photo gallery

photo gallery

The chystro: a place between earth and sky

The Palace of Kings

The cultural substrate through time

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the interior

The rediscovered chapel

Cefalù: settlement evidence through time

Interior decorations

Intertwining of knowledge in Norman Palermo

A palimpsest of history

Characteristics of religious architecture in the romanesque period

The senses tell the ceiling

A tree full of life

Roger II’s strategic design

The senses tell the historical context

The senses tell the mosaic cycle

The side aisles

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From oblivion to the recovery of memory

Shapes and colours of the wooden ceiling

The ancient convent of the Martorana, a history of devotion and tradition

A remarkable ceiling

From the Mosque to the Cathedral

From earthquake to collapse

The mosaics of the presbytery

The beginning of the construction site

The return of water

The Cathedral over the centuries

The mosaics of the apses

The chapel of san Castrense: an important renaissance work

The area of the Sanctuary

A Northern population

The cemetery of kings

The dialogue between the architectures of the monumental complex

The Admiral’s dedication

The king’s mark

The stone bible

The mosaics of the naves

The decorated facade

The senses tell the external architecture and the original layout

the Baroque interior

Norman religious architecture with islamic influences in Sicily

The Virgin Hodegetria

The links between the hauteville family and the monastic orders in Sicily

A building constructed in a short space of time

The senses tell the architecture

A new Cathedral

The Norman conquest of Sicily and the birth of a new Latin kingdom

The medieval city amidst monasticism and feudal aristocracy

the Baroque exterior

The senses tell restorations

The senses tell baroque decoration

Restorations

Porphyry sarcophagi: royalty and power

A mixture of styles pervades the floor decorations

The Royal Throne

From the main gate to the aisles: an invitation to a journey of faith

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cassaro

The rediscovered palace

Beyond the harmony of proportions

Roger II of hauteville: a sovereign protected by God

The towers facing the facade used as bell towers

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

An architectural crescendo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The columns of the nave: the meticulous study of the overall order

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A controversial interpretation

The Genoard Park, the garden of pleasures and wonders

The Kings’ Cathedrals

Survey of the royal tombs

The senses tell the historical context

Saint Peter’s Chapel in the Royal Palace

The chorus: beating heart of the cathedral

A polysemy of high-level artistic forms and content

Gold and light: the splendour of the mosaics in the Royal Chapel

The decorations on the bell tower

The Great Presbytery: a unique space for the cathedral

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Chapel of the Kings

Artistic elements in Peter’s ship

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The flooring: shapes, motifs and iconography

The loca solatiorum: dwellings for recreation, well-being and hunting

Decorations

Squaring the circle

The mosaic cycle, an ascending path towards the light

Mosaic decoration

Tempus fugit: a strategic project implemented in a short period of time

The Bible carved in stone

A space between the visible and the invisible

The architectural space

The architectural envelope: the Greek cross layout oriented towards the light

Layers of different cultures decorate the external apses

The transformations of the hall through the centuries

Palermo: the happiest city

The birth of the Norman kingdom

The construction of Monreale Cathedral: between myth and history

A chapel by an unknown designer based on repeated symmetries

The side Portico: a combination of elegance and lightness of form

Gardens and architecture as a backdrop to the city of Palermo

A cloister of accentuated stylistic variety

The senses tell the Zisa over the centuries

the roof of Paradise: one of the most representative works of medieval art

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Chapel of St. Mary Magdalene

The senses tell the historical context

The senses tell the flooring

The mosaics of the transept and the apses

The architectural appearance and transformations over time

The senses tell the architecture and decorations

The chapel of St. Benedict

The senses tell Context 1

The opus sectile floor of the Palatine Chapel

The original design

Two initially similar towers, varied over time

The southern portico

The longest aisle

The lost chapel

Under the crosses of the Bema

Worship services

The chapel of the crucifix: an artistic casket based on a previous model

The interior of the church

The liturgical spaces of the protesis and the diaconicon

The towers and the western facade

The Great Restoration

The balance between architecture and light

Ecclesia munita

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Transformations over the centuries