photo gallery

photo gallery

Saint Peter’s Chapel in the Royal Palace

Norman religious architecture with islamic influences in Sicily

The senses tell the interior

The Gualtiero Cathedral

The Cassaro

The towers and the western facade

A mixture of styles pervades the floor decorations

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Interior decorations

Roger II of hauteville: a sovereign protected by God

The rediscovered palace

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the historical context

Roger II’s strategic design

The mosaics of the transept and the apses

Tempus fugit: a strategic project implemented in a short period of time

The senses tell restorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The flooring: shapes, motifs and iconography

The senses tell the mosaic cycle

A chapel by an unknown designer based on repeated symmetries

Mosaic decoration

The Chapel of the Kings

The stone bible

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural space

Beyond the harmony of proportions

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

the Baroque interior

The architectural envelope: the Greek cross layout oriented towards the light

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell baroque decoration

From earthquake to collapse

The senses tell the Zisa over the centuries

Worship services

The Palace of Kings

The ancient convent of the Martorana, a history of devotion and tradition

Ecclesia munita

The cultural substrate through time

Under the crosses of the Bema

The links between the hauteville family and the monastic orders in Sicily

The original design

The chorus: beating heart of the cathedral

The chapel of the crucifix: an artistic casket based on a previous model

Different styles and transformations of “one of the most beautiful monuments in the world”

A space between the visible and the invisible

Characteristics of religious architecture in the romanesque period

From the main gate to the aisles: an invitation to a journey of faith

The beginning of the construction site

The mosaics of the naves

The dialogue between the architectures of the monumental complex

The loca solatiorum: dwellings for recreation, well-being and hunting

The decorated facade

The longest aisle

Gardens and architecture as a backdrop to the city of Palermo

the Baroque exterior

The rediscovered chapel

Palermo: the happiest city

From the Mosque to the Cathedral

Shapes and colours of the wooden ceiling

The mosaics of the apses

The mosaics of the presbytery

The king’s mark

The side aisles

Survey of the royal tombs

An architectural crescendo

Restorations

A remarkable ceiling

The transformations of the hall through the centuries

The lost chapel

The towers facing the facade used as bell towers

A palimpsest of history

The senses tell the flooring

The opus sectile floor of the Palatine Chapel

The Virgin Hodegetria

A polysemy of high-level artistic forms and content

The senses tell the architecture

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Porphyry sarcophagi: royalty and power

The birth of the Norman kingdom

A tree full of life

The Admiral’s dedication

The Norman conquest of Sicily and the birth of a new Latin kingdom

The return of water

A Northern population

The medieval city amidst monasticism and feudal aristocracy

Artistic elements in Peter’s ship

The senses tell the architecture and decorations

The architectural appearance and transformations over time

A cloister of accentuated stylistic variety

The Great Restoration

The decorations on the bell tower

The area of the Sanctuary

The cemetery of kings

A controversial interpretation

Squaring the circle

The side Portico: a combination of elegance and lightness of form

The Genoard Park, the garden of pleasures and wonders

Transformations over the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The liturgical spaces of the protesis and the diaconicon

The Chapel of St. Mary Magdalene

The senses tell the historical context

The mosaic cycle, an ascending path towards the light

The balance between architecture and light

The chystro: a place between earth and sky

The senses tell the ceiling

From oblivion to the recovery of memory

Decorations

The Cathedral over the centuries

The southern portico

The chapel of St. Benedict

The chapel of san Castrense: an important renaissance work

A new Cathedral

The senses tell the historical context

Cefalù: settlement evidence through time

Two initially similar towers, varied over time

The Kings’ Cathedrals

The columns of the nave: the meticulous study of the overall order

The senses tell the external architecture and the original layout

The Bible carved in stone

A building constructed in a short space of time

The Royal Throne

Layers of different cultures decorate the external apses

the roof of Paradise: one of the most representative works of medieval art

The senses tell Context 1

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The interior of the church

Intertwining of knowledge in Norman Palermo

The construction of Monreale Cathedral: between myth and history

Gold and light: the splendour of the mosaics in the Royal Chapel

The Great Presbytery: a unique space for the cathedral