photo gallery

photo gallery

Restorations

The Cathedral over the centuries

Transformations over the centuries

The senses tell the flooring

The return of water

Squaring the circle

The Kings’ Cathedrals

The links between the hauteville family and the monastic orders in Sicily

From the Mosque to the Cathedral

The cultural substrate through time

The Norman conquest of Sicily and the birth of a new Latin kingdom

The longest aisle

The transformations of the hall through the centuries

The original design

An architectural crescendo

The mosaics of the presbytery

Roger II of hauteville: a sovereign protected by God

The loca solatiorum: dwellings for recreation, well-being and hunting

Worship services

The construction of Monreale Cathedral: between myth and history

A controversial interpretation

The Cassaro

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The medieval city amidst monasticism and feudal aristocracy

The senses tell the interior

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Great Restoration

The Great Presbytery: a unique space for the cathedral

Mosaic decoration

the roof of Paradise: one of the most representative works of medieval art

From oblivion to the recovery of memory

the Baroque interior

Saint Peter’s Chapel in the Royal Palace

Gardens and architecture as a backdrop to the city of Palermo

A chapel by an unknown designer based on repeated symmetries

The towers facing the facade used as bell towers

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The senses tell the historical context

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The southern portico

The decorated facade

The birth of the Norman kingdom

The columns of the nave: the meticulous study of the overall order

Beyond the harmony of proportions

Porphyry sarcophagi: royalty and power

Different styles and transformations of “one of the most beautiful monuments in the world”

The architectural envelope: the Greek cross layout oriented towards the light

The chapel of san Castrense: an important renaissance work

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

the Baroque exterior

Tempus fugit: a strategic project implemented in a short period of time

Cefalù: settlement evidence through time

The opus sectile floor of the Palatine Chapel

The Royal Throne

The Bible carved in stone

Under the crosses of the Bema

Artistic elements in Peter’s ship

The mosaics of the transept and the apses

The Virgin Hodegetria

The mosaics of the naves

A cloister of accentuated stylistic variety

A polysemy of high-level artistic forms and content

Shapes and colours of the wooden ceiling

Interior decorations

The senses tell the Zisa over the centuries

The senses tell Context 1

The chapel of the crucifix: an artistic casket based on a previous model

The Admiral’s dedication

The mosaic cycle, an ascending path towards the light

From the main gate to the aisles: an invitation to a journey of faith

The Palace of Kings

Two initially similar towers, varied over time

A building constructed in a short space of time

The flooring: shapes, motifs and iconography

The architectural space

Decorations

A space between the visible and the invisible

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Chapel of the Kings

The senses tell the external architecture and the original layout

The chapel of St. Benedict

The beginning of the construction site

Intertwining of knowledge in Norman Palermo

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The rediscovered chapel

The chorus: beating heart of the cathedral

The Chapel of St. Mary Magdalene

The king’s mark

The senses tell the architecture

The senses tell the architecture and decorations

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The senses tell restorations

A mixture of styles pervades the floor decorations

The liturgical spaces of the protesis and the diaconicon

The side Portico: a combination of elegance and lightness of form

A compositional design that combines nordic examples with new artistic languages, over the centuries

Survey of the royal tombs

The lost chapel

From earthquake to collapse

The senses tell the ceiling

The decorations on the bell tower

The interior of the church

Palermo: the happiest city

The rediscovered palace

A tree full of life

The architectural appearance and transformations over time

The Gualtiero Cathedral

Ecclesia munita

The cemetery of kings

The balance between architecture and light

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the historical context

The chystro: a place between earth and sky

The Genoard Park, the garden of pleasures and wonders

The stone bible

The side aisles

The dialogue between the architectures of the monumental complex

A new Cathedral

Characteristics of religious architecture in the romanesque period

The area of the Sanctuary

Roger II’s strategic design

Norman religious architecture with islamic influences in Sicily

Layers of different cultures decorate the external apses

A palimpsest of history

The senses tell the mosaic cycle

The senses tell baroque decoration

Gold and light: the splendour of the mosaics in the Royal Chapel

A remarkable ceiling

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The towers and the western facade

The senses tell the historical context

A Northern population

The mosaics of the apses