photo gallery

photo gallery

The decorations on the bell tower

A Northern population

Roger II of hauteville: a sovereign protected by God

Gardens and architecture as a backdrop to the city of Palermo

Cefalù: settlement evidence through time

Restorations

Two initially similar towers, varied over time

The Bible carved in stone

A space between the visible and the invisible

The rediscovered chapel

The senses tell the architecture and decorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the flooring

The towers facing the facade used as bell towers

The senses tell the mosaic cycle

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From the Mosque to the Cathedral

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the architecture

The mosaics of the transept and the apses

The columns of the nave: the meticulous study of the overall order

The architectural appearance and transformations over time

The Virgin Hodegetria

the roof of Paradise: one of the most representative works of medieval art

The senses tell the interior

Tempus fugit: a strategic project implemented in a short period of time

The construction of Monreale Cathedral: between myth and history

The interior of the church

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The medieval city amidst monasticism and feudal aristocracy

A new Cathedral

A controversial interpretation

The rediscovered palace

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Artistic elements in Peter’s ship

A cloister of accentuated stylistic variety

The area of the Sanctuary

Intertwining of knowledge in Norman Palermo

The liturgical spaces of the protesis and the diaconicon

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The dialogue between the architectures of the monumental complex

A mixture of styles pervades the floor decorations

The cemetery of kings

Different styles and transformations of “one of the most beautiful monuments in the world”

Porphyry sarcophagi: royalty and power

From oblivion to the recovery of memory

The Chapel of St. Mary Magdalene

A compositional design that combines nordic examples with new artistic languages, over the centuries

The transformations of the hall through the centuries

The senses tell Context 1

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The mosaics of the naves

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Norman conquest of Sicily and the birth of a new Latin kingdom

The side aisles

Saint Peter’s Chapel in the Royal Palace

The chystro: a place between earth and sky

Worship services

Characteristics of religious architecture in the romanesque period

The lost chapel

Norman religious architecture with islamic influences in Sicily

The beginning of the construction site

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The Admiral’s dedication

Survey of the royal tombs

The Royal Throne

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell restorations

The longest aisle

the Baroque interior

The mosaics of the presbytery

the Baroque exterior

The Great Presbytery: a unique space for the cathedral

The chapel of san Castrense: an important renaissance work

The links between the hauteville family and the monastic orders in Sicily

The senses tell the historical context

The king’s mark

Interior decorations

The stone bible

Beyond the harmony of proportions

The balance between architecture and light

The mosaics of the apses

The senses tell the Zisa over the centuries

The cultural substrate through time

The southern portico

The Kings’ Cathedrals

An architectural crescendo

The flooring: shapes, motifs and iconography

The Genoard Park, the garden of pleasures and wonders

The Great Restoration

The senses tell the external architecture and the original layout

The loca solatiorum: dwellings for recreation, well-being and hunting

A tree full of life

The senses tell the historical context

The chapel of St. Benedict

Roger II’s strategic design

Mosaic decoration

The Palace of Kings

The architectural space

Under the crosses of the Bema

The decorated facade

A polysemy of high-level artistic forms and content

The chapel of the crucifix: an artistic casket based on a previous model

The opus sectile floor of the Palatine Chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Ecclesia munita

A building constructed in a short space of time

A remarkable ceiling

A palimpsest of history

Layers of different cultures decorate the external apses

Shapes and colours of the wooden ceiling

Decorations

The side Portico: a combination of elegance and lightness of form

The towers and the western facade

The Chapel of the Kings

The mosaic cycle, an ascending path towards the light

Palermo: the happiest city

Squaring the circle

The senses tell baroque decoration

The Cassaro

The birth of the Norman kingdom

The original design

The chorus: beating heart of the cathedral

The senses tell the historical context

The Cathedral over the centuries

The architectural envelope: the Greek cross layout oriented towards the light

The return of water

A chapel by an unknown designer based on repeated symmetries

From earthquake to collapse

Transformations over the centuries

The Gualtiero Cathedral