photo gallery

photo gallery

the Baroque interior

The mosaics of the presbytery

The Great Restoration

The mosaics of the transept and the apses

The chorus: beating heart of the cathedral

The medieval city amidst monasticism and feudal aristocracy

The mosaic cycle, an ascending path towards the light

A building constructed in a short space of time

The Cathedral over the centuries

Porphyry sarcophagi: royalty and power

The senses tell the flooring

The links between the hauteville family and the monastic orders in Sicily

The Chapel of St. Mary Magdalene

Ecclesia munita

Characteristics of religious architecture in the romanesque period

The rediscovered chapel

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the naves

The beginning of the construction site

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Restorations

Norman religious architecture with islamic influences in Sicily

A space between the visible and the invisible

The construction of Monreale Cathedral: between myth and history

Beyond the harmony of proportions

The senses tell the Zisa over the centuries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

From the main gate to the aisles: an invitation to a journey of faith

The Chapel of the Kings

The decorated facade

The chapel of St. Benedict

The transformations of the hall through the centuries

The return of water

The Gualtiero Cathedral

The Royal Throne

A compositional design that combines nordic examples with new artistic languages, over the centuries

The chapel of the crucifix: an artistic casket based on a previous model

Intertwining of knowledge in Norman Palermo

The Palace of Kings

The opus sectile floor of the Palatine Chapel

The senses tell Context 1

A palimpsest of history

Layers of different cultures decorate the external apses

The side aisles

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Shapes and colours of the wooden ceiling

The chapel of san Castrense: an important renaissance work

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cultural substrate through time

Survey of the royal tombs

The side Portico: a combination of elegance and lightness of form

Gold and light: the splendour of the mosaics in the Royal Chapel

Saint Peter’s Chapel in the Royal Palace

The dialogue between the architectures of the monumental complex

The senses tell the interior

The original design

The cemetery of kings

The Admiral’s dedication

The senses tell the ceiling

Roger II of hauteville: a sovereign protected by God

The senses tell the external architecture and the original layout

The Cassaro

A controversial interpretation

Different styles and transformations of “one of the most beautiful monuments in the world”

A tree full of life

The loca solatiorum: dwellings for recreation, well-being and hunting

The towers facing the facade used as bell towers

the roof of Paradise: one of the most representative works of medieval art

the Baroque exterior

Artistic elements in Peter’s ship

The ancient convent of the Martorana, a history of devotion and tradition

The longest aisle

The senses tell baroque decoration

Transformations over the centuries

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From earthquake to collapse

From oblivion to the recovery of memory

The area of the Sanctuary

The Great Presbytery: a unique space for the cathedral

The towers and the western facade

Roger II’s strategic design

Squaring the circle

The columns of the nave: the meticulous study of the overall order

Mosaic decoration

The senses tell the architecture and decorations

A chapel by an unknown designer based on repeated symmetries

Cefalù: settlement evidence through time

The southern portico

A cloister of accentuated stylistic variety

Under the crosses of the Bema

The decorations on the bell tower

The senses tell the historical context

Interior decorations

The birth of the Norman kingdom

The lost chapel

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A Northern population

A polysemy of high-level artistic forms and content

Worship services

The chystro: a place between earth and sky

The senses tell the mosaic cycle

Decorations

The Virgin Hodegetria

The stone bible

Tempus fugit: a strategic project implemented in a short period of time

The architectural appearance and transformations over time

The mosaics of the apses

A remarkable ceiling

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Two initially similar towers, varied over time

The senses tell the historical context

Gardens and architecture as a backdrop to the city of Palermo

A mixture of styles pervades the floor decorations

The interior of the church

Palermo: the happiest city

The architectural space

The Genoard Park, the garden of pleasures and wonders

The Kings’ Cathedrals

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The balance between architecture and light

The flooring: shapes, motifs and iconography

The architectural envelope: the Greek cross layout oriented towards the light

The senses tell restorations

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Bible carved in stone

The liturgical spaces of the protesis and the diaconicon

The senses tell the architecture

A new Cathedral

The rediscovered palace

From the Mosque to the Cathedral

The king’s mark

The senses tell the historical context

An architectural crescendo