photo gallery

photo gallery

The chapel of san Castrense: an important renaissance work

The architectural appearance and transformations over time

The senses tell Context 1

Ecclesia munita

Survey of the royal tombs

The longest aisle

The side Portico: a combination of elegance and lightness of form

The Admiral’s dedication

The dialogue between the architectures of the monumental complex

Mosaic decoration

The chapel of St. Benedict

Interior decorations

The transformations of the hall through the centuries

An architectural crescendo

The senses tell the Zisa over the centuries

Saint Peter’s Chapel in the Royal Palace

The decorated facade

Beyond the harmony of proportions

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beginning of the construction site

the Baroque exterior

The Palace of Kings

The Great Restoration

The rediscovered palace

The return of water

The senses tell the external architecture and the original layout

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The chystro: a place between earth and sky

The mosaics of the transept and the apses

The senses tell the historical context

The rediscovered chapel

The senses tell the ceiling

The links between the hauteville family and the monastic orders in Sicily

Decorations

From oblivion to the recovery of memory

The towers and the western facade

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Great Presbytery: a unique space for the cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

From earthquake to collapse

The cultural substrate through time

The original design

The senses tell the interior

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural envelope: the Greek cross layout oriented towards the light

The southern portico

The medieval city amidst monasticism and feudal aristocracy

Squaring the circle

The chorus: beating heart of the cathedral

A palimpsest of history

Artistic elements in Peter’s ship

A Northern population

The side aisles

The Chapel of the Kings

The mosaic cycle, an ascending path towards the light

The interior of the church

The ancient convent of the Martorana, a history of devotion and tradition

The mosaics of the presbytery

The mosaics of the apses

The balance between architecture and light

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A remarkable ceiling

The chapel of the crucifix: an artistic casket based on a previous model

Roger II of hauteville: a sovereign protected by God

Cefalù: settlement evidence through time

The towers facing the facade used as bell towers

The Gualtiero Cathedral

the Baroque interior

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the architecture

The mosaics of the naves

The loca solatiorum: dwellings for recreation, well-being and hunting

The Virgin Hodegetria

The senses tell the historical context

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the mosaic cycle

The Genoard Park, the garden of pleasures and wonders

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

Porphyry sarcophagi: royalty and power

A tree full of life

Restorations

A controversial interpretation

The Cassaro

The Bible carved in stone

From the Mosque to the Cathedral

Two initially similar towers, varied over time

The birth of the Norman kingdom

A space between the visible and the invisible

Worship services

From the main gate to the aisles: an invitation to a journey of faith

The flooring: shapes, motifs and iconography

The Cathedral over the centuries

A building constructed in a short space of time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II’s strategic design

Under the crosses of the Bema

Shapes and colours of the wooden ceiling

The senses tell restorations

The senses tell the flooring

The Royal Throne

A new Cathedral

A mixture of styles pervades the floor decorations

The Kings’ Cathedrals

The opus sectile floor of the Palatine Chapel

The lost chapel

The stone bible

the roof of Paradise: one of the most representative works of medieval art

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The decorations on the bell tower

Layers of different cultures decorate the external apses

The senses tell baroque decoration

The cemetery of kings

The liturgical spaces of the protesis and the diaconicon

Characteristics of religious architecture in the romanesque period

The king’s mark

Different styles and transformations of “one of the most beautiful monuments in the world”

A polysemy of high-level artistic forms and content

Transformations over the centuries

A cloister of accentuated stylistic variety

The architectural space

The senses tell the architecture and decorations

Palermo: the happiest city

Intertwining of knowledge in Norman Palermo

The construction of Monreale Cathedral: between myth and history

The columns of the nave: the meticulous study of the overall order

Norman religious architecture with islamic influences in Sicily

Tempus fugit: a strategic project implemented in a short period of time

The area of the Sanctuary

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Chapel of St. Mary Magdalene