Palermo Cathedral
The central body: the aisles

The Cathedral over the centuries

The common fate of most Romanesque churches was that they were transformed in the following centuries according to the style of the time. Some were profoundly modified and others were decorated with added compositions, without altering their original character.
A similar fate befell the Palermo Cathedral, which underwent numerous and varied transformations, restorations and embellishments from the 15th century until the early 18th century.These works did not change the structural characteristics of the building but simply added additional spaces for the clergy and for worship, sacristies and side chapels dedicated to the saints worshipped in the city. The interior walls were decorated with Baroque style frescoes and stucco work with garlands and wreaths, as well as other artistic works.
In the second half of the 18th century, the building was generally in poor condition and needed urgent work. Archbishop Filangeri and the Cathedral Chapter petitioned King Ferdinand IV of Bourbonto intervene “to restore decorum and dignity to the city’s mother church”.

The chapel of St. Benedict

The senses tell Context 1

From the main gate to the aisles: an invitation to a journey of faith

A palimpsest of history

Mosaic decoration

Norman religious architecture with islamic influences in Sicily

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The longest aisle

The chapel of san Castrense: an important renaissance work

Layers of different cultures decorate the external apses

The king’s mark

The decorated facade

The dialogue between the architectures of the monumental complex

Cefalù: settlement evidence through time

A remarkable ceiling

The cultural substrate through time

Ecclesia munita

A mixture of styles pervades the floor decorations

The Kings’ Cathedrals

The mosaics of the presbytery

The Bible carved in stone

The balance between architecture and light

The transformations of the hall through the centuries

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

Squaring the circle

From the Mosque to the Cathedral

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

Roger II of hauteville: a sovereign protected by God

The liturgical spaces of the protesis and the diaconicon

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

The towers facing the facade used as bell towers

The area of the Sanctuary

The side Portico: a combination of elegance and lightness of form

The Great Presbytery: a unique space for the cathedral

A cloister of accentuated stylistic variety

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

A compositional design that combines nordic examples with new artistic languages, over the centuries

A space between the visible and the invisible

The Chapel of St. Mary Magdalene

Beyond the harmony of proportions

The southern portico

Palermo: the happiest city

The chystro: a place between earth and sky

Survey of the royal tombs

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

The mosaics of the apses

The stone bible

The beginning of the construction site

The chorus: beating heart of the cathedral

Porphyry sarcophagi: royalty and power

The cemetery of kings

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

Tempus fugit: a strategic project implemented in a short period of time

The construction of Monreale Cathedral: between myth and history

Worship services

The rediscovered chapel

The medieval city amidst monasticism and feudal aristocracy

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The links between the hauteville family and the monastic orders in Sicily

A chapel by an unknown designer based on repeated symmetries

The original design

The lost chapel

Transformations over the centuries

The Cathedral over the centuries

Roger II’s strategic design

The Great Restoration

The Chapel of the Kings

A new Cathedral

A tree full of life

A polysemy of high-level artistic forms and content

Interior decorations

Characteristics of religious architecture in the romanesque period

The Virgin Hodegetria

The towers and the western facade

Gardens and architecture as a backdrop to the city of Palermo

A Northern population

The Gualtiero Cathedral

The columns of the nave: the meticulous study of the overall order

A controversial interpretation

Under the crosses of the Bema

Artistic elements in Peter’s ship

The side aisles