photo gallery

photo gallery

An architectural crescendo

The side Portico: a combination of elegance and lightness of form

The Royal Throne

Transformations over the centuries

The interior of the church

The longest aisle

Mosaic decoration

A chapel by an unknown designer based on repeated symmetries

The towers and the western facade

The mosaics of the apses

The chystro: a place between earth and sky

The loca solatiorum: dwellings for recreation, well-being and hunting

A polysemy of high-level artistic forms and content

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Characteristics of religious architecture in the romanesque period

The rediscovered chapel

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the ceiling

The Gualtiero Cathedral

The chapel of St. Benedict

The Palace of Kings

Cefalù: settlement evidence through time

From the main gate to the aisles: an invitation to a journey of faith

The area of the Sanctuary

A cloister of accentuated stylistic variety

The beginning of the construction site

The Admiral’s dedication

The mosaics of the transept and the apses

The decorated facade

Roger II’s strategic design

A building constructed in a short space of time

Tempus fugit: a strategic project implemented in a short period of time

The senses tell baroque decoration

A space between the visible and the invisible

Roger II of hauteville: a sovereign protected by God

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From the Mosque to the Cathedral

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Bible carved in stone

The return of water

Artistic elements in Peter’s ship

Decorations

The senses tell the mosaic cycle

The senses tell the architecture

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Cathedral over the centuries

Different styles and transformations of “one of the most beautiful monuments in the world”

The Virgin Hodegetria

Squaring the circle

A new Cathedral

Palermo: the happiest city

The towers facing the facade used as bell towers

The senses tell the external architecture and the original layout

The rediscovered palace

Gold and light: the splendour of the mosaics in the Royal Chapel

A remarkable ceiling

A mixture of styles pervades the floor decorations

The decorations on the bell tower

A tree full of life

The columns of the nave: the meticulous study of the overall order

The Kings’ Cathedrals

The chapel of the crucifix: an artistic casket based on a previous model

The Great Restoration

The Chapel of the Kings

The senses tell the interior

Worship services

The Chapel of St. Mary Magdalene

The lost chapel

The dialogue between the architectures of the monumental complex

The opus sectile floor of the Palatine Chapel

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

The senses tell the architecture and decorations

Under the crosses of the Bema

The medieval city amidst monasticism and feudal aristocracy

The links between the hauteville family and the monastic orders in Sicily

The original design

The flooring: shapes, motifs and iconography

Shapes and colours of the wooden ceiling

The ancient convent of the Martorana, a history of devotion and tradition

A Northern population

Saint Peter’s Chapel in the Royal Palace

From earthquake to collapse

The Genoard Park, the garden of pleasures and wonders

Ecclesia munita

The chorus: beating heart of the cathedral

The transformations of the hall through the centuries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Survey of the royal tombs

The stone bible

The mosaics of the presbytery

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Porphyry sarcophagi: royalty and power

The senses tell restorations

The senses tell the historical context

Restorations

The senses tell the historical context

The mosaics of the naves

The cemetery of kings

The king’s mark

The cultural substrate through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

the roof of Paradise: one of the most representative works of medieval art

Interior decorations

the Baroque interior

The side aisles

The mosaic cycle, an ascending path towards the light

The architectural appearance and transformations over time

From oblivion to the recovery of memory

The chapel of san Castrense: an important renaissance work

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Great Presbytery: a unique space for the cathedral

The balance between architecture and light

The southern portico

The architectural space

Two initially similar towers, varied over time

Intertwining of knowledge in Norman Palermo

A palimpsest of history

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Layers of different cultures decorate the external apses

The construction of Monreale Cathedral: between myth and history

Norman religious architecture with islamic influences in Sicily

The senses tell the Zisa over the centuries

the Baroque exterior

Beyond the harmony of proportions

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the flooring

The birth of the Norman kingdom

The liturgical spaces of the protesis and the diaconicon

The senses tell Context 1

The Cassaro

A controversial interpretation