photo gallery

photo gallery

The chapel of san Castrense: an important renaissance work

The chapel of St. Benedict

Two initially similar towers, varied over time

Gold and light: the splendour of the mosaics in the Royal Chapel

From the main gate to the aisles: an invitation to a journey of faith

The liturgical spaces of the protesis and the diaconicon

Roger II of hauteville: a sovereign protected by God

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The links between the hauteville family and the monastic orders in Sicily

Artistic elements in Peter’s ship

The senses tell baroque decoration

The senses tell the historical context

The Chapel of the Kings

An architectural crescendo

The construction of Monreale Cathedral: between myth and history

The transformations of the hall through the centuries

The king’s mark

Transformations over the centuries

Decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The interior of the church

Survey of the royal tombs

A palimpsest of history

The senses tell the architecture and decorations

The Great Restoration

The architectural space

Norman religious architecture with islamic influences in Sicily

the Baroque exterior

Interior decorations

Beyond the harmony of proportions

From oblivion to the recovery of memory

From earthquake to collapse

The stone bible

Characteristics of religious architecture in the romanesque period

The senses tell the mosaic cycle

The southern portico

The senses tell Context 1

The columns of the nave: the meticulous study of the overall order

The architectural appearance and transformations over time

A Northern population

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The cultural substrate through time

The senses tell the architecture

Tempus fugit: a strategic project implemented in a short period of time

The Admiral’s dedication

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The loca solatiorum: dwellings for recreation, well-being and hunting

Saint Peter’s Chapel in the Royal Palace

The mosaic cycle, an ascending path towards the light

The opus sectile floor of the Palatine Chapel

Squaring the circle

The decorations on the bell tower

A controversial interpretation

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The side Portico: a combination of elegance and lightness of form

The Cathedral over the centuries

Worship services

The Norman conquest of Sicily and the birth of a new Latin kingdom

A space between the visible and the invisible

The longest aisle

Ecclesia munita

Layers of different cultures decorate the external apses

The mosaics of the apses

Restorations

Different styles and transformations of “one of the most beautiful monuments in the world”

The towers facing the facade used as bell towers

Roger II’s strategic design

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell restorations

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The ancient convent of the Martorana, a history of devotion and tradition

Palermo: the happiest city

Intertwining of knowledge in Norman Palermo

The Chapel of St. Mary Magdalene

The chapel of the crucifix: an artistic casket based on a previous model

A cloister of accentuated stylistic variety

The chystro: a place between earth and sky

The mosaics of the presbytery

The dialogue between the architectures of the monumental complex

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Gardens and architecture as a backdrop to the city of Palermo

The original design

The flooring: shapes, motifs and iconography

The senses tell the external architecture and the original layout

The senses tell the Zisa over the centuries

The mosaics of the transept and the apses

Shapes and colours of the wooden ceiling

Cefalù: settlement evidence through time

A new Cathedral

A mixture of styles pervades the floor decorations

The Bible carved in stone

The lost chapel

The rediscovered chapel

The rediscovered palace

Mosaic decoration

From the Mosque to the Cathedral

The Cassaro

The senses tell the ceiling

The medieval city amidst monasticism and feudal aristocracy

The Virgin Hodegetria

The decorated facade

The Kings’ Cathedrals

The senses tell the historical context

The beginning of the construction site

The side aisles

A building constructed in a short space of time

Porphyry sarcophagi: royalty and power

A chapel by an unknown designer based on repeated symmetries

The Great Presbytery: a unique space for the cathedral

The senses tell the interior

A polysemy of high-level artistic forms and content

The Genoard Park, the garden of pleasures and wonders

the Baroque interior

The cemetery of kings

The chorus: beating heart of the cathedral

The towers and the western facade

The Gualtiero Cathedral

The Royal Throne

A tree full of life

The Palace of Kings

The senses tell the flooring

The balance between architecture and light

The birth of the Norman kingdom

the roof of Paradise: one of the most representative works of medieval art

The area of the Sanctuary

A remarkable ceiling

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaics of the naves

Under the crosses of the Bema

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the historical context

The architectural envelope: the Greek cross layout oriented towards the light

The return of water