photo gallery

photo gallery

The Norman conquest of Sicily and the birth of a new Latin kingdom

The towers facing the facade used as bell towers

The mosaics of the presbytery

The southern portico

The transformations of the hall through the centuries

The rediscovered palace

A new Cathedral

The Gualtiero Cathedral

From oblivion to the recovery of memory

Roger II of hauteville: a sovereign protected by God

The columns of the nave: the meticulous study of the overall order

The lost chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the external architecture and the original layout

The mosaics of the transept and the apses

A space between the visible and the invisible

The senses tell the Zisa over the centuries

Decorations

The longest aisle

The chapel of St. Benedict

The Kings’ Cathedrals

Transformations over the centuries

Norman religious architecture with islamic influences in Sicily

The senses tell the historical context

The cemetery of kings

A polysemy of high-level artistic forms and content

The Cassaro

The liturgical spaces of the protesis and the diaconicon

Restorations

Survey of the royal tombs

The decorations on the bell tower

The birth of the Norman kingdom

The interior of the church

The Virgin Hodegetria

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A mixture of styles pervades the floor decorations

Worship services

Squaring the circle

A tree full of life

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Interior decorations

The Bible carved in stone

Tempus fugit: a strategic project implemented in a short period of time

The Great Presbytery: a unique space for the cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From earthquake to collapse

The Palace of Kings

The area of the Sanctuary

Gold and light: the splendour of the mosaics in the Royal Chapel

The stone bible

The senses tell the historical context

An architectural crescendo

The Genoard Park, the garden of pleasures and wonders

The king’s mark

The Chapel of St. Mary Magdalene

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Intertwining of knowledge in Norman Palermo

The towers and the western facade

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A remarkable ceiling

The Admiral’s dedication

The cultural substrate through time

The senses tell baroque decoration

The rediscovered chapel

The senses tell the historical context

The senses tell the architecture

The mosaic cycle, an ascending path towards the light

Cefalù: settlement evidence through time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

the Baroque interior

Two initially similar towers, varied over time

The construction of Monreale Cathedral: between myth and history

Beyond the harmony of proportions

Shapes and colours of the wooden ceiling

The Cathedral over the centuries

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the interior

The opus sectile floor of the Palatine Chapel

The flooring: shapes, motifs and iconography

Mosaic decoration

From the Mosque to the Cathedral

A chapel by an unknown designer based on repeated symmetries

The chapel of the crucifix: an artistic casket based on a previous model

The chapel of san Castrense: an important renaissance work

A cloister of accentuated stylistic variety

The chorus: beating heart of the cathedral

The links between the hauteville family and the monastic orders in Sicily

The mosaics of the naves

The beginning of the construction site

The senses tell the flooring

A palimpsest of history

Saint Peter’s Chapel in the Royal Palace

The mosaics of the apses

A Northern population

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural appearance and transformations over time

The return of water

The Chapel of the Kings

Gardens and architecture as a backdrop to the city of Palermo

The senses tell Context 1

Ecclesia munita

Different styles and transformations of “one of the most beautiful monuments in the world”

Characteristics of religious architecture in the romanesque period

the Baroque exterior

The Royal Throne

The original design

A controversial interpretation

The side Portico: a combination of elegance and lightness of form

Under the crosses of the Bema

A building constructed in a short space of time

The dialogue between the architectures of the monumental complex

The senses tell the ceiling

The decorated facade

Roger II’s strategic design

The loca solatiorum: dwellings for recreation, well-being and hunting

Layers of different cultures decorate the external apses

Porphyry sarcophagi: royalty and power

Artistic elements in Peter’s ship

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the architecture and decorations

The chystro: a place between earth and sky

the roof of Paradise: one of the most representative works of medieval art

The architectural space

The architectural envelope: the Greek cross layout oriented towards the light

Palermo: the happiest city

The medieval city amidst monasticism and feudal aristocracy

The side aisles

The Great Restoration

The senses tell restorations

The balance between architecture and light

The senses tell the mosaic cycle

The ancient convent of the Martorana, a history of devotion and tradition