photo gallery

photo gallery

The senses tell the flooring

The Palace of Kings

The mosaic cycle, an ascending path towards the light

The decorations on the bell tower

The links between the hauteville family and the monastic orders in Sicily

The towers facing the facade used as bell towers

Ecclesia munita

The cemetery of kings

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

From oblivion to the recovery of memory

The senses tell the architecture

A controversial interpretation

The senses tell the historical context

Interior decorations

Norman religious architecture with islamic influences in Sicily

A tree full of life

The southern portico

The king’s mark

The Genoard Park, the garden of pleasures and wonders

The Chapel of the Kings

The towers and the western facade

A compositional design that combines nordic examples with new artistic languages, over the centuries

The loca solatiorum: dwellings for recreation, well-being and hunting

Different styles and transformations of “one of the most beautiful monuments in the world”

The longest aisle

Porphyry sarcophagi: royalty and power

The construction of Monreale Cathedral: between myth and history

The senses tell restorations

Gold and light: the splendour of the mosaics in the Royal Chapel

The Cathedral over the centuries

The chorus: beating heart of the cathedral

Characteristics of religious architecture in the romanesque period

Tempus fugit: a strategic project implemented in a short period of time

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

the Baroque interior

The cultural substrate through time

Worship services

A chapel by an unknown designer based on repeated symmetries

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The birth of the Norman kingdom

The architectural space

Criteria for the inclusion of Palermo Arab-Norman and the Cefalù and Monreale Cathedrals in the WHL

The transformations of the hall through the centuries

Squaring the circle

The Great Restoration

The ancient convent of the Martorana, a history of devotion and tradition

Decorations

Roger II’s strategic design

The Virgin Hodegetria

A building constructed in a short space of time

The beautiful Zisa and its garden: solacium regi among sounds, colours and scents

The beginning of the construction site

The opus sectile floor of the Palatine Chapel

The interior of the church

From earthquake to collapse

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The senses tell the historical context

The Gualtiero Cathedral

Saint Peter’s Chapel in the Royal Palace

A polysemy of high-level artistic forms and content

Transformations over the centuries

The chystro: a place between earth and sky

The senses tell Context 1

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

A palimpsest of history

Survey of the royal tombs

The Bible carved in stone

The Kings’ Cathedrals

A Northern population

The chapel of the crucifix: an artistic casket based on a previous model

The return of water

Shapes and colours of the wooden ceiling

the Baroque exterior

The columns of the nave: the meticulous study of the overall order

The lost chapel

The side aisles

The dialogue between the architectures of the monumental complex

Intertwining of knowledge in Norman Palermo

A remarkable ceiling

The Cassaro

The senses tell the architecture and decorations

From the Mosque to the Cathedral

The senses tell the Zisa over the centuries

The architectural appearance and transformations over time

The mosaics of the presbytery

A space between the visible and the invisible

Artistic elements in Peter’s ship

The senses tell the interior

Roger II of hauteville: a sovereign protected by God

The Great Presbytery: a unique space for the cathedral

Layers of different cultures decorate the external apses

Two initially similar towers, varied over time

The Chapel of St. Mary Magdalene

An architectural crescendo

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The liturgical spaces of the protesis and the diaconicon

The Royal Throne

The chapel of san Castrense: an important renaissance work

The mosaics of the naves

The rediscovered palace

The area of the Sanctuary

The medieval city amidst monasticism and feudal aristocracy

The rediscovered chapel

The chapel of St. Benedict

The stone bible

The senses tell the mosaic cycle

The senses tell the external architecture and the original layout

The Admiral’s dedication

The senses tell the historical context

The side Portico: a combination of elegance and lightness of form

The balance between architecture and light

Palermo: the happiest city

The original design

From the main gate to the aisles: an invitation to a journey of faith

The mosaics of the transept and the apses

A mixture of styles pervades the floor decorations

The flooring: shapes, motifs and iconography

The Norman conquest of Sicily and the birth of a new Latin kingdom

The senses tell baroque decoration

The senses tell the ceiling

Gardens and architecture as a backdrop to the city of Palermo

The architectural envelope: the Greek cross layout oriented towards the light

the roof of Paradise: one of the most representative works of medieval art

A new Cathedral

Mosaic decoration

The decorated facade

The mosaics of the apses

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A cloister of accentuated stylistic variety

Beyond the harmony of proportions

Cefalù: settlement evidence through time

Under the crosses of the Bema

Restorations