photo gallery

photo gallery

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

A compositional design that combines nordic examples with new artistic languages, over the centuries

Characteristics of religious architecture in the romanesque period

The Palace of Kings

Artistic elements in Peter’s ship

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The birth of the Norman kingdom

Survey of the royal tombs

Worship services

The senses tell the mosaic cycle

A controversial interpretation

The senses tell the Zisa over the centuries

Norman religious architecture with islamic influences in Sicily

The balance between architecture and light

Squaring the circle

The towers and the western facade

A building constructed in a short space of time

The Chapel of St. Mary Magdalene

the Baroque exterior

The senses tell the historical context

The senses tell the historical context

The towers facing the facade used as bell towers

The chystro: a place between earth and sky

A new Cathedral

The senses tell the interior

The stone bible

Saint Peter’s Chapel in the Royal Palace

From the main gate to the aisles: an invitation to a journey of faith

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beginning of the construction site

The senses tell the architecture

The return of water

The Kings’ Cathedrals

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The architectural envelope: the Greek cross layout oriented towards the light

The dialogue between the architectures of the monumental complex

Interior decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Cathedral over the centuries

The Royal Throne

Two initially similar towers, varied over time

The area of the Sanctuary

Ecclesia munita

Under the crosses of the Bema

The transformations of the hall through the centuries

A polysemy of high-level artistic forms and content

The decorations on the bell tower

The senses tell the external architecture and the original layout

The chapel of the crucifix: an artistic casket based on a previous model

A mixture of styles pervades the floor decorations

From earthquake to collapse

Roger II’s strategic design

Tempus fugit: a strategic project implemented in a short period of time

The senses tell Context 1

The king’s mark

The senses tell the historical context

Shapes and colours of the wooden ceiling

Layers of different cultures decorate the external apses

Gardens and architecture as a backdrop to the city of Palermo

From oblivion to the recovery of memory

Mosaic decoration

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaic cycle, an ascending path towards the light

Decorations

The lost chapel

The senses tell the ceiling

A remarkable ceiling

Roger II of hauteville: a sovereign protected by God

Gold and light: the splendour of the mosaics in the Royal Chapel

The chapel of St. Benedict

The mosaics of the naves

Restorations

The cemetery of kings

The architectural appearance and transformations over time

The rediscovered palace

The Virgin Hodegetria

Transformations over the centuries

An architectural crescendo

From the Mosque to the Cathedral

Intertwining of knowledge in Norman Palermo

The Norman conquest of Sicily and the birth of a new Latin kingdom

the Baroque interior

The flooring: shapes, motifs and iconography

The southern portico

The side aisles

The Great Restoration

The mosaics of the transept and the apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The cultural substrate through time

The senses tell restorations

The Chapel of the Kings

The architectural space

A Northern population

The liturgical spaces of the protesis and the diaconicon

The Gualtiero Cathedral

The links between the hauteville family and the monastic orders in Sicily

The Great Presbytery: a unique space for the cathedral

The Admiral’s dedication

Palermo: the happiest city

A palimpsest of history

A tree full of life

Beyond the harmony of proportions

A cloister of accentuated stylistic variety

the roof of Paradise: one of the most representative works of medieval art

The mosaics of the apses

The ancient convent of the Martorana, a history of devotion and tradition

A space between the visible and the invisible

The columns of the nave: the meticulous study of the overall order

The Cassaro

The construction of Monreale Cathedral: between myth and history

The chapel of san Castrense: an important renaissance work

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A chapel by an unknown designer based on repeated symmetries

The interior of the church

The mosaics of the presbytery

The rediscovered chapel

The senses tell the architecture and decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The medieval city amidst monasticism and feudal aristocracy

The decorated facade

The chorus: beating heart of the cathedral

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell baroque decoration

The senses tell the flooring

The original design

Cefalù: settlement evidence through time

The Bible carved in stone

The side Portico: a combination of elegance and lightness of form

The longest aisle

The opus sectile floor of the Palatine Chapel

Porphyry sarcophagi: royalty and power

The Genoard Park, the garden of pleasures and wonders

The loca solatiorum: dwellings for recreation, well-being and hunting