photo gallery

photo gallery

The flooring: shapes, motifs and iconography

A new Cathedral

Mosaic decoration

The mosaics of the presbytery

The senses tell the flooring

The Genoard Park, the garden of pleasures and wonders

The loca solatiorum: dwellings for recreation, well-being and hunting

From the main gate to the aisles: an invitation to a journey of faith

The Cassaro

The Royal Throne

Layers of different cultures decorate the external apses

The senses tell the external architecture and the original layout

The chystro: a place between earth and sky

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The Bible carved in stone

The mosaic cycle, an ascending path towards the light

Norman religious architecture with islamic influences in Sicily

A cloister of accentuated stylistic variety

The senses tell the ceiling

Roger II’s strategic design

The senses tell the historical context

The senses tell the historical context

Artistic elements in Peter’s ship

The columns of the nave: the meticulous study of the overall order

The area of the Sanctuary

A space between the visible and the invisible

A polysemy of high-level artistic forms and content

Different styles and transformations of “one of the most beautiful monuments in the world”

Roger II of hauteville: a sovereign protected by God

A Northern population

A mixture of styles pervades the floor decorations

The senses tell the mosaic cycle

Cefalù: settlement evidence through time

The Admiral’s dedication

Interior decorations

A controversial interpretation

The cultural substrate through time

The links between the hauteville family and the monastic orders in Sicily

The stone bible

The birth of the Norman kingdom

The original design

The senses tell the architecture

Gold and light: the splendour of the mosaics in the Royal Chapel

The dialogue between the architectures of the monumental complex

The opus sectile floor of the Palatine Chapel

Beyond the harmony of proportions

The chapel of St. Benedict

Transformations over the centuries

Tempus fugit: a strategic project implemented in a short period of time

The Great Restoration

A building constructed in a short space of time

The towers facing the facade used as bell towers

The side aisles

The mosaics of the transept and the apses

The Palace of Kings

A remarkable ceiling

The ancient convent of the Martorana, a history of devotion and tradition

The lost chapel

An architectural crescendo

The Kings’ Cathedrals

The construction of Monreale Cathedral: between myth and history

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The chorus: beating heart of the cathedral

Under the crosses of the Bema

The senses tell the architecture and decorations

the roof of Paradise: one of the most representative works of medieval art

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The cemetery of kings

The beginning of the construction site

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Saint Peter’s Chapel in the Royal Palace

Squaring the circle

The side Portico: a combination of elegance and lightness of form

Survey of the royal tombs

Ecclesia munita

The towers and the western facade

A tree full of life

The senses tell the interior

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The Great Presbytery: a unique space for the cathedral

Shapes and colours of the wooden ceiling

The Norman conquest of Sicily and the birth of a new Latin kingdom

The longest aisle

The balance between architecture and light

The mosaics of the apses

The Chapel of the Kings

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The senses tell Context 1

The decorations on the bell tower

The Chapel of St. Mary Magdalene

The senses tell restorations

the Baroque exterior

Restorations

The architectural space

From the Mosque to the Cathedral

The decorated facade

Characteristics of religious architecture in the romanesque period

A palimpsest of history

Intertwining of knowledge in Norman Palermo

the Baroque interior

The transformations of the hall through the centuries

Gardens and architecture as a backdrop to the city of Palermo

The liturgical spaces of the protesis and the diaconicon

The architectural appearance and transformations over time

The southern portico

The king’s mark

The senses tell baroque decoration

The chapel of the crucifix: an artistic casket based on a previous model

The senses tell the Zisa over the centuries

From oblivion to the recovery of memory

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The interior of the church

From earthquake to collapse

The chapel of san Castrense: an important renaissance work

The architectural envelope: the Greek cross layout oriented towards the light

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A chapel by an unknown designer based on repeated symmetries

The Cathedral over the centuries

Palermo: the happiest city

The senses tell the historical context

Worship services

The rediscovered chapel

The return of water

A compositional design that combines nordic examples with new artistic languages, over the centuries

The mosaics of the naves

The medieval city amidst monasticism and feudal aristocracy

Two initially similar towers, varied over time

The Virgin Hodegetria

The Gualtiero Cathedral

Decorations

Porphyry sarcophagi: royalty and power

The rediscovered palace