photo gallery

photo gallery

Intertwining of knowledge in Norman Palermo

The senses tell the architecture

The mosaics of the transept and the apses

Palermo: the happiest city

The southern portico

The construction of Monreale Cathedral: between myth and history

The decorated facade

The Cathedral over the centuries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Bible carved in stone

The side aisles

The balance between architecture and light

The rediscovered palace

The medieval city amidst monasticism and feudal aristocracy

The senses tell restorations

The flooring: shapes, motifs and iconography

Roger II of hauteville: a sovereign protected by God

A new Cathedral

The stone bible

From oblivion to the recovery of memory

The architectural space

The decorations on the bell tower

the Baroque interior

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A controversial interpretation

The columns of the nave: the meticulous study of the overall order

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The dialogue between the architectures of the monumental complex

Layers of different cultures decorate the external apses

The beginning of the construction site

The Chapel of the Kings

The towers and the western facade

The return of water

Tempus fugit: a strategic project implemented in a short period of time

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The chapel of St. Benedict

Under the crosses of the Bema

Beyond the harmony of proportions

Artistic elements in Peter’s ship

Shapes and colours of the wooden ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Norman conquest of Sicily and the birth of a new Latin kingdom

Squaring the circle

The senses tell the historical context

From the Mosque to the Cathedral

The senses tell baroque decoration

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

The senses tell the historical context

The senses tell the ceiling

the roof of Paradise: one of the most representative works of medieval art

Restorations

the Baroque exterior

A palimpsest of history

The cemetery of kings

A mixture of styles pervades the floor decorations

The birth of the Norman kingdom

The king’s mark

Different styles and transformations of “one of the most beautiful monuments in the world”

Characteristics of religious architecture in the romanesque period

Norman religious architecture with islamic influences in Sicily

An architectural crescendo

The lost chapel

Gardens and architecture as a backdrop to the city of Palermo

The ancient convent of the Martorana, a history of devotion and tradition

The Great Presbytery: a unique space for the cathedral

A polysemy of high-level artistic forms and content

The liturgical spaces of the protesis and the diaconicon

The rediscovered chapel

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the apses

The side Portico: a combination of elegance and lightness of form

The senses tell the external architecture and the original layout

The longest aisle

The architectural appearance and transformations over time

A compositional design that combines nordic examples with new artistic languages, over the centuries

Decorations

The towers facing the facade used as bell towers

Cefalù: settlement evidence through time

The Palace of Kings

Transformations over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell Context 1

Worship services

The Chapel of St. Mary Magdalene

The interior of the church

The Great Restoration

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Admiral’s dedication

The architectural envelope: the Greek cross layout oriented towards the light

The Gualtiero Cathedral

A chapel by an unknown designer based on repeated symmetries

The area of the Sanctuary

The transformations of the hall through the centuries

A cloister of accentuated stylistic variety

Gold and light: the splendour of the mosaics in the Royal Chapel

From the main gate to the aisles: an invitation to a journey of faith

Survey of the royal tombs

The mosaics of the presbytery

A space between the visible and the invisible

Roger II’s strategic design

The original design

The chorus: beating heart of the cathedral

Two initially similar towers, varied over time

The senses tell the architecture and decorations

The mosaic cycle, an ascending path towards the light

The senses tell the interior

The Genoard Park, the garden of pleasures and wonders

The loca solatiorum: dwellings for recreation, well-being and hunting

Saint Peter’s Chapel in the Royal Palace

The senses tell the mosaic cycle

The Virgin Hodegetria

The Royal Throne

The mosaics of the naves

The opus sectile floor of the Palatine Chapel

A building constructed in a short space of time

Mosaic decoration

The senses tell the Zisa over the centuries

The Kings’ Cathedrals

Interior decorations

A Northern population

The chapel of san Castrense: an important renaissance work

The chystro: a place between earth and sky

A tree full of life

Porphyry sarcophagi: royalty and power

From earthquake to collapse

A remarkable ceiling

The senses tell the flooring

The Cassaro

The cultural substrate through time

Ecclesia munita