photo gallery

photo gallery

The Norman conquest of Sicily and the birth of a new Latin kingdom

Roger II of hauteville: a sovereign protected by God

The liturgical spaces of the protesis and the diaconicon

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Norman religious architecture with islamic influences in Sicily

Palermo: the happiest city

The Gualtiero Cathedral

The construction of Monreale Cathedral: between myth and history

The chystro: a place between earth and sky

The senses tell the historical context

A mixture of styles pervades the floor decorations

The links between the hauteville family and the monastic orders in Sicily

From oblivion to the recovery of memory

Survey of the royal tombs

The rediscovered palace

the roof of Paradise: one of the most representative works of medieval art

The birth of the Norman kingdom

Intertwining of knowledge in Norman Palermo

A Northern population

The side Portico: a combination of elegance and lightness of form

Squaring the circle

The ancient convent of the Martorana, a history of devotion and tradition

Mosaic decoration

The rediscovered chapel

The architectural envelope: the Greek cross layout oriented towards the light

From earthquake to collapse

The beginning of the construction site

The lost chapel

The chapel of san Castrense: an important renaissance work

A tree full of life

The columns of the nave: the meticulous study of the overall order

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

From the main gate to the aisles: an invitation to a journey of faith

The senses tell the flooring

The towers facing the facade used as bell towers

The Chapel of the Kings

A space between the visible and the invisible

The mosaic cycle, an ascending path towards the light

The return of water

Two initially similar towers, varied over time

The interior of the church

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The transformations of the hall through the centuries

The senses tell the architecture

Gold and light: the splendour of the mosaics in the Royal Chapel

The Kings’ Cathedrals

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the mosaic cycle

The opus sectile floor of the Palatine Chapel

The senses tell Context 1

The Great Restoration

A polysemy of high-level artistic forms and content

Interior decorations

A controversial interpretation

The decorations on the bell tower

Characteristics of religious architecture in the romanesque period

The stone bible

Cefalù: settlement evidence through time

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Cassaro

A cloister of accentuated stylistic variety

the Baroque interior

The towers and the western facade

The Virgin Hodegetria

Transformations over the centuries

The senses tell the interior

The flooring: shapes, motifs and iconography

The Admiral’s dedication

Porphyry sarcophagi: royalty and power

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The southern portico

Beyond the harmony of proportions

The senses tell the historical context

The chapel of St. Benedict

The cultural substrate through time

The dialogue between the architectures of the monumental complex

Different styles and transformations of “one of the most beautiful monuments in the world”

The area of the Sanctuary

A building constructed in a short space of time

The mosaics of the naves

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The chapel of the crucifix: an artistic casket based on a previous model

Saint Peter’s Chapel in the Royal Palace

The Genoard Park, the garden of pleasures and wonders

Worship services

The senses tell the historical context

The Palace of Kings

The loca solatiorum: dwellings for recreation, well-being and hunting

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Bible carved in stone

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Cathedral over the centuries

Under the crosses of the Bema

The medieval city amidst monasticism and feudal aristocracy

The longest aisle

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

Artistic elements in Peter’s ship

Layers of different cultures decorate the external apses

The mosaics of the apses

the Baroque exterior

A palimpsest of history

The Great Presbytery: a unique space for the cathedral

The senses tell the architecture and decorations

The side aisles

Tempus fugit: a strategic project implemented in a short period of time

Restorations

The cemetery of kings

The architectural appearance and transformations over time

Roger II’s strategic design

Ecclesia munita

The senses tell baroque decoration

The senses tell the external architecture and the original layout

A chapel by an unknown designer based on repeated symmetries

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The balance between architecture and light

The mosaics of the presbytery

The senses tell the Zisa over the centuries

The senses tell restorations

A new Cathedral

The king’s mark

A remarkable ceiling

From the Mosque to the Cathedral

The Royal Throne

Shapes and colours of the wooden ceiling

The mosaics of the transept and the apses

The architectural space

The senses tell the ceiling

Decorations

An architectural crescendo

The original design

The Chapel of St. Mary Magdalene

The chorus: beating heart of the cathedral

The decorated facade