photo gallery

photo gallery

The balance between architecture and light

The senses tell the flooring

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

From the main gate to the aisles: an invitation to a journey of faith

The Chapel of the Kings

A cloister of accentuated stylistic variety

Ecclesia munita

The mosaics of the naves

Mosaic decoration

The Chapel of St. Mary Magdalene

The stone bible

The Admiral’s dedication

Porphyry sarcophagi: royalty and power

The cemetery of kings

Different styles and transformations of “one of the most beautiful monuments in the world”

Tempus fugit: a strategic project implemented in a short period of time

The mosaics of the presbytery

A building constructed in a short space of time

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The mosaic cycle, an ascending path towards the light

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The lost chapel

Two initially similar towers, varied over time

Saint Peter’s Chapel in the Royal Palace

The side aisles

An architectural crescendo

The Kings’ Cathedrals

Norman religious architecture with islamic influences in Sicily

Palermo: the happiest city

A Northern population

The towers facing the facade used as bell towers

The transformations of the hall through the centuries

The senses tell the historical context

The senses tell restorations

The ancient convent of the Martorana, a history of devotion and tradition

The senses tell the Zisa over the centuries

Layers of different cultures decorate the external apses

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The decorated facade

The original design

the roof of Paradise: one of the most representative works of medieval art

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A palimpsest of history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The architectural space

A tree full of life

Roger II of hauteville: a sovereign protected by God

The senses tell baroque decoration

The mosaics of the apses

The senses tell the architecture and decorations

Artistic elements in Peter’s ship

Squaring the circle

The medieval city amidst monasticism and feudal aristocracy

Gardens and architecture as a backdrop to the city of Palermo

The longest aisle

Cefalù: settlement evidence through time

The chapel of san Castrense: an important renaissance work

The southern portico

A new Cathedral

The chorus: beating heart of the cathedral

From the Mosque to the Cathedral

the Baroque interior

The Great Restoration

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The chapel of St. Benedict

The chystro: a place between earth and sky

The Genoard Park, the garden of pleasures and wonders

Interior decorations

Shapes and colours of the wooden ceiling

From oblivion to the recovery of memory

The Bible carved in stone

A mixture of styles pervades the floor decorations

The birth of the Norman kingdom

The rediscovered palace

The links between the hauteville family and the monastic orders in Sicily

The flooring: shapes, motifs and iconography

The senses tell the historical context

A polysemy of high-level artistic forms and content

A space between the visible and the invisible

The rediscovered chapel

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Decorations

Transformations over the centuries

From earthquake to collapse

A compositional design that combines nordic examples with new artistic languages, over the centuries

The senses tell the interior

The Virgin Hodegetria

The senses tell the external architecture and the original layout

The Cathedral over the centuries

The side Portico: a combination of elegance and lightness of form

The architectural appearance and transformations over time

Intertwining of knowledge in Norman Palermo

Worship services

The Cassaro

Restorations

The towers and the western facade

The interior of the church

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the mosaic cycle

The area of the Sanctuary

The Gualtiero Cathedral

The senses tell the architecture

The senses tell the ceiling

Under the crosses of the Bema

The return of water

The Great Presbytery: a unique space for the cathedral

the Baroque exterior

A controversial interpretation

The loca solatiorum: dwellings for recreation, well-being and hunting

Characteristics of religious architecture in the romanesque period

The dialogue between the architectures of the monumental complex

The senses tell Context 1

Survey of the royal tombs

The architectural envelope: the Greek cross layout oriented towards the light

Beyond the harmony of proportions

The decorations on the bell tower

A chapel by an unknown designer based on repeated symmetries

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The beginning of the construction site

The cultural substrate through time

The Palace of Kings

The opus sectile floor of the Palatine Chapel

The senses tell the historical context

The chapel of the crucifix: an artistic casket based on a previous model

The Royal Throne

A remarkable ceiling

The liturgical spaces of the protesis and the diaconicon

Gold and light: the splendour of the mosaics in the Royal Chapel

The construction of Monreale Cathedral: between myth and history

Roger II’s strategic design

The columns of the nave: the meticulous study of the overall order

The king’s mark

The mosaics of the transept and the apses