photo gallery

photo gallery

The chapel of san Castrense: an important renaissance work

The beginning of the construction site

The Chapel of the Kings

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The decorations on the bell tower

The balance between architecture and light

Beyond the harmony of proportions

The senses tell baroque decoration

The side Portico: a combination of elegance and lightness of form

The stone bible

A building constructed in a short space of time

A palimpsest of history

The Virgin Hodegetria

A chapel by an unknown designer based on repeated symmetries

Palermo: the happiest city

The transformations of the hall through the centuries

The interior of the church

Porphyry sarcophagi: royalty and power

The side aisles

The birth of the Norman kingdom

The Cathedral over the centuries

Squaring the circle

Norman religious architecture with islamic influences in Sicily

From earthquake to collapse

Roger II of hauteville: a sovereign protected by God

Two initially similar towers, varied over time

The Genoard Park, the garden of pleasures and wonders

The construction of Monreale Cathedral: between myth and history

The mosaics of the naves

A remarkable ceiling

Restorations

The lost chapel

the Baroque exterior

The return of water

Characteristics of religious architecture in the romanesque period

The senses tell the Zisa over the centuries

Transformations over the centuries

The Palace of Kings

The king’s mark

A mixture of styles pervades the floor decorations

The loca solatiorum: dwellings for recreation, well-being and hunting

An architectural crescendo

The architectural space

The Cassaro

A polysemy of high-level artistic forms and content

Interior decorations

Intertwining of knowledge in Norman Palermo

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chorus: beating heart of the cathedral

A Northern population

The original design

From the Mosque to the Cathedral

The area of the Sanctuary

The southern portico

From the main gate to the aisles: an invitation to a journey of faith

Mosaic decoration

The opus sectile floor of the Palatine Chapel

The Bible carved in stone

The cultural substrate through time

Cefalù: settlement evidence through time

The senses tell the mosaic cycle

The architectural appearance and transformations over time

The liturgical spaces of the protesis and the diaconicon

The towers facing the facade used as bell towers

the roof of Paradise: one of the most representative works of medieval art

Decorations

The mosaics of the presbytery

Survey of the royal tombs

A cloister of accentuated stylistic variety

The Chapel of St. Mary Magdalene

The senses tell the external architecture and the original layout

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The decorated facade

The senses tell the historical context

The links between the hauteville family and the monastic orders in Sicily

Under the crosses of the Bema

The senses tell the flooring

The senses tell the architecture and decorations

Ecclesia munita

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The rediscovered palace

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

the Baroque interior

The senses tell restorations

The Admiral’s dedication

The longest aisle

The Royal Throne

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell Context 1

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The Gualtiero Cathedral

Layers of different cultures decorate the external apses

Roger II’s strategic design

The mosaic cycle, an ascending path towards the light

The senses tell the ceiling

The Great Presbytery: a unique space for the cathedral

The Kings’ Cathedrals

The Great Restoration

The rediscovered chapel

The towers and the western facade

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

Gold and light: the splendour of the mosaics in the Royal Chapel

Shapes and colours of the wooden ceiling

The mosaics of the apses

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Artistic elements in Peter’s ship

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the architecture

A controversial interpretation

The medieval city amidst monasticism and feudal aristocracy

The senses tell the historical context

The chapel of St. Benedict

The columns of the nave: the meticulous study of the overall order

The mosaics of the transept and the apses

Saint Peter’s Chapel in the Royal Palace

The senses tell the historical context

The flooring: shapes, motifs and iconography

The senses tell the interior

From oblivion to the recovery of memory

The cemetery of kings

Gardens and architecture as a backdrop to the city of Palermo

Worship services

The chapel of the crucifix: an artistic casket based on a previous model

A new Cathedral

A space between the visible and the invisible

The ancient convent of the Martorana, a history of devotion and tradition

The chystro: a place between earth and sky

Different styles and transformations of “one of the most beautiful monuments in the world”

The dialogue between the architectures of the monumental complex

The architectural envelope: the Greek cross layout oriented towards the light

A tree full of life