photo gallery

photo gallery

Cefalù: settlement evidence through time

The cultural substrate through time

The dialogue between the architectures of the monumental complex

The senses tell the mosaic cycle

The rediscovered palace

A new Cathedral

The medieval city amidst monasticism and feudal aristocracy

The transformations of the hall through the centuries

The balance between architecture and light

A polysemy of high-level artistic forms and content

The ancient convent of the Martorana, a history of devotion and tradition

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Decorations

Saint Peter’s Chapel in the Royal Palace

Artistic elements in Peter’s ship

Under the crosses of the Bema

Two initially similar towers, varied over time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Gardens and architecture as a backdrop to the city of Palermo

the Baroque exterior

The senses tell the Zisa over the centuries

A mixture of styles pervades the floor decorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Royal Throne

A remarkable ceiling

Palermo: the happiest city

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Mosaic decoration

The construction of Monreale Cathedral: between myth and history

The side aisles

The longest aisle

From the Mosque to the Cathedral

Layers of different cultures decorate the external apses

The senses tell the flooring

The area of the Sanctuary

Beyond the harmony of proportions

The senses tell the external architecture and the original layout

From oblivion to the recovery of memory

The interior of the church

The side Portico: a combination of elegance and lightness of form

The architectural envelope: the Greek cross layout oriented towards the light

The chorus: beating heart of the cathedral

The towers and the western facade

Worship services

The senses tell the ceiling

The decorated facade

The Chapel of the Kings

Porphyry sarcophagi: royalty and power

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell restorations

The senses tell Context 1

Roger II of hauteville: a sovereign protected by God

A space between the visible and the invisible

The senses tell the architecture and decorations

The Cathedral over the centuries

Transformations over the centuries

A building constructed in a short space of time

The king’s mark

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Characteristics of religious architecture in the romanesque period

The Chapel of St. Mary Magdalene

The liturgical spaces of the protesis and the diaconicon

The chapel of san Castrense: an important renaissance work

A palimpsest of history

The senses tell the interior

The architectural appearance and transformations over time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

the Baroque interior

The Great Presbytery: a unique space for the cathedral

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

The Genoard Park, the garden of pleasures and wonders

The rediscovered chapel

From the main gate to the aisles: an invitation to a journey of faith

Roger II’s strategic design

A tree full of life

Ecclesia munita

The chystro: a place between earth and sky

The southern portico

The chapel of the crucifix: an artistic casket based on a previous model

The architectural space

The Gualtiero Cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

A controversial interpretation

The senses tell baroque decoration

A chapel by an unknown designer based on repeated symmetries

the roof of Paradise: one of the most representative works of medieval art

The Great Restoration

The senses tell the historical context

The senses tell the historical context

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Palace of Kings

An architectural crescendo

The opus sectile floor of the Palatine Chapel

Interior decorations

The Virgin Hodegetria

The Norman conquest of Sicily and the birth of a new Latin kingdom

The mosaics of the transept and the apses

The mosaics of the presbytery

The senses tell the architecture

Restorations

The mosaics of the naves

The loca solatiorum: dwellings for recreation, well-being and hunting

Squaring the circle

The lost chapel

The senses tell the historical context

The return of water

A Northern population

The decorations on the bell tower

The Admiral’s dedication

The mosaics of the apses

The Kings’ Cathedrals

The flooring: shapes, motifs and iconography

Norman religious architecture with islamic influences in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The Cassaro

Different styles and transformations of “one of the most beautiful monuments in the world”

The stone bible

Shapes and colours of the wooden ceiling

From earthquake to collapse

The links between the hauteville family and the monastic orders in Sicily

The cemetery of kings

Survey of the royal tombs

The towers facing the facade used as bell towers

The original design

Intertwining of knowledge in Norman Palermo

The mosaic cycle, an ascending path towards the light

The birth of the Norman kingdom

The Bible carved in stone

A cloister of accentuated stylistic variety

The chapel of St. Benedict