photo gallery

photo gallery

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the historical context

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Under the crosses of the Bema

The mosaic cycle, an ascending path towards the light

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

The Gualtiero Cathedral

The towers and the western facade

The opus sectile floor of the Palatine Chapel

Two initially similar towers, varied over time

The side aisles

The Cathedral over the centuries

Roger II of hauteville: a sovereign protected by God

The dialogue between the architectures of the monumental complex

The senses tell baroque decoration

The columns of the nave: the meticulous study of the overall order

Porphyry sarcophagi: royalty and power

Tempus fugit: a strategic project implemented in a short period of time

the roof of Paradise: one of the most representative works of medieval art

Layers of different cultures decorate the external apses

The Palace of Kings

The king’s mark

Characteristics of religious architecture in the romanesque period

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chystro: a place between earth and sky

A compositional design that combines nordic examples with new artistic languages, over the centuries

Decorations

A new Cathedral

Restorations

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Shapes and colours of the wooden ceiling

The senses tell the Zisa over the centuries

Intertwining of knowledge in Norman Palermo

Cefalù: settlement evidence through time

The mosaics of the apses

The towers facing the facade used as bell towers

A Northern population

From earthquake to collapse

The senses tell the architecture

The loca solatiorum: dwellings for recreation, well-being and hunting

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The decorated facade

The flooring: shapes, motifs and iconography

The longest aisle

Interior decorations

The Chapel of the Kings

Gardens and architecture as a backdrop to the city of Palermo

The Royal Throne

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Norman religious architecture with islamic influences in Sicily

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of san Castrense: an important renaissance work

From oblivion to the recovery of memory

Worship services

The rediscovered palace

From the main gate to the aisles: an invitation to a journey of faith

The senses tell Context 1

The Kings’ Cathedrals

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the flooring

The senses tell restorations

Mosaic decoration

The liturgical spaces of the protesis and the diaconicon

The lost chapel

From the Mosque to the Cathedral

The mosaics of the presbytery

The senses tell the interior

The senses tell the external architecture and the original layout

A space between the visible and the invisible

The mosaics of the transept and the apses

The return of water

Survey of the royal tombs

The southern portico

The mosaics of the naves

The beginning of the construction site

A tree full of life

The interior of the church

The Chapel of St. Mary Magdalene

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of the crucifix: an artistic casket based on a previous model

The Admiral’s dedication

The medieval city amidst monasticism and feudal aristocracy

The architectural appearance and transformations over time

The senses tell the architecture and decorations

The senses tell the mosaic cycle

The decorations on the bell tower

The chapel of St. Benedict

Squaring the circle

The original design

Different styles and transformations of “one of the most beautiful monuments in the world”

Ecclesia munita

Roger II’s strategic design

The links between the hauteville family and the monastic orders in Sicily

The transformations of the hall through the centuries

The balance between architecture and light

The Virgin Hodegetria

The senses tell the ceiling

The architectural space

The stone bible

The senses tell the historical context

A palimpsest of history

Gold and light: the splendour of the mosaics in the Royal Chapel

The Genoard Park, the garden of pleasures and wonders

A building constructed in a short space of time

The area of the Sanctuary

A chapel by an unknown designer based on repeated symmetries

The Cassaro

A controversial interpretation

the Baroque interior

Beyond the harmony of proportions

The cemetery of kings

The Great Presbytery: a unique space for the cathedral

The chorus: beating heart of the cathedral

The cultural substrate through time

The rediscovered chapel

The Norman conquest of Sicily and the birth of a new Latin kingdom

Palermo: the happiest city

The side Portico: a combination of elegance and lightness of form

Transformations over the centuries

A polysemy of high-level artistic forms and content

The Great Restoration

An architectural crescendo

The birth of the Norman kingdom

the Baroque exterior

A remarkable ceiling

The architectural envelope: the Greek cross layout oriented towards the light

Artistic elements in Peter’s ship

A cloister of accentuated stylistic variety

The construction of Monreale Cathedral: between myth and history

The Bible carved in stone

A mixture of styles pervades the floor decorations