photo gallery

photo gallery

Cefalù: settlement evidence through time

The side aisles

The area of the Sanctuary

The return of water

The senses tell Context 1

From earthquake to collapse

The king’s mark

The cemetery of kings

The senses tell the flooring

The senses tell the mosaic cycle

the roof of Paradise: one of the most representative works of medieval art

The rediscovered palace

The birth of the Norman kingdom

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell restorations

The opus sectile floor of the Palatine Chapel

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the architecture and decorations

Roger II’s strategic design

The senses tell the ceiling

The cultural substrate through time

Palermo: the happiest city

From the main gate to the aisles: an invitation to a journey of faith

The towers and the western facade

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

The balance between architecture and light

The chorus: beating heart of the cathedral

Saint Peter’s Chapel in the Royal Palace

Beyond the harmony of proportions

The senses tell the external architecture and the original layout

The architectural envelope: the Greek cross layout oriented towards the light

Transformations over the centuries

the Baroque interior

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Tempus fugit: a strategic project implemented in a short period of time

Artistic elements in Peter’s ship

Porphyry sarcophagi: royalty and power

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A palimpsest of history

A chapel by an unknown designer based on repeated symmetries

Two initially similar towers, varied over time

The beginning of the construction site

Roger II of hauteville: a sovereign protected by God

The mosaics of the transept and the apses

The Great Presbytery: a unique space for the cathedral

Gardens and architecture as a backdrop to the city of Palermo

A remarkable ceiling

The Kings’ Cathedrals

Shapes and colours of the wooden ceiling

A controversial interpretation

The transformations of the hall through the centuries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Under the crosses of the Bema

The lost chapel

The towers facing the facade used as bell towers

Restorations

The chapel of St. Benedict

A building constructed in a short space of time

Norman religious architecture with islamic influences in Sicily

The Chapel of St. Mary Magdalene

Squaring the circle

The Palace of Kings

Worship services

The mosaics of the apses

Interior decorations

Decorations

The longest aisle

The Great Restoration

A tree full of life

The mosaics of the presbytery

The Bible carved in stone

The Cassaro

The loca solatiorum: dwellings for recreation, well-being and hunting

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the historical context

The medieval city amidst monasticism and feudal aristocracy

The stone bible

Different styles and transformations of “one of the most beautiful monuments in the world”

The chapel of the crucifix: an artistic casket based on a previous model

From oblivion to the recovery of memory

The interior of the church

The columns of the nave: the meticulous study of the overall order

The dialogue between the architectures of the monumental complex

From the Mosque to the Cathedral

The architectural appearance and transformations over time

The Gualtiero Cathedral

The mosaics of the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell baroque decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Royal Throne

The decorations on the bell tower

The senses tell the interior

The southern portico

The decorated facade

The liturgical spaces of the protesis and the diaconicon

A Northern population

The rediscovered chapel

The architectural space

The senses tell the architecture

The chystro: a place between earth and sky

The original design

The Genoard Park, the garden of pleasures and wonders

The Virgin Hodegetria

A polysemy of high-level artistic forms and content

The flooring: shapes, motifs and iconography

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Chapel of the Kings

The ancient convent of the Martorana, a history of devotion and tradition

Layers of different cultures decorate the external apses

The Admiral’s dedication

A mixture of styles pervades the floor decorations

The senses tell the historical context

Survey of the royal tombs

The chapel of san Castrense: an important renaissance work

The senses tell the Zisa over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The side Portico: a combination of elegance and lightness of form

The Cathedral over the centuries

A space between the visible and the invisible

A new Cathedral

The mosaic cycle, an ascending path towards the light

Ecclesia munita

A cloister of accentuated stylistic variety

Mosaic decoration

Intertwining of knowledge in Norman Palermo

The construction of Monreale Cathedral: between myth and history

An architectural crescendo

the Baroque exterior

Characteristics of religious architecture in the romanesque period