photo gallery

photo gallery

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Porphyry sarcophagi: royalty and power

The interior of the church

The flooring: shapes, motifs and iconography

The Chapel of St. Mary Magdalene

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Chapel of the Kings

Roger II of hauteville: a sovereign protected by God

From oblivion to the recovery of memory

The original design

The senses tell the architecture

The transformations of the hall through the centuries

Worship services

The side aisles

The Virgin Hodegetria

The towers facing the facade used as bell towers

The rediscovered chapel

From the Mosque to the Cathedral

Ecclesia munita

The senses tell the historical context

Cefalù: settlement evidence through time

A new Cathedral

Shapes and colours of the wooden ceiling

The ancient convent of the Martorana, a history of devotion and tradition

A remarkable ceiling

The Gualtiero Cathedral

The mosaics of the naves

A building constructed in a short space of time

The southern portico

The chapel of St. Benedict

The decorations on the bell tower

From the main gate to the aisles: an invitation to a journey of faith

A chapel by an unknown designer based on repeated symmetries

The medieval city amidst monasticism and feudal aristocracy

The senses tell the mosaic cycle

The Royal Throne

The Kings’ Cathedrals

Layers of different cultures decorate the external apses

Mosaic decoration

The Bible carved in stone

A controversial interpretation

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of san Castrense: an important renaissance work

Restorations

The senses tell the Zisa over the centuries

The return of water

A polysemy of high-level artistic forms and content

A compositional design that combines nordic examples with new artistic languages, over the centuries

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the architecture and decorations

the Baroque exterior

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The birth of the Norman kingdom

The mosaics of the apses

The area of the Sanctuary

The towers and the western facade

The mosaic cycle, an ascending path towards the light

A tree full of life

The mosaics of the transept and the apses

Transformations over the centuries

The Cathedral over the centuries

The lost chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

Survey of the royal tombs

Decorations

The Palace of Kings

The longest aisle

The senses tell the historical context

Squaring the circle

A mixture of styles pervades the floor decorations

The architectural appearance and transformations over time

The senses tell restorations

The Great Restoration

The senses tell the flooring

Palermo: the happiest city

The cemetery of kings

The king’s mark

The Genoard Park, the garden of pleasures and wonders

A palimpsest of history

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The links between the hauteville family and the monastic orders in Sicily

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Beyond the harmony of proportions

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beginning of the construction site

An architectural crescendo

The senses tell Context 1

The architectural space

A cloister of accentuated stylistic variety

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the interior

The columns of the nave: the meticulous study of the overall order

Characteristics of religious architecture in the romanesque period

The dialogue between the architectures of the monumental complex

The balance between architecture and light

The Norman conquest of Sicily and the birth of a new Latin kingdom

Intertwining of knowledge in Norman Palermo

Interior decorations

The architectural envelope: the Greek cross layout oriented towards the light

The construction of Monreale Cathedral: between myth and history

Roger II’s strategic design

Two initially similar towers, varied over time

Saint Peter’s Chapel in the Royal Palace

the roof of Paradise: one of the most representative works of medieval art

The Great Presbytery: a unique space for the cathedral

Under the crosses of the Bema

The decorated facade

The mosaics of the presbytery

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the external architecture and the original layout

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Artistic elements in Peter’s ship

The senses tell baroque decoration

A Northern population

The chystro: a place between earth and sky

The Admiral’s dedication

The side Portico: a combination of elegance and lightness of form

The rediscovered palace

The senses tell the ceiling

The liturgical spaces of the protesis and the diaconicon

the Baroque interior

Norman religious architecture with islamic influences in Sicily

A space between the visible and the invisible

The cultural substrate through time

From earthquake to collapse

The opus sectile floor of the Palatine Chapel

The Cassaro

The chapel of the crucifix: an artistic casket based on a previous model

The stone bible

Tempus fugit: a strategic project implemented in a short period of time

The chorus: beating heart of the cathedral

The senses tell the historical context