photo gallery

photo gallery

the Baroque interior

The Chapel of the Kings

The senses tell the historical context

The Royal Throne

The chystro: a place between earth and sky

A Northern population

Squaring the circle

The Genoard Park, the garden of pleasures and wonders

The cemetery of kings

A tree full of life

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell baroque decoration

Gardens and architecture as a backdrop to the city of Palermo

From earthquake to collapse

The rediscovered chapel

The architectural appearance and transformations over time

The cultural substrate through time

The mosaics of the transept and the apses

The stone bible

Characteristics of religious architecture in the romanesque period

A palimpsest of history

The links between the hauteville family and the monastic orders in Sicily

The birth of the Norman kingdom

The senses tell the flooring

The decorated facade

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the mosaic cycle

The chapel of the crucifix: an artistic casket based on a previous model

Under the crosses of the Bema

The transformations of the hall through the centuries

The construction of Monreale Cathedral: between myth and history

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The medieval city amidst monasticism and feudal aristocracy

The original design

The senses tell the architecture

A controversial interpretation

An architectural crescendo

A compositional design that combines nordic examples with new artistic languages, over the centuries

The return of water

Survey of the royal tombs

The architectural space

Palermo: the happiest city

Layers of different cultures decorate the external apses

A new Cathedral

The southern portico

From the Mosque to the Cathedral

Restorations

The senses tell the historical context

The longest aisle

Ecclesia munita

The columns of the nave: the meticulous study of the overall order

The senses tell restorations

The Virgin Hodegetria

Cefalù: settlement evidence through time

The Kings’ Cathedrals

The mosaics of the presbytery

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A chapel by an unknown designer based on repeated symmetries

The mosaic cycle, an ascending path towards the light

The senses tell the external architecture and the original layout

the roof of Paradise: one of the most representative works of medieval art

The senses tell the ceiling

The ancient convent of the Martorana, a history of devotion and tradition

The flooring: shapes, motifs and iconography

The rediscovered palace

Saint Peter’s Chapel in the Royal Palace

The senses tell the interior

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Beyond the harmony of proportions

The king’s mark

The opus sectile floor of the Palatine Chapel

Mosaic decoration

The liturgical spaces of the protesis and the diaconicon

The senses tell the historical context

From the main gate to the aisles: an invitation to a journey of faith

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cathedral over the centuries

The Great Presbytery: a unique space for the cathedral

The chapel of St. Benedict

Roger II of hauteville: a sovereign protected by God

Intertwining of knowledge in Norman Palermo

The Great Restoration

The side aisles

Porphyry sarcophagi: royalty and power

The towers facing the facade used as bell towers

The side Portico: a combination of elegance and lightness of form

Gold and light: the splendour of the mosaics in the Royal Chapel

The Palace of Kings

The Cassaro

The architectural envelope: the Greek cross layout oriented towards the light

the Baroque exterior

From oblivion to the recovery of memory

The towers and the western facade

Transformations over the centuries

The lost chapel

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Norman religious architecture with islamic influences in Sicily

A space between the visible and the invisible

A cloister of accentuated stylistic variety

A building constructed in a short space of time

The mosaics of the naves

The senses tell the architecture and decorations

The balance between architecture and light

Different styles and transformations of “one of the most beautiful monuments in the world”

The Admiral’s dedication

The mosaics of the apses

A polysemy of high-level artistic forms and content

Artistic elements in Peter’s ship

Shapes and colours of the wooden ceiling

The senses tell Context 1

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Gualtiero Cathedral

The Chapel of St. Mary Magdalene

A mixture of styles pervades the floor decorations

The Norman conquest of Sicily and the birth of a new Latin kingdom

The interior of the church

The Bible carved in stone

Roger II’s strategic design

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

The area of the Sanctuary

The senses tell the Zisa over the centuries

Worship services

The chapel of san Castrense: an important renaissance work

A remarkable ceiling

Interior decorations

Two initially similar towers, varied over time

The dialogue between the architectures of the monumental complex

Decorations

The decorations on the bell tower

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The beginning of the construction site