photo gallery

photo gallery

The senses tell the mosaic cycle

The Admiral’s dedication

The senses tell the interior

The return of water

A polysemy of high-level artistic forms and content

The cultural substrate through time

The Kings’ Cathedrals

Decorations

The senses tell the architecture

Gold and light: the splendour of the mosaics in the Royal Chapel

The liturgical spaces of the protesis and the diaconicon

The side Portico: a combination of elegance and lightness of form

The side aisles

The links between the hauteville family and the monastic orders in Sicily

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The beginning of the construction site

The senses tell the architecture and decorations

Roger II’s strategic design

A space between the visible and the invisible

Two initially similar towers, varied over time

The chapel of san Castrense: an important renaissance work

Cefalù: settlement evidence through time

Beyond the harmony of proportions

A new Cathedral

The Cathedral over the centuries

The chorus: beating heart of the cathedral

The senses tell restorations

Palermo: the happiest city

The Cassaro

From the Mosque to the Cathedral

The senses tell the historical context

The lost chapel

The senses tell the external architecture and the original layout

The stone bible

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The towers and the western facade

The transformations of the hall through the centuries

From the main gate to the aisles: an invitation to a journey of faith

The medieval city amidst monasticism and feudal aristocracy

A Northern population

Saint Peter’s Chapel in the Royal Palace

A palimpsest of history

From oblivion to the recovery of memory

Characteristics of religious architecture in the romanesque period

The senses tell the historical context

The southern portico

The Great Presbytery: a unique space for the cathedral

The senses tell the historical context

Transformations over the centuries

The Norman conquest of Sicily and the birth of a new Latin kingdom

The Gualtiero Cathedral

Interior decorations

The columns of the nave: the meticulous study of the overall order

A controversial interpretation

Ecclesia munita

The mosaics of the naves

Survey of the royal tombs

the roof of Paradise: one of the most representative works of medieval art

The dialogue between the architectures of the monumental complex

A chapel by an unknown designer based on repeated symmetries

The senses tell the ceiling

The senses tell baroque decoration

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural appearance and transformations over time

A mixture of styles pervades the floor decorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The rediscovered palace

The mosaics of the transept and the apses

Gardens and architecture as a backdrop to the city of Palermo

The architectural space

The flooring: shapes, motifs and iconography

The towers facing the facade used as bell towers

Porphyry sarcophagi: royalty and power

Under the crosses of the Bema

Worship services

The chapel of St. Benedict

An architectural crescendo

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The king’s mark

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The interior of the church

The senses tell Context 1

The Royal Throne

A remarkable ceiling

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Squaring the circle

The Chapel of St. Mary Magdalene

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Artistic elements in Peter’s ship

The longest aisle

The mosaic cycle, an ascending path towards the light

The opus sectile floor of the Palatine Chapel

Mosaic decoration

The birth of the Norman kingdom

The Genoard Park, the garden of pleasures and wonders

The Bible carved in stone

Norman religious architecture with islamic influences in Sicily

the Baroque interior

The area of the Sanctuary

The senses tell the Zisa over the centuries

A tree full of life

Different styles and transformations of “one of the most beautiful monuments in the world”

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A cloister of accentuated stylistic variety

Roger II of hauteville: a sovereign protected by God

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The original design

The architectural envelope: the Greek cross layout oriented towards the light

The balance between architecture and light

The decorations on the bell tower

The Palace of Kings

The decorated facade

The construction of Monreale Cathedral: between myth and history

The mosaics of the apses

the Baroque exterior

The senses tell the flooring

Restorations

The cemetery of kings

The mosaics of the presbytery

The chapel of the crucifix: an artistic casket based on a previous model

The chystro: a place between earth and sky

The Chapel of the Kings

The Great Restoration

Shapes and colours of the wooden ceiling

The Virgin Hodegetria

From earthquake to collapse

The ancient convent of the Martorana, a history of devotion and tradition

Intertwining of knowledge in Norman Palermo

The loca solatiorum: dwellings for recreation, well-being and hunting

Tempus fugit: a strategic project implemented in a short period of time

The rediscovered chapel

A building constructed in a short space of time

Layers of different cultures decorate the external apses