photo gallery

photo gallery

The senses tell the historical context

The rediscovered chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

the Baroque interior

Different styles and transformations of “one of the most beautiful monuments in the world”

The opus sectile floor of the Palatine Chapel

The loca solatiorum: dwellings for recreation, well-being and hunting

The Gualtiero Cathedral

The side Portico: a combination of elegance and lightness of form

The chapel of St. Benedict

Shapes and colours of the wooden ceiling

Intertwining of knowledge in Norman Palermo

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the historical context

The return of water

The cultural substrate through time

The Bible carved in stone

The senses tell the mosaic cycle

the Baroque exterior

Mosaic decoration

The Kings’ Cathedrals

Worship services

The balance between architecture and light

The mosaics of the transept and the apses

The senses tell the Zisa over the centuries

The Cathedral over the centuries

The rediscovered palace

The ancient convent of the Martorana, a history of devotion and tradition

The interior of the church

Squaring the circle

The area of the Sanctuary

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Chapel of the Kings

Transformations over the centuries

A controversial interpretation

The dialogue between the architectures of the monumental complex

The chapel of san Castrense: an important renaissance work

The king’s mark

Ecclesia munita

The side aisles

The senses tell the historical context

The mosaic cycle, an ascending path towards the light

Roger II of hauteville: a sovereign protected by God

The architectural appearance and transformations over time

A mixture of styles pervades the floor decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the external architecture and the original layout

A palimpsest of history

Characteristics of religious architecture in the romanesque period

Survey of the royal tombs

The decorated facade

The Genoard Park, the garden of pleasures and wonders

A cloister of accentuated stylistic variety

Cefalù: settlement evidence through time

Interior decorations

The mosaics of the naves

The architectural space

The longest aisle

Gold and light: the splendour of the mosaics in the Royal Chapel

Saint Peter’s Chapel in the Royal Palace

A building constructed in a short space of time

The cemetery of kings

The Great Presbytery: a unique space for the cathedral

The transformations of the hall through the centuries

The towers and the western facade

Norman religious architecture with islamic influences in Sicily

Porphyry sarcophagi: royalty and power

The architectural envelope: the Greek cross layout oriented towards the light

Palermo: the happiest city

The stone bible

The decorations on the bell tower

A compositional design that combines nordic examples with new artistic languages, over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Palace of Kings

The construction of Monreale Cathedral: between myth and history

A Northern population

The chorus: beating heart of the cathedral

Tempus fugit: a strategic project implemented in a short period of time

The lost chapel

An architectural crescendo

The mosaics of the presbytery

The columns of the nave: the meticulous study of the overall order

A chapel by an unknown designer based on repeated symmetries

Decorations

Artistic elements in Peter’s ship

The mosaics of the apses

The senses tell the architecture and decorations

the roof of Paradise: one of the most representative works of medieval art

The links between the hauteville family and the monastic orders in Sicily

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Royal Throne

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beginning of the construction site

The senses tell the ceiling

A new Cathedral

The liturgical spaces of the protesis and the diaconicon

The Virgin Hodegetria

A remarkable ceiling

From oblivion to the recovery of memory

The senses tell baroque decoration

The Cassaro

The birth of the Norman kingdom

A polysemy of high-level artistic forms and content

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the architecture

The southern portico

The original design

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Roger II’s strategic design

From earthquake to collapse

The Great Restoration

Under the crosses of the Bema

The chystro: a place between earth and sky

Layers of different cultures decorate the external apses

Gardens and architecture as a backdrop to the city of Palermo

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the flooring

The towers facing the facade used as bell towers

The senses tell Context 1

From the Mosque to the Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A space between the visible and the invisible

Beyond the harmony of proportions

Restorations

The Admiral’s dedication

The medieval city amidst monasticism and feudal aristocracy

A tree full of life

The senses tell the interior

The senses tell restorations

The Chapel of St. Mary Magdalene

The flooring: shapes, motifs and iconography