photo gallery

photo gallery

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Great Presbytery: a unique space for the cathedral

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A mixture of styles pervades the floor decorations

The construction of Monreale Cathedral: between myth and history

Tempus fugit: a strategic project implemented in a short period of time

The dialogue between the architectures of the monumental complex

A building constructed in a short space of time

The senses tell the external architecture and the original layout

The area of the Sanctuary

A chapel by an unknown designer based on repeated symmetries

The beginning of the construction site

Norman religious architecture with islamic influences in Sicily

Gold and light: the splendour of the mosaics in the Royal Chapel

The architectural appearance and transformations over time

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the Zisa over the centuries

The Bible carved in stone

the Baroque interior

Layers of different cultures decorate the external apses

Beyond the harmony of proportions

The liturgical spaces of the protesis and the diaconicon

From earthquake to collapse

The senses tell the interior

Interior decorations

The senses tell the flooring

Restorations

The birth of the Norman kingdom

The Cassaro

The Chapel of the Kings

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A compositional design that combines nordic examples with new artistic languages, over the centuries

The towers and the western facade

the roof of Paradise: one of the most representative works of medieval art

A tree full of life

Under the crosses of the Bema

The loca solatiorum: dwellings for recreation, well-being and hunting

The Virgin Hodegetria

Ecclesia munita

The side Portico: a combination of elegance and lightness of form

The cemetery of kings

Intertwining of knowledge in Norman Palermo

The decorated facade

The lost chapel

The senses tell the architecture

The decorations on the bell tower

The interior of the church

The longest aisle

The mosaics of the transept and the apses

The original design

The Chapel of St. Mary Magdalene

The senses tell restorations

The links between the hauteville family and the monastic orders in Sicily

Squaring the circle

The balance between architecture and light

the Baroque exterior

An architectural crescendo

The rediscovered palace

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the architecture and decorations

A Northern population

Roger II of hauteville: a sovereign protected by God

The flooring: shapes, motifs and iconography

The chapel of san Castrense: an important renaissance work

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the naves

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Porphyry sarcophagi: royalty and power

The Genoard Park, the garden of pleasures and wonders

The stone bible

The Palace of Kings

The opus sectile floor of the Palatine Chapel

The Cathedral over the centuries

The mosaics of the presbytery

The Kings’ Cathedrals

The king’s mark

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Transformations over the centuries

The return of water

The rediscovered chapel

A space between the visible and the invisible

Saint Peter’s Chapel in the Royal Palace

Cefalù: settlement evidence through time

The chapel of the crucifix: an artistic casket based on a previous model

Palermo: the happiest city

The senses tell Context 1

The chapel of St. Benedict

The senses tell baroque decoration

The columns of the nave: the meticulous study of the overall order

The chorus: beating heart of the cathedral

The senses tell the historical context

The ancient convent of the Martorana, a history of devotion and tradition

Characteristics of religious architecture in the romanesque period

The mosaic cycle, an ascending path towards the light

The cultural substrate through time

The Royal Throne

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the apses

From the Mosque to the Cathedral

The towers facing the facade used as bell towers

The Norman conquest of Sicily and the birth of a new Latin kingdom

Roger II’s strategic design

The senses tell the historical context

Worship services

The chystro: a place between earth and sky

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A controversial interpretation

Survey of the royal tombs

Two initially similar towers, varied over time

The Gualtiero Cathedral

The architectural space

Mosaic decoration

The senses tell the historical context

Decorations

A new Cathedral

The Great Restoration

The senses tell the ceiling

The senses tell the mosaic cycle

A palimpsest of history

A remarkable ceiling

From oblivion to the recovery of memory

Shapes and colours of the wooden ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A cloister of accentuated stylistic variety

The medieval city amidst monasticism and feudal aristocracy

A polysemy of high-level artistic forms and content

The transformations of the hall through the centuries

Artistic elements in Peter’s ship

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The side aisles

The Admiral’s dedication

The southern portico

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents