photo gallery

photo gallery

The stone bible

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A cloister of accentuated stylistic variety

The Virgin Hodegetria

The opus sectile floor of the Palatine Chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Genoard Park, the garden of pleasures and wonders

The cemetery of kings

The southern portico

The rediscovered chapel

The return of water

The dialogue between the architectures of the monumental complex

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Chapel of St. Mary Magdalene

The decorations on the bell tower

Porphyry sarcophagi: royalty and power

The columns of the nave: the meticulous study of the overall order

The senses tell the external architecture and the original layout

The flooring: shapes, motifs and iconography

The construction of Monreale Cathedral: between myth and history

Two initially similar towers, varied over time

The senses tell the flooring

The interior of the church

Transformations over the centuries

The Gualtiero Cathedral

the Baroque interior

The senses tell the mosaic cycle

From the Mosque to the Cathedral

Intertwining of knowledge in Norman Palermo

The Cathedral over the centuries

Under the crosses of the Bema

The senses tell restorations

Roger II’s strategic design

From earthquake to collapse

Palermo: the happiest city

The senses tell the interior

An architectural crescendo

The mosaics of the naves

Decorations

A remarkable ceiling

Squaring the circle

The cultural substrate through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A palimpsest of history

Shapes and colours of the wooden ceiling

A compositional design that combines nordic examples with new artistic languages, over the centuries

A Northern population

The senses tell the Zisa over the centuries

A tree full of life

Characteristics of religious architecture in the romanesque period

Different styles and transformations of “one of the most beautiful monuments in the world”

The mosaics of the presbytery

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the historical context

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the ceiling

the Baroque exterior

The transformations of the hall through the centuries

Norman religious architecture with islamic influences in Sicily

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Artistic elements in Peter’s ship

The architectural envelope: the Greek cross layout oriented towards the light

Survey of the royal tombs

From oblivion to the recovery of memory

The ancient convent of the Martorana, a history of devotion and tradition

The side Portico: a combination of elegance and lightness of form

The senses tell the historical context

The architectural space

Cefalù: settlement evidence through time

Saint Peter’s Chapel in the Royal Palace

The links between the hauteville family and the monastic orders in Sicily

A polysemy of high-level artistic forms and content

The senses tell the architecture and decorations

The senses tell the historical context

The rediscovered palace

The mosaic cycle, an ascending path towards the light

Mosaic decoration

The Chapel of the Kings

A mixture of styles pervades the floor decorations

The senses tell the architecture

The loca solatiorum: dwellings for recreation, well-being and hunting

The towers facing the facade used as bell towers

Worship services

Ecclesia munita

The area of the Sanctuary

The birth of the Norman kingdom

The longest aisle

The original design

The beginning of the construction site

The chorus: beating heart of the cathedral

The balance between architecture and light

The Palace of Kings

the roof of Paradise: one of the most representative works of medieval art

The Kings’ Cathedrals

A chapel by an unknown designer based on repeated symmetries

A building constructed in a short space of time

The architectural appearance and transformations over time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The towers and the western facade

The Great Presbytery: a unique space for the cathedral

The medieval city amidst monasticism and feudal aristocracy

Interior decorations

The Great Restoration

The senses tell Context 1

The Royal Throne

Roger II of hauteville: a sovereign protected by God

The mosaics of the apses

A controversial interpretation

Beyond the harmony of proportions

The Norman conquest of Sicily and the birth of a new Latin kingdom

The liturgical spaces of the protesis and the diaconicon

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell baroque decoration

The Bible carved in stone

Gardens and architecture as a backdrop to the city of Palermo

Restorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

A space between the visible and the invisible

The side aisles

A new Cathedral

The lost chapel

The Cassaro

The mosaics of the transept and the apses

The chapel of St. Benedict

Tempus fugit: a strategic project implemented in a short period of time

The chapel of san Castrense: an important renaissance work

The king’s mark

Layers of different cultures decorate the external apses

The Admiral’s dedication

The decorated facade

The chystro: a place between earth and sky

From the main gate to the aisles: an invitation to a journey of faith

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure