photo gallery

photo gallery

The rediscovered chapel

Roger II’s strategic design

The Cassaro

The senses tell the mosaic cycle

The Palace of Kings

The chapel of St. Benedict

The birth of the Norman kingdom

The original design

The architectural envelope: the Greek cross layout oriented towards the light

Under the crosses of the Bema

The chorus: beating heart of the cathedral

The Virgin Hodegetria

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The architectural space

The chapel of san Castrense: an important renaissance work

Beyond the harmony of proportions

Different styles and transformations of “one of the most beautiful monuments in the world”

From earthquake to collapse

The senses tell the historical context

The side aisles

The construction of Monreale Cathedral: between myth and history

The beginning of the construction site

The links between the hauteville family and the monastic orders in Sicily

A palimpsest of history

The area of the Sanctuary

Norman religious architecture with islamic influences in Sicily

The chapel of the crucifix: an artistic casket based on a previous model

The transformations of the hall through the centuries

Cefalù: settlement evidence through time

the roof of Paradise: one of the most representative works of medieval art

The senses tell restorations

The architectural appearance and transformations over time

Artistic elements in Peter’s ship

Gardens and architecture as a backdrop to the city of Palermo

The balance between architecture and light

Intertwining of knowledge in Norman Palermo

Decorations

A new Cathedral

Saint Peter’s Chapel in the Royal Palace

The medieval city amidst monasticism and feudal aristocracy

The longest aisle

The Gualtiero Cathedral

The mosaics of the transept and the apses

A controversial interpretation

From oblivion to the recovery of memory

The Cathedral over the centuries

The return of water

The opus sectile floor of the Palatine Chapel

The stone bible

The senses tell baroque decoration

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the presbytery

An architectural crescendo

Layers of different cultures decorate the external apses

Restorations

The senses tell the architecture and decorations

The flooring: shapes, motifs and iconography

The Genoard Park, the garden of pleasures and wonders

The Chapel of St. Mary Magdalene

The mosaic cycle, an ascending path towards the light

A mixture of styles pervades the floor decorations

The Norman conquest of Sicily and the birth of a new Latin kingdom

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Mosaic decoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the interior

Worship services

Tempus fugit: a strategic project implemented in a short period of time

The senses tell the historical context

Roger II of hauteville: a sovereign protected by God

Transformations over the centuries

A space between the visible and the invisible

The chystro: a place between earth and sky

The Kings’ Cathedrals

The loca solatiorum: dwellings for recreation, well-being and hunting

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The decorated facade

Gold and light: the splendour of the mosaics in the Royal Chapel

Shapes and colours of the wooden ceiling

The southern portico

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the architecture

Palermo: the happiest city

The interior of the church

The Admiral’s dedication

The cultural substrate through time

The Great Restoration

Two initially similar towers, varied over time

Porphyry sarcophagi: royalty and power

Ecclesia munita

A polysemy of high-level artistic forms and content

The cemetery of kings

A remarkable ceiling

The dialogue between the architectures of the monumental complex

A cloister of accentuated stylistic variety

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side Portico: a combination of elegance and lightness of form

The columns of the nave: the meticulous study of the overall order

the Baroque exterior

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the ceiling

The towers and the western facade

Interior decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Chapel of the Kings

Squaring the circle

The senses tell Context 1

Survey of the royal tombs

The senses tell the flooring

the Baroque interior

The ancient convent of the Martorana, a history of devotion and tradition

Characteristics of religious architecture in the romanesque period

A Northern population

The king’s mark

The senses tell the historical context

A tree full of life

A chapel by an unknown designer based on repeated symmetries

The mosaics of the naves

The Great Presbytery: a unique space for the cathedral

The Bible carved in stone

From the Mosque to the Cathedral

The senses tell the external architecture and the original layout

From the main gate to the aisles: an invitation to a journey of faith

The lost chapel

The liturgical spaces of the protesis and the diaconicon

The senses tell the Zisa over the centuries

A building constructed in a short space of time

The towers facing the facade used as bell towers

The rediscovered palace

The mosaics of the apses

The Royal Throne

The decorations on the bell tower