photo gallery

photo gallery

the Baroque exterior

From earthquake to collapse

A remarkable ceiling

The senses tell the architecture and decorations

The Chapel of the Kings

Worship services

The decorated facade

The Great Presbytery: a unique space for the cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The king’s mark

The Admiral’s dedication

Intertwining of knowledge in Norman Palermo

Tempus fugit: a strategic project implemented in a short period of time

The lost chapel

The Chapel of St. Mary Magdalene

The opus sectile floor of the Palatine Chapel

From oblivion to the recovery of memory

A Northern population

Mosaic decoration

From the main gate to the aisles: an invitation to a journey of faith

Different styles and transformations of “one of the most beautiful monuments in the world”

Two initially similar towers, varied over time

The senses tell the Zisa over the centuries

The columns of the nave: the meticulous study of the overall order

the roof of Paradise: one of the most representative works of medieval art

Under the crosses of the Bema

Norman religious architecture with islamic influences in Sicily

The mosaics of the naves

The rediscovered chapel

A palimpsest of history

The cultural substrate through time

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Gualtiero Cathedral

The towers facing the facade used as bell towers

The mosaics of the transept and the apses

The liturgical spaces of the protesis and the diaconicon

The links between the hauteville family and the monastic orders in Sicily

The senses tell the flooring

Characteristics of religious architecture in the romanesque period

The Great Restoration

A space between the visible and the invisible

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the external architecture and the original layout

The southern portico

Squaring the circle

The Kings’ Cathedrals

A chapel by an unknown designer based on repeated symmetries

Layers of different cultures decorate the external apses

Shapes and colours of the wooden ceiling

The senses tell the historical context

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Roger II of hauteville: a sovereign protected by God

The mosaic cycle, an ascending path towards the light

The transformations of the hall through the centuries

A polysemy of high-level artistic forms and content

The side aisles

Porphyry sarcophagi: royalty and power

The chystro: a place between earth and sky

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The side Portico: a combination of elegance and lightness of form

The birth of the Norman kingdom

The decorations on the bell tower

The senses tell baroque decoration

Palermo: the happiest city

The loca solatiorum: dwellings for recreation, well-being and hunting

the Baroque interior

The senses tell Context 1

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the interior

The mosaics of the apses

The senses tell the architecture

Transformations over the centuries

The balance between architecture and light

The medieval city amidst monasticism and feudal aristocracy

The Bible carved in stone

A mixture of styles pervades the floor decorations

The chorus: beating heart of the cathedral

The Genoard Park, the garden of pleasures and wonders

A building constructed in a short space of time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The longest aisle

Saint Peter’s Chapel in the Royal Palace

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Cassaro

The rediscovered palace

The dialogue between the architectures of the monumental complex

The senses tell the historical context

The architectural space

The ancient convent of the Martorana, a history of devotion and tradition

The Royal Throne

A new Cathedral

From the Mosque to the Cathedral

The flooring: shapes, motifs and iconography

Decorations

Beyond the harmony of proportions

The interior of the church

Ecclesia munita

A controversial interpretation

The cemetery of kings

Restorations

The area of the Sanctuary

The senses tell the historical context

Cefalù: settlement evidence through time

Roger II’s strategic design

The architectural envelope: the Greek cross layout oriented towards the light

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A cloister of accentuated stylistic variety

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell restorations

The original design

The senses tell the ceiling

The architectural appearance and transformations over time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

An architectural crescendo

The towers and the western facade

The beginning of the construction site

The Palace of Kings

A tree full of life

The mosaics of the presbytery

The Cathedral over the centuries

The senses tell the mosaic cycle

The return of water

The construction of Monreale Cathedral: between myth and history

Survey of the royal tombs

The stone bible

Interior decorations

Artistic elements in Peter’s ship

The Virgin Hodegetria