photo gallery

photo gallery

A space between the visible and the invisible

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Palermo: the happiest city

Cefalù: settlement evidence through time

The towers facing the facade used as bell towers

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A tree full of life

A mixture of styles pervades the floor decorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Chapel of St. Mary Magdalene

The senses tell the flooring

The cemetery of kings

The senses tell the architecture

A controversial interpretation

The liturgical spaces of the protesis and the diaconicon

Roger II’s strategic design

The senses tell the mosaic cycle

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A polysemy of high-level artistic forms and content

The Virgin Hodegetria

The Cathedral over the centuries

The area of the Sanctuary

A chapel by an unknown designer based on repeated symmetries

Norman religious architecture with islamic influences in Sicily

The columns of the nave: the meticulous study of the overall order

A new Cathedral

The birth of the Norman kingdom

Transformations over the centuries

Ecclesia munita

Intertwining of knowledge in Norman Palermo

The Royal Throne

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the naves

The longest aisle

The senses tell restorations

Squaring the circle

Beyond the harmony of proportions

The interior of the church

The opus sectile floor of the Palatine Chapel

The mosaics of the transept and the apses

the Baroque exterior

From earthquake to collapse

The side aisles

Mosaic decoration

The senses tell baroque decoration

Characteristics of religious architecture in the romanesque period

Survey of the royal tombs

The lost chapel

The senses tell the interior

Layers of different cultures decorate the external apses

The chapel of san Castrense: an important renaissance work

The Great Presbytery: a unique space for the cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

The flooring: shapes, motifs and iconography

The senses tell the ceiling

Shapes and colours of the wooden ceiling

The senses tell the historical context

the roof of Paradise: one of the most representative works of medieval art

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Genoard Park, the garden of pleasures and wonders

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell Context 1

The rediscovered palace

Roger II of hauteville: a sovereign protected by God

A Northern population

the Baroque interior

Different styles and transformations of “one of the most beautiful monuments in the world”

Under the crosses of the Bema

The Chapel of the Kings

From the Mosque to the Cathedral

The senses tell the historical context

The chystro: a place between earth and sky

The senses tell the external architecture and the original layout

The decorations on the bell tower

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Great Restoration

A palimpsest of history

The medieval city amidst monasticism and feudal aristocracy

A building constructed in a short space of time

The ancient convent of the Martorana, a history of devotion and tradition

The construction of Monreale Cathedral: between myth and history

The Gualtiero Cathedral

The balance between architecture and light

The rediscovered chapel

Artistic elements in Peter’s ship

The senses tell the Zisa over the centuries

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the architecture and decorations

The towers and the western facade

The king’s mark

Porphyry sarcophagi: royalty and power

The mosaics of the apses

The original design

The cultural substrate through time

The Cassaro

The chapel of the crucifix: an artistic casket based on a previous model

The architectural appearance and transformations over time

The transformations of the hall through the centuries

Two initially similar towers, varied over time

The chapel of St. Benedict

Worship services

Saint Peter’s Chapel in the Royal Palace

The Kings’ Cathedrals

The decorated facade

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

The beginning of the construction site

The mosaics of the presbytery

The return of water

The Palace of Kings

Interior decorations

A remarkable ceiling

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Admiral’s dedication

The architectural envelope: the Greek cross layout oriented towards the light

The Norman conquest of Sicily and the birth of a new Latin kingdom

The architectural space

A cloister of accentuated stylistic variety

A compositional design that combines nordic examples with new artistic languages, over the centuries

The side Portico: a combination of elegance and lightness of form

The mosaic cycle, an ascending path towards the light

The chorus: beating heart of the cathedral

The stone bible

Restorations

From oblivion to the recovery of memory

The dialogue between the architectures of the monumental complex

Decorations

Gardens and architecture as a backdrop to the city of Palermo

An architectural crescendo

The southern portico

Tempus fugit: a strategic project implemented in a short period of time

The Bible carved in stone