Monreale Cathedral
the Context 1

Gardens and architecture as a backdrop to the city of Palermo

For over two centuries, the Arab domination in Sicily gave the island a cultural climate and a level of civilisation still unknown in other regions of Italy. At the same time, in Europe, after the decline of the the Carolingian renaissance , European kingdoms began to fragment around the year 1000. The knowledge, embedded into Arab culture, starting with the development of science, mathematics and extending into the intangible world of philosophy and alchemy, also involved the reorganisation of the layout of the Palermo area. The region thus became an area where studies on water channelling systems, including underground systems, known as the quanāt , gave impetus to the construction of parks and suburban gardens, enriched by the presence of surface pipelines, known as saie, and water collection tanks.New fruit trees such as cedars, lemons and oranges were introduced into these endless expanses as part of a diverse cultivation system. In addition to the pleasant view enhanced by a rich palette of colours, there was no shortage of the spicy scents of cinnamon, cloves, ginger and jasmine, which permeated the air with a mixture of Middle Eastern aromas.
Architecture of undoubted geometric purity stood out in the regular proportions of the paradise gardens, echoing those of Persia and Samarkand. An example is the castle, probably of Islamic origin, which can be traced back to the Kalbite Emir Ja’farn in the district of Maredolce , at a time when Muslim power on the island was already in decline.

The original design

A new Cathedral

The mosaics of the apses

A chapel by an unknown designer based on repeated symmetries

Layers of different cultures decorate the external apses

A compositional design that combines nordic examples with new artistic languages, over the centuries

A polysemy of high-level artistic forms and content

Thirteenth-century iconography decorates the nave’s wooden ceiling, designed with new solutions

Palermo: the happiest city

Porphyry sarcophagi: royalty and power

A mixture of styles pervades the floor decorations

The lost chapel

A tree full of life

The architectural modifications ti the cathedral building after the death of Roger II and the transformations of the cloister

The Kings’ Cathedrals

The Gualtiero Cathedral

The southern portico

Cefalù: settlement evidence through time

The rediscovered chapel

The columns of the nave: the meticulous study of the overall order

The side Portico: a combination of elegance and lightness of form

The side aisles

The stone bible

The towers and the western facade

Ecclesia munita

The decorated facade

Beyond the harmony of proportions

Worship services

The cultural substrate through time

The area of the Sanctuary

The marble portal: an intimate dialogue between complex ornamental aspects and formal structure

The chapel of the crucifix: an artistic casket based on a previous model

Two initially similar towers, varied over time

The longest aisle

The Great Presbytery: a unique space for the cathedral

Artistic elements in Peter’s ship

The Virgin Hodegetria

Squaring the circle

Gardens and architecture as a backdrop to the city of Palermo

Biblical themes enlivened by the dazzling light of the stained – glass windows overlooking the naves

A cloister of accentuated stylistic variety

Under the crosses of the Bema

The Great Restoration

The Chapel of St. Mary Magdalene

Tempus fugit: a strategic project implemented in a short period of time

The liturgical spaces of the protesis and the diaconicon

The senses tell Context 1

Transformations over the centuries

The dialogue between the architectures of the monumental complex

The paradisiacal “Conca d’oro” that embraces Palermo: a name with countless faces through time

The Cefalù cathedral: a construction yard undergoing a change between a surge of faith and control over the territory

Roger II’s strategic design

The cemetery of kings

The mosaics of the presbytery

The construction of Monreale Cathedral: between myth and history

The chapel of St. Benedict

The Bible carved in stone

From the Mosque to the Cathedral

The king’s mark

The chorus: beating heart of the cathedral

Norman religious architecture with islamic influences in Sicily

Roger II of hauteville: a sovereign protected by God

Survey of the royal tombs

Mosaic decoration

A remarkable ceiling

A space between the visible and the invisible

The balance between architecture and light

Characteristics of religious architecture in the romanesque period

The Cathedral over the centuries

The links between the hauteville family and the monastic orders in Sicily

The plasticism of the main portico and Bonanno Pisano’s Monumental Bronze Door

The beginning of the construction site

The medieval city amidst monasticism and feudal aristocracy

The Chapel of the Kings

From the main gate to the aisles: an invitation to a journey of faith

The towers facing the facade used as bell towers

The chystro: a place between earth and sky

A controversial interpretation

The transformations of the hall through the centuries

A palimpsest of history

The chapel of san Castrense: an important renaissance work

A Northern population

Interior decorations