photo gallery

photo gallery

The senses tell the mosaic cycle

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A compositional design that combines nordic examples with new artistic languages, over the centuries

The flooring: shapes, motifs and iconography

The senses tell restorations

Shapes and colours of the wooden ceiling

The construction of Monreale Cathedral: between myth and history

Decorations

The transformations of the hall through the centuries

A palimpsest of history

Squaring the circle

Artistic elements in Peter’s ship

The return of water

Tempus fugit: a strategic project implemented in a short period of time

The ancient convent of the Martorana, a history of devotion and tradition

Gold and light: the splendour of the mosaics in the Royal Chapel

A chapel by an unknown designer based on repeated symmetries

A new Cathedral

Intertwining of knowledge in Norman Palermo

A Northern population

the Baroque exterior

A polysemy of high-level artistic forms and content

The links between the hauteville family and the monastic orders in Sicily

The senses tell the ceiling

The rediscovered palace

The Admiral’s dedication

The opus sectile floor of the Palatine Chapel

From oblivion to the recovery of memory

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Gardens and architecture as a backdrop to the city of Palermo

Worship services

Layers of different cultures decorate the external apses

The senses tell the Zisa over the centuries

The Virgin Hodegetria

The senses tell the historical context

The interior of the church

Cefalù: settlement evidence through time

The senses tell the external architecture and the original layout

The side aisles

The senses tell the flooring

Transformations over the centuries

The balance between architecture and light

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The stone bible

The senses tell baroque decoration

The Kings’ Cathedrals

The rediscovered chapel

The Bible carved in stone

The mosaics of the presbytery

The architectural envelope: the Greek cross layout oriented towards the light

The mosaics of the transept and the apses

The chystro: a place between earth and sky

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of san Castrense: an important renaissance work

The mosaics of the naves

The Genoard Park, the garden of pleasures and wonders

The medieval city amidst monasticism and feudal aristocracy

The senses tell the architecture and decorations

The senses tell the interior

The Great Presbytery: a unique space for the cathedral

The dialogue between the architectures of the monumental complex

Porphyry sarcophagi: royalty and power

The senses tell Context 1

A space between the visible and the invisible

A remarkable ceiling

Palermo: the happiest city

A mixture of styles pervades the floor decorations

Interior decorations

The original design

The Gualtiero Cathedral

Roger II of hauteville: a sovereign protected by God

Beyond the harmony of proportions

The architectural appearance and transformations over time

Characteristics of religious architecture in the romanesque period

Survey of the royal tombs

The Cathedral over the centuries

Norman religious architecture with islamic influences in Sicily

Under the crosses of the Bema

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chapel of St. Benedict

The towers facing the facade used as bell towers

The chapel of the crucifix: an artistic casket based on a previous model

An architectural crescendo

The liturgical spaces of the protesis and the diaconicon

The area of the Sanctuary

Restorations

Ecclesia munita

Two initially similar towers, varied over time

The Chapel of the Kings

The cemetery of kings

The Norman conquest of Sicily and the birth of a new Latin kingdom

From earthquake to collapse

The side Portico: a combination of elegance and lightness of form

The mosaics of the apses

A building constructed in a short space of time

The longest aisle

The decorated facade

The cultural substrate through time

The Chapel of St. Mary Magdalene

A tree full of life

The Royal Throne

A cloister of accentuated stylistic variety

From the Mosque to the Cathedral

The mosaic cycle, an ascending path towards the light

The senses tell the architecture

Saint Peter’s Chapel in the Royal Palace

The beginning of the construction site

The columns of the nave: the meticulous study of the overall order

The towers and the western facade

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

the roof of Paradise: one of the most representative works of medieval art

The birth of the Norman kingdom

Roger II’s strategic design

the Baroque interior

The decorations on the bell tower

From the main gate to the aisles: an invitation to a journey of faith

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Mosaic decoration

The king’s mark

The senses tell the historical context

The Cassaro

The lost chapel

The loca solatiorum: dwellings for recreation, well-being and hunting

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural space

The Palace of Kings

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A controversial interpretation

Different styles and transformations of “one of the most beautiful monuments in the world”

The Great Restoration

The senses tell the historical context

The chorus: beating heart of the cathedral

The southern portico