photo gallery

photo gallery

Beyond the harmony of proportions

Saint Peter’s Chapel in the Royal Palace

A palimpsest of history

The senses tell the mosaic cycle

From oblivion to the recovery of memory

The architectural appearance and transformations over time

The Virgin Hodegetria

The chapel of san Castrense: an important renaissance work

From the main gate to the aisles: an invitation to a journey of faith

Decorations

An architectural crescendo

The beginning of the construction site

A building constructed in a short space of time

The Admiral’s dedication

The king’s mark

The southern portico

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The area of the Sanctuary

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Cathedral over the centuries

Shapes and colours of the wooden ceiling

The original design

The senses tell the ceiling

Artistic elements in Peter’s ship

The senses tell baroque decoration

The Genoard Park, the garden of pleasures and wonders

Norman religious architecture with islamic influences in Sicily

The senses tell the interior

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Royal Throne

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of the crucifix: an artistic casket based on a previous model

The chapel of St. Benedict

The senses tell the external architecture and the original layout

The flooring: shapes, motifs and iconography

The Gualtiero Cathedral

Cefalù: settlement evidence through time

The senses tell the historical context

The Bible carved in stone

The ancient convent of the Martorana, a history of devotion and tradition

A Northern population

Porphyry sarcophagi: royalty and power

Different styles and transformations of “one of the most beautiful monuments in the world”

Transformations over the centuries

The Chapel of the Kings

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The medieval city amidst monasticism and feudal aristocracy

The senses tell the architecture

Roger II of hauteville: a sovereign protected by God

The rediscovered chapel

The towers facing the facade used as bell towers

The senses tell Context 1

A space between the visible and the invisible

Under the crosses of the Bema

The opus sectile floor of the Palatine Chapel

The towers and the western facade

Roger II’s strategic design

The longest aisle

A chapel by an unknown designer based on repeated symmetries

The side Portico: a combination of elegance and lightness of form

The Great Restoration

The transformations of the hall through the centuries

The Chapel of St. Mary Magdalene

Characteristics of religious architecture in the romanesque period

The architectural space

The liturgical spaces of the protesis and the diaconicon

Survey of the royal tombs

The decorated facade

A tree full of life

Mosaic decoration

Tempus fugit: a strategic project implemented in a short period of time

The senses tell restorations

A mixture of styles pervades the floor decorations

The Kings’ Cathedrals

A remarkable ceiling

The mosaic cycle, an ascending path towards the light

The decorations on the bell tower

The side aisles

The birth of the Norman kingdom

The chystro: a place between earth and sky

The senses tell the flooring

The mosaics of the presbytery

Layers of different cultures decorate the external apses

the roof of Paradise: one of the most representative works of medieval art

The construction of Monreale Cathedral: between myth and history

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the transept and the apses

Worship services

Gardens and architecture as a backdrop to the city of Palermo

the Baroque exterior

The mosaics of the apses

The Norman conquest of Sicily and the birth of a new Latin kingdom

A cloister of accentuated stylistic variety

A controversial interpretation

the Baroque interior

The architectural envelope: the Greek cross layout oriented towards the light

The rediscovered palace

The mosaics of the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the historical context

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The columns of the nave: the meticulous study of the overall order

Ecclesia munita

The senses tell the historical context

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The balance between architecture and light

The lost chapel

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Great Presbytery: a unique space for the cathedral

The return of water

A polysemy of high-level artistic forms and content

Two initially similar towers, varied over time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The cemetery of kings

The dialogue between the architectures of the monumental complex

From the Mosque to the Cathedral

The chorus: beating heart of the cathedral

The stone bible

Squaring the circle

The Palace of Kings

Interior decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The interior of the church

The senses tell the Zisa over the centuries

The cultural substrate through time

A new Cathedral

The Cassaro

The links between the hauteville family and the monastic orders in Sicily

Restorations

Palermo: the happiest city

The senses tell the architecture and decorations

Intertwining of knowledge in Norman Palermo

From earthquake to collapse