photo gallery

photo gallery

The mosaic cycle, an ascending path towards the light

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A controversial interpretation

The Bible carved in stone

The Great Restoration

The ancient convent of the Martorana, a history of devotion and tradition

The architectural space

The liturgical spaces of the protesis and the diaconicon

the Baroque interior

The mosaics of the presbytery

The senses tell baroque decoration

The longest aisle

The decorated facade

Layers of different cultures decorate the external apses

The cultural substrate through time

The lost chapel

Saint Peter’s Chapel in the Royal Palace

An architectural crescendo

The return of water

The stone bible

Shapes and colours of the wooden ceiling

Intertwining of knowledge in Norman Palermo

A mixture of styles pervades the floor decorations

A palimpsest of history

The loca solatiorum: dwellings for recreation, well-being and hunting

The chapel of St. Benedict

The senses tell the historical context

The construction of Monreale Cathedral: between myth and history

The senses tell the ceiling

The links between the hauteville family and the monastic orders in Sicily

Ecclesia munita

A tree full of life

The king’s mark

The Virgin Hodegetria

Worship services

The senses tell the historical context

The senses tell the architecture and decorations

The towers facing the facade used as bell towers

The Kings’ Cathedrals

A remarkable ceiling

A space between the visible and the invisible

The Chapel of the Kings

The senses tell the historical context

The rediscovered palace

Artistic elements in Peter’s ship

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

Norman religious architecture with islamic influences in Sicily

From oblivion to the recovery of memory

Under the crosses of the Bema

From earthquake to collapse

The mosaics of the naves

The interior of the church

A chapel by an unknown designer based on repeated symmetries

The architectural envelope: the Greek cross layout oriented towards the light

The Cathedral over the centuries

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

Squaring the circle

The side Portico: a combination of elegance and lightness of form

Roger II’s strategic design

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The towers and the western facade

The columns of the nave: the meticulous study of the overall order

The senses tell the external architecture and the original layout

Porphyry sarcophagi: royalty and power

The Norman conquest of Sicily and the birth of a new Latin kingdom

The transformations of the hall through the centuries

the roof of Paradise: one of the most representative works of medieval art

Characteristics of religious architecture in the romanesque period

The Royal Throne

Different styles and transformations of “one of the most beautiful monuments in the world”

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell restorations

From the Mosque to the Cathedral

A compositional design that combines nordic examples with new artistic languages, over the centuries

A Northern population

The Genoard Park, the garden of pleasures and wonders

the Baroque exterior

The cemetery of kings

The mosaics of the transept and the apses

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The opus sectile floor of the Palatine Chapel

The chorus: beating heart of the cathedral

The flooring: shapes, motifs and iconography

The Chapel of St. Mary Magdalene

From the main gate to the aisles: an invitation to a journey of faith

The dialogue between the architectures of the monumental complex

Cefalù: settlement evidence through time

Palermo: the happiest city

The balance between architecture and light

The chystro: a place between earth and sky

Decorations

The senses tell the mosaic cycle

The mosaics of the apses

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the Zisa over the centuries

The senses tell the interior

Two initially similar towers, varied over time

The Palace of Kings

A building constructed in a short space of time

The senses tell the flooring

A new Cathedral

The side aisles

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The area of the Sanctuary

The Gualtiero Cathedral

The decorations on the bell tower

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A cloister of accentuated stylistic variety

The chapel of the crucifix: an artistic casket based on a previous model

The southern portico

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Beyond the harmony of proportions

The Great Presbytery: a unique space for the cathedral

Gold and light: the splendour of the mosaics in the Royal Chapel

The birth of the Norman kingdom

The original design

The chapel of san Castrense: an important renaissance work

The Cassaro

Interior decorations

Tempus fugit: a strategic project implemented in a short period of time

Survey of the royal tombs

The rediscovered chapel

The architectural appearance and transformations over time

The Admiral’s dedication

The senses tell Context 1

Roger II of hauteville: a sovereign protected by God

Restorations

Transformations over the centuries

A polysemy of high-level artistic forms and content

Mosaic decoration

The senses tell the architecture

Gardens and architecture as a backdrop to the city of Palermo