photo gallery

photo gallery

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

From oblivion to the recovery of memory

Shapes and colours of the wooden ceiling

The Gualtiero Cathedral

A building constructed in a short space of time

The senses tell the architecture

The columns of the nave: the meticulous study of the overall order

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Cefalù: settlement evidence through time

The senses tell the historical context

The senses tell the flooring

An architectural crescendo

Tempus fugit: a strategic project implemented in a short period of time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Chapel of the Kings

The Palace of Kings

Characteristics of religious architecture in the romanesque period

Porphyry sarcophagi: royalty and power

Ecclesia munita

Artistic elements in Peter’s ship

The Great Presbytery: a unique space for the cathedral

The opus sectile floor of the Palatine Chapel

From the main gate to the aisles: an invitation to a journey of faith

A remarkable ceiling

From the Mosque to the Cathedral

Norman religious architecture with islamic influences in Sicily

The dialogue between the architectures of the monumental complex

A controversial interpretation

From earthquake to collapse

The longest aisle

The senses tell the mosaic cycle

Gold and light: the splendour of the mosaics in the Royal Chapel

The decorated facade

The Virgin Hodegetria

The rediscovered palace

the Baroque interior

The senses tell baroque decoration

A chapel by an unknown designer based on repeated symmetries

The medieval city amidst monasticism and feudal aristocracy

The chapel of St. Benedict

The return of water

Decorations

A space between the visible and the invisible

Saint Peter’s Chapel in the Royal Palace

The Cassaro

The mosaics of the transept and the apses

A new Cathedral

The southern portico

Roger II’s strategic design

A compositional design that combines nordic examples with new artistic languages, over the centuries

Worship services

Roger II of hauteville: a sovereign protected by God

The cemetery of kings

the Baroque exterior

The liturgical spaces of the protesis and the diaconicon

The senses tell the architecture and decorations

The chystro: a place between earth and sky

The mosaics of the presbytery

Transformations over the centuries

The senses tell the historical context

The beginning of the construction site

The senses tell the historical context

The architectural envelope: the Greek cross layout oriented towards the light

The Bible carved in stone

A tree full of life

The construction of Monreale Cathedral: between myth and history

The chapel of the crucifix: an artistic casket based on a previous model

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cathedral over the centuries

The interior of the church

Two initially similar towers, varied over time

The senses tell Context 1

Different styles and transformations of “one of the most beautiful monuments in the world”

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Chapel of St. Mary Magdalene

The decorations on the bell tower

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the Zisa over the centuries

The senses tell the external architecture and the original layout

A mixture of styles pervades the floor decorations

Palermo: the happiest city

The original design

The transformations of the hall through the centuries

The senses tell the interior

The mosaic cycle, an ascending path towards the light

The flooring: shapes, motifs and iconography

The Kings’ Cathedrals

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The rediscovered chapel

Beyond the harmony of proportions

The lost chapel

The king’s mark

The towers and the western facade

The cultural substrate through time

The side Portico: a combination of elegance and lightness of form

The senses tell restorations

The Admiral’s dedication

A palimpsest of history

The Genoard Park, the garden of pleasures and wonders

The stone bible

The balance between architecture and light

The ancient convent of the Martorana, a history of devotion and tradition

The architectural space

The birth of the Norman kingdom

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The mosaics of the naves

The chorus: beating heart of the cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Squaring the circle

The side aisles

A cloister of accentuated stylistic variety

Interior decorations

The links between the hauteville family and the monastic orders in Sicily

The senses tell the ceiling

Under the crosses of the Bema

Gardens and architecture as a backdrop to the city of Palermo

the roof of Paradise: one of the most representative works of medieval art

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Survey of the royal tombs

A Northern population

The Great Restoration

Intertwining of knowledge in Norman Palermo

The Royal Throne

The mosaics of the apses

The architectural appearance and transformations over time

The towers facing the facade used as bell towers

The area of the Sanctuary

Restorations

The chapel of san Castrense: an important renaissance work

Layers of different cultures decorate the external apses

A polysemy of high-level artistic forms and content

Mosaic decoration