photo gallery

photo gallery

The side Portico: a combination of elegance and lightness of form

The architectural envelope: the Greek cross layout oriented towards the light

Survey of the royal tombs

Different styles and transformations of “one of the most beautiful monuments in the world”

The senses tell the interior

The towers and the western facade

The chorus: beating heart of the cathedral

The birth of the Norman kingdom

Norman religious architecture with islamic influences in Sicily

Roger II of hauteville: a sovereign protected by God

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the architecture

Two initially similar towers, varied over time

The medieval city amidst monasticism and feudal aristocracy

the roof of Paradise: one of the most representative works of medieval art

Palermo: the happiest city

The links between the hauteville family and the monastic orders in Sicily

The mosaics of the presbytery

Interior decorations

From the main gate to the aisles: an invitation to a journey of faith

Roger II’s strategic design

The Bible carved in stone

The cultural substrate through time

The chapel of the crucifix: an artistic casket based on a previous model

A palimpsest of history

Gold and light: the splendour of the mosaics in the Royal Chapel

The senses tell the historical context

Shapes and colours of the wooden ceiling

Gardens and architecture as a backdrop to the city of Palermo

A Northern population

The liturgical spaces of the protesis and the diaconicon

Cefalù: settlement evidence through time

A space between the visible and the invisible

The senses tell restorations

The Chapel of St. Mary Magdalene

Ecclesia munita

The cemetery of kings

From earthquake to collapse

Porphyry sarcophagi: royalty and power

The towers facing the facade used as bell towers

The area of the Sanctuary

The Great Restoration

Under the crosses of the Bema

Squaring the circle

A cloister of accentuated stylistic variety

the Baroque exterior

A controversial interpretation

Beyond the harmony of proportions

A building constructed in a short space of time

The senses tell the mosaic cycle

The side aisles

Characteristics of religious architecture in the romanesque period

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The rediscovered chapel

Decorations

The mosaics of the transept and the apses

The Gualtiero Cathedral

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Cassaro

The senses tell the Zisa over the centuries

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the naves

The chapel of san Castrense: an important renaissance work

Layers of different cultures decorate the external apses

The chystro: a place between earth and sky

The Kings’ Cathedrals

The senses tell the historical context

The Admiral’s dedication

The architectural space

The senses tell baroque decoration

The flooring: shapes, motifs and iconography

Restorations

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the external architecture and the original layout

The Chapel of the Kings

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The Norman conquest of Sicily and the birth of a new Latin kingdom

Transformations over the centuries

Intertwining of knowledge in Norman Palermo

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

A polysemy of high-level artistic forms and content

The southern portico

The senses tell Context 1

The original design

The balance between architecture and light

An architectural crescendo

The transformations of the hall through the centuries

The Great Presbytery: a unique space for the cathedral

Saint Peter’s Chapel in the Royal Palace

The ancient convent of the Martorana, a history of devotion and tradition

The interior of the church

The chapel of St. Benedict

Artistic elements in Peter’s ship

the Baroque interior

A tree full of life

The construction of Monreale Cathedral: between myth and history

The architectural appearance and transformations over time

A remarkable ceiling

The decorated facade

The beginning of the construction site

The loca solatiorum: dwellings for recreation, well-being and hunting

The Cathedral over the centuries

Mosaic decoration

The lost chapel

The Royal Throne

A mixture of styles pervades the floor decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The mosaics of the apses

The return of water

The stone bible

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The dialogue between the architectures of the monumental complex

A chapel by an unknown designer based on repeated symmetries

The rediscovered palace

The Virgin Hodegetria

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

The king’s mark

The senses tell the flooring

From oblivion to the recovery of memory

The longest aisle

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

From the Mosque to the Cathedral

The decorations on the bell tower

The Palace of Kings

The mosaic cycle, an ascending path towards the light

Worship services

A new Cathedral

The columns of the nave: the meticulous study of the overall order

The opus sectile floor of the Palatine Chapel

The senses tell the ceiling

The senses tell the architecture and decorations