photo gallery

photo gallery

The Norman conquest of Sicily and the birth of a new Latin kingdom

Squaring the circle

Interior decorations

The side aisles

A compositional design that combines nordic examples with new artistic languages, over the centuries

The southern portico

The king’s mark

From the Mosque to the Cathedral

The Chapel of the Kings

The senses tell the architecture and decorations

The Kings’ Cathedrals

The transformations of the hall through the centuries

The Palace of Kings

The interior of the church

A building constructed in a short space of time

The Bible carved in stone

The senses tell the historical context

The senses tell the flooring

Porphyry sarcophagi: royalty and power

A controversial interpretation

Gardens and architecture as a backdrop to the city of Palermo

A Northern population

Intertwining of knowledge in Norman Palermo

The senses tell the interior

The senses tell the mosaic cycle

An architectural crescendo

A new Cathedral

The Chapel of St. Mary Magdalene

The construction of Monreale Cathedral: between myth and history

The ancient convent of the Martorana, a history of devotion and tradition

The Royal Throne

The chapel of san Castrense: an important renaissance work

The cultural substrate through time

The lost chapel

Cefalù: settlement evidence through time

The mosaics of the transept and the apses

Saint Peter’s Chapel in the Royal Palace

the Baroque exterior

A palimpsest of history

A tree full of life

A space between the visible and the invisible

The area of the Sanctuary

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Cassaro

Beyond the harmony of proportions

The medieval city amidst monasticism and feudal aristocracy

The decorations on the bell tower

The stone bible

The longest aisle

The dialogue between the architectures of the monumental complex

The links between the hauteville family and the monastic orders in Sicily

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell restorations

A polysemy of high-level artistic forms and content

Tempus fugit: a strategic project implemented in a short period of time

Transformations over the centuries

Artistic elements in Peter’s ship

The mosaic cycle, an ascending path towards the light

Roger II’s strategic design

The senses tell the external architecture and the original layout

The Admiral’s dedication

The chapel of St. Benedict

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chystro: a place between earth and sky

The Gualtiero Cathedral

The decorated facade

Roger II of hauteville: a sovereign protected by God

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The architectural appearance and transformations over time

The senses tell the ceiling

The senses tell the Zisa over the centuries

The senses tell the architecture

Shapes and colours of the wooden ceiling

The side Portico: a combination of elegance and lightness of form

The architectural space

Norman religious architecture with islamic influences in Sicily

The Genoard Park, the garden of pleasures and wonders

The birth of the Norman kingdom

A mixture of styles pervades the floor decorations

The balance between architecture and light

Layers of different cultures decorate the external apses

The liturgical spaces of the protesis and the diaconicon

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

The rediscovered chapel

The architectural envelope: the Greek cross layout oriented towards the light

From the main gate to the aisles: an invitation to a journey of faith

Decorations

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell baroque decoration

Mosaic decoration

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Under the crosses of the Bema

The Great Restoration

Two initially similar towers, varied over time

The cemetery of kings

The towers and the western facade

From oblivion to the recovery of memory

The Cathedral over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell Context 1

Ecclesia munita

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Restorations

the Baroque interior

The mosaics of the presbytery

The mosaics of the apses

Survey of the royal tombs

The return of water

A chapel by an unknown designer based on repeated symmetries

A cloister of accentuated stylistic variety

A remarkable ceiling

The rediscovered palace

Gold and light: the splendour of the mosaics in the Royal Chapel

The flooring: shapes, motifs and iconography

The towers facing the facade used as bell towers

The opus sectile floor of the Palatine Chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

the roof of Paradise: one of the most representative works of medieval art

The columns of the nave: the meticulous study of the overall order

The chorus: beating heart of the cathedral

The beginning of the construction site

Palermo: the happiest city

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Great Presbytery: a unique space for the cathedral

The mosaics of the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The original design

From earthquake to collapse

Worship services

The Virgin Hodegetria

The senses tell the historical context