photo gallery

photo gallery

The mosaic cycle, an ascending path towards the light

Restorations

The liturgical spaces of the protesis and the diaconicon

The Admiral’s dedication

From the Mosque to the Cathedral

The Kings’ Cathedrals

Interior decorations

The side Portico: a combination of elegance and lightness of form

The construction of Monreale Cathedral: between myth and history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Great Restoration

The Gualtiero Cathedral

The side aisles

The original design

The Cathedral over the centuries

The Great Presbytery: a unique space for the cathedral

A new Cathedral

The architectural space

The columns of the nave: the meticulous study of the overall order

The king’s mark

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The balance between architecture and light

From oblivion to the recovery of memory

The rediscovered palace

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the Zisa over the centuries

Survey of the royal tombs

The senses tell the external architecture and the original layout

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell restorations

Roger II’s strategic design

The dialogue between the architectures of the monumental complex

The transformations of the hall through the centuries

The towers facing the facade used as bell towers

Ecclesia munita

A chapel by an unknown designer based on repeated symmetries

Two initially similar towers, varied over time

The decorated facade

The lost chapel

Worship services

An architectural crescendo

The mosaics of the apses

Characteristics of religious architecture in the romanesque period

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The ancient convent of the Martorana, a history of devotion and tradition

The Palace of Kings

The flooring: shapes, motifs and iconography

Beyond the harmony of proportions

From earthquake to collapse

The rediscovered chapel

The senses tell the architecture

the roof of Paradise: one of the most representative works of medieval art

Different styles and transformations of “one of the most beautiful monuments in the world”

A palimpsest of history

The southern portico

Mosaic decoration

The senses tell the historical context

The chorus: beating heart of the cathedral

Cefalù: settlement evidence through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The cemetery of kings

A space between the visible and the invisible

Porphyry sarcophagi: royalty and power

The senses tell the mosaic cycle

The longest aisle

The senses tell the historical context

The senses tell Context 1

The Cassaro

Gold and light: the splendour of the mosaics in the Royal Chapel

Decorations

The chapel of St. Benedict

Transformations over the centuries

The senses tell the interior

The senses tell the flooring

Intertwining of knowledge in Norman Palermo

A polysemy of high-level artistic forms and content

The Genoard Park, the garden of pleasures and wonders

A cloister of accentuated stylistic variety

The senses tell the historical context

the Baroque interior

The architectural appearance and transformations over time

The links between the hauteville family and the monastic orders in Sicily

the Baroque exterior

Layers of different cultures decorate the external apses

The beginning of the construction site

Squaring the circle

The stone bible

The mosaics of the transept and the apses

The cultural substrate through time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A building constructed in a short space of time

The mosaics of the naves

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The area of the Sanctuary

Gardens and architecture as a backdrop to the city of Palermo

The Norman conquest of Sicily and the birth of a new Latin kingdom

A mixture of styles pervades the floor decorations

The Chapel of St. Mary Magdalene

The opus sectile floor of the Palatine Chapel

Norman religious architecture with islamic influences in Sicily

The chystro: a place between earth and sky

Under the crosses of the Bema

A tree full of life

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Tempus fugit: a strategic project implemented in a short period of time

Shapes and colours of the wooden ceiling

Palermo: the happiest city

The senses tell the ceiling

A controversial interpretation

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell baroque decoration

The chapel of san Castrense: an important renaissance work

The loca solatiorum: dwellings for recreation, well-being and hunting

Saint Peter’s Chapel in the Royal Palace

The Bible carved in stone

The return of water

The decorations on the bell tower

Roger II of hauteville: a sovereign protected by God

The Virgin Hodegetria

The chapel of the crucifix: an artistic casket based on a previous model

A Northern population

The mosaics of the presbytery

From the main gate to the aisles: an invitation to a journey of faith

The Royal Throne

The Chapel of the Kings

The medieval city amidst monasticism and feudal aristocracy

The senses tell the architecture and decorations

The interior of the church

Artistic elements in Peter’s ship

The towers and the western facade

A remarkable ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The birth of the Norman kingdom