photo gallery

photo gallery

Ecclesia munita

Roger II’s strategic design

The mosaics of the transept and the apses

The senses tell the mosaic cycle

The chorus: beating heart of the cathedral

The towers and the western facade

the Baroque interior

The Chapel of the Kings

The chystro: a place between earth and sky

The senses tell the architecture and decorations

The Bible carved in stone

The decorations on the bell tower

The decorated facade

The liturgical spaces of the protesis and the diaconicon

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the flooring

Worship services

A compositional design that combines nordic examples with new artistic languages, over the centuries

The interior of the church

Squaring the circle

The senses tell restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Great Presbytery: a unique space for the cathedral

Beyond the harmony of proportions

The dialogue between the architectures of the monumental complex

The Royal Throne

The senses tell the historical context

The construction of Monreale Cathedral: between myth and history

A space between the visible and the invisible

Under the crosses of the Bema

Cefalù: settlement evidence through time

The senses tell the external architecture and the original layout

The towers facing the facade used as bell towers

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Gualtiero Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A new Cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of san Castrense: an important renaissance work

A tree full of life

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the interior

The Kings’ Cathedrals

Transformations over the centuries

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

The cultural substrate through time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Genoard Park, the garden of pleasures and wonders

From earthquake to collapse

Restorations

The medieval city amidst monasticism and feudal aristocracy

A chapel by an unknown designer based on repeated symmetries

Saint Peter’s Chapel in the Royal Palace

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the presbytery

the roof of Paradise: one of the most representative works of medieval art

The senses tell Context 1

A building constructed in a short space of time

The ancient convent of the Martorana, a history of devotion and tradition

Survey of the royal tombs

An architectural crescendo

The links between the hauteville family and the monastic orders in Sicily

The Virgin Hodegetria

The mosaic cycle, an ascending path towards the light

The opus sectile floor of the Palatine Chapel

The senses tell the Zisa over the centuries

The mosaics of the naves

A mixture of styles pervades the floor decorations

From the Mosque to the Cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

Characteristics of religious architecture in the romanesque period

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the architecture

The architectural appearance and transformations over time

The Cathedral over the centuries

Interior decorations

The Great Restoration

A cloister of accentuated stylistic variety

Porphyry sarcophagi: royalty and power

The original design

The Palace of Kings

The rediscovered chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

A polysemy of high-level artistic forms and content

The side aisles

Shapes and colours of the wooden ceiling

Two initially similar towers, varied over time

The area of the Sanctuary

The chapel of St. Benedict

Norman religious architecture with islamic influences in Sicily

the Baroque exterior

The longest aisle

The transformations of the hall through the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The balance between architecture and light

The cemetery of kings

The lost chapel

The birth of the Norman kingdom

Mosaic decoration

A palimpsest of history

The Cassaro

Palermo: the happiest city

A Northern population

The king’s mark

The architectural envelope: the Greek cross layout oriented towards the light

The stone bible

A remarkable ceiling

From oblivion to the recovery of memory

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the ceiling

The rediscovered palace

Gardens and architecture as a backdrop to the city of Palermo

The senses tell baroque decoration

Artistic elements in Peter’s ship

The architectural space

The Admiral’s dedication

The southern portico

The columns of the nave: the meticulous study of the overall order

The flooring: shapes, motifs and iconography

Roger II of hauteville: a sovereign protected by God

The senses tell the historical context

Layers of different cultures decorate the external apses

The mosaics of the apses

Intertwining of knowledge in Norman Palermo

Tempus fugit: a strategic project implemented in a short period of time

The return of water

The Norman conquest of Sicily and the birth of a new Latin kingdom

The beginning of the construction site

The Chapel of St. Mary Magdalene

Decorations

A controversial interpretation