photo gallery

photo gallery

The balance between architecture and light

The senses tell the flooring

The Virgin Hodegetria

From oblivion to the recovery of memory

The beginning of the construction site

the Baroque interior

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Survey of the royal tombs

The architectural space

The senses tell the Zisa over the centuries

The links between the hauteville family and the monastic orders in Sicily

The side Portico: a combination of elegance and lightness of form

A remarkable ceiling

The Royal Throne

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The stone bible

Gold and light: the splendour of the mosaics in the Royal Chapel

The king’s mark

A cloister of accentuated stylistic variety

The opus sectile floor of the Palatine Chapel

The senses tell baroque decoration

The construction of Monreale Cathedral: between myth and history

The senses tell the mosaic cycle

Squaring the circle

The original design

A controversial interpretation

The medieval city amidst monasticism and feudal aristocracy

Roger II’s strategic design

A building constructed in a short space of time

The chapel of the crucifix: an artistic casket based on a previous model

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Palermo: the happiest city

Porphyry sarcophagi: royalty and power

the roof of Paradise: one of the most representative works of medieval art

A chapel by an unknown designer based on repeated symmetries

Cefalù: settlement evidence through time

The mosaics of the naves

Layers of different cultures decorate the external apses

The columns of the nave: the meticulous study of the overall order

A polysemy of high-level artistic forms and content

From the main gate to the aisles: an invitation to a journey of faith

The ancient convent of the Martorana, a history of devotion and tradition

Under the crosses of the Bema

The dialogue between the architectures of the monumental complex

The Great Presbytery: a unique space for the cathedral

The Chapel of St. Mary Magdalene

Roger II of hauteville: a sovereign protected by God

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

From earthquake to collapse

The mosaics of the transept and the apses

The mosaics of the apses

Different styles and transformations of “one of the most beautiful monuments in the world”

The chorus: beating heart of the cathedral

A new Cathedral

The senses tell the historical context

The Norman conquest of Sicily and the birth of a new Latin kingdom

The return of water

The senses tell restorations

The chapel of san Castrense: an important renaissance work

The mosaics of the presbytery

Shapes and colours of the wooden ceiling

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the historical context

A Northern population

The rediscovered chapel

Two initially similar towers, varied over time

A mixture of styles pervades the floor decorations

The loca solatiorum: dwellings for recreation, well-being and hunting

Characteristics of religious architecture in the romanesque period

The towers facing the facade used as bell towers

The Palace of Kings

Restorations

Transformations over the centuries

The Chapel of the Kings

The flooring: shapes, motifs and iconography

The side aisles

The chystro: a place between earth and sky

Decorations

The rediscovered palace

The senses tell the external architecture and the original layout

The interior of the church

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The longest aisle

The cultural substrate through time

The senses tell Context 1

The Cathedral over the centuries

Intertwining of knowledge in Norman Palermo

An architectural crescendo

Beyond the harmony of proportions

The senses tell the architecture

Mosaic decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

The senses tell the architecture and decorations

the Baroque exterior

The lost chapel

The Admiral’s dedication

The decorations on the bell tower

Interior decorations

The senses tell the historical context

From the Mosque to the Cathedral

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Genoard Park, the garden of pleasures and wonders

The transformations of the hall through the centuries

A palimpsest of history

The senses tell the ceiling

The area of the Sanctuary

The senses tell the interior

Ecclesia munita

The Cassaro

A tree full of life

The southern portico

The birth of the Norman kingdom

Gardens and architecture as a backdrop to the city of Palermo

The Great Restoration

The mosaic cycle, an ascending path towards the light

Saint Peter’s Chapel in the Royal Palace

The cemetery of kings

A space between the visible and the invisible

Norman religious architecture with islamic influences in Sicily

The decorated facade

The Kings’ Cathedrals

The liturgical spaces of the protesis and the diaconicon

The architectural appearance and transformations over time

The Bible carved in stone

Worship services

The architectural envelope: the Greek cross layout oriented towards the light

Tempus fugit: a strategic project implemented in a short period of time

The chapel of St. Benedict

The Gualtiero Cathedral

Artistic elements in Peter’s ship

A compositional design that combines nordic examples with new artistic languages, over the centuries