photo gallery

photo gallery

Mosaic decoration

The Great Restoration

A polysemy of high-level artistic forms and content

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A tree full of life

The senses tell the historical context

The balance between architecture and light

the Baroque interior

Gardens and architecture as a backdrop to the city of Palermo

The dialogue between the architectures of the monumental complex

The Gualtiero Cathedral

The opus sectile floor of the Palatine Chapel

The senses tell the architecture

The chorus: beating heart of the cathedral

The architectural appearance and transformations over time

A Northern population

From earthquake to collapse

Roger II of hauteville: a sovereign protected by God

A compositional design that combines nordic examples with new artistic languages, over the centuries

The flooring: shapes, motifs and iconography

From the Mosque to the Cathedral

The cemetery of kings

The rediscovered palace

The senses tell the historical context

Porphyry sarcophagi: royalty and power

The senses tell restorations

The mosaics of the naves

The senses tell the Zisa over the centuries

Cefalù: settlement evidence through time

The liturgical spaces of the protesis and the diaconicon

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

The senses tell the external architecture and the original layout

The Norman conquest of Sicily and the birth of a new Latin kingdom

The architectural space

The ancient convent of the Martorana, a history of devotion and tradition

The original design

Survey of the royal tombs

The return of water

Tempus fugit: a strategic project implemented in a short period of time

The lost chapel

The Cassaro

Transformations over the centuries

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of St. Benedict

An architectural crescendo

Layers of different cultures decorate the external apses

A building constructed in a short space of time

Beyond the harmony of proportions

The birth of the Norman kingdom

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The longest aisle

The decorations on the bell tower

The Genoard Park, the garden of pleasures and wonders

The chapel of san Castrense: an important renaissance work

The senses tell the flooring

The transformations of the hall through the centuries

The senses tell the ceiling

Roger II’s strategic design

The Palace of Kings

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Two initially similar towers, varied over time

The towers and the western facade

The king’s mark

The Great Presbytery: a unique space for the cathedral

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Cathedral over the centuries

The mosaics of the presbytery

Gold and light: the splendour of the mosaics in the Royal Chapel

The stone bible

The medieval city amidst monasticism and feudal aristocracy

The towers facing the facade used as bell towers

Restorations

Different styles and transformations of “one of the most beautiful monuments in the world”

The Kings’ Cathedrals

A controversial interpretation

Ecclesia munita

The interior of the church

The senses tell the interior

Shapes and colours of the wooden ceiling

The Royal Throne

The mosaic cycle, an ascending path towards the light

The cultural substrate through time

Squaring the circle

The Virgin Hodegetria

Intertwining of knowledge in Norman Palermo

The southern portico

The columns of the nave: the meticulous study of the overall order

The Admiral’s dedication

Decorations

The decorated facade

A new Cathedral

A space between the visible and the invisible

From oblivion to the recovery of memory

The mosaics of the transept and the apses

The senses tell the mosaic cycle

Under the crosses of the Bema

A remarkable ceiling

Characteristics of religious architecture in the romanesque period

The beginning of the construction site

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The area of the Sanctuary

The architectural envelope: the Greek cross layout oriented towards the light

The side aisles

The side Portico: a combination of elegance and lightness of form

The construction of Monreale Cathedral: between myth and history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Worship services

A cloister of accentuated stylistic variety

the roof of Paradise: one of the most representative works of medieval art

A chapel by an unknown designer based on repeated symmetries

The senses tell Context 1

The mosaics of the apses

The Chapel of St. Mary Magdalene

the Baroque exterior

The rediscovered chapel

From the main gate to the aisles: an invitation to a journey of faith

Palermo: the happiest city

The senses tell the historical context

Norman religious architecture with islamic influences in Sicily

A mixture of styles pervades the floor decorations

The Bible carved in stone

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the architecture and decorations

The senses tell baroque decoration

The chystro: a place between earth and sky

Saint Peter’s Chapel in the Royal Palace

A palimpsest of history

The Chapel of the Kings

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Artistic elements in Peter’s ship