Palermo Cathedral
The central body: the aisles

The Cathedral over the centuries

The common fate of most Romanesque churches was that they were transformed in the following centuries according to the style of the time. Some were profoundly modified and others were decorated with added compositions, without altering their original character.
A similar fate befell the Palermo Cathedral, which underwent numerous and varied transformations, restorations and embellishments from the 15th century until the early 18th century.These works did not change the structural characteristics of the building but simply added additional spaces for the clergy and for worship, sacristies and side chapels dedicated to the saints worshipped in the city. The interior walls were decorated with Baroque style frescoes and stucco work with garlands and wreaths, as well as other artistic works.
In the second half of the 18th century, the building was generally in poor condition and needed urgent work. Archbishop Filangeri and the Cathedral Chapter petitioned King Ferdinand IV of Bourbonto intervene “to restore decorum and dignity to the city’s mother church”.

Porphyry sarcophagi: royalty and power

Roger II of hauteville: a sovereign protected by God

Squaring the circle

The balance between architecture and light

The liturgical spaces of the protesis and the diaconicon

The chystro: a place between earth and sky

The stone bible

From the Mosque to the Cathedral

Worship services

A controversial interpretation

The southern portico

The senses tell Context 1

The side Portico: a combination of elegance and lightness of form

The towers and the western facade

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The transformations of the hall through the centuries

Mosaic decoration

A new Cathedral

A Northern population

The area of the Sanctuary

Transformations over the centuries

The beginning of the construction site

Layers of different cultures decorate the external apses

The lost chapel

From the main gate to the aisles: an invitation to a journey of faith

The chapel of the crucifix: an artistic casket based on a previous model

The chorus: beating heart of the cathedral

Palermo: the happiest city

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A remarkable ceiling

The Chapel of St. Mary Magdalene

Cefalù: settlement evidence through time

Ecclesia munita

The rediscovered chapel

The Great Restoration

The Great Presbytery: a unique space for the cathedral

A tree full of life

The construction of Monreale Cathedral: between myth and history

Interior decorations

A mixture of styles pervades the floor decorations

Gardens and architecture as a backdrop to the city of Palermo

The side aisles

The cemetery of kings

The decorated facade

A space between the visible and the invisible

The links between the hauteville family and the monastic orders in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Survey of the royal tombs

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

The cultural substrate through time

Artistic elements in Peter’s ship

The king’s mark

The Chapel of the Kings

Characteristics of religious architecture in the romanesque period

A chapel by an unknown designer based on repeated symmetries

A polysemy of high-level artistic forms and content

Tempus fugit: a strategic project implemented in a short period of time

The Gualtiero Cathedral

The columns of the nave: the meticulous study of the overall order

The Kings’ Cathedrals

The chapel of St. Benedict

Two initially similar towers, varied over time

The Virgin Hodegetria

A cloister of accentuated stylistic variety

The Bible carved in stone

The longest aisle

Beyond the harmony of proportions

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The medieval city amidst monasticism and feudal aristocracy

The dialogue between the architectures of the monumental complex

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

A palimpsest of history

The mosaics of the apses

The mosaics of the presbytery

The towers facing the facade used as bell towers

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

Roger II’s strategic design

Norman religious architecture with islamic influences in Sicily

The original design

The chapel of san Castrense: an important renaissance work

Under the crosses of the Bema

A compositional design that combines nordic examples with new artistic languages, over the centuries

The Cathedral over the centuries