photo gallery

photo gallery

A polysemy of high-level artistic forms and content

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell the external architecture and the original layout

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The senses tell the interior

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The ancient convent of the Martorana, a history of devotion and tradition

From the main gate to the aisles: an invitation to a journey of faith

The chystro: a place between earth and sky

A new Cathedral

The towers and the western facade

Shapes and colours of the wooden ceiling

the Baroque interior

Two initially similar towers, varied over time

The Cassaro

Porphyry sarcophagi: royalty and power

The senses tell baroque decoration

The southern portico

the roof of Paradise: one of the most representative works of medieval art

The side Portico: a combination of elegance and lightness of form

The interior of the church

The flooring: shapes, motifs and iconography

The dialogue between the architectures of the monumental complex

Under the crosses of the Bema

Transformations over the centuries

The Gualtiero Cathedral

The return of water

The chorus: beating heart of the cathedral

Characteristics of religious architecture in the romanesque period

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The mosaics of the naves

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The senses tell the architecture and decorations

The senses tell the historical context

A mixture of styles pervades the floor decorations

The transformations of the hall through the centuries

The Bible carved in stone

The decorated facade

Restorations

The loca solatiorum: dwellings for recreation, well-being and hunting

The birth of the Norman kingdom

Worship services

Ecclesia munita

The construction of Monreale Cathedral: between myth and history

The columns of the nave: the meticulous study of the overall order

Artistic elements in Peter’s ship

The chapel of St. Benedict

The senses tell the historical context

An architectural crescendo

A cloister of accentuated stylistic variety

The senses tell Context 1

From the Mosque to the Cathedral

Interior decorations

The mosaics of the presbytery

Saint Peter’s Chapel in the Royal Palace

The king’s mark

Gardens and architecture as a backdrop to the city of Palermo

Roger II’s strategic design

A remarkable ceiling

A tree full of life

Cefalù: settlement evidence through time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The chapel of san Castrense: an important renaissance work

The senses tell the Zisa over the centuries

Squaring the circle

From oblivion to the recovery of memory

The senses tell the historical context

The Genoard Park, the garden of pleasures and wonders

Gold and light: the splendour of the mosaics in the Royal Chapel

The lost chapel

From earthquake to collapse

The Royal Throne

The towers facing the facade used as bell towers

Beyond the harmony of proportions

A space between the visible and the invisible

A compositional design that combines nordic examples with new artistic languages, over the centuries

The rediscovered palace

The area of the Sanctuary

The Chapel of St. Mary Magdalene

Tempus fugit: a strategic project implemented in a short period of time

The cultural substrate through time

Norman religious architecture with islamic influences in Sicily

A controversial interpretation

The senses tell the flooring

The stone bible

A building constructed in a short space of time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The liturgical spaces of the protesis and the diaconicon

The mosaics of the apses

The Great Restoration

The Great Presbytery: a unique space for the cathedral

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

A palimpsest of history

A Northern population

The opus sectile floor of the Palatine Chapel

The Kings’ Cathedrals

The architectural space

The Chapel of the Kings

The senses tell the mosaic cycle

The senses tell restorations

The cemetery of kings

The Virgin Hodegetria

Different styles and transformations of “one of the most beautiful monuments in the world”

Intertwining of knowledge in Norman Palermo

Layers of different cultures decorate the external apses

The Admiral’s dedication

The Cathedral over the centuries

Decorations

The Palace of Kings

Mosaic decoration

The medieval city amidst monasticism and feudal aristocracy

The rediscovered chapel

The senses tell the architecture

The longest aisle

The architectural envelope: the Greek cross layout oriented towards the light

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beginning of the construction site

A chapel by an unknown designer based on repeated symmetries

The balance between architecture and light

Roger II of hauteville: a sovereign protected by God

Survey of the royal tombs

The chapel of the crucifix: an artistic casket based on a previous model

The mosaic cycle, an ascending path towards the light

Palermo: the happiest city

the Baroque exterior

The senses tell the ceiling

The decorations on the bell tower

The mosaics of the transept and the apses

The side aisles

The original design

The links between the hauteville family and the monastic orders in Sicily

The architectural appearance and transformations over time