photo gallery

photo gallery

The Kings’ Cathedrals

The loca solatiorum: dwellings for recreation, well-being and hunting

The longest aisle

The senses tell the external architecture and the original layout

The Chapel of St. Mary Magdalene

the Baroque exterior

The decorated facade

From the Mosque to the Cathedral

From the main gate to the aisles: an invitation to a journey of faith

A remarkable ceiling

The mosaics of the apses

The senses tell the ceiling

Different styles and transformations of “one of the most beautiful monuments in the world”

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the flooring

The original design

A polysemy of high-level artistic forms and content

Characteristics of religious architecture in the romanesque period

A palimpsest of history

Palermo: the happiest city

Shapes and colours of the wooden ceiling

Tempus fugit: a strategic project implemented in a short period of time

Under the crosses of the Bema

The senses tell restorations

Two initially similar towers, varied over time

The ancient convent of the Martorana, a history of devotion and tradition

A cloister of accentuated stylistic variety

From oblivion to the recovery of memory

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Norman religious architecture with islamic influences in Sicily

The flooring: shapes, motifs and iconography

The Chapel of the Kings

The towers facing the facade used as bell towers

The senses tell Context 1

The stone bible

The mosaics of the presbytery

The towers and the western facade

Roger II’s strategic design

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Great Presbytery: a unique space for the cathedral

A space between the visible and the invisible

The Palace of Kings

the roof of Paradise: one of the most representative works of medieval art

The senses tell the Zisa over the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A chapel by an unknown designer based on repeated symmetries

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Virgin Hodegetria

The balance between architecture and light

Transformations over the centuries

The chapel of St. Benedict

The lost chapel

The senses tell the historical context

The senses tell the architecture

The Royal Throne

Roger II of hauteville: a sovereign protected by God

An architectural crescendo

The Cathedral over the centuries

Survey of the royal tombs

Ecclesia munita

A building constructed in a short space of time

A mixture of styles pervades the floor decorations

The opus sectile floor of the Palatine Chapel

The Bible carved in stone

The links between the hauteville family and the monastic orders in Sicily

The transformations of the hall through the centuries

The senses tell the mosaic cycle

The architectural appearance and transformations over time

The senses tell the architecture and decorations

The beginning of the construction site

Artistic elements in Peter’s ship

The chorus: beating heart of the cathedral

Restorations

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the interior

The return of water

A Northern population

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

The Great Restoration

Gold and light: the splendour of the mosaics in the Royal Chapel

Saint Peter’s Chapel in the Royal Palace

Layers of different cultures decorate the external apses

The Gualtiero Cathedral

From earthquake to collapse

The construction of Monreale Cathedral: between myth and history

The decorations on the bell tower

The chapel of san Castrense: an important renaissance work

The liturgical spaces of the protesis and the diaconicon

A compositional design that combines nordic examples with new artistic languages, over the centuries

The columns of the nave: the meticulous study of the overall order

The cultural substrate through time

A tree full of life

The chapel of the crucifix: an artistic casket based on a previous model

The birth of the Norman kingdom

The king’s mark

the Baroque interior

Decorations

The architectural envelope: the Greek cross layout oriented towards the light

The cemetery of kings

Worship services

The rediscovered chapel

The chystro: a place between earth and sky

The mosaic cycle, an ascending path towards the light

The senses tell baroque decoration

The southern portico

The mosaics of the naves

A new Cathedral

The senses tell the historical context

Intertwining of knowledge in Norman Palermo

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The rediscovered palace

The medieval city amidst monasticism and feudal aristocracy

Interior decorations

Cefalù: settlement evidence through time

The Cassaro

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Genoard Park, the garden of pleasures and wonders

Mosaic decoration

The architectural space

Squaring the circle

Beyond the harmony of proportions

A controversial interpretation

The area of the Sanctuary

The mosaics of the transept and the apses

The side Portico: a combination of elegance and lightness of form

The interior of the church

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side aisles

The dialogue between the architectures of the monumental complex

Porphyry sarcophagi: royalty and power

The Admiral’s dedication

Gardens and architecture as a backdrop to the city of Palermo