photo gallery

photo gallery

Interior decorations

The senses tell Context 1

The Chapel of St. Mary Magdalene

Decorations

The medieval city amidst monasticism and feudal aristocracy

The senses tell the architecture and decorations

From the Mosque to the Cathedral

The Bible carved in stone

Transformations over the centuries

The mosaic cycle, an ascending path towards the light

A mixture of styles pervades the floor decorations

A compositional design that combines nordic examples with new artistic languages, over the centuries

The side Portico: a combination of elegance and lightness of form

The Gualtiero Cathedral

Tempus fugit: a strategic project implemented in a short period of time

The Great Presbytery: a unique space for the cathedral

Shapes and colours of the wooden ceiling

the Baroque exterior

The cultural substrate through time

The longest aisle

The columns of the nave: the meticulous study of the overall order

The southern portico

The towers and the western facade

The area of the Sanctuary

The decorations on the bell tower

The king’s mark

The side aisles

Restorations

The senses tell the ceiling

The Great Restoration

A polysemy of high-level artistic forms and content

The architectural envelope: the Greek cross layout oriented towards the light

The mosaics of the naves

The ancient convent of the Martorana, a history of devotion and tradition

The flooring: shapes, motifs and iconography

The construction of Monreale Cathedral: between myth and history

The chapel of St. Benedict

Characteristics of religious architecture in the romanesque period

Artistic elements in Peter’s ship

The links between the hauteville family and the monastic orders in Sicily

The lost chapel

The interior of the church

The senses tell the external architecture and the original layout

The chapel of san Castrense: an important renaissance work

The senses tell the architecture

Norman religious architecture with islamic influences in Sicily

The Admiral’s dedication

The senses tell restorations

Survey of the royal tombs

the roof of Paradise: one of the most representative works of medieval art

the Baroque interior

Different styles and transformations of “one of the most beautiful monuments in the world”

The Chapel of the Kings

Gold and light: the splendour of the mosaics in the Royal Chapel

Roger II of hauteville: a sovereign protected by God

The loca solatiorum: dwellings for recreation, well-being and hunting

The original design

The balance between architecture and light

The beginning of the construction site

A remarkable ceiling

The cemetery of kings

A palimpsest of history

A Northern population

Beyond the harmony of proportions

The architectural appearance and transformations over time

The chystro: a place between earth and sky

An architectural crescendo

Layers of different cultures decorate the external apses

The rediscovered palace

The Cathedral over the centuries

A tree full of life

Roger II’s strategic design

The Norman conquest of Sicily and the birth of a new Latin kingdom

Mosaic decoration

The chorus: beating heart of the cathedral

The towers facing the facade used as bell towers

A chapel by an unknown designer based on repeated symmetries

The transformations of the hall through the centuries

Cefalù: settlement evidence through time

The senses tell the mosaic cycle

The birth of the Norman kingdom

The opus sectile floor of the Palatine Chapel

From earthquake to collapse

The decorated facade

From oblivion to the recovery of memory

The senses tell the historical context

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The senses tell the historical context

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Ecclesia munita

The Palace of Kings

The senses tell the Zisa over the centuries

Palermo: the happiest city

The mosaics of the apses

The dialogue between the architectures of the monumental complex

The mosaics of the transept and the apses

The senses tell baroque decoration

Porphyry sarcophagi: royalty and power

The liturgical spaces of the protesis and the diaconicon

From the main gate to the aisles: an invitation to a journey of faith

A cloister of accentuated stylistic variety

The architectural space

The Virgin Hodegetria

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Saint Peter’s Chapel in the Royal Palace

The rediscovered chapel

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The mosaics of the presbytery

Gardens and architecture as a backdrop to the city of Palermo

The senses tell the historical context

A new Cathedral

Worship services

The stone bible

The Royal Throne

The chapel of the crucifix: an artistic casket based on a previous model

Intertwining of knowledge in Norman Palermo

Squaring the circle

A space between the visible and the invisible

A building constructed in a short space of time

The return of water

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cassaro

The Kings’ Cathedrals

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Genoard Park, the garden of pleasures and wonders

Two initially similar towers, varied over time

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The senses tell the flooring

Under the crosses of the Bema

A controversial interpretation

The senses tell the interior