photo gallery

photo gallery

The senses tell the Zisa over the centuries

The senses tell the historical context

The columns of the nave: the meticulous study of the overall order

Artistic elements in Peter’s ship

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Great Presbytery: a unique space for the cathedral

Squaring the circle

Tempus fugit: a strategic project implemented in a short period of time

The architectural appearance and transformations over time

A polysemy of high-level artistic forms and content

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The lost chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Royal Throne

From the Mosque to the Cathedral

Layers of different cultures decorate the external apses

The Gualtiero Cathedral

Palermo: the happiest city

The Kings’ Cathedrals

The mosaics of the transept and the apses

The senses tell the architecture and decorations

The return of water

The senses tell the mosaic cycle

The longest aisle

A new Cathedral

The mosaics of the naves

Ecclesia munita

The chapel of san Castrense: an important renaissance work

The side aisles

Beyond the harmony of proportions

The interior of the church

A palimpsest of history

The senses tell the historical context

A controversial interpretation

A chapel by an unknown designer based on repeated symmetries

The architectural space

Characteristics of religious architecture in the romanesque period

The beginning of the construction site

The construction of Monreale Cathedral: between myth and history

The birth of the Norman kingdom

The flooring: shapes, motifs and iconography

From oblivion to the recovery of memory

The Great Restoration

The Genoard Park, the garden of pleasures and wonders

The opus sectile floor of the Palatine Chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The cemetery of kings

Transformations over the centuries

From the main gate to the aisles: an invitation to a journey of faith

The architectural envelope: the Greek cross layout oriented towards the light

From earthquake to collapse

The rediscovered palace

The medieval city amidst monasticism and feudal aristocracy

Roger II’s strategic design

Gardens and architecture as a backdrop to the city of Palermo

Different styles and transformations of “one of the most beautiful monuments in the world”

the roof of Paradise: one of the most representative works of medieval art

Worship services

The Bible carved in stone

The dialogue between the architectures of the monumental complex

Survey of the royal tombs

The senses tell the external architecture and the original layout

A remarkable ceiling

Shapes and colours of the wooden ceiling

Norman religious architecture with islamic influences in Sicily

The Cathedral over the centuries

The decorated facade

Gold and light: the splendour of the mosaics in the Royal Chapel

The rediscovered chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The links between the hauteville family and the monastic orders in Sicily

The chapel of the crucifix: an artistic casket based on a previous model

A cloister of accentuated stylistic variety

The ancient convent of the Martorana, a history of devotion and tradition

The loca solatiorum: dwellings for recreation, well-being and hunting

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A building constructed in a short space of time

The area of the Sanctuary

the Baroque interior

The mosaics of the presbytery

The senses tell the flooring

The Chapel of St. Mary Magdalene

The Chapel of the Kings

The balance between architecture and light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The stone bible

The senses tell baroque decoration

The king’s mark

Two initially similar towers, varied over time

The decorations on the bell tower

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell restorations

The Virgin Hodegetria

The original design

The chorus: beating heart of the cathedral

The southern portico

The senses tell the historical context

The transformations of the hall through the centuries

The Admiral’s dedication

The side Portico: a combination of elegance and lightness of form

Roger II of hauteville: a sovereign protected by God

A mixture of styles pervades the floor decorations

The cultural substrate through time

Under the crosses of the Bema

A space between the visible and the invisible

The Palace of Kings

Saint Peter’s Chapel in the Royal Palace

Cefalù: settlement evidence through time

A Northern population

Intertwining of knowledge in Norman Palermo

A tree full of life

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The towers and the western facade

The senses tell the ceiling

Restorations

The mosaics of the apses

the Baroque exterior

The towers facing the facade used as bell towers

Interior decorations

An architectural crescendo

The chystro: a place between earth and sky

The Cassaro

The senses tell the architecture

The liturgical spaces of the protesis and the diaconicon

The chapel of St. Benedict

The senses tell the interior

Decorations

The mosaic cycle, an ascending path towards the light

Mosaic decoration

Porphyry sarcophagi: royalty and power

The Norman conquest of Sicily and the birth of a new Latin kingdom