photo gallery

photo gallery

Survey of the royal tombs

The flooring: shapes, motifs and iconography

From earthquake to collapse

Different styles and transformations of “one of the most beautiful monuments in the world”

Gold and light: the splendour of the mosaics in the Royal Chapel

The Great Presbytery: a unique space for the cathedral

The senses tell the historical context

A building constructed in a short space of time

The senses tell baroque decoration

Cefalù: settlement evidence through time

The Gualtiero Cathedral

The senses tell restorations

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

The cemetery of kings

A polysemy of high-level artistic forms and content

the Baroque exterior

Palermo: the happiest city

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Restorations

The medieval city amidst monasticism and feudal aristocracy

The Cassaro

The Palace of Kings

The mosaics of the naves

The architectural appearance and transformations over time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The stone bible

The Cathedral over the centuries

The side Portico: a combination of elegance and lightness of form

The liturgical spaces of the protesis and the diaconicon

the Baroque interior

The chorus: beating heart of the cathedral

The Royal Throne

The chapel of St. Benedict

The construction of Monreale Cathedral: between myth and history

The links between the hauteville family and the monastic orders in Sicily

The Great Restoration

The mosaic cycle, an ascending path towards the light

The senses tell the architecture

The mosaics of the apses

The chapel of san Castrense: an important renaissance work

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From oblivion to the recovery of memory

The Genoard Park, the garden of pleasures and wonders

The senses tell the historical context

The Kings’ Cathedrals

Characteristics of religious architecture in the romanesque period

Layers of different cultures decorate the external apses

The loca solatiorum: dwellings for recreation, well-being and hunting

Roger II of hauteville: a sovereign protected by God

A compositional design that combines nordic examples with new artistic languages, over the centuries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The dialogue between the architectures of the monumental complex

A palimpsest of history

Intertwining of knowledge in Norman Palermo

The chystro: a place between earth and sky

The longest aisle

A space between the visible and the invisible

The king’s mark

The mosaics of the transept and the apses

The ancient convent of the Martorana, a history of devotion and tradition

From the main gate to the aisles: an invitation to a journey of faith

The decorated facade

The architectural space

A cloister of accentuated stylistic variety

Worship services

Norman religious architecture with islamic influences in Sicily

The Chapel of St. Mary Magdalene

The original design

The Norman conquest of Sicily and the birth of a new Latin kingdom

The interior of the church

A chapel by an unknown designer based on repeated symmetries

The senses tell the architecture and decorations

The towers facing the facade used as bell towers

The senses tell the historical context

The towers and the western facade

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Ecclesia munita

Mosaic decoration

A remarkable ceiling

Interior decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the interior

Squaring the circle

The lost chapel

Beyond the harmony of proportions

A Northern population

the roof of Paradise: one of the most representative works of medieval art

Transformations over the centuries

The balance between architecture and light

From the Mosque to the Cathedral

The senses tell the mosaic cycle

The senses tell Context 1

A controversial interpretation

The senses tell the Zisa over the centuries

The opus sectile floor of the Palatine Chapel

Artistic elements in Peter’s ship

The return of water

The senses tell the external architecture and the original layout

The decorations on the bell tower

A tree full of life

The architectural envelope: the Greek cross layout oriented towards the light

A new Cathedral

The Admiral’s dedication

The southern portico

Two initially similar towers, varied over time

An architectural crescendo

The transformations of the hall through the centuries

A mixture of styles pervades the floor decorations

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The senses tell the ceiling

Saint Peter’s Chapel in the Royal Palace

The Chapel of the Kings

Tempus fugit: a strategic project implemented in a short period of time

The Bible carved in stone

The rediscovered palace

Under the crosses of the Bema

The cultural substrate through time

Gardens and architecture as a backdrop to the city of Palermo

Roger II’s strategic design

The area of the Sanctuary

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Porphyry sarcophagi: royalty and power

Shapes and colours of the wooden ceiling

Decorations

The senses tell the flooring

The birth of the Norman kingdom

The chapel of the crucifix: an artistic casket based on a previous model

The mosaics of the presbytery

The Virgin Hodegetria

The rediscovered chapel

The side aisles