photo gallery

photo gallery

Beyond the harmony of proportions

The architectural space

Shapes and colours of the wooden ceiling

The Chapel of the Kings

The chapel of san Castrense: an important renaissance work

Transformations over the centuries

Porphyry sarcophagi: royalty and power

the roof of Paradise: one of the most representative works of medieval art

A polysemy of high-level artistic forms and content

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the architecture

The dialogue between the architectures of the monumental complex

The Palace of Kings

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the naves

A new Cathedral

Interior decorations

The rediscovered palace

The mosaics of the apses

The senses tell the external architecture and the original layout

The king’s mark

Worship services

The cemetery of kings

A space between the visible and the invisible

The opus sectile floor of the Palatine Chapel

The mosaics of the transept and the apses

The senses tell the historical context

The Kings’ Cathedrals

From earthquake to collapse

The Gualtiero Cathedral

Mosaic decoration

The chystro: a place between earth and sky

A palimpsest of history

The lost chapel

Palermo: the happiest city

The senses tell the mosaic cycle

The Royal Throne

Cefalù: settlement evidence through time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Gardens and architecture as a backdrop to the city of Palermo

The Cathedral over the centuries

Intertwining of knowledge in Norman Palermo

Tempus fugit: a strategic project implemented in a short period of time

Layers of different cultures decorate the external apses

The Virgin Hodegetria

The cultural substrate through time

From oblivion to the recovery of memory

The senses tell the historical context

The chapel of the crucifix: an artistic casket based on a previous model

Survey of the royal tombs

The Chapel of St. Mary Magdalene

The interior of the church

The decorations on the bell tower

The decorated facade

the Baroque interior

The Genoard Park, the garden of pleasures and wonders

Different styles and transformations of “one of the most beautiful monuments in the world”

The southern portico

Squaring the circle

The construction of Monreale Cathedral: between myth and history

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The columns of the nave: the meticulous study of the overall order

Roger II of hauteville: a sovereign protected by God

The medieval city amidst monasticism and feudal aristocracy

Artistic elements in Peter’s ship

The longest aisle

A chapel by an unknown designer based on repeated symmetries

the Baroque exterior

The loca solatiorum: dwellings for recreation, well-being and hunting

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell restorations

The side Portico: a combination of elegance and lightness of form

The towers facing the facade used as bell towers

The senses tell the flooring

The Cassaro

A remarkable ceiling

Under the crosses of the Bema

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the ceiling

The architectural envelope: the Greek cross layout oriented towards the light

Decorations

From the Mosque to the Cathedral

A tree full of life

Ecclesia munita

Gold and light: the splendour of the mosaics in the Royal Chapel

The mosaic cycle, an ascending path towards the light

The balance between architecture and light

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The transformations of the hall through the centuries

Roger II’s strategic design

The towers and the western facade

The senses tell the architecture and decorations

The original design

The stone bible

The Admiral’s dedication

The senses tell the Zisa over the centuries

The chapel of St. Benedict

The side aisles

The senses tell baroque decoration

A building constructed in a short space of time

The area of the Sanctuary

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The beginning of the construction site

The Bible carved in stone

The architectural appearance and transformations over time

The liturgical spaces of the protesis and the diaconicon

Characteristics of religious architecture in the romanesque period

The birth of the Norman kingdom

Two initially similar towers, varied over time

A Northern population

From the main gate to the aisles: an invitation to a journey of faith

The Great Presbytery: a unique space for the cathedral

A cloister of accentuated stylistic variety

The senses tell the interior

Norman religious architecture with islamic influences in Sicily

The flooring: shapes, motifs and iconography

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The return of water

The links between the hauteville family and the monastic orders in Sicily

Saint Peter’s Chapel in the Royal Palace

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A mixture of styles pervades the floor decorations

The rediscovered chapel

The mosaics of the presbytery

The chorus: beating heart of the cathedral

Restorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell the historical context

An architectural crescendo

A controversial interpretation

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell Context 1

The Great Restoration