey of the royal tombs

The beginning of the construction site

An architectural crescendo

From oblivion to the recovery of memory

The senses tell the ceiling

The senses tell the Zisa over the centuries

The construction of Monreale Cathedral: between myth and history

Palermo: the happiest city

The senses tell the flooring

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of san Castrense: an important renaissance work

The Gualtiero Cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A remarkable ceiling

Mosaic decoration

The senses tell the architecture and decorations

A space between the visible and the invisible

The mosaics of the apses

The return of water

The links between the hauteville family and the monastic orders in Sicily

Under the crosses of the Bema

Shapes and colours of the wooden ceiling

The columns of the nave: the meticulous study of the overall order

A new Cathedral

The side Portico: a combination of elegance and lightness of form

The Royal Throne

Roger II’s strategic design

From the main gate to the aisles: an invitation to a journey of faith

A compositional design that combines nordic examples with new artistic languages, over the centuries

The opus sectile floor of the Palatine Chapel

The Kings’ Cathedrals

Interior decorations

The senses tell restorations

The architectural appearance and transformations over time

The mosaic cycle, an ascending path towards the light

the Baroque interior

The Norman conquest of Sicily and the birth of a new Latin kingdom

The mosaics of the transept and the apses

A controversial interpretation

The king’s mark

The flooring: shapes, motifs and iconography

The liturgical spaces of the protesis and the diaconicon

The area of the Sanctuary

The original design

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The longest aisle

The cemetery of kings

Squaring the circle

The senses tell the architecture

Beyond the harmony of proportions

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Admiral’s dedication

The stone bible

The architectural space

The architectural envelope: the Greek cross layout oriented towards the light

Transformations over the centuries

A tree full of life

The Chapel of St. Mary Magdalene

The senses tell baroque decoration

The chorus: beating heart of the cathedral

A polysemy of high-level artistic forms and content

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The ancient convent of the Martorana, a history of devotion and tradition

The lost chapel

The Palace of Kings

The Great Restoration

The senses tell the mosaic cycle

A Northern population

Porphyry sarcophagi: royalty and power

Ecclesia munita

The senses tell the external architecture and the original layout

Decorations

Layers of different cultures decorate the external apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure