photo gallery

photo gallery

The mosaics of the apses

The area of the Sanctuary

Restorations

The original design

The rediscovered chapel

The opus sectile floor of the Palatine Chapel

Beyond the harmony of proportions

From earthquake to collapse

A controversial interpretation

The southern portico

the roof of Paradise: one of the most representative works of medieval art

The decorations on the bell tower

From the main gate to the aisles: an invitation to a journey of faith

The ancient convent of the Martorana, a history of devotion and tradition

the Baroque interior

The senses tell the architecture and decorations

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The return of water

A remarkable ceiling

Transformations over the centuries

Cefalù: settlement evidence through time

The columns of the nave: the meticulous study of the overall order

The interior of the church

The Genoard Park, the garden of pleasures and wonders

A chapel by an unknown designer based on repeated symmetries

Saint Peter’s Chapel in the Royal Palace

The senses tell the external architecture and the original layout

The chapel of the crucifix: an artistic casket based on a previous model

The Bible carved in stone

The mosaics of the transept and the apses

Shapes and colours of the wooden ceiling

The senses tell the ceiling

Ecclesia munita

Palermo: the happiest city

Artistic elements in Peter’s ship

The architectural appearance and transformations over time

The Virgin Hodegetria

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The towers facing the facade used as bell towers

The architectural space

The stone bible

The Chapel of the Kings

The flooring: shapes, motifs and iconography

The medieval city amidst monasticism and feudal aristocracy

Roger II’s strategic design

The cultural substrate through time

The side aisles

The chapel of St. Benedict

The king’s mark

The senses tell the Zisa over the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The chapel of san Castrense: an important renaissance work

The senses tell the historical context

The longest aisle

Survey of the royal tombs

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The towers and the western facade

The cemetery of kings

Mosaic decoration

The mosaics of the presbytery

Gold and light: the splendour of the mosaics in the Royal Chapel

A Northern population

The senses tell the historical context

A space between the visible and the invisible

the Baroque exterior

A mixture of styles pervades the floor decorations

A cloister of accentuated stylistic variety

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A new Cathedral

Tempus fugit: a strategic project implemented in a short period of time

Norman religious architecture with islamic influences in Sicily

The mosaic cycle, an ascending path towards the light

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Great Presbytery: a unique space for the cathedral

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

The links between the hauteville family and the monastic orders in Sicily

The liturgical spaces of the protesis and the diaconicon

Different styles and transformations of “one of the most beautiful monuments in the world”

Squaring the circle

The dialogue between the architectures of the monumental complex

The chorus: beating heart of the cathedral

The senses tell the interior

The senses tell the flooring

Worship services

The Kings’ Cathedrals

The senses tell baroque decoration

The senses tell restorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The lost chapel

An architectural crescendo

The Gualtiero Cathedral

The Royal Throne

The construction of Monreale Cathedral: between myth and history

Roger II of hauteville: a sovereign protected by God

The mosaics of the naves

From oblivion to the recovery of memory

The Palace of Kings

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell the historical context

The Great Restoration

Layers of different cultures decorate the external apses

The senses tell the architecture

The Chapel of St. Mary Magdalene

The rediscovered palace

Interior decorations

A palimpsest of history

The decorated facade

The Cathedral over the centuries

The senses tell the mosaic cycle

Characteristics of religious architecture in the romanesque period

Under the crosses of the Bema

Decorations

The senses tell Context 1

The birth of the Norman kingdom

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Cassaro

A building constructed in a short space of time

Porphyry sarcophagi: royalty and power

The loca solatiorum: dwellings for recreation, well-being and hunting

The side Portico: a combination of elegance and lightness of form

From the Mosque to the Cathedral

The balance between architecture and light

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beginning of the construction site

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chystro: a place between earth and sky

A tree full of life

The Norman conquest of Sicily and the birth of a new Latin kingdom

The transformations of the hall through the centuries

Intertwining of knowledge in Norman Palermo

Gardens and architecture as a backdrop to the city of Palermo

The Admiral’s dedication