photo gallery

photo gallery

Characteristics of religious architecture in the romanesque period

From the Mosque to the Cathedral

The Cassaro

The senses tell the architecture

The Gualtiero Cathedral

Porphyry sarcophagi: royalty and power

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The columns of the nave: the meticulous study of the overall order

The Kings’ Cathedrals

A palimpsest of history

The balance between architecture and light

A chapel by an unknown designer based on repeated symmetries

Norman religious architecture with islamic influences in Sicily

The ancient convent of the Martorana, a history of devotion and tradition

A remarkable ceiling

The chapel of the crucifix: an artistic casket based on a previous model

Roger II of hauteville: a sovereign protected by God

Survey of the royal tombs

The liturgical spaces of the protesis and the diaconicon

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

A polysemy of high-level artistic forms and content

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The towers and the western facade

A space between the visible and the invisible

The chapel of san Castrense: an important renaissance work

The construction of Monreale Cathedral: between myth and history

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

An architectural crescendo

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The loca solatiorum: dwellings for recreation, well-being and hunting

The dialogue between the architectures of the monumental complex

Ecclesia munita

The southern portico

Shapes and colours of the wooden ceiling

The transformations of the hall through the centuries

The senses tell the interior

The side Portico: a combination of elegance and lightness of form

The Bible carved in stone

Roger II’s strategic design

The interior of the church

Gardens and architecture as a backdrop to the city of Palermo

A Northern population

Restorations

The side aisles

The senses tell the external architecture and the original layout

the Baroque exterior

The cemetery of kings

The mosaic cycle, an ascending path towards the light

The senses tell baroque decoration

The Cathedral over the centuries

The senses tell restorations

From oblivion to the recovery of memory

Palermo: the happiest city

The chapel of St. Benedict

Squaring the circle

The mosaics of the transept and the apses

The medieval city amidst monasticism and feudal aristocracy

The king’s mark

the roof of Paradise: one of the most representative works of medieval art

The stone bible

A controversial interpretation

The beginning of the construction site

The architectural appearance and transformations over time

A building constructed in a short space of time

The Virgin Hodegetria

The Chapel of the Kings

From earthquake to collapse

The towers facing the facade used as bell towers

Intertwining of knowledge in Norman Palermo

The links between the hauteville family and the monastic orders in Sicily

Under the crosses of the Bema

The opus sectile floor of the Palatine Chapel

The decorated facade

The birth of the Norman kingdom

The original design

The senses tell the historical context

The architectural envelope: the Greek cross layout oriented towards the light

Two initially similar towers, varied over time

The senses tell the flooring

The mosaics of the presbytery

The return of water

The Palace of Kings

Interior decorations

Different styles and transformations of “one of the most beautiful monuments in the world”

The Great Restoration

The Chapel of St. Mary Magdalene

Decorations

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Cefalù: settlement evidence through time

The Royal Throne

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The Great Presbytery: a unique space for the cathedral

The chorus: beating heart of the cathedral

The cultural substrate through time

The Genoard Park, the garden of pleasures and wonders

Gold and light: the splendour of the mosaics in the Royal Chapel

Artistic elements in Peter’s ship

Beyond the harmony of proportions

The senses tell the mosaic cycle

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell the Zisa over the centuries

The area of the Sanctuary

The senses tell the architecture and decorations

The senses tell the historical context

A compositional design that combines nordic examples with new artistic languages, over the centuries

The architectural space

The chystro: a place between earth and sky

The senses tell the ceiling

From the main gate to the aisles: an invitation to a journey of faith

A mixture of styles pervades the floor decorations

The flooring: shapes, motifs and iconography

The senses tell Context 1

The longest aisle

Transformations over the centuries

The rediscovered chapel

A cloister of accentuated stylistic variety

The rediscovered palace

The mosaics of the apses

A tree full of life

The mosaics of the naves

A new Cathedral

the Baroque interior

The lost chapel

Layers of different cultures decorate the external apses

The Norman conquest of Sicily and the birth of a new Latin kingdom

Saint Peter’s Chapel in the Royal Palace

The senses tell the historical context

Tempus fugit: a strategic project implemented in a short period of time

The decorations on the bell tower

The Admiral’s dedication

Worship services

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

Mosaic decoration