photo gallery

photo gallery

The cemetery of kings

The senses tell the Zisa over the centuries

The southern portico

The mosaics of the transept and the apses

The Admiral’s dedication

The Great Restoration

The Bible carved in stone

The Kings’ Cathedrals

A mixture of styles pervades the floor decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the interior

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Palermo: the happiest city

The senses tell the historical context

A building constructed in a short space of time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Squaring the circle

Porphyry sarcophagi: royalty and power

Gardens and architecture as a backdrop to the city of Palermo

The loca solatiorum: dwellings for recreation, well-being and hunting

The towers and the western facade

The rediscovered chapel

Different styles and transformations of “one of the most beautiful monuments in the world”

Shapes and colours of the wooden ceiling

The original design

Gold and light: the splendour of the mosaics in the Royal Chapel

An architectural crescendo

A tree full of life

From oblivion to the recovery of memory

Characteristics of religious architecture in the romanesque period

The area of the Sanctuary

The senses tell the architecture

The towers facing the facade used as bell towers

Mosaic decoration

The Chapel of St. Mary Magdalene

Interior decorations

The Great Presbytery: a unique space for the cathedral

The rediscovered palace

The senses tell the historical context

The senses tell baroque decoration

The stone bible

Tempus fugit: a strategic project implemented in a short period of time

The side aisles

The Chapel of the Kings

Transformations over the centuries

A chapel by an unknown designer based on repeated symmetries

The transformations of the hall through the centuries

The senses tell restorations

Two initially similar towers, varied over time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Roger II’s strategic design

The dialogue between the architectures of the monumental complex

Beyond the harmony of proportions

The mosaic cycle, an ascending path towards the light

A Northern population

The senses tell the historical context

The birth of the Norman kingdom

The Norman conquest of Sicily and the birth of a new Latin kingdom

The chystro: a place between earth and sky

Intertwining of knowledge in Norman Palermo

The senses tell Context 1

the Baroque interior

The return of water

The decorated facade

From earthquake to collapse

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the naves

The flooring: shapes, motifs and iconography

The liturgical spaces of the protesis and the diaconicon

The senses tell the architecture and decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The beginning of the construction site

The lost chapel

The side Portico: a combination of elegance and lightness of form

The senses tell the ceiling

Ecclesia munita

A polysemy of high-level artistic forms and content

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The medieval city amidst monasticism and feudal aristocracy

A palimpsest of history

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the external architecture and the original layout

The columns of the nave: the meticulous study of the overall order

The decorations on the bell tower

The Cassaro

Decorations

A remarkable ceiling

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Gualtiero Cathedral

The senses tell the flooring

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The architectural space

Layers of different cultures decorate the external apses

Worship services

From the main gate to the aisles: an invitation to a journey of faith

The construction of Monreale Cathedral: between myth and history

The chapel of the crucifix: an artistic casket based on a previous model

The chorus: beating heart of the cathedral

the roof of Paradise: one of the most representative works of medieval art

The Cathedral over the centuries

The mosaics of the presbytery

Cefalù: settlement evidence through time

The links between the hauteville family and the monastic orders in Sicily

The cultural substrate through time

Saint Peter’s Chapel in the Royal Palace

The architectural envelope: the Greek cross layout oriented towards the light

A new Cathedral

The architectural appearance and transformations over time

The Genoard Park, the garden of pleasures and wonders

the Baroque exterior

The chapel of san Castrense: an important renaissance work

The mosaics of the apses

The opus sectile floor of the Palatine Chapel

The interior of the church

Norman religious architecture with islamic influences in Sicily

A cloister of accentuated stylistic variety

The Virgin Hodegetria

Survey of the royal tombs

Roger II of hauteville: a sovereign protected by God

Artistic elements in Peter’s ship

A controversial interpretation

The Palace of Kings

The senses tell the mosaic cycle

The chapel of St. Benedict

The king’s mark

The Royal Throne

Restorations

The balance between architecture and light

A space between the visible and the invisible

From the Mosque to the Cathedral

Under the crosses of the Bema

The longest aisle