photo gallery

photo gallery

Tempus fugit: a strategic project implemented in a short period of time

The birth of the Norman kingdom

The construction of Monreale Cathedral: between myth and history

The chapel of san Castrense: an important renaissance work

The decorated facade

The senses tell restorations

Characteristics of religious architecture in the romanesque period

The senses tell the external architecture and the original layout

Different styles and transformations of “one of the most beautiful monuments in the world”

The ancient convent of the Martorana, a history of devotion and tradition

Ecclesia munita

The architectural envelope: the Greek cross layout oriented towards the light

Under the crosses of the Bema

Artistic elements in Peter’s ship

The loca solatiorum: dwellings for recreation, well-being and hunting

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Beyond the harmony of proportions

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Roger II of hauteville: a sovereign protected by God

The stone bible

Gold and light: the splendour of the mosaics in the Royal Chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The southern portico

A cloister of accentuated stylistic variety

Transformations over the centuries

The king’s mark

Intertwining of knowledge in Norman Palermo

The decorations on the bell tower

A polysemy of high-level artistic forms and content

The mosaics of the apses

The Cathedral over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

The cemetery of kings

The lost chapel

From oblivion to the recovery of memory

Norman religious architecture with islamic influences in Sicily

The senses tell the historical context

The senses tell the architecture and decorations

The Virgin Hodegetria

The Bible carved in stone

A tree full of life

the Baroque interior

The chystro: a place between earth and sky

Roger II’s strategic design

the Baroque exterior

Palermo: the happiest city

From earthquake to collapse

The senses tell baroque decoration

A Northern population

The opus sectile floor of the Palatine Chapel

Porphyry sarcophagi: royalty and power

A mixture of styles pervades the floor decorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Great Presbytery: a unique space for the cathedral

A building constructed in a short space of time

The flooring: shapes, motifs and iconography

The original design

The mosaics of the transept and the apses

The chapel of the crucifix: an artistic casket based on a previous model

The Genoard Park, the garden of pleasures and wonders

The balance between architecture and light

The Kings’ Cathedrals

The Royal Throne

Saint Peter’s Chapel in the Royal Palace

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The side Portico: a combination of elegance and lightness of form

A remarkable ceiling

The Palace of Kings

The senses tell the interior

The Cassaro

The senses tell the ceiling

The rediscovered palace

The rediscovered chapel

Squaring the circle

From the Mosque to the Cathedral

The senses tell the mosaic cycle

Mosaic decoration

An architectural crescendo

The senses tell the Zisa over the centuries

The Chapel of St. Mary Magdalene

The mosaic cycle, an ascending path towards the light

The mosaics of the presbytery

The medieval city amidst monasticism and feudal aristocracy

The mosaics of the naves

Cefalù: settlement evidence through time

The architectural appearance and transformations over time

Decorations

The Chapel of the Kings

The cultural substrate through time

The Gualtiero Cathedral

Layers of different cultures decorate the external apses

The towers facing the facade used as bell towers

The Great Restoration

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the architecture

The senses tell the flooring

The Admiral’s dedication

The senses tell Context 1

The beginning of the construction site

From the main gate to the aisles: an invitation to a journey of faith

A space between the visible and the invisible

Survey of the royal tombs

Shapes and colours of the wooden ceiling

Interior decorations

A new Cathedral

The columns of the nave: the meticulous study of the overall order

A palimpsest of history

The interior of the church

A compositional design that combines nordic examples with new artistic languages, over the centuries

A controversial interpretation

Worship services

The area of the Sanctuary

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The chorus: beating heart of the cathedral

The transformations of the hall through the centuries

The links between the hauteville family and the monastic orders in Sicily

Two initially similar towers, varied over time

The return of water

Restorations

A chapel by an unknown designer based on repeated symmetries

The senses tell the historical context

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The liturgical spaces of the protesis and the diaconicon

the roof of Paradise: one of the most representative works of medieval art

The side aisles

The longest aisle

The towers and the western facade

The senses tell the historical context

Gardens and architecture as a backdrop to the city of Palermo

The architectural space

The chapel of St. Benedict

The dialogue between the architectures of the monumental complex