photo gallery

photo gallery

An architectural crescendo

The loca solatiorum: dwellings for recreation, well-being and hunting

The Great Presbytery: a unique space for the cathedral

The senses tell restorations

The lost chapel

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Gold and light: the splendour of the mosaics in the Royal Chapel

The king’s mark

Worship services

Different styles and transformations of “one of the most beautiful monuments in the world”

The mosaics of the apses

The chapel of san Castrense: an important renaissance work

From the Mosque to the Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

A remarkable ceiling

The towers facing the facade used as bell towers

A controversial interpretation

Under the crosses of the Bema

The senses tell the architecture and decorations

Transformations over the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Two initially similar towers, varied over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A mixture of styles pervades the floor decorations

Survey of the royal tombs

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Cassaro

The Great Restoration

The Kings’ Cathedrals

The Chapel of St. Mary Magdalene

Restorations

A new Cathedral

The interior of the church

The senses tell the flooring

A Northern population

The original design

The senses tell the mosaic cycle

The Royal Throne

The architectural envelope: the Greek cross layout oriented towards the light

Interior decorations

The transformations of the hall through the centuries

Roger II’s strategic design

The Gualtiero Cathedral

The links between the hauteville family and the monastic orders in Sicily

The Genoard Park, the garden of pleasures and wonders

The medieval city amidst monasticism and feudal aristocracy

The senses tell the external architecture and the original layout

The senses tell the historical context

The cultural substrate through time

The Admiral’s dedication

The senses tell the historical context

Intertwining of knowledge in Norman Palermo

The Norman conquest of Sicily and the birth of a new Latin kingdom

The flooring: shapes, motifs and iconography

A cloister of accentuated stylistic variety

From the main gate to the aisles: an invitation to a journey of faith

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Porphyry sarcophagi: royalty and power

The senses tell the ceiling

The return of water

Characteristics of religious architecture in the romanesque period

The chapel of the crucifix: an artistic casket based on a previous model

The rediscovered palace

The decorated facade

A polysemy of high-level artistic forms and content

The Virgin Hodegetria

The ancient convent of the Martorana, a history of devotion and tradition

The columns of the nave: the meticulous study of the overall order

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

From oblivion to the recovery of memory

The area of the Sanctuary

Gardens and architecture as a backdrop to the city of Palermo

The mosaics of the presbytery

The side aisles

The senses tell the historical context

The architectural space

A chapel by an unknown designer based on repeated symmetries

The chystro: a place between earth and sky

The beginning of the construction site

Shapes and colours of the wooden ceiling

A space between the visible and the invisible

From earthquake to collapse

The balance between architecture and light

Layers of different cultures decorate the external apses

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Norman religious architecture with islamic influences in Sicily

The stone bible

The chapel of St. Benedict

The senses tell the interior

Tempus fugit: a strategic project implemented in a short period of time

The mosaic cycle, an ascending path towards the light

Decorations

The mosaics of the naves

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Cefalù: settlement evidence through time

Roger II of hauteville: a sovereign protected by God

The towers and the western facade

Artistic elements in Peter’s ship

The birth of the Norman kingdom

the roof of Paradise: one of the most representative works of medieval art

The dialogue between the architectures of the monumental complex

The cemetery of kings

The longest aisle

The construction of Monreale Cathedral: between myth and history

The senses tell the Zisa over the centuries

The Bible carved in stone

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Palermo: the happiest city

The southern portico

The side Portico: a combination of elegance and lightness of form

The decorations on the bell tower

The mosaics of the transept and the apses

The senses tell baroque decoration

The Palace of Kings

The architectural appearance and transformations over time

A building constructed in a short space of time

The Cathedral over the centuries

Saint Peter’s Chapel in the Royal Palace

The rediscovered chapel

The liturgical spaces of the protesis and the diaconicon

The Chapel of the Kings

A palimpsest of history

The senses tell the architecture

Mosaic decoration

Beyond the harmony of proportions

the Baroque exterior

The opus sectile floor of the Palatine Chapel

Ecclesia munita

The chorus: beating heart of the cathedral

A tree full of life

Squaring the circle

the Baroque interior

The senses tell Context 1