photo gallery

photo gallery

The mosaics of the naves

A chapel by an unknown designer based on repeated symmetries

From the Mosque to the Cathedral

The Great Presbytery: a unique space for the cathedral

The return of water

the Baroque interior

The columns of the nave: the meticulous study of the overall order

A building constructed in a short space of time

The senses tell restorations

The rediscovered palace

Norman religious architecture with islamic influences in Sicily

The cultural substrate through time

Gold and light: the splendour of the mosaics in the Royal Chapel

Squaring the circle

Layers of different cultures decorate the external apses

The beginning of the construction site

The senses tell Context 1

The chapel of the crucifix: an artistic casket based on a previous model

A Northern population

The opus sectile floor of the Palatine Chapel

The Genoard Park, the garden of pleasures and wonders

The Cathedral over the centuries

Roger II’s strategic design

Interior decorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The mosaics of the apses

The senses tell the interior

The Kings’ Cathedrals

From oblivion to the recovery of memory

The transformations of the hall through the centuries

The Cassaro

The king’s mark

The senses tell the historical context

The chapel of St. Benedict

A palimpsest of history

Decorations

A controversial interpretation

The senses tell the ceiling

The stone bible

A polysemy of high-level artistic forms and content

The rediscovered chapel

the Baroque exterior

The flooring: shapes, motifs and iconography

Intertwining of knowledge in Norman Palermo

The Virgin Hodegetria

The senses tell the external architecture and the original layout

The loca solatiorum: dwellings for recreation, well-being and hunting

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the historical context

Cefalù: settlement evidence through time

The construction of Monreale Cathedral: between myth and history

A compositional design that combines nordic examples with new artistic languages, over the centuries

A cloister of accentuated stylistic variety

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The towers facing the facade used as bell towers

The Gualtiero Cathedral

The mosaics of the transept and the apses

The balance between architecture and light

The senses tell the Zisa over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Roger II of hauteville: a sovereign protected by God

Gardens and architecture as a backdrop to the city of Palermo

The decorations on the bell tower

The senses tell the flooring

The ancient convent of the Martorana, a history of devotion and tradition

The Chapel of St. Mary Magdalene

An architectural crescendo

The birth of the Norman kingdom

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A space between the visible and the invisible

The Chapel of the Kings

The side Portico: a combination of elegance and lightness of form

The mosaic cycle, an ascending path towards the light

The towers and the western facade

The Bible carved in stone

the roof of Paradise: one of the most representative works of medieval art

Worship services

The senses tell the architecture

The medieval city amidst monasticism and feudal aristocracy

Porphyry sarcophagi: royalty and power

The Admiral’s dedication

Artistic elements in Peter’s ship

The links between the hauteville family and the monastic orders in Sicily

The Great Restoration

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Saint Peter’s Chapel in the Royal Palace

The longest aisle

Different styles and transformations of “one of the most beautiful monuments in the world”

The Palace of Kings

From earthquake to collapse

Transformations over the centuries

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Royal Throne

Ecclesia munita

Beyond the harmony of proportions

Under the crosses of the Bema

The side aisles

The mosaics of the presbytery

The senses tell the architecture and decorations

The architectural space

Characteristics of religious architecture in the romanesque period

The senses tell the mosaic cycle

The lost chapel

A mixture of styles pervades the floor decorations

The chorus: beating heart of the cathedral

A remarkable ceiling

The decorated facade

The senses tell baroque decoration

The architectural appearance and transformations over time

The dialogue between the architectures of the monumental complex

The chapel of san Castrense: an important renaissance work

The original design

The interior of the church

The cemetery of kings

Tempus fugit: a strategic project implemented in a short period of time

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A new Cathedral

The senses tell the historical context

Restorations

Survey of the royal tombs

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Palermo: the happiest city

The liturgical spaces of the protesis and the diaconicon

A tree full of life

The architectural envelope: the Greek cross layout oriented towards the light

Shapes and colours of the wooden ceiling

The chystro: a place between earth and sky

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Mosaic decoration

The southern portico

Two initially similar towers, varied over time

The area of the Sanctuary