photo gallery

photo gallery

The birth of the Norman kingdom

The mosaics of the presbytery

A cloister of accentuated stylistic variety

A new Cathedral

The Kings’ Cathedrals

The senses tell the flooring

From earthquake to collapse

The senses tell baroque decoration

The mosaics of the transept and the apses

The Chapel of the Kings

The mosaics of the apses

The mosaic cycle, an ascending path towards the light

Tempus fugit: a strategic project implemented in a short period of time

The medieval city amidst monasticism and feudal aristocracy

The towers facing the facade used as bell towers

The balance between architecture and light

The decorated facade

The senses tell the interior

The links between the hauteville family and the monastic orders in Sicily

The southern portico

Shapes and colours of the wooden ceiling

The Great Presbytery: a unique space for the cathedral

A tree full of life

The senses tell the Zisa over the centuries

The towers and the western facade

The chapel of St. Benedict

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The stone bible

The interior of the church

Layers of different cultures decorate the external apses

The mosaics of the naves

Palermo: the happiest city

The Genoard Park, the garden of pleasures and wonders

the Baroque interior

The Admiral’s dedication

The cemetery of kings

The area of the Sanctuary

A mixture of styles pervades the floor decorations

Saint Peter’s Chapel in the Royal Palace

The senses tell the mosaic cycle

the Baroque exterior

The senses tell the historical context

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The ancient convent of the Martorana, a history of devotion and tradition

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

An architectural crescendo

The longest aisle

Squaring the circle

The chystro: a place between earth and sky

The columns of the nave: the meticulous study of the overall order

A space between the visible and the invisible

A polysemy of high-level artistic forms and content

The Great Restoration

Worship services

The side Portico: a combination of elegance and lightness of form

The liturgical spaces of the protesis and the diaconicon

The Royal Throne

The rediscovered palace

From the Mosque to the Cathedral

Two initially similar towers, varied over time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The architectural appearance and transformations over time

The chapel of the crucifix: an artistic casket based on a previous model

The side aisles

Restorations

Decorations

The senses tell the ceiling

The chorus: beating heart of the cathedral

The loca solatiorum: dwellings for recreation, well-being and hunting

Beyond the harmony of proportions

Characteristics of religious architecture in the romanesque period

Roger II’s strategic design

A Northern population

The senses tell the architecture and decorations

The Virgin Hodegetria

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the architecture

The Gualtiero Cathedral

A remarkable ceiling

Roger II of hauteville: a sovereign protected by God

The decorations on the bell tower

Gardens and architecture as a backdrop to the city of Palermo

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the historical context

The cultural substrate through time

Gold and light: the splendour of the mosaics in the Royal Chapel

The chapel of san Castrense: an important renaissance work

The rediscovered chapel

The flooring: shapes, motifs and iconography

The senses tell Context 1

The Bible carved in stone

The Cathedral over the centuries

The architectural envelope: the Greek cross layout oriented towards the light

Artistic elements in Peter’s ship

Porphyry sarcophagi: royalty and power

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The Norman conquest of Sicily and the birth of a new Latin kingdom

Transformations over the centuries

The Palace of Kings

Intertwining of knowledge in Norman Palermo

The beginning of the construction site

A chapel by an unknown designer based on repeated symmetries

Norman religious architecture with islamic influences in Sicily

The transformations of the hall through the centuries

A building constructed in a short space of time

The return of water

A palimpsest of history

The construction of Monreale Cathedral: between myth and history

The king’s mark

Survey of the royal tombs

A controversial interpretation

The senses tell the external architecture and the original layout

Under the crosses of the Bema

The dialogue between the architectures of the monumental complex

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The lost chapel

The original design

The opus sectile floor of the Palatine Chapel

Mosaic decoration

From oblivion to the recovery of memory

The Chapel of St. Mary Magdalene

The architectural space

A compositional design that combines nordic examples with new artistic languages, over the centuries

Cefalù: settlement evidence through time

The senses tell restorations

The Cassaro

The senses tell the historical context

the roof of Paradise: one of the most representative works of medieval art

Ecclesia munita

Different styles and transformations of “one of the most beautiful monuments in the world”

Interior decorations