photo gallery

photo gallery

A building constructed in a short space of time

The cultural substrate through time

The senses tell the flooring

Transformations over the centuries

The mosaics of the naves

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chystro: a place between earth and sky

The senses tell the Zisa over the centuries

The senses tell the mosaic cycle

the roof of Paradise: one of the most representative works of medieval art

The towers facing the facade used as bell towers

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The area of the Sanctuary

Norman religious architecture with islamic influences in Sicily

The Kings’ Cathedrals

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The southern portico

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The cemetery of kings

The rediscovered palace

Interior decorations

A polysemy of high-level artistic forms and content

Worship services

From the Mosque to the Cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

The senses tell the external architecture and the original layout

The balance between architecture and light

The decorated facade

A space between the visible and the invisible

The senses tell Context 1

The Cathedral over the centuries

Shapes and colours of the wooden ceiling

The Chapel of the Kings

The beginning of the construction site

The senses tell the ceiling

The chapel of St. Benedict

The birth of the Norman kingdom

Two initially similar towers, varied over time

The longest aisle

Intertwining of knowledge in Norman Palermo

The Cassaro

Roger II of hauteville: a sovereign protected by God

Artistic elements in Peter’s ship

A remarkable ceiling

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell restorations

The construction of Monreale Cathedral: between myth and history

The ancient convent of the Martorana, a history of devotion and tradition

The Bible carved in stone

A palimpsest of history

The chapel of the crucifix: an artistic casket based on a previous model

The transformations of the hall through the centuries

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The opus sectile floor of the Palatine Chapel

The Genoard Park, the garden of pleasures and wonders

Survey of the royal tombs

The columns of the nave: the meticulous study of the overall order

Gold and light: the splendour of the mosaics in the Royal Chapel

Mosaic decoration

Ecclesia munita

A Northern population

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Under the crosses of the Bema

The king’s mark

the Baroque exterior

A tree full of life

The architectural envelope: the Greek cross layout oriented towards the light

The Royal Throne

A controversial interpretation

An architectural crescendo

the Baroque interior

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Gualtiero Cathedral

Beyond the harmony of proportions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The architectural space

Tempus fugit: a strategic project implemented in a short period of time

A chapel by an unknown designer based on repeated symmetries

The Great Presbytery: a unique space for the cathedral

Gardens and architecture as a backdrop to the city of Palermo

Characteristics of religious architecture in the romanesque period

The side Portico: a combination of elegance and lightness of form

A new Cathedral

The stone bible

The senses tell the historical context

A cloister of accentuated stylistic variety

The mosaics of the presbytery

Roger II’s strategic design

The chapel of san Castrense: an important renaissance work

The mosaics of the transept and the apses

The Palace of Kings

The decorations on the bell tower

Palermo: the happiest city

Decorations

The mosaic cycle, an ascending path towards the light

The flooring: shapes, motifs and iconography

The original design

From oblivion to the recovery of memory

The side aisles

The Admiral’s dedication

A mixture of styles pervades the floor decorations

Porphyry sarcophagi: royalty and power

The Virgin Hodegetria

From the main gate to the aisles: an invitation to a journey of faith

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Layers of different cultures decorate the external apses

Saint Peter’s Chapel in the Royal Palace

Cefalù: settlement evidence through time

The rediscovered chapel

The return of water

From earthquake to collapse

The Great Restoration

The Chapel of St. Mary Magdalene

The medieval city amidst monasticism and feudal aristocracy

The senses tell the interior

The lost chapel

The Norman conquest of Sicily and the birth of a new Latin kingdom

The links between the hauteville family and the monastic orders in Sicily

The senses tell baroque decoration

Restorations

The senses tell the historical context

The dialogue between the architectures of the monumental complex

The mosaics of the apses

The senses tell the historical context

The interior of the church

The senses tell the architecture and decorations

The chorus: beating heart of the cathedral

The architectural appearance and transformations over time

The towers and the western facade

The liturgical spaces of the protesis and the diaconicon

The senses tell the architecture

Squaring the circle