photo gallery

photo gallery

The return of water

Roger II of hauteville: a sovereign protected by God

The links between the hauteville family and the monastic orders in Sicily

The Norman conquest of Sicily and the birth of a new Latin kingdom

Characteristics of religious architecture in the romanesque period

Different styles and transformations of “one of the most beautiful monuments in the world”

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The construction of Monreale Cathedral: between myth and history

The Cassaro

The chapel of St. Benedict

A polysemy of high-level artistic forms and content

A new Cathedral

The lost chapel

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Virgin Hodegetria

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Layers of different cultures decorate the external apses

Gardens and architecture as a backdrop to the city of Palermo

A cloister of accentuated stylistic variety

Palermo: the happiest city

The mosaics of the transept and the apses

Gold and light: the splendour of the mosaics in the Royal Chapel

A controversial interpretation

The senses tell the historical context

The Chapel of St. Mary Magdalene

Roger II’s strategic design

The Genoard Park, the garden of pleasures and wonders

The mosaic cycle, an ascending path towards the light

The architectural appearance and transformations over time

Decorations

The southern portico

The senses tell the historical context

The Royal Throne

The rediscovered palace

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

The chorus: beating heart of the cathedral

The columns of the nave: the meticulous study of the overall order

An architectural crescendo

From the main gate to the aisles: an invitation to a journey of faith

A space between the visible and the invisible

The decorated facade

The Bible carved in stone

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chystro: a place between earth and sky

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the flooring

The mosaics of the apses

Under the crosses of the Bema

Tempus fugit: a strategic project implemented in a short period of time

The Chapel of the Kings

The towers and the western facade

Survey of the royal tombs

From the Mosque to the Cathedral

The mosaics of the naves

A mixture of styles pervades the floor decorations

The senses tell Context 1

The senses tell the external architecture and the original layout

A building constructed in a short space of time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Artistic elements in Peter’s ship

the Baroque interior

From oblivion to the recovery of memory

Squaring the circle

The longest aisle

Saint Peter’s Chapel in the Royal Palace

The chapel of san Castrense: an important renaissance work

Restorations

Worship services

The architectural envelope: the Greek cross layout oriented towards the light

The area of the Sanctuary

The original design

A Northern population

The chapel of the crucifix: an artistic casket based on a previous model

The Palace of Kings

The Kings’ Cathedrals

The senses tell the mosaic cycle

The Gualtiero Cathedral

The Great Presbytery: a unique space for the cathedral

A palimpsest of history

Cefalù: settlement evidence through time

The side aisles

the roof of Paradise: one of the most representative works of medieval art

the Baroque exterior

Norman religious architecture with islamic influences in Sicily

The stone bible

The flooring: shapes, motifs and iconography

The architectural space

The senses tell the interior

The balance between architecture and light

A tree full of life

Mosaic decoration

The decorations on the bell tower

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The side Portico: a combination of elegance and lightness of form

The transformations of the hall through the centuries

A chapel by an unknown designer based on repeated symmetries

The senses tell the ceiling

Two initially similar towers, varied over time

Shapes and colours of the wooden ceiling

The Admiral’s dedication

The opus sectile floor of the Palatine Chapel

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The liturgical spaces of the protesis and the diaconicon

The Great Restoration

The senses tell restorations

From earthquake to collapse

Porphyry sarcophagi: royalty and power

The senses tell the architecture

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell baroque decoration

The king’s mark

Interior decorations

The mosaics of the presbytery

The interior of the church

The ancient convent of the Martorana, a history of devotion and tradition

The towers facing the facade used as bell towers

Transformations over the centuries

A remarkable ceiling

Intertwining of knowledge in Norman Palermo

Beyond the harmony of proportions

The rediscovered chapel

The dialogue between the architectures of the monumental complex

The senses tell the historical context

The senses tell the Zisa over the centuries

The birth of the Norman kingdom

The cultural substrate through time

The senses tell the architecture and decorations

Ecclesia munita

The cemetery of kings

The Cathedral over the centuries