photo gallery

photo gallery

An architectural crescendo

The senses tell the historical context

Squaring the circle

The original design

A remarkable ceiling

The senses tell the interior

The chapel of san Castrense: an important renaissance work

The longest aisle

A palimpsest of history

The Chapel of St. Mary Magdalene

The chapel of the crucifix: an artistic casket based on a previous model

Artistic elements in Peter’s ship

Transformations over the centuries

The mosaic cycle, an ascending path towards the light

The mosaics of the apses

Mosaic decoration

From oblivion to the recovery of memory

A polysemy of high-level artistic forms and content

Norman religious architecture with islamic influences in Sicily

A space between the visible and the invisible

The Admiral’s dedication

Survey of the royal tombs

Cefalù: settlement evidence through time

A controversial interpretation

Decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cathedral over the centuries

The senses tell the mosaic cycle

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cultural substrate through time

The mosaics of the transept and the apses

The senses tell baroque decoration

The king’s mark

Layers of different cultures decorate the external apses

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Virgin Hodegetria

The balance between architecture and light

A mixture of styles pervades the floor decorations

The senses tell the ceiling

A building constructed in a short space of time

The senses tell the external architecture and the original layout

The columns of the nave: the meticulous study of the overall order

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

the Baroque interior

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The flooring: shapes, motifs and iconography

The dialogue between the architectures of the monumental complex

The Kings’ Cathedrals

From earthquake to collapse

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Beyond the harmony of proportions

The return of water

The senses tell the architecture and decorations

The senses tell the historical context

Interior decorations

The senses tell the architecture

The Cassaro

The liturgical spaces of the protesis and the diaconicon

Two initially similar towers, varied over time

The mosaics of the naves

The Royal Throne

The decorations on the bell tower

A cloister of accentuated stylistic variety

Under the crosses of the Bema

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Gold and light: the splendour of the mosaics in the Royal Chapel

The links between the hauteville family and the monastic orders in Sicily

The Bible carved in stone

The senses tell restorations

The side Portico: a combination of elegance and lightness of form

A Northern population

Restorations

Tempus fugit: a strategic project implemented in a short period of time

Gardens and architecture as a backdrop to the city of Palermo

Worship services

The southern portico

Characteristics of religious architecture in the romanesque period

The opus sectile floor of the Palatine Chapel

The rediscovered chapel

Porphyry sarcophagi: royalty and power

the roof of Paradise: one of the most representative works of medieval art

The rediscovered palace

the Baroque exterior

The medieval city amidst monasticism and feudal aristocracy

The beginning of the construction site

The Norman conquest of Sicily and the birth of a new Latin kingdom

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The ancient convent of the Martorana, a history of devotion and tradition

Roger II of hauteville: a sovereign protected by God

Palermo: the happiest city

The transformations of the hall through the centuries

Shapes and colours of the wooden ceiling

The interior of the church

The senses tell Context 1

The architectural appearance and transformations over time

The chapel of St. Benedict

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the presbytery

A tree full of life

The chystro: a place between earth and sky

The birth of the Norman kingdom

From the Mosque to the Cathedral

The Great Presbytery: a unique space for the cathedral

The Genoard Park, the garden of pleasures and wonders

A chapel by an unknown designer based on repeated symmetries

Roger II’s strategic design

The towers facing the facade used as bell towers

The stone bible

The senses tell the historical context

The Palace of Kings

The construction of Monreale Cathedral: between myth and history

Saint Peter’s Chapel in the Royal Palace

The chorus: beating heart of the cathedral

Intertwining of knowledge in Norman Palermo

The cemetery of kings

Ecclesia munita

The architectural space

The Gualtiero Cathedral

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the flooring

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Great Restoration

The Chapel of the Kings

The area of the Sanctuary

The side aisles

The senses tell the Zisa over the centuries

The lost chapel

The decorated facade

From the main gate to the aisles: an invitation to a journey of faith

Different styles and transformations of “one of the most beautiful monuments in the world”

The towers and the western facade

A new Cathedral